Showing posts with label Remastered Music. Show all posts
Showing posts with label Remastered Music. Show all posts

6/05/2017

French Music Legends Magma Release Remastered "Wurdah Ïtah" Featuring Unreleased Material!


Featuring 25 minutes of previously unreleased material!

Paris, France - French music legends Magma have released a new remastered version of their critically acclaimed 1974 album “Wurdah Ïtah” on CD! The release includes for the first time, “Wurdah Ïtah Prima Materia,” the Original Demo used for the soundtrack to the film “Tristan & Iseult.”

“Winter 1971. Between two series of concerts, we are pacing in circles like caged animals. Georgio Gomelsky senses the tension in the air and decides to book the little Chappell studio for us for a few days in order to release our pent-up energy. On 3 January 1972, Klaus Blasquiz, Jean-Pierre Lembert, René 'Stundëhr' Garber and I enter the studio. Despite the many imperfections of this recording, it remains an essential document to understand the origin of 'Wurdah Ïtah' and to feel our frenzy at the time.” - Christian Vander 1974 

“Wurdah Ïtah” was recorded in April 1974, just one month before the sessions which produced “Kohntarkosz.” It forms the second movement of “Theusz Hamtaahk,” an epic work in three movements of which “Mekanik Destruktiw Kommandoh,” recorded a year earlier by Magma, forms the final part. Performed by the core players in Magma at that time - Christian Vander (piano, drums, vocals), Jannick Top (bass), Klaus Blasquiz (vocals, percussion) and Stella Vander (vocals) - “Wurdah Ïtah” is music stripped down to its bare essence. Although a total contrast to the splendour and orchestral power of “M.D.K.,” it nevertheless has just as great rhythmic power and surprising vocal lyricism, unquestionably marked by the claws of Magma!

Recorded and mixed April 4th, 5th& 8th 1974 at Studio de Milan (Paris)  by Jean-Pierre Bameulle

New booklet – Lyrics included!

To purchase: http://www.seventhrecords.com/en/magma-19/wurdah-itah-remastered-25-mn-unpreviously-1263.html

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

French Music Legends Magma Release Remastered "Wurdah Ïtah" Featuring Unreleased Material!


Featuring 25 minutes of previously unreleased material!

Paris, France - French music legends Magma have released a new remastered version of their critically acclaimed 1974 album “Wurdah Ïtah” on CD! The release includes for the first time, “Wurdah Ïtah Prima Materia,” the Original Demo used for the soundtrack to the film “Tristan & Iseult.”

“Winter 1971. Between two series of concerts, we are pacing in circles like caged animals. Georgio Gomelsky senses the tension in the air and decides to book the little Chappell studio for us for a few days in order to release our pent-up energy. On 3 January 1972, Klaus Blasquiz, Jean-Pierre Lembert, René 'Stundëhr' Garber and I enter the studio. Despite the many imperfections of this recording, it remains an essential document to understand the origin of 'Wurdah Ïtah' and to feel our frenzy at the time.” - Christian Vander 1974 

“Wurdah Ïtah” was recorded in April 1974, just one month before the sessions which produced “Kohntarkosz.” It forms the second movement of “Theusz Hamtaahk,” an epic work in three movements of which “Mekanik Destruktiw Kommandoh,” recorded a year earlier by Magma, forms the final part. Performed by the core players in Magma at that time - Christian Vander (piano, drums, vocals), Jannick Top (bass), Klaus Blasquiz (vocals, percussion) and Stella Vander (vocals) - “Wurdah Ïtah” is music stripped down to its bare essence. Although a total contrast to the splendour and orchestral power of “M.D.K.,” it nevertheless has just as great rhythmic power and surprising vocal lyricism, unquestionably marked by the claws of Magma!

Recorded and mixed April 4th, 5th& 8th 1974 at Studio de Milan (Paris)  by Jean-Pierre Bameulle

New booklet – Lyrics included!

To purchase: http://www.seventhrecords.com/en/magma-19/wurdah-itah-remastered-25-mn-unpreviously-1263.html

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

3/20/2016

Rock/Metal Review: Bang-Mother/Bow to the King

Release Date: 1971/1972
Label: Capitol Records
Every era has its superstars, the acts and bands that shine brighter than the rest of the pack.  They top the charts, play to sold-out crowds, and amass millions in record sales. They influence the next generations of musicians and their songs and go on to become a staple of pop-culture, while sounding as good now as they did decades ago when they were first released.  Then there are the bands that get lost in the shuffle.  They have plenty of talent, and maybe a hit song or two, but they were never able to make it to the next level for whatever reason.  Bang is one such band.

Formed in Philadelphia, Pennsylvania not long after Woodstock in 1969 by two high school friends, Frank Glicken (guitar, vocals) and Frank Ferrara (bass, lead vocals), they were joined by Tony Diorio (drums) after he answered their ad in a newspaper.  One of the earliest American bands to venture into the heavy metal genre, there were hopes of them being the American answer to Black Sabbath. They signed to Capitol in the early 70s, and eventually put out three albums, with the single “Questions” making it into the top 100.  They were never able to duplicate its success and broke up after the release of their third album.

Bang and Mother/Bow to the King are re-issues of their first two albums, originally released in 1971 and 1972.  They are a joy to listen to, making it a real shame that they could not manage to keep things together, because there is a lot of quality music one these two albums.  It makes one wonder what they would have produced during the rest of the 70s if they never broke up.

The opening of “Lions, Christians” is a great attention grabber with its caustic and distinct guitar riff.  This is an ace of a hard rock song with some heavy presence.  This is a solid example of the early 70s hard rock sound that has such a close kinship with heavy metal, a nice mesh of the right speed with a heavy sound.  “The Queen” is sure to be a pleaser as it gives off a very strong Led Zeppelin vibe.  “Last Will” takes the tempo down a notch.  The sound is a bit more pop oriented, with a strong Beatles influence on this one. 

