Italian Composer, Multi-instrumentalist & Visual Artist Giancarlo Erra Returns With Spellbinding New Album “Departure Tapes”

First single & video for track “Departure Tape” premiered

UK based Italian composer, multi-instrumentalist and visual artist Giancarlo Erra will release his new album “Departure Tapes” on July 2, 2021 through Kscope.

“Departure Tapes” is an album consisting of 6 contemplative recordings, written while travelling between the UK and Italy. The majority of these 6 tracks were improvised in the studio by Erra, so for the most part, are totally unique and hold a sincerity which cannot be replicated. It is the follow up to 2019’s acclaimed album “Ends I-VII”, with the new recordings reflecting what has been an extremely difficult year for Giancarlo, with the loss of his father to cancer. Erra comments “In 2019 my first solo album was just being released, and I already had the view that I wanted to be more experimental with the second one, but no precise idea how at that point. Then my father suddenly got ill with cancer, and everything changed.”

Erra, having had a fractured and conflicted relationship with his father since his early teenage years found a way to turn this distressing time into a cathartic experience, “He left when I was 14 and since then he wasn't really part of my life. Then I received the news of his terminal illness and somehow, I found myself in a situation where I was taking care of this man, someone who I have been distanced from for so long.  During this period, I realized it had become a time for both of us to come to terms with many things. I wanted to get closure, but a positive one, for him and for me, and I think he was the same even though he maybe didn't know it; this was hard but at the same time 'healing' and in a painful twist, it was possibly the most close and positive few months I had with him since I was a small child.” He explains the influence this had on him creatively “It's the first album I have created without realizing I was actually writing it, as it is so intrinsically linked to one of the hardest and yet more healing parts of my life. The end result is the most experimental, and at times, the darkest material I have ever written, without compromise or set plan. It contains all the elements of my music in a very unconscious free flowing way.”

WATCH THE VIDEO FOR THE NEW SINGLE “DEPARTURE TAPE” HERE

The first single to be taken from the new album is the extremely poignant and personal “Departure Tape” with the video dedicated to Erra’s father, he explains “This track was written I think when I came back from my first visit to Italy to see my father after he had been diagnosed. It really just began as a live experiment - born and finished within one afternoon. I remember I didn't really want to do anything; I was exhausted and down, but then, when I started playing the track took shape. I discovered there was much more going on inside my head that needed to be faced. For me, music has always been the only way I can do that, and from this introspection ‘Departure Tape’ was born. It's almost like a free subconscious stream of thoughts and feelings while recording everything that was happening.”

Giancarlo Erra began his musical career in 2005 with one man studio project Nosound. 2008 saw him signing with Kscope and released a string of albums under the Nosound banner before recording his debut solo “Ends I-VII”. “Departure Tapes” sees Erra play and record every instrument himself along with taking on full production responsibilities at his own studio (https://widescreen.studio).
Max Richter, Olafur Arnalds, Nils Frahm and the more electronic / ambient recordings of Brian Eno may offer a reference point by which to enter Erra’s world, but the depth within his recordings is truly original.

“Departure Tapes” track list:

1. Dawn Tape [06:15]
2. Previous Tape [01:48]
3. 169th Tape [02:51]
4. Unwound Tape [08:24]
5. Departure Tape [16:51]
6. A Blues For My Father [07:31]

“Departure Tapes” will be released on the following formats and is available to pre-order HERE (https://GiancarloErra.lnk.to/DepartureTapes)
• A gatefold LP on oxblood coloured 180g vinyl
• 2-disc CD/DVD with the DVD-A/V including high resolution stereo & 5.1 mix:
DVD-V: stereo 24/48 LPCM lossless mixes, Dolby Digital 5.1 Surround, DTS 96/24 5.1 Surround and DVD-A: 5.1 Surround 24/48 LPCM lossless mixes
• Digitally (with digital pre-orders receiving the single “Departure Tape” as an instant download from 22nd April)

Follow Giancarlo Erra:
https://facebook.com/giancarloerramusic
https://twitter.com/giancarloerra
https://www.instagram.com/giancarloerra/
https://www.youtube.com/channel/UC8aXOIiw7HiVfCdZ6r66bKA
https://soundcloud.com/giancarloerra

All artist photography by Caroline Traitler www.carolinetraitler.net
Album artwork by Giancarlo Erra

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Italian Composer, Multi-instrumentalist & Visual Artist Giancarlo Erra Returns With Spellbinding New Album “Departure Tapes”

First single & video for track “Departure Tape” premiered

UK based Italian composer, multi-instrumentalist and visual artist Giancarlo Erra will release his new album “Departure Tapes” on July 2, 2021 through Kscope.

“Departure Tapes” is an album consisting of 6 contemplative recordings, written while travelling between the UK and Italy. The majority of these 6 tracks were improvised in the studio by Erra, so for the most part, are totally unique and hold a sincerity which cannot be replicated. It is the follow up to 2019’s acclaimed album “Ends I-VII”, with the new recordings reflecting what has been an extremely difficult year for Giancarlo, with the loss of his father to cancer. Erra comments “In 2019 my first solo album was just being released, and I already had the view that I wanted to be more experimental with the second one, but no precise idea how at that point. Then my father suddenly got ill with cancer, and everything changed.”

Erra, having had a fractured and conflicted relationship with his father since his early teenage years found a way to turn this distressing time into a cathartic experience, “He left when I was 14 and since then he wasn't really part of my life. Then I received the news of his terminal illness and somehow, I found myself in a situation where I was taking care of this man, someone who I have been distanced from for so long.  During this period, I realized it had become a time for both of us to come to terms with many things. I wanted to get closure, but a positive one, for him and for me, and I think he was the same even though he maybe didn't know it; this was hard but at the same time 'healing' and in a painful twist, it was possibly the most close and positive few months I had with him since I was a small child.” He explains the influence this had on him creatively “It's the first album I have created without realizing I was actually writing it, as it is so intrinsically linked to one of the hardest and yet more healing parts of my life. The end result is the most experimental, and at times, the darkest material I have ever written, without compromise or set plan. It contains all the elements of my music in a very unconscious free flowing way.”