“Come with Me” picks things right back up with another soulful hard rock song. The guitar parts are a real standout here, being very memorable and unique. One of the album standouts, “Our Home,” is such a fantastic rocking tune, and should really be essential listening for hard rock fans. It is one of those songs where their skill, talent, and promise can be heard.  Over forty years later, it still sounds so fresh.  “Future Stock” is slow, heavy, and ahead of its time. This is one of those songs where their proto-metal sound can clearly be heard. “Questions” is straight up and kills it with its seductive bassline, and the drums complement it fantastically. Closing of the album is the post-apocalyptic sci-fi themed “Redman,” that is almost too catchy for its own good. 

Mother/Bow to the King is their 1972 follow-up to their self-titled debut. The opener, “Mother,” is pleasant sounding folksy song, so feel free to clap along. It retains their hard rock flair with the guitar solo near the end.  One listen to “Humble” and it is easy to see why these guys are categorized as proto-metal with the heavy hard rock sound of this song.   “Keep On” is a solid rock song memorable for its funky guitar.

“Idealist Realist” brings the heavy proto-metal sound of “Humble” back.  The cover of The Guess Who’s “No Sugar Tonight/New Mother Nature” clashes with the rest of the songs and sounds so out of place on this album.  “Feel the Hurt” is an emotional lighter rocker.  It is not as heavy as “Humble” or “Idealist Realist,” but it has plenty of passion behind it.  Following it up is “Tomorrow,” an up-beat rocker.  “Bow to the King” starts off slow and mellow and has an almost dreamlike quality to it.  It is a successful divergence from their usual hard rock and metal sound that veers into progressive rock territory.  It is a serene closer to an interesting sophomore album.   

These Bang re-issues are a true blast from the past.  Bang is one hidden gem of a band that deserves to be rediscovered.  Bang and Mother/Bow to the King are two highly creative and skillful albums that you cannot go wrong with.  If you are in any way a fan of hard rock, heavy metal, or of music from the 70s in general, then these Bang albums should definitely be in your collection.  

4.5/5 Stars

Key Tracks: Lions, Christians, Our Home, Questions, Mother, Humble, Bow to the King

Tracks:
Bang

01. Lions, Christians
02. The Queen
03. Last Will
04. Come with Me
05. Our Home
06. Future Stock
07. Questions
08. Redman


 
Mother/Bow to the Earth
09. Mother
10. Humble
11. Keep On
12. Idealist Realist
13. No Sugar Tonight/New Mother Nature
14. Feel the Hurt
15. Tomorrow
16. Bow to the King


Brian McKinnon - Write A Music Review Sr. Staff
March 20, 2016
Review Provided By Write A Music Review

9/11/2015

Audio Fidelity To Release Loggins and Messina Classic Rock Gem On 4.0 Quad SACD


“So much great music packed into one album!”

Camarillo, CA – Marshall Blonstein's Audio Fidelity is releasing Loggins and Messina's critically acclaimed self-titled album on 4.0 Quad SACD. While Loggins and Messina created many fine albums this one stands out as most representative of their impact. In the early '70s the duo pioneered true country/rock and showcased it with style and near-flawless performances.

The eponymously titled 1972 Loggins and Messina album built on the strengths of their debut outing, “Sittin' In.” The same mix of short catchy country-folk-pop gems with longer intricately layered and meaningful ballads bordering on jazz and edgy rock powered its success. The album reached #16 on the Billboard charts and “Your Mama Don't Dance” charted at #4. The epic “Angry Eyes” became an instant FM radio staple reaching the top of the college radio and AOR charts.

This Loggins and Messina album has many varied textures and arrangements. A little bit of country, a number of quality ballads and some good old rock 'n' roll. Their backup band was anchored by multi-instrumentalist Al Garth, and also featured keyboardist Michael Omartian and Poco steel guitarist Rusty Young.

The Loggins and Messina album became the true introduction of the band, Loggins and Messina, not as soloists playing together, but rather as a duo that offered pure genius in their music.

“Exceptional harmonies and insightful lyrics...The cream Of The Classic Rock crop.”

Tracks
1. Good Friend
2. Whiskey
3. Your Mama Don't Dance
4. Long Tail Cat
5. Golden Ribbons
6. Thinking of You
7. Just Before the News
8. Till the Ends Meet
9. Holiday Hotel
10. Lady of My Heart
11. Angry Eyes

Produced by Jim Messina, Kenny Loggins
Mastered for this release by Steve Hoffman at Stephen Marsh Mastering

For more information: www.audiofidelity.net

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

4/23/2015

Grammy Winner Neil Citron Releases Remastered Version of Debut CD “In Search Of Higher Ground”


Los Angeles - Declassified Records and SBI Music Inc. proudly announce the re-mastered release of “In Search Of Higher Ground”, the debut solo CD from Grammy winning guitarist, engineer and producer Neil Citron. Originally recorded in 1994, the digital versions of the record have been re-mastered from the original master tapes to further highlight the sonic beauty of this musical masterpiece. The 13 track album also features Keyboardist Erik Norlander, Drummer Walter Garces, Tony Franklin on Fretless Bass, and one track with symphonic rock singer Lana Lane on vocals.

Neil Citron delivers an instrumental magnum opus of guitar virtuosity and acrobatics mixed with his familiar melodic sensibilities, all of which keeps his music with the listener long after the songs have stopped. His fluid yet commanding guitar style weaves through heavy rock arrangements with memorable phrasing and intrepid tonalities.

Joining Neil on “In Search Of Higher Ground” is veteran keyboardist Erik Norlander (Lana Lane, Rocket Scientists), whose growling Hammond organ and lush synthesizer, paint a vast and spacious sonic landscape behind the bold lead work of Citron's guitars.

Citron’s aggressive melodic lines coalesce with the undulating heavy rhythms from drummer Walter Garces (The Electric Prunes, BangTower), drawing in the listener with endless energy. Walter also appears with Neil (and Percy Jones) on the recent releases from the fusion trio BangTower and is known as “the L.A. Drum-Guru” having taught students at all levels for decades.

Accomplished rock bassist Tony Franklin (The Firm, Blue Murder, Kenny Wayne Shepherd), rounds out the ensemble. Franklin’s bass expertise is legendary in the rock world, and this album is no exception with fretless harmonies and grooves unique to the “Fretless Monster”.

Guest appearances by Joachim Cooder and Don Allen on percussion bring additional dimension to this timeless album.

Known for his amazing guitar work with such fantastic artists as BangTower, Quiet Riot, Lana Lane and others, Neil has also engineered and produced records for some of the greatest modern musicians including John 5, Slash, Joe Satriani, and John Waite. His work with Larry Carlton and Steve Lukather earned him his first Grammy in 2002 for the record "No Substitutions: Live in Osaka" (Best Contemporary Instrumental Album). Citron's expertise and talent is also in constant demand in the motion picture and television industry. He has contributed to several major films including "My Big Fat Greek Wedding", "Mama Mia", "That Thing You Do" with Oscar winner Tom Hanks and several films from Oscar winning producer Dino De Laurentiis. Neil has also engineered/produced numerous records and DVD's from guitarist Steve Vai.

Citron plays guitars by Tom Anderson and Ibanez. He also uses Red Plate Amps, Morley Pedals, DiMarzio Pickups and Dean Markley Strings to get his unique, signature tone that is both aggressive and liquid at the same time. His signature tones and amp setups are featured in several high end recording products from Line 6 and Waves.

Declassified Records is releasing a limited number of physical copies of the original CD pressing, along with the Digital versions recently re-mastered by Neil. This amazing instrumental record will be available at most major retailers on April 14, 2015 including iTunes, Amazon, CD-Baby and others. A Hi-Resolution (96/24) version with 3 “bonus” tracks (demo versions of included songs) will be available on BandCamp on May 12, 2015.

With its rich, textural audio colors and impressive lineup of stellar musicians, Neil Citron presents an instrumental rock experience to remember “In Search Of Higher Ground”.

Neil Citron Homepage -http://www.neilcitron.com ;
Neil Citron Facebook - https://www.facebook.com/neilcitronguitar ;
CD Baby Store - http://cdbaby.com/cd/neilcitron
CD-Baby Artist page - http://www.cdbaby.com/Artist/NeilCitron ;
Apple iTunes Store - https://itunes.apple.com/us/album/in-search-of-higher-ground/id984090263 ;
Declassified Records - http://www.declassifiedrecords.com ;
Declassified Records FaceBook - https://www.facebook.com/DeclassifiedRecords ;
BangTower - http://www.bangtower.com ;
BangTower Facebook - https://www.facebook.com/Bangtower ;

Contact:
Declassified Records: press@declassifiedrecords.com
Neil Citron official website: http://neilcitron.com/contact.html ;

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Grammy Winner Neil Citron Releases Remastered Version of Debut CD “In Search Of Higher Ground”


Los Angeles - Declassified Records and SBI Music Inc. proudly announce the re-mastered release of “In Search Of Higher Ground”, the debut solo CD from Grammy winning guitarist, engineer and producer Neil Citron. Originally recorded in 1994, the digital versions of the record have been re-mastered from the original master tapes to further highlight the sonic beauty of this musical masterpiece. The 13 track album also features Keyboardist Erik Norlander, Drummer Walter Garces, Tony Franklin on Fretless Bass, and one track with symphonic rock singer Lana Lane on vocals.

Neil Citron delivers an instrumental magnum opus of guitar virtuosity and acrobatics mixed with his familiar melodic sensibilities, all of which keeps his music with the listener long after the songs have stopped. His fluid yet commanding guitar style weaves through heavy rock arrangements with memorable phrasing and intrepid tonalities.

Joining Neil on “In Search Of Higher Ground” is veteran keyboardist Erik Norlander (Lana Lane, Rocket Scientists), whose growling Hammond organ and lush synthesizer, paint a vast and spacious sonic landscape behind the bold lead work of Citron's guitars.

Citron’s aggressive melodic lines coalesce with the undulating heavy rhythms from drummer Walter Garces (The Electric Prunes, BangTower), drawing in the listener with endless energy. Walter also appears with Neil (and Percy Jones) on the recent releases from the fusion trio BangTower and is known as “the L.A. Drum-Guru” having taught students at all levels for decades.

Accomplished rock bassist Tony Franklin (The Firm, Blue Murder, Kenny Wayne Shepherd), rounds out the ensemble. Franklin’s bass expertise is legendary in the rock world, and this album is no exception with fretless harmonies and grooves unique to the “Fretless Monster”.

Guest appearances by Joachim Cooder and Don Allen on percussion bring additional dimension to this timeless album.

Known for his amazing guitar work with such fantastic artists as BangTower, Quiet Riot, Lana Lane and others, Neil has also engineered and produced records for some of the greatest modern musicians including John 5, Slash, Joe Satriani, and John Waite. His work with Larry Carlton and Steve Lukather earned him his first Grammy in 2002 for the record "No Substitutions: Live in Osaka" (Best Contemporary Instrumental Album). Citron's expertise and talent is also in constant demand in the motion picture and television industry. He has contributed to several major films including "My Big Fat Greek Wedding", "Mama Mia", "That Thing You Do" with Oscar winner Tom Hanks and several films from Oscar winning producer Dino De Laurentiis. Neil has also engineered/produced numerous records and DVD's from guitarist Steve Vai.

Citron plays guitars by Tom Anderson and Ibanez. He also uses Red Plate Amps, Morley Pedals, DiMarzio Pickups and Dean Markley Strings to get his unique, signature tone that is both aggressive and liquid at the same time. His signature tones and amp setups are featured in several high end recording products from Line 6 and Waves.

Declassified Records is releasing a limited number of physical copies of the original CD pressing, along with the Digital versions recently re-mastered by Neil. This amazing instrumental record will be available at most major retailers on April 14, 2015 including iTunes, Amazon, CD-Baby and others. A Hi-Resolution (96/24) version with 3 “bonus” tracks (demo versions of included songs) will be available on BandCamp on May 12, 2015.

With its rich, textural audio colors and impressive lineup of stellar musicians, Neil Citron presents an instrumental rock experience to remember “In Search Of Higher Ground”.