WATCH THE VIDEO FOR THE NEW SINGLE “DEPARTURE TAPE” HERE

The first single to be taken from the new album is the extremely poignant and personal “Departure Tape” with the video dedicated to Erra’s father, he explains “This track was written I think when I came back from my first visit to Italy to see my father after he had been diagnosed. It really just began as a live experiment - born and finished within one afternoon. I remember I didn't really want to do anything; I was exhausted and down, but then, when I started playing the track took shape. I discovered there was much more going on inside my head that needed to be faced. For me, music has always been the only way I can do that, and from this introspection ‘Departure Tape’ was born. It's almost like a free subconscious stream of thoughts and feelings while recording everything that was happening.”

Giancarlo Erra began his musical career in 2005 with one man studio project Nosound. 2008 saw him signing with Kscope and released a string of albums under the Nosound banner before recording his debut solo “Ends I-VII”. “Departure Tapes” sees Erra play and record every instrument himself along with taking on full production responsibilities at his own studio (https://widescreen.studio).
Max Richter, Olafur Arnalds, Nils Frahm and the more electronic / ambient recordings of Brian Eno may offer a reference point by which to enter Erra’s world, but the depth within his recordings is truly original.

“Departure Tapes” track list:

1. Dawn Tape [06:15]
2. Previous Tape [01:48]
3. 169th Tape [02:51]
4. Unwound Tape [08:24]
5. Departure Tape [16:51]
6. A Blues For My Father [07:31]

“Departure Tapes” will be released on the following formats and is available to pre-order HERE (https://GiancarloErra.lnk.to/DepartureTapes)
• A gatefold LP on oxblood coloured 180g vinyl
• 2-disc CD/DVD with the DVD-A/V including high resolution stereo & 5.1 mix:
DVD-V: stereo 24/48 LPCM lossless mixes, Dolby Digital 5.1 Surround, DTS 96/24 5.1 Surround and DVD-A: 5.1 Surround 24/48 LPCM lossless mixes
• Digitally (with digital pre-orders receiving the single “Departure Tape” as an instant download from 22nd April)

Follow Giancarlo Erra:
https://facebook.com/giancarloerramusic
https://twitter.com/giancarloerra
https://www.instagram.com/giancarloerra/
https://www.youtube.com/channel/UC8aXOIiw7HiVfCdZ6r66bKA
https://soundcloud.com/giancarloerra

All artist photography by Caroline Traitler www.carolinetraitler.net
Album artwork by Giancarlo Erra

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Slightly Stoopid’s Drummer RYMO Releases New Solo Album “Kinetic” Out Now!

WITH FEATURED GUESTS TONY LEVIN, MARTY SCHWARTZ, PAUL WOLSTENCROFT, TOM GRIESGRABER, AND FARZAM SALAMI

Slightly Stoopid drummer Rymo (Ryan Moran) has released his new solo album “Kinetic” out now on all digital platforms here via Controlled Substance Sound Labs. Featured guests include progressive rock legend Tony Levin (Peter Gabriel, ABWH, Pink Floyd, King Crimson), YouTube guitar sensation Marty Schwartz, Tom Griesgraber, Paul Wolstencroft (Slightly Stoopid), and film composer Farzam Salami. The album “Kinetic” arrives on the heels of his two singles “Kinetic” and “Skooby Snax” previously released this Spring.

“‘Kinetic’ represents some of the many influences and musical genres that I enjoy. Most of the songs were written and refined in a studio setting over a period of time. I was fortunate to have a bunch of great guests join me and add their talent to this project.” - Rymo

Rymo’s bandmates from Slightly Stoopid, OG, Dela, Paulie and AG all contributed to the album, playing multiple parts on songs and solos. Farzam Salami contributed tasteful Middle Eastern percussion and stringed instruments on several tracks. Tom Griesgraber helped record, produce, perform and engineer the album. The entire album was recorded at his studio with the exception of a few guest artists that recorded remotely.

“This album is a sonic journey. The music touches down in various sounding regions around the globe and takes the listener on a ride.” - Rymo

KINETIC TRACK LISTING
1. Symmetry 7 (feat. Farzam Salami)
2. Kinetic (feat. Paul Wolstencroft, Tom Griesgraber)
3. Palindrome
4. Spy Theme (feat. Tony Levin)
5. Bembé Rumba
6. Skooby Snax (feat. Marty Schwartz)
7. Mr. Roboto Visits The Outback
8. Nebula
9. Influx (feat. Marty Schwartz)
10. Megalodon
11. Cubism
12. Changó
13. Symmetry 5
14. Hearin’ Everywhere (feat. Paul Wolstencroft)
15. Didg-y-tar (feat. Farzam Salami)
16. Dream Flight

“Kinetic” is available everywhere on all digital platforms here: (https://cssl.fanlink.to/rymo-kinetic)

For more information: https://rymodrums.com/.

photo by Sterling Munksgard

ABOUT RYMO:
Born in San Francisco and raised in San Rafael, Ryan was bitten by the music bug shortly after his 10th birthday. He had two older sisters that provided a wide range of listening opportunities. One sister was full on punk rock and the other, a Deadhead. Sprinkle in generous amounts of 80’s top 40 radio and you have Ryan’s musical recipe. As far as early influences go, Ryan chooses Led Zeppelin and their drummer, John Bonham and Rush’s Neil Peart as particularly influential.