Neil Citron Homepage -http://www.neilcitron.com ;
Neil Citron Facebook - https://www.facebook.com/neilcitronguitar ;
CD Baby Store - http://cdbaby.com/cd/neilcitron
CD-Baby Artist page - http://www.cdbaby.com/Artist/NeilCitron ;
Apple iTunes Store - https://itunes.apple.com/us/album/in-search-of-higher-ground/id984090263 ;
Declassified Records - http://www.declassifiedrecords.com ;
Declassified Records FaceBook - https://www.facebook.com/DeclassifiedRecords ;
BangTower - http://www.bangtower.com ;
BangTower Facebook - https://www.facebook.com/Bangtower ;

Contact:
Declassified Records: press@declassifiedrecords.com
Neil Citron official website: http://neilcitron.com/contact.html ;

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

12/18/2014

Rock-Folk Review: Dave Matthews Band-Under The Table and Dreaming

Release Date: November 24, 2014
Label: Legacy

It’s been an exciting year for Dave Matthews Band fans. There have been 4 Live Trax albums, a reissue of Remember Two Things on both CD and 180-gram vinyl, and a reissue of DMB’s major label debut, Under the Table and Dreaming on CD and vinyl as well. Although there has been quite an uproar as to when the vinyl will be arriving on people’s doorsteps (as of now, the DMB store says December 16th), the CD has arrived and listeners have had plenty of time to dig in.

One thing that continuously amazes me when I listen to the Dave Matthews Band is how they have crafted their own unique sound right from the beginning. This album doesn’t sound old or dated, simply because there is nothing else quite like it and there is not much else to compare it to. The album has a theme that shifts back and forth between the typical carefree style of DMB (“The Best of What’s Around”, “Jimi Thing”) and the tense (“Typical Situation”, “Rhyme and Reason”). The lyrical content seems to sway between the serious, the reflective and the borderline foolishness, which gives enough variety to keep things interesting.

One thing that really draws me into reissues is bonus tracks. Reissues are a great opportunity to hear some unreleased content from the old days, but this the album doesn’t deliver on this opportunity as much as I would have expected it to. Yes, “Granny” is one of my favorite DMB tracks and I’m glad to finally have a studio version of it. However, the other two acoustic tracks are slightly underwhelming. I do love the intimate feel of the acoustic renditions of “The Song That Jane Likes” and “Dancing Nancies,” but I can’t help but feel like I have heard these versions in some shape or form. It probably would have been much more enticing to include other studio outtakes, like “Get in Line” or “Kind Intentions (#32).” Of course, I can find them on YouTube, but I would much rather have them on CD or vinyl.

There isn’t a huge difference between this remastered mix and the original. When listening to them side by side, nothing really pops up as noticeably different. The guitars may sound a little “wider’” for lack of a better term, or my ears are just playing tricks on me. The point is the new mix isn’t a good selling point. Another thing I would like to mention is I, along with the rest of the DMB fanbase, can’t seem to understand why they would use an alternate version of “Jimi Thing,” which omits the outro solo by the phenomenal LeRoi Moore. It sounds downright empty to anyone who has heard the original, not to mention it is insulting to the late saxophone player, being such a huge part of the signature DMB sound.

If you haven’t already heard UTTAD, there is no better opportunity than now. Newer fans have a chance to hear the album with a few extra cuts that are by no means bad. However, for diehard fans hoping for something new, this reissue is a bit disappointing. Aside from “Granny,” there is nothing to really make this worth another purchase for those who own the original. For a 20thanniversary release, this landmark album deserves far better.

3/5 Stars

Key Tracks: Dancing Nancies, Ants Marching, Granny

Tracks:
01. The Best of What's Around
02. What Would You Say   
03. Satellite   
04. Rhyme & Reason   
05. Typical Situation
06. Dancing Nancies   
07. Ants Marching
08. Lover Lay Down   
09. Jimi Thing
10. Warehouse   
11. Pay for What You Get
12. #34    5:00   
13. Granny   
14. Dancing Nancies (Acoustic Version)   
15. The Song That Jane Likes (Acoustic Version)


Austin Hannaleck-Write A Music Review Contributor

December 18, 2014

Review Provided By Write A Music Review

12/03/2014

The Moody Blues Debut Album 'The Magnificent Moodies' 50th Anniversary Remastered Edition Now Available!


London, UK - Esoteric Recordings, a label of the Cherry Red Records Group is pleased to announce the release of an official 50th Anniversary edition of “The Magnificent Moodies”, the 1965 debut album by The Moody Blues, on the 24th November 2014. Now associated as being pioneers of progressive and orchestral rock, the Moody Blues had another life between 1964 – 1966, as one of Britain’s foremost Rhythm and Blues influenced acts. With a line-up of DENNY LAINE (Guitar, Vocals, Harmonica), RAY THOMAS (Vocals, Harmonica, Flute), MIKE PINDER (Keyboards, Vocals), CLINT WARWICK (Bass, Vocals) and GRAEME EDGE (Drums), the band signed to a London-based management company who leased recordings to Decca Records. The band’s second single, a cover version of Bessie Banks’ “Go Now!” was a huge chart success across the world. Their debut album, “The Magnificent Moodies” was released in1965 to great acclaim and tours with The Beatles eventually led them to become part of Brian Epstein’s management stable. The band continued to record a series of singles, enjoying further chart hits in the UK and Europe, before Clint Warwick departed to be replaced by ROD CLARKE and then finally dissolving in the Autumn of 1966 and reinventing themselves stylistically with a new line-up including JUSTIN HAYWARD and JOHN LODGE.

The official 50th anniversary reissues consist of a Deluxe edition includes the original album, re-mastered from the first generation master tapes, along with all the singles the band recorded between 1964 and 1966 (including the rare “People Gotta Go” – released only in France on an EP). Notably this collection also includes 29 previously unreleased bonus tracks, including the band’s entire July 1964 sessions at Olympic studios in London produced by Alex Murray, all surviving BBC radio sessions recorded in 1965 and nine tracks recorded in the Summer of 1966 with producer Denny Cordell for a proposed but unreleased second album (all newly mixed from the original four-track master tapes). The set is packaged in a clamshell box, with a lavishly illustrated booklet (with previously unseen photographs designed by Phil Smee) and essay written by Mark Powell, three rare promotional postcards and a poster.

There is also a single CD edition, which features 15 bonus tracks (drawn from the band’s singles released between 1964 & 1966). Both editions of “The Magnificent Moodies” are the definitive statement on the formative years of one of Britain’s greatest bands.