Inspired by his High School music teacher, Mark Peabody, Ryan continued his pursuit of knowledge by earning a scholarship to the Berklee College of Music in 1993 for their 5 week Summer program. There he met musicians from all over the U.S. His continuing education led him to apply to several different colleges, but San Diego State University had all the right factors. Ryan attended SDSU beginning in late 1994 until 2000, when he earned his BA in Music. Since his graduation, he has continued his pursuit of the groove, which has led to involvement in several projects.

Ryan Moran has been a full-time member of the stylistically diverse band, Slightly Stoopid since 2003 and has recorded 7 albums with the band. They have toured internationally, and shared the stage with many legendary artists. Described by themselves as “a fusion of funk, rock, reggae and ska with hip-hop, metal and punk,” Slightly Stoopid gives Ryan a wide palette to paint his percussive contributions. “It’s been an incredible ride…We have done things I could only have dreamed of as a kid.” The band has all types of content on every major social media channel, and has achieved many landmark goals, such as headlining a sold-out show at Red Rocks Amphitheater in Colorado, 10 years in a row.

In the studio, Moran has contributed to over 40 albums playing drums primarily, but also vibraphone, piano, didgeridoo, and world percussion. He has worked with various producers in a wide range of styles and projects. This has led him to recording studios all across the U.S., from sessions in New York City to Circle House in Ft. Lauderdale, FL, to the legendary Sound City in Hollywood, CA.

In addition to his performing and recording credits Ryan is also an educator, being active in giving lessons as a private teacher both online and in person. His YouTube channel ‘rymostoopid’ has over 60 drum lessons posted and has over a million views. Ryan has also been involved in The Rios Music Project, a private music school in Carlsbad, CA. In the past, he has also taught at the A.R.T.S. music non-profit organization, also in San Diego. He has appeared several times at Notes for Notes music non-profit organization in Nashville, TN and Santa Barbara, CA.

In August of 2015 Moran was featured in DRUM! Magazine and was also included in the book, “Sticks ‘N’ Skins” by Jules Follett.

Some of Rymo’s personal influences include John Bonham, Danny Carey, Dennis Chambers, Vinnie Colaiuta, Tony Williams, Elvin Jones, Stewart Copeland, Peter Erskine, David Garibaldi, Neil Peart, Simon Phillips, Thomas Pridgen, Steve Smith, and many more.

Slightly Stoopid has performed live with many guest artists, ranging from Snoop Dogg and Chali 2na to Barrington Levy, Don Carlos and Stephen Marley, to Fishbone’s Angelo Moore and Dumpstaphunk’s Ian and Ivan Neville, to name just a few.

OFFICIAL WEBSITES:
Website: https://rymodrums.com/
Twitter: https://twitter.com/Rymodrums
Facebook: https://www.facebook.com/RyMo76  
Instagram: https://www.instagram.com/rymostoopid/
Spotify: https://open.spotify.com/artist/6NZVIVrjl7TLOQ2Ysshc36
YouTube: https://www.youtube.com/channel/UCfrhEdAB9vBmkPOCEOqa71A

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

The Moody Blues' John Lodge New Single “The Sun Will Shine” OUT NOW!

John Lodge, legendary bass player, songwriter and vocalist of The Moody Blues, and inductee of the Rock and Roll Hall of Fame, has released a new digital single entitled “The Sun Will Shine”. Out now!

In John’s own words:

“On March 8th 2020 we played a sold out show in Lexington, MA, and within a week my wife and I, like so many of us around the world, went into lockdown.  

Like all of us staring at our four walls, I realised that this would be a challenging time. And then I began to think about 1967… We went into the studio and were in a sort of lockdown then, where we spent 24 hours a day creating an album that changed my life. That album was ‘Days of Future Passed’. As I looked back I remembered the creativity that took place then, and as I watched the sun rise every morning, I realised that I just needed to see the world differently. I therefore took the opportunity to write and record some new music hoping to explore how I was feeling.

My first single ‘In These Crazy Times’, which came out last year, I wrote and recorded myself on Garageband, and I asked my wife, Kirsten, my son, Kristian, and my daughter Emily’s boyfriend Jon Davison (of YES), to join me. (Emily and I have been working together for many years now). It was an incredible experience to work with all my family on this, and gave us the connection we needed even though we were apart.

I then began to write ‘The Sun Will Shine’, and for this song I wanted to work with my 10,000 Light Years Band, Alan, Billy, Duffy and Jason. Jon also joined me again, and whilst we couldn’t all be in the same room, it was so fantastic to be able to still create music together despite the miles between us. Touring is still in the future, but I can’t wait to get back on the road with my band. I miss the road, the camaraderie with all the guys, performing, and, of course, all the fans, who have been such a support to me over the last 6 decades.

This song was therefore very important to me writing it, and it’s great to see it out there now, hopefully inspiring others and reflecting the start of the end of these troubled times. My hope is that the sun will shine for me, for you, for the world, just like the dawn of a new day and the promises it brings.” - John Lodge, May 2021.

“The Sun Will Shine” is available now as a digital download, on all streaming platforms, and on YouTube as a digital video. The song is reminiscent of many of John’s earlier compositions with its message, orchestration and harmonies, and will be part of the EP “On Reflection” due to be released later this year.  

The 10,000 Light Years Band are long term collaborators Alan Hewitt (Music Director and Keyboards) and Billy Ashbaugh (Drums) both from the Moody Blues touring band. Plus, Duffy King (Guitars) and Jason Charboneau (Cello).  

Photo by Brian Aris

John Lodge is bass guitarist, vocalist, and songwriter for the iconic Rock & Roll Hall Of Fame 2018 inductees, The Moody Blues. Songwriter of such mega Moody Blues hits from “Ride My See-Saw,” to “I’m Just A Singer (In A Rock and Roll Band),” “Isn’t Life Strange?” and many more, Lodge has been performing and recording with The Moody Blues for more than five decades, selling in excess of 70 million albums. Lodge has been voted one of the “10 most influential bass players on the planet,” and has been the recipient of many awards, including ASCAP (American Society of Composers and Publishers), an Ivor Novello Award, a Lifetime Achievement Award from Prog Magazine, to name just a few. With the Moody Blues now no longer touring, John is passionate about “Keeping the Moody Blues Music Alive”, and John and his 10,000 Light Years Band provide a unique opportunity to continue to experience the magic of the Moody Blues. 2021 will see the release of his live album “The Royal Affair and After” and touring is being planned for 2022.

DOWNLOAD OR STREAM THE TRACK HERE (https://ffm.to/thesunwillshine)

For further information:
https://www.johnlodge.com/
https://www.facebook.com/johnlodgemusic/
https://twitter.com/johnlodgemusic
https://www.instagram.com/johnlodgemusic/
YouTube smarturl.it/JohnLodgeYouTube

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

The Moody Blues' John Lodge New Single “The Sun Will Shine” OUT NOW!

John Lodge, legendary bass player, songwriter and vocalist of The Moody Blues, and inductee of the Rock and Roll Hall of Fame, has released a new digital single entitled “The Sun Will Shine”. Out now!

In John’s own words:

“On March 8th 2020 we played a sold out show in Lexington, MA, and within a week my wife and I, like so many of us around the world, went into lockdown.  

Like all of us staring at our four walls, I realised that this would be a challenging time. And then I began to think about 1967… We went into the studio and were in a sort of lockdown then, where we spent 24 hours a day creating an album that changed my life. That album was ‘Days of Future Passed’. As I looked back I remembered the creativity that took place then, and as I watched the sun rise every morning, I realised that I just needed to see the world differently. I therefore took the opportunity to write and record some new music hoping to explore how I was feeling.

My first single ‘In These Crazy Times’, which came out last year, I wrote and recorded myself on Garageband, and I asked my wife, Kirsten, my son, Kristian, and my daughter Emily’s boyfriend Jon Davison (of YES), to join me. (Emily and I have been working together for many years now). It was an incredible experience to work with all my family on this, and gave us the connection we needed even though we were apart.

I then began to write ‘The Sun Will Shine’, and for this song I wanted to work with my 10,000 Light Years Band, Alan, Billy, Duffy and Jason. Jon also joined me again, and whilst we couldn’t all be in the same room, it was so fantastic to be able to still create music together despite the miles between us. Touring is still in the future, but I can’t wait to get back on the road with my band. I miss the road, the camaraderie with all the guys, performing, and, of course, all the fans, who have been such a support to me over the last 6 decades.

This song was therefore very important to me writing it, and it’s great to see it out there now, hopefully inspiring others and reflecting the start of the end of these troubled times. My hope is that the sun will shine for me, for you, for the world, just like the dawn of a new day and the promises it brings.” - John Lodge, May 2021.

“The Sun Will Shine” is available now as a digital download, on all streaming platforms, and on YouTube as a digital video. The song is reminiscent of many of John’s earlier compositions with its message, orchestration and harmonies, and will be part of the EP “On Reflection” due to be released later this year.  

The 10,000 Light Years Band are long term collaborators Alan Hewitt (Music Director and Keyboards) and Billy Ashbaugh (Drums) both from the Moody Blues touring band. Plus, Duffy King (Guitars) and Jason Charboneau (Cello).  

Photo by Brian Aris

John Lodge is bass guitarist, vocalist, and songwriter for the iconic Rock & Roll Hall Of Fame 2018 inductees, The Moody Blues. Songwriter of such mega Moody Blues hits from “Ride My See-Saw,” to “I’m Just A Singer (In A Rock and Roll Band),” “Isn’t Life Strange?” and many more, Lodge has been performing and recording with The Moody Blues for more than five decades, selling in excess of 70 million albums. Lodge has been voted one of the “10 most influential bass players on the planet,” and has been the recipient of many awards, including ASCAP (American Society of Composers and Publishers), an Ivor Novello Award, a Lifetime Achievement Award from Prog Magazine, to name just a few. With the Moody Blues now no longer touring, John is passionate about “Keeping the Moody Blues Music Alive”, and John and his 10,000 Light Years Band provide a unique opportunity to continue to experience the magic of the Moody Blues. 2021 will see the release of his live album “The Royal Affair and After” and touring is being planned for 2022.

DOWNLOAD OR STREAM THE TRACK HERE (https://ffm.to/thesunwillshine)

For further information:
https://www.johnlodge.com/
https://www.facebook.com/johnlodgemusic/
https://twitter.com/johnlodgemusic
https://www.instagram.com/johnlodgemusic/
YouTube smarturl.it/JohnLodgeYouTube

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Robert Fripp and Electronic Duo The Grid (Dave Ball of Soft Cell & Richard Norris) Release New Album “Leviathan” June 25, 2021

• New collaborative album from electronic duo The Grid (aka Richard Norris & Dave Ball of Soft Cell) and Robert Fripp

• Combining Fripp Soundscapes with synth, drums, programming and effects by The Grid

• Available on Double disc CD/DVD-a, 2LP 200 gram super-heavyweight vinyl and Digital album

“Robert (Fripp) turned up with a truck load of amps and effects, two great big stacks including delay units with a 76 second delay and played and played and played.”

Though not intended as such, in some respects Leviathan and its creators represent between them one version of the history of British electronic music. In 1973, the curiosity of a significant chunk of the King Crimson and Roxy Music fan bases, along with an attractive price, propelled Fripp & Eno’s “No Pussyfooting” into many thousands of homes where no such recording had previously registered a single sleeve, much less a gatefold. By the early 80s Dave Ball & Marc Almond’s Soft Cell were at the forefront of a wave of synth based bands who dominated the singles and albums charts. In the 1990s, The Grid – Dave Ball (again) & Richard Norris formed a key act in what was sometimes referred to as Electronica, sometimes herded under the (almost meaningless) “Dance music” category, occasionally (equally inaccurately/narrowly) described as “ambient” music, the struggles of music industry name-taggers never quite catching either the breadth of the music involved, nor recognizing – until much later – the scope of its influence.