TWO DISC CLAMSHELL BOX EDITION:

“The Magnificent Moodies” - Released in July 1965

1. I’ll Go Crazy (Brown)
2. Something You Got (Kenner)
3. Go Now (Banks / Bennett)
4. Can’t Nobody Love You (Mitchell)
5. I Don’t Mind (Brown)
6. I’ve Got a Dream (Barry / Greenwich)
7. Let Me Go (Laine / Pinder)
8. Stop (Laine / Pinder)
9. Thank You Baby (Laine / Pinder)
10. It Ain’t Necessarily So (Gershwin / Gershwin / Heyward)
11. True Story (Laine / Pinder)
12. Bye Bye Bird (Williamson / Dixon)

Bonus tracks:

13. Lose Your Money (But Don’t Lose Your Mind) (Laine / Pinder)
14. Steal Your Heart Away (Parker)
A & B-side of single – Released in September 1964
15. Go Now! (first version)
Recorded at Olympic Studios on 24th July 1964 – Previously unreleased
16. It’s Easy Child (Sandler / Bennett / Redd)
B-side of single – Released as November 1964
17. I Don’t Want to Go On Without You (Berns / Wexler)
18. Time is on My Side (Meade / Norman)
A & B-side of single – Released as in February 1965
19. From the Bottom of My Heart (I Love You) (Laine / Pinder)
20. And My Baby’s Gone (Laine / Pinder)
A & B-side of single – Released as in May 1965
21. Everyday (Laine / Pinder)
22. You Don’t (All the Time) (Laine / Pinder)
A & B-side of single – Released in October 1965
23. Boulevard de Madeleine (Laine / Pinder)
24. This is My House (But Nobody Calls) (Laine / Pinder)
A & B-side of single – Released in October 1966
25. People Gotta Go (Laine / Pinder)
Taken from the “Boulevard de Madeleine” EP - Released in France in October 1966
26. Life’s Not Life (Laine / Pinder)
27. He Can Win (Laine / Pinder)
A & B-side of single – Released in January 1967

CD Two:

Previously unreleased Studio Sessions & BBC Radio Sessions:
1. Go Now! (second version) (Banks / Bennett)
2. Lose Your Money (But Don’t Lose Your Mind) (early version) (Laine / Pinder)
3. Steal Your Heart Away (first version) (Parker)
4. I’ll Go Crazy (first version) (Brown)
5. You Better Move On (Alexander)
6. Can’t Nobody Love You (first version) (Mitchell)
7. 23rd Psalm (Trad. Arr. Laine / Pinder / Thomas / Edge / Warwick)
Recorded and mixed at Olympic Studios on 24th July 1964
Produced by Alex Murray
8. Go Now (Banks / Bennett)
9. I Don’t Want to Go On Without You (Berns / Wexler)
10. I’ll Go Crazy (Brown)
“Saturday Club” session - BBC Light Programme
Recorded 12th April 1965

11. From the Bottom of My Heart (I Love You) (Laine / Pinder)
12. Jump Back (Rufus Thomas)
“Saturday Club” session - BBC Light Programme
Recorded 3rd May 1965
13. I’ve Got a Dream (Barry / Greenwich)
14. And My Baby’s Gone (Laine / Pinder)
“Saturday Club” session - BBC Light Programme
Recorded 1st June 1965
15. It’s Easy Child (Sandler / Bennett / Redd)
16. Stop (Laine / Pinder)
17. Everyday (Laine / Pinder)
“Saturday Club” session - BBC Light Programme
Recorded 21st September 1965
18. Interview with Ray Thomas and Graeme Edge /You Don’t (All the Time) (Laine / Pinder)
19. I Want You to Know (Domino / Bartholomew)
“Saturday Club” session - BBC Light Programme
Recorded 9th November 1965
20. Coca Cola Radio Commercial 1965
The 1966 Denny Cordell sessions – Previously unreleased:
21. Sad Song (Laine / Pinder)
22. This is My House (But Nobody Calls) (first version) (Laine / Pinder)
Recorded at Advision studios - 5th April 1966
23. How Can We Hang on to a Dream (first version) (Hardin)
Recorded at Advision studios - 5th July 1966
24. How Can We Hang on to a Dream (remake) (Hardin)
Recorded at Decca studio No. 2, West Hampstead - 15th July 1966
25. Jago & Jilly (Laine / Pinder)
Recorded at Decca studio No. 2, West Hampstead - 18th August 1966
26. We’re Broken (Laine / Pinder)
Recorded at Decca studio No. 2, West Hampstead - 19th August 1966
27. I Really Haven’t Got the Time (September 1966 version) (Pinder)
28. Red Wine (Laine / Pinder)
29. This is My House (But Nobody Calls) (stereo mix) (Laine / Pinder)
Recorded at Decca studio No. 2, West Hampstead - 8th September 1966

For more information:
http://www.cherryred.co.uk/shopexd.asp?id=4902

ALSO AVAILABLE - SINGLE DISC REMASTERED EDITION:
http://www.cherryred.co.uk/shopexd.asp?id=4903

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glasssonyonpr@gmail.com

Esoteric Antenna is a Cherry Red Records label
Cherry Red Records, Power Road Studios, 114 Power Road, London W4 5PY

The Moody Blues Debut Album 'The Magnificent Moodies' 50th Anniversary Remastered Edition Now Available!


London, UK - Esoteric Recordings, a label of the Cherry Red Records Group is pleased to announce the release of an official 50th Anniversary edition of “The Magnificent Moodies”, the 1965 debut album by The Moody Blues, on the 24th November 2014. Now associated as being pioneers of progressive and orchestral rock, the Moody Blues had another life between 1964 – 1966, as one of Britain’s foremost Rhythm and Blues influenced acts. With a line-up of DENNY LAINE (Guitar, Vocals, Harmonica), RAY THOMAS (Vocals, Harmonica, Flute), MIKE PINDER (Keyboards, Vocals), CLINT WARWICK (Bass, Vocals) and GRAEME EDGE (Drums), the band signed to a London-based management company who leased recordings to Decca Records. The band’s second single, a cover version of Bessie Banks’ “Go Now!” was a huge chart success across the world. Their debut album, “The Magnificent Moodies” was released in1965 to great acclaim and tours with The Beatles eventually led them to become part of Brian Epstein’s management stable. The band continued to record a series of singles, enjoying further chart hits in the UK and Europe, before Clint Warwick departed to be replaced by ROD CLARKE and then finally dissolving in the Autumn of 1966 and reinventing themselves stylistically with a new line-up including JUSTIN HAYWARD and JOHN LODGE.