The Grid’s success - a number of hit singles and albums, including the million selling “Swamp Thing”, world tours, remixes for Eno, Pet Shop Boys, Yello, Sylvian/Fripp – could find a ready audience among those for whom, by now, electronic music was part of the everyday musical fabric and commonality of experience, even as it continued to evolve and develop as a form in itself.

The Grid were managed at the time (1992) by David Enthoven who had also managed King Crimson and Roxy Music from inception for many years and by now with a Sylvian/Fripp remix among their producing credits, it is no surprise that the duo and Fripp were keen to see if mutual recordings would produce interesting results – hence the arrival of the equipment described by Richard Norris above at Eastcote Studios in West London.

As Norris further notes: “Robert’s craft and musicianship was slightly daunting to us at first, being from a more DIY, post punk electronic background, but we soon worked out a language to communicate in. ‘Make it sound like a thunderstorm…’, ‘I’m going to make a sound like a bomb’, that kind of thing. After every track, Robert would say ‘Have you got any more?’ and seemed to be greatly enjoying himself. He was a very generous guest”.

The resulting Fripp recordings provided material for much of The Grid’s second album “456” and their Top 20 follow-up album “Evolver”.  

But there was more, much more….

A few years ago, The Grid rediscovered tapes from these sessions, including unreleased tracks they’d worked up but never completed or mixed. A set of long solo drone pieces from Fripp was discovered along with a lost track that was then remixed to become “A Cabala Sky” by The Grid / Fripp and released as part of Bill Brewster’s acclaimed “Late Night Tales” compilation series in 2014.

Further Fripp Soundscapes from the same period were added to the mix by DGM’s David Singleton, which inspired The Grid to add new synths, drums, programming and effects to create the album “Leviathan” a 2LP and CD/DVD-a set.

Inspired by the mythical whale ‘Leviathan’, the biggest prehistoric whale that ever lived, Norris adds “I like Philip Hoare’s book ‘Leviathan’, which is about his obsession with whales and whale watching and the awe of coming into contact with such massive creatures. They are quite mysterious. Their brains are enormous, and we don’t quite know what all the brain power is doing… A bit like Robert, really”.

Having completed the album’s stereo mixes, DGM suggested the music as ideal for a full 5.1 surround mix by The Vicar. Electronic music lends itself very well to Surround Sound mixing as the listener has no fixed notion as to where any sound should emerge from. This mix features on the CD/DVD-a edition (alongside the stereo mix) and while Surround Sound is sometimes regarded as “niche” in terms of audience, the same would have been said about any form of electronic music when Fripp turned up, guitar in hand, at Eno’s place in 1972.

But then inquisitive musicians, even (perhaps especially) when they approach music from very different perspectives, often arrive at places that are as intriguing to an audience as they were to the participants.

“Leviathan” Tracklist:

1. Empire
2. Milkwood
3. Pulse Detected
4. Loom
5. Leviathan
6. After The Rain
7. Fire Tower
8. Zhora
9. Sympatico

The Grid / Fripp “Leviathan” Released 25th June 2021 and Distributed by AMPED Distribution

To pre-order: https://shop.schizoidshop.com/cd---the-gridfripp---leviathan-p1882.aspx

For more information: www.dgmlive.com

The Grid Management - Chris Smith @ Renegade Music chris@renegademusic.co.uk

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Robert Fripp and Electronic Duo The Grid (Dave Ball of Soft Cell & Richard Norris) Release New Album “Leviathan” June 25, 2021

• New collaborative album from electronic duo The Grid (aka Richard Norris & Dave Ball of Soft Cell) and Robert Fripp

• Combining Fripp Soundscapes with synth, drums, programming and effects by The Grid

• Available on Double disc CD/DVD-a, 2LP 200 gram super-heavyweight vinyl and Digital album

“Robert (Fripp) turned up with a truck load of amps and effects, two great big stacks including delay units with a 76 second delay and played and played and played.”

Though not intended as such, in some respects Leviathan and its creators represent between them one version of the history of British electronic music. In 1973, the curiosity of a significant chunk of the King Crimson and Roxy Music fan bases, along with an attractive price, propelled Fripp & Eno’s “No Pussyfooting” into many thousands of homes where no such recording had previously registered a single sleeve, much less a gatefold. By the early 80s Dave Ball & Marc Almond’s Soft Cell were at the forefront of a wave of synth based bands who dominated the singles and albums charts. In the 1990s, The Grid – Dave Ball (again) & Richard Norris formed a key act in what was sometimes referred to as Electronica, sometimes herded under the (almost meaningless) “Dance music” category, occasionally (equally inaccurately/narrowly) described as “ambient” music, the struggles of music industry name-taggers never quite catching either the breadth of the music involved, nor recognizing – until much later – the scope of its influence.

The Grid’s success - a number of hit singles and albums, including the million selling “Swamp Thing”, world tours, remixes for Eno, Pet Shop Boys, Yello, Sylvian/Fripp – could find a ready audience among those for whom, by now, electronic music was part of the everyday musical fabric and commonality of experience, even as it continued to evolve and develop as a form in itself.

The Grid were managed at the time (1992) by David Enthoven who had also managed King Crimson and Roxy Music from inception for many years and by now with a Sylvian/Fripp remix among their producing credits, it is no surprise that the duo and Fripp were keen to see if mutual recordings would produce interesting results – hence the arrival of the equipment described by Richard Norris above at Eastcote Studios in West London.

As Norris further notes: “Robert’s craft and musicianship was slightly daunting to us at first, being from a more DIY, post punk electronic background, but we soon worked out a language to communicate in. ‘Make it sound like a thunderstorm…’, ‘I’m going to make a sound like a bomb’, that kind of thing. After every track, Robert would say ‘Have you got any more?’ and seemed to be greatly enjoying himself. He was a very generous guest”.