The official 50th anniversary reissues consist of a Deluxe edition includes the original album, re-mastered from the first generation master tapes, along with all the singles the band recorded between 1964 and 1966 (including the rare “People Gotta Go” – released only in France on an EP). Notably this collection also includes 29 previously unreleased bonus tracks, including the band’s entire July 1964 sessions at Olympic studios in London produced by Alex Murray, all surviving BBC radio sessions recorded in 1965 and nine tracks recorded in the Summer of 1966 with producer Denny Cordell for a proposed but unreleased second album (all newly mixed from the original four-track master tapes). The set is packaged in a clamshell box, with a lavishly illustrated booklet (with previously unseen photographs designed by Phil Smee) and essay written by Mark Powell, three rare promotional postcards and a poster.

There is also a single CD edition, which features 15 bonus tracks (drawn from the band’s singles released between 1964 & 1966). Both editions of “The Magnificent Moodies” are the definitive statement on the formative years of one of Britain’s greatest bands.

TWO DISC CLAMSHELL BOX EDITION:

“The Magnificent Moodies” - Released in July 1965

1. I’ll Go Crazy (Brown)
2. Something You Got (Kenner)
3. Go Now (Banks / Bennett)
4. Can’t Nobody Love You (Mitchell)
5. I Don’t Mind (Brown)
6. I’ve Got a Dream (Barry / Greenwich)
7. Let Me Go (Laine / Pinder)
8. Stop (Laine / Pinder)
9. Thank You Baby (Laine / Pinder)
10. It Ain’t Necessarily So (Gershwin / Gershwin / Heyward)
11. True Story (Laine / Pinder)
12. Bye Bye Bird (Williamson / Dixon)

Bonus tracks:

13. Lose Your Money (But Don’t Lose Your Mind) (Laine / Pinder)
14. Steal Your Heart Away (Parker)
A & B-side of single – Released in September 1964
15. Go Now! (first version)
Recorded at Olympic Studios on 24th July 1964 – Previously unreleased
16. It’s Easy Child (Sandler / Bennett / Redd)
B-side of single – Released as November 1964
17. I Don’t Want to Go On Without You (Berns / Wexler)
18. Time is on My Side (Meade / Norman)
A & B-side of single – Released as in February 1965
19. From the Bottom of My Heart (I Love You) (Laine / Pinder)
20. And My Baby’s Gone (Laine / Pinder)
A & B-side of single – Released as in May 1965
21. Everyday (Laine / Pinder)
22. You Don’t (All the Time) (Laine / Pinder)
A & B-side of single – Released in October 1965
23. Boulevard de Madeleine (Laine / Pinder)
24. This is My House (But Nobody Calls) (Laine / Pinder)
A & B-side of single – Released in October 1966
25. People Gotta Go (Laine / Pinder)
Taken from the “Boulevard de Madeleine” EP - Released in France in October 1966
26. Life’s Not Life (Laine / Pinder)
27. He Can Win (Laine / Pinder)
A & B-side of single – Released in January 1967

CD Two:

Previously unreleased Studio Sessions & BBC Radio Sessions:
1. Go Now! (second version) (Banks / Bennett)
2. Lose Your Money (But Don’t Lose Your Mind) (early version) (Laine / Pinder)
3. Steal Your Heart Away (first version) (Parker)
4. I’ll Go Crazy (first version) (Brown)
5. You Better Move On (Alexander)
6. Can’t Nobody Love You (first version) (Mitchell)
7. 23rd Psalm (Trad. Arr. Laine / Pinder / Thomas / Edge / Warwick)
Recorded and mixed at Olympic Studios on 24th July 1964
Produced by Alex Murray
8. Go Now (Banks / Bennett)
9. I Don’t Want to Go On Without You (Berns / Wexler)
10. I’ll Go Crazy (Brown)
“Saturday Club” session - BBC Light Programme
Recorded 12th April 1965

11. From the Bottom of My Heart (I Love You) (Laine / Pinder)
12. Jump Back (Rufus Thomas)
“Saturday Club” session - BBC Light Programme
Recorded 3rd May 1965
13. I’ve Got a Dream (Barry / Greenwich)
14. And My Baby’s Gone (Laine / Pinder)
“Saturday Club” session - BBC Light Programme
Recorded 1st June 1965
15. It’s Easy Child (Sandler / Bennett / Redd)
16. Stop (Laine / Pinder)
17. Everyday (Laine / Pinder)
“Saturday Club” session - BBC Light Programme
Recorded 21st September 1965
18. Interview with Ray Thomas and Graeme Edge /You Don’t (All the Time) (Laine / Pinder)
19. I Want You to Know (Domino / Bartholomew)
“Saturday Club” session - BBC Light Programme
Recorded 9th November 1965
20. Coca Cola Radio Commercial 1965
The 1966 Denny Cordell sessions – Previously unreleased:
21. Sad Song (Laine / Pinder)
22. This is My House (But Nobody Calls) (first version) (Laine / Pinder)
Recorded at Advision studios - 5th April 1966
23. How Can We Hang on to a Dream (first version) (Hardin)
Recorded at Advision studios - 5th July 1966
24. How Can We Hang on to a Dream (remake) (Hardin)
Recorded at Decca studio No. 2, West Hampstead - 15th July 1966
25. Jago & Jilly (Laine / Pinder)
Recorded at Decca studio No. 2, West Hampstead - 18th August 1966
26. We’re Broken (Laine / Pinder)
Recorded at Decca studio No. 2, West Hampstead - 19th August 1966
27. I Really Haven’t Got the Time (September 1966 version) (Pinder)
28. Red Wine (Laine / Pinder)
29. This is My House (But Nobody Calls) (stereo mix) (Laine / Pinder)
Recorded at Decca studio No. 2, West Hampstead - 8th September 1966

For more information:
http://www.cherryred.co.uk/shopexd.asp?id=4902

ALSO AVAILABLE - SINGLE DISC REMASTERED EDITION:
http://www.cherryred.co.uk/shopexd.asp?id=4903

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glasssonyonpr@gmail.com

Esoteric Antenna is a Cherry Red Records label
Cherry Red Records, Power Road Studios, 114 Power Road, London W4 5PY

8/17/2014

Prog Rock Review: Jethro Tull-A Passion Play- An Extended Performance

Release Date: July 1, 2014
Label: Rhino

The Jethro Tull remasters continue with A Passion Play from 1973. Steven Wilson returns to sit behind the sound board and make his magic happen yet again. This special book edition is subtitled An Extended Performance. Ian Anderson has all the faith and trust in the world for Wilson and with good reason; he has proven to be asset in restoring some of the early Jethro Tull back catalog already.