The resulting Fripp recordings provided material for much of The Grid’s second album “456” and their Top 20 follow-up album “Evolver”.  

But there was more, much more….

A few years ago, The Grid rediscovered tapes from these sessions, including unreleased tracks they’d worked up but never completed or mixed. A set of long solo drone pieces from Fripp was discovered along with a lost track that was then remixed to become “A Cabala Sky” by The Grid / Fripp and released as part of Bill Brewster’s acclaimed “Late Night Tales” compilation series in 2014.

Further Fripp Soundscapes from the same period were added to the mix by DGM’s David Singleton, which inspired The Grid to add new synths, drums, programming and effects to create the album “Leviathan” a 2LP and CD/DVD-a set.

Inspired by the mythical whale ‘Leviathan’, the biggest prehistoric whale that ever lived, Norris adds “I like Philip Hoare’s book ‘Leviathan’, which is about his obsession with whales and whale watching and the awe of coming into contact with such massive creatures. They are quite mysterious. Their brains are enormous, and we don’t quite know what all the brain power is doing… A bit like Robert, really”.

Having completed the album’s stereo mixes, DGM suggested the music as ideal for a full 5.1 surround mix by The Vicar. Electronic music lends itself very well to Surround Sound mixing as the listener has no fixed notion as to where any sound should emerge from. This mix features on the CD/DVD-a edition (alongside the stereo mix) and while Surround Sound is sometimes regarded as “niche” in terms of audience, the same would have been said about any form of electronic music when Fripp turned up, guitar in hand, at Eno’s place in 1972.

But then inquisitive musicians, even (perhaps especially) when they approach music from very different perspectives, often arrive at places that are as intriguing to an audience as they were to the participants.

“Leviathan” Tracklist:

1. Empire
2. Milkwood
3. Pulse Detected
4. Loom
5. Leviathan
6. After The Rain
7. Fire Tower
8. Zhora
9. Sympatico

The Grid / Fripp “Leviathan” Released 25th June 2021 and Distributed by AMPED Distribution

To pre-order: https://shop.schizoidshop.com/cd---the-gridfripp---leviathan-p1882.aspx

For more information: www.dgmlive.com

The Grid Management - Chris Smith @ Renegade Music chris@renegademusic.co.uk

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Members Of YES, GENESIS, DEEP PURPLE, PARLIAMENT, KING CRIMSON, DREAM THEATER, THE DAMNED, PUBLIC IMAGE LTD, TANGERINE DREAM Perform Pink Floyd’s 1975 Masterpiece WISH YOU WERE HERE In Its Entirety!

Album features performances by Rick Wakeman, Ian Paice, Todd Rundgren, Geoff Tate, Joe Satriani, Steve Hackett, Steve Hillage, Edgar Froese, Tony Levin, James LaBrie, Bootsy Collins, Rat Scabies, Jah Wobble, Carmine Appice and more!

Los Angeles, CA - Pink Floyd’s 1975 album, Wish You Were Here, surely counts as one of the greatest rock albums of the 20th century. A musically and emotionally complex tribute to the band’s former leader, vocalist Syd Barrett, whose deteriorating mental health had caused the band to oust him in 1968, the album has become a touchstone for a generation of artists who sought to achieve the synthesis of brilliant, multi-part suites, poignant ballads, and heady melodic rockers that Roger Waters, David Gilmour, Richard Wright, & Nick Mason realized on this album.

And now, a stunning all-star line-up of rock and metal royalty have gathered to recreate this epic masterpiece as a testament to its long-enduring legacy. Still Wish You Were Here includes awe-inspiring performances from keyboard wizard Rick Wakeman, Deep Purple drummer Ian Paice, Rock Hall of Fame nominee Todd Rundgren, ex-Queensrÿche vocalist Geoff Tate, guitar god Joe Satriani, Dream Theater vocalist James LaBrie, spacebass super genius Bootsy Collins, The Damned’s Rat Scabies, PiL’s Jah Wobble and lots more! Get ready to fall in love with this classic record all over again.

Still Wish You Were Here will be available on both CD in a beautiful 6-panel deluxe digipak and a stunningly gorgeous gatefold vinyl in a variety of colors!

Pre-order the album: https://orcd.co/still_wish_you_were

Track List:
1. Shine On You Crazy Diamond (Parts 1-5) - Geoff Tate, Steve Hackett, Billy Sheehan, Mel Collins, Geoff Downes, Ian Paice
2. Welcome To The Machine - Todd Rundgren, Rick Wakeman, Tony Levin
3. Have A Cigar - James LaBrie, Steve Stevens, Patrick Moraz, Rat Scabies, Jah Wobble
4. Wish You Were Here - Rik Emmett, Joe Satriani, Edgar Froese, David Ellefson, Carmine Appice
5. Shine On You Crazy Diamond (Parts 6-9) - Rod Argent, Steve Hillage, Ian Paice, Bootsy Collins

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com

Follow PURPLE PYRAMID  @
Facebook |  Instagram  | Twitter | Youtube | Purple Pyramid Store
Facebook @PurplePyramidRecords
https://www.facebook.com/PurplePyramidRecords/
Instagram @Purple.pyramid
https://www.instagram.com/purple.pyramid/
Twitter @PurplePyramid1
https://twitter.com/PurplePyramid1
Youtube @ Purple Pyramid
https://www.youtube.com/channel/UCwiCec6bS6mX3c7dpitfYRQ
Purple Pyramid Store @
https://cleorecs.com/store/product-category/record-label/purple-pyramid/

Members Of YES, GENESIS, DEEP PURPLE, PARLIAMENT, KING CRIMSON, DREAM THEATER, THE DAMNED, PUBLIC IMAGE LTD, TANGERINE DREAM Perform Pink Floyd’s 1975 Masterpiece WISH YOU WERE HERE In Its Entirety!

Album features performances by Rick Wakeman, Ian Paice, Todd Rundgren, Geoff Tate, Joe Satriani, Steve Hackett, Steve Hillage, Edgar Froese, Tony Levin, James LaBrie, Bootsy Collins, Rat Scabies, Jah Wobble, Carmine Appice and more!

Los Angeles, CA - Pink Floyd’s 1975 album, Wish You Were Here, surely counts as one of the greatest rock albums of the 20th century. A musically and emotionally complex tribute to the band’s former leader, vocalist Syd Barrett, whose deteriorating mental health had caused the band to oust him in 1968, the album has become a touchstone for a generation of artists who sought to achieve the synthesis of brilliant, multi-part suites, poignant ballads, and heady melodic rockers that Roger Waters, David Gilmour, Richard Wright, & Nick Mason realized on this album.

And now, a stunning all-star line-up of rock and metal royalty have gathered to recreate this epic masterpiece as a testament to its long-enduring legacy. Still Wish You Were Here includes awe-inspiring performances from keyboard wizard Rick Wakeman, Deep Purple drummer Ian Paice, Rock Hall of Fame nominee Todd Rundgren, ex-Queensrÿche vocalist Geoff Tate, guitar god Joe Satriani, Dream Theater vocalist James LaBrie, spacebass super genius Bootsy Collins, The Damned’s Rat Scabies, PiL’s Jah Wobble and lots more! Get ready to fall in love with this classic record all over again.

Still Wish You Were Here will be available on both CD in a beautiful 6-panel deluxe digipak and a stunningly gorgeous gatefold vinyl in a variety of colors!

Pre-order the album: https://orcd.co/still_wish_you_were

Track List:
1. Shine On You Crazy Diamond (Parts 1-5) - Geoff Tate, Steve Hackett, Billy Sheehan, Mel Collins, Geoff Downes, Ian Paice
2. Welcome To The Machine - Todd Rundgren, Rick Wakeman, Tony Levin
3. Have A Cigar - James LaBrie, Steve Stevens, Patrick Moraz, Rat Scabies, Jah Wobble
4. Wish You Were Here - Rik Emmett, Joe Satriani, Edgar Froese, David Ellefson, Carmine Appice
5. Shine On You Crazy Diamond (Parts 6-9) - Rod Argent, Steve Hillage, Ian Paice, Bootsy Collins

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com

Follow PURPLE PYRAMID  @
Facebook |  Instagram  | Twitter | Youtube | Purple Pyramid Store
Facebook @PurplePyramidRecords
https://www.facebook.com/PurplePyramidRecords/
Instagram @Purple.pyramid
https://www.instagram.com/purple.pyramid/
Twitter @PurplePyramid1
https://twitter.com/PurplePyramid1
Youtube @ Purple Pyramid
https://www.youtube.com/channel/UCwiCec6bS6mX3c7dpitfYRQ
Purple Pyramid Store @
https://cleorecs.com/store/product-category/record-label/purple-pyramid/

Prog Legends Gentle Giant’s “Free Hand” Remixed By Steven Wilson Now Available for Pre-order

“Free Hand” was Gentle Giant’s seventh album originally released in July 1975. This album was the most commercially successful of the band’s career reaching the top 40 albums in Billboard Magazine. It stands as the culmination of the band’s maturity, following the successes of “In A Glass House” & “The Power & The Glory”.

Having toured Europe & North America non-stop in the years prior to this release with artists like Jethro Tull, Yes, Frank Zappa etc, the band had gone from strength to strength. By the time “Free Hand” was released Gentle Giant had become a major headliner in its own right. All the members were multi-instrumentalists. The band was never afraid of surprising an audience with a 4 part recorder ensemble followed by a vibraphone solo, all the while rocking the audience and thoroughly enjoying themselves onstage at the same time.

Gentle Giant’s albums featured many songs with both literary subjects as well as social and personal commentary on life as rock musicians. “Free Hand” has more than most. The title of the album and first track were so named as the band had just changed record labels and management and felt unshackled by prior contractual obligations. Putting these issues behind them upon its first release, Gentle Giant embarked on an extensive tour of North America and Europe, plus a short tour of the UK, to promote the album.

The incredible range of Gentle Giant's music is evident throughout this album. From the intricate vocal fretwork of “On Reflection” and the delicate medieval flavor of “Talybont” the Celtic-tinged rock of “Time To Kill” and the jagged rhythms of “Just The Same” all those diverse elements which made the band so strikingly original are skillfully blended and perfectly executed.

Award winning producer and musician Steven Wilson has added his delicate touch in remixing “Free Hand” in Dolby Atmos & 5.1 surround sound. His tonal range and painstaking attention to sound quality make “Free Hand” sound as fresh today as it did on first release. A fitting tribute to the compositional skills and expertise of five dedicated musicians.

Steven Wilson’s remixed version of “Free Hand” will be released in Dolby Atmos, 5.1 surround sound and accompanied by custom animated visuals for each track on Blu-ray. In addition, the original flat mix, original 1975 quad mix and an instrumental mix will all be included in a digipak CD.

A double vinyl album will also be released with both the original flat mix and the Steven Wilson remixed version. The initial first pressing will include a limited edition transparent red version.

Releasing June 25, 2021

Get a first look at the Pre-Order announcement video: https://youtu.be/OkgGF5Q6IrI

The video for “Just The Same” taken from the “Free Hand” Blu-ray will premiere on YouTube on Sunday, May 2nd at 5pm BST/12pm EST/9am PST. Click the link below to tune in:
https://youtu.be/zxdw2ILC9a8

To pre-order Gentle Giant’s “Free Hand”: https://fanlink.to/GentleGiantFreeHand

For more information:
Twitter: @GGIANTMUSIC
Facebook: https://www.facebook.com/gentlegiantband/
Instagram: @gentlegiantband

Press inquiries (North America): Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Prog Legends Gentle Giant’s “Free Hand” Remixed By Steven Wilson Now Available for Pre-order

“Free Hand” was Gentle Giant’s seventh album originally released in July 1975. This album was the most commercially successful of the band’s career reaching the top 40 albums in Billboard Magazine. It stands as the culmination of the band’s maturity, following the successes of “In A Glass House” & “The Power & The Glory”.

Having toured Europe & North America non-stop in the years prior to this release with artists like Jethro Tull, Yes, Frank Zappa etc, the band had gone from strength to strength. By the time “Free Hand” was released Gentle Giant had become a major headliner in its own right. All the members were multi-instrumentalists. The band was never afraid of surprising an audience with a 4 part recorder ensemble followed by a vibraphone solo, all the while rocking the audience and thoroughly enjoying themselves onstage at the same time.

Gentle Giant’s albums featured many songs with both literary subjects as well as social and personal commentary on life as rock musicians. “Free Hand” has more than most. The title of the album and first track were so named as the band had just changed record labels and management and felt unshackled by prior contractual obligations. Putting these issues behind them upon its first release, Gentle Giant embarked on an extensive tour of North America and Europe, plus a short tour of the UK, to promote the album.

The incredible range of Gentle Giant's music is evident throughout this album. From the intricate vocal fretwork of “On Reflection” and the delicate medieval flavor of “Talybont” the Celtic-tinged rock of “Time To Kill” and the jagged rhythms of “Just The Same” all those diverse elements which made the band so strikingly original are skillfully blended and perfectly executed.

Award winning producer and musician Steven Wilson has added his delicate touch in remixing “Free Hand” in Dolby Atmos & 5.1 surround sound. His tonal range and painstaking attention to sound quality make “Free Hand” sound as fresh today as it did on first release. A fitting tribute to the compositional skills and expertise of five dedicated musicians.

Steven Wilson’s remixed version of “Free Hand” will be released in Dolby Atmos, 5.1 surround sound and accompanied by custom animated visuals for each track on Blu-ray. In addition, the original flat mix, original 1975 quad mix and an instrumental mix will all be included in a digipak CD.

A double vinyl album will also be released with both the original flat mix and the Steven Wilson remixed version. The initial first pressing will include a limited edition transparent red version.

Releasing June 25, 2021

Get a first look at the Pre-Order announcement video: https://youtu.be/OkgGF5Q6IrI

The video for “Just The Same” taken from the “Free Hand” Blu-ray will premiere on YouTube on Sunday, May 2nd at 5pm BST/12pm EST/9am PST. Click the link below to tune in:
https://youtu.be/zxdw2ILC9a8

To pre-order Gentle Giant’s “Free Hand”: https://fanlink.to/GentleGiantFreeHand

For more information:
Twitter: @GGIANTMUSIC
Facebook: https://www.facebook.com/gentlegiantband/
Instagram: @gentlegiantband

Press inquiries (North America): Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Legendary Violinist Darryl Way to Release “Destinations 2” on Spirit of Unicorn Music, May 28th 2021

“Destinations 2” is a follow up to his critically acclaimed album “Destinations”, which was voted number 3 in Goldmine Magazine’s top 100 albums of 2020. Prog Rock said of this album: “This is ‘Guitar Hero’ as arch-melody maker, putting his chops in service of each song’s mood. This is an artist searching for and finding a fresh way to express his unquestionable talent.”

Talking about his new album Darryl says:

“Like ‘Destinations’, ‘Destinations 2’ sets out to take the listener on a journey to far off and exotic locations, something that in reality is very difficult for us to do at the moment. These tracks are journeys of the mind and are my interpretation of the atmosphere's and music of each different location, from Sun Baked Mexico to Bohemian Budapest.  

Set mostly in a ‘Rock’ format, the tracks are tempered by my new found love of playing the Guitar and my continuing love for playing the Violin. So the pieces themselves lean towards genres where the Guitar and Violin are features of that particular style. However, when the music needs to be more expansive, I have not been able to resist orchestrating it for full orchestra, giving the piece more cinematic depth.

As this music is essentially ‘Program Music’, I've also included in the sleeve notes of this album my descriptions of the pieces. As with works like Vivaldi’s ‘Four Seasons’ and Berlioz’s ‘Symphonie Fantastique’, it's sometimes helpful for the listener to know what the composer’s original intentions were.

Having said that, I’m just as happy for the listener to make up their own stories for the music.

Finally, I hope you enjoy this album as much as I did creating it.”

Darryl Way. 2021

To pre-order Darryl Way’s “Destinations 2”: https://geni.us/DWdestination2

Watch excerpts from Darryl Way's “Destinations 2”: 

Darryl Way’s official website: www.darrylway.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Legendary Violinist Darryl Way to Release “Destinations 2” on Spirit of Unicorn Music, May 28th 2021

“Destinations 2” is a follow up to his critically acclaimed album “Destinations”, which was voted number 3 in Goldmine Magazine’s top 100 albums of 2020. Prog Rock said of this album: “This is ‘Guitar Hero’ as arch-melody maker, putting his chops in service of each song’s mood. This is an artist searching for and finding a fresh way to express his unquestionable talent.”

Talking about his new album Darryl says:

“Like ‘Destinations’, ‘Destinations 2’ sets out to take the listener on a journey to far off and exotic locations, something that in reality is very difficult for us to do at the moment. These tracks are journeys of the mind and are my interpretation of the atmosphere's and music of each different location, from Sun Baked Mexico to Bohemian Budapest.  

Set mostly in a ‘Rock’ format, the tracks are tempered by my new found love of playing the Guitar and my continuing love for playing the Violin. So the pieces themselves lean towards genres where the Guitar and Violin are features of that particular style. However, when the music needs to be more expansive, I have not been able to resist orchestrating