This beautifully packaged 2CD/2DVD case-bound book includes 80 pages with vintage photos. The expanded edition includes the original album, and earlier Château d'Hérouville Sessions, both mixed to amazing 5.1 surround sound and new stereo mixes by Mr. Wilson.

 
As stated on the band’s website: Like its predecessor, Thick as a Brick, A Passion Play is a concept album with a single song (which was split into two parts on the original vinyl LP release). The theme of the concept is the spiritual journey of one man in the afterlife. 

That pretty much sums up the album’s meaning on a conceptual level however the music is another matter entirely.

There was not a good reaction from the press at the time of this album’s release, but as usual they were dead wrong and this went on to be an unheralded prog rock classic and it still stands up quite well today. This is very complex music set to an interesting story (of course). And what would one expect from Ian and the boys anyway? To hear it all again now remastered in 5.1 surround sound is indeed a blessing as it brings out a lot of the original intent more clearly and concisely than the original recording.

The presentation itself is as grand as the recording and as such deserves all of this special treatment. Some great information becomes available throughout the 80 pages of text included with this book version. You get an inside look at the recording process and some of the challenges involved where they did the initial recording session. I won’t go into detail to ruin the experience for anyone that has not purchased this yet, but rest assured it is all very entertaining.

A few tracks in and the realization that Passion Play is a brilliant slice of prog rock hits home with more impact than ever. “Critique Oblique” is a classic prog rock workout reminiscent of its predecessor TAAB. “The Story Of The Hare Who Lost His Spectacles” I am sure was fun to record but it still sounds very strange to me (and the short film provided is even more so but alas it was theater). It is part of the story so it couldn’t be a track that never made it to the album then reemerge as bonus track. “The Foot of Our Stairs” is a proper return to form, now with the addition of 2 extra verses found on the end of the multi-track reel. Things continue on from there with so many transitions it would make any worthy musician or intent listener’s head spin. And to that I say well done lads!

“Magus Perde” is powerful and engaging as it gets. It has some fantastic keyboard passages and the guitar sound is different than usual while standing out very well. Also found on the first DVD and your choice of remastered tracks is the intro and outro film used during the tour. I can imagine many audience members freaking out at the time watching what the ballerina does. Her starting position was laying on her back looking at you with her head upside down and moving her limbs every so slightly for several minutes until finally getting into the position to dance. Then eventually she finds a mirror and jumps into it only to come crashing back through the other side to end the show. I cannot imagine the wow effect it had on the many completely stoned audiences back then.


The Chateau d’Herouville Sessions fills the second discs (CD & DVD) and it is a new Steven Wilson stereo mix that stands out. The DVD with its different surround sound versions includes scrolling pictures of the band as the music plays. A few tracks that never made it on Passion Play but on to War Child are featured in their native form. “Skating Away” and “Solitaire” provide a window into what War Child would become. All of this music was definitely worth revisiting and I think fans will appreciate hearing it. 

The new discovery factor and then the realizations of new sounds 40 years on comes rushing at you proving it is still a big part of what these sets have to offer. After listening to this great music of the past it is reaffirmed that Jethro Tull was a unique band and Ian Anderson’s vocals and all around talent was the core driving force. I plan to continue to enjoy all of this older music coming back to life and the new music on offer from the incredible Mr. Anderson and company.

5/5 Stars

Key Tracks: Critique Oblique (all versions), Magus Perde, Skating Away


Keith “MuzikMan” Hannaleck-Prog Rock Music Talk Founder

August 17, 2014
Review Provided By Prog Rock Music Talk


Tracks: 

CD 1 – A Passion Play (A new Steven Wilson stereo mix):
01. Lifebeats/Prelude
02. The Silver Cord
03. Re-Assuring Tune
04. Memory Bank
05. Best Friends
06. Critique Oblique
07. Forest Dance #1
08. The Story Of The Hare Who Lost His Spectacles
09. Forest Dance #2
10. The Foot Of Our Stairs (+ 2 extra verses found on end of multi-track reel)
11. Overseer Overture.
12. Flight From Lucifer
13. 10.08 to Paddington
14. Magus Perde
15. Epilogue

CD 2 – The Chateau d’Herouville Sessions (A new Steven Wilson stereo mix):

01. The Big Top
02. Scenario
03. Audition
04. Skating Away
05. Sailor
06. No Rehearsal
07. Left Right
08. Solitaire
09. Critique Oblique (Part I)
10. Critique Oblique (Part II)
11. Animelee (1st Dance) [Instrumental] 12. Animelee (2nd Dance) [Instrumental] 13. Law Of The Bungle (Part I)
14. Tiger
15. Law Of The Bungle (Part II)

DVD 1 (Audio & Video):

Contains A Passion Play mixed to 5.1 DTS and AC3 Dolby Digital surround sound and PCM 96/24 PCM stereo. A flat transfer from the original master at PCM 96/24 stereo and video clips of The Story Of The Hare Who Lost His Spectacles an intro and outro film footage used in the Passion Play tour of 1973.


DVD 2 (Audio only):

Contains The Chateau d’Herouville Sessions mixed to 5.1 DTS and AC3 Dolby Digital surround sound and PCM 96/24 PCM stereo.
In the 80 page book:

* An extensive article by Martin Webb on the preparation and recording of the album and the ‘Chateau disaster’ sessions that preceded it.

* Steven Wilson’s thoughts on mixing the recordings.

* Memories of the cover shoot and Hare filming by dancer Jane Eve (Colthorpe)

* The Rev’d Godfrey Pilchard’s recollections.

* 1973 tour history.

* Recollections of touring and PA systems by sound man Chris Amson.

 

Prog Rock Review: Jethro Tull-A Passion Play- An Extended Performance

Release Date: July 1, 2014
Label: Rhino

The Jethro Tull remasters continue with A Passion Play from 1973. Steven Wilson returns to sit behind the sound board and make his magic happen yet again. This special book edition is subtitled An Extended Performance. Ian Anderson has all the faith and trust in the world for Wilson and with good reason; he has proven to be asset in restoring some of the early Jethro Tull back catalog already.

This beautifully packaged 2CD/2DVD case-bound book includes 80 pages with vintage photos. The expanded edition includes the original album, and earlier Château d'Hérouville Sessions, both mixed to amazing 5.1 surround sound and new stereo mixes by Mr. Wilson.

 
As stated on the band’s website: Like its predecessor, Thick as a Brick, A Passion Play is a concept album with a single song (which was split into two parts on the original vinyl LP release). The theme of the concept is the spiritual journey of one man in the afterlife. 

That pretty much sums up the album’s meaning on a conceptual level however the music is another matter entirely.

There was not a good reaction from the press at the time of this album’s release, but as usual they were dead wrong and this went on to be an unheralded prog rock classic and it still stands up quite well today. This is very complex music set to an interesting story (of course). And what would one expect from Ian and the boys anyway? To hear it all again now remastered in 5.1 surround sound is indeed a blessing as it brings out a lot of the original intent more clearly and concisely than the original recording.

The presentation itself is as grand as the recording and as such deserves all of this special treatment. Some great information becomes available throughout the 80 pages of text included with this book version. You get an inside look at the recording process and some of the challenges involved where they did the initial recording session. I won’t go into detail to ruin the experience for anyone that has not purchased this yet, but rest assured it is all very entertaining.

A few tracks in and the realization that Passion Play is a brilliant slice of prog rock hits home with more impact than ever. “Critique Oblique” is a classic prog rock workout reminiscent of its predecessor TAAB. “The Story Of The Hare Who Lost His Spectacles” I am sure was fun to record but it still sounds very strange to me (and the short film provided is even more so but alas it was theater). It is part of the story so it couldn’t be a track that never made it to the album then reemerge as bonus track. “The Foot of Our Stairs” is a proper return to form, now with the addition of 2 extra verses found on the end of the multi-track reel. Things continue on from there with so many transitions it would make any worthy musician or intent listener’s head spin. And to that I say well done lads!

“Magus Perde” is powerful and engaging as it gets. It has some fantastic keyboard passages and the guitar sound is different than usual while standing out very well. Also found on the first DVD and your choice of remastered tracks is the intro and outro film used during the tour. I can imagine many audience members freaking out at the time watching what the ballerina does. Her starting position was laying on her back looking at you with her head upside down and moving her limbs every so slightly for several minutes until finally getting into the position to dance. Then eventually she finds a mirror and jumps into it only to come crashing back through the other side to end the show. I cannot imagine the wow effect it had on the many completely stoned audiences back then.


The Chateau d’Herouville Sessions fills the second discs (CD & DVD) and it is a new Steven Wilson stereo mix that stands out. The DVD with its different surround sound versions includes scrolling pictures of the band as the music plays. A few tracks that never made it on Passion Play but on to War Child are featured in their native form. “Skating Away” and “Solitaire” provide a window into what War Child would become. All of this music was definitely worth revisiting and I think fans will appreciate hearing it. 

The new discovery factor and then the realizations of new sounds 40 years on comes rushing at you proving it is still a big part of what these sets have to offer. After listening to this great music of the past it is reaffirmed that Jethro Tull was a unique band and Ian Anderson’s vocals and all around talent was the core driving force. I plan to continue to enjoy all of this older music coming back to life and the new music on offer from the incredible Mr. Anderson and company.

5/5 Stars

Key Tracks: Critique Oblique (all versions), Magus Perde, Skating Away

Keith “MuzikMan” Hannaleck-Prog Rock Music Talk Founder

August 17, 2014

Review Provided By Prog Rock Music Talk


Tracks: 

CD 1 – A Passion Play (A new Steven Wilson stereo mix:

01. Lifebeats/Prelude
02. The Silver Cord
03. Re-Assuring Tune
04. Memory Bank
05. Best Friends
06. Critique Oblique
07. Forest Dance #1
08. The Story Of The Hare Who Lost His Spectacles
09. Forest Dance #2
10. The Foot Of Our Stairs (+ 2 extra verses found on end of multi-track reel)
11. Overseer Overture.
12. Flight From Lucifer
13. 10.08 to Paddington
14. Magus Perde
15. Epilogue

CD 2 – The Chateau d’Herouville Sessions (A new Steven Wilson stereo mix:


01. The Big Top
02. Scenario
03. Audition
04. Skating Away
05. Sailor
06. No Rehearsal
07. Left Right
08. Solitaire
09. Critique Oblique (Part I)
10. Critique Oblique (Part II)
11. Animelee (1st Dance) [Instrumental] 12. Animelee (2nd Dance) [Instrumental] 13. Law Of The Bungle (Part I)
14. Tiger
15. Law Of The Bungle (Part II)

DVD 1 (Audio & Video):


Contains A Passion Play mixed to 5.1 DTS and AC3 Dolby Digital surround sound and PCM 96/24 PCM stereo. A flat transfer from the original master at PCM 96/24 stereo and video clips of The Story Of The Hare Who Lost His Spectacles an intro and outro film footage used in the Passion Play tour of 1973.


DVD 2 (Audio only):

 
Contains The Chateau d’Herouville Sessions mixed to 5.1 DTS and AC3 Dolby Digital surround sound and PCM 96/24 PCM stereo.
In the 80 page book:

* An extensive article by Martin Webb on the preparation and recording of the album and the ‘Chateau disaster’ sessions that preceded it.

* Steven Wilson’s thoughts on mixing the recordings.

* Memories of the cover shoot and Hare filming by dancer Jane Eve (Colthorpe)

* The Rev’d Godfrey Pilchard’s recollections.

* 1973 tour history.

* Recollections of touring and PA systems by sound man Chris Amson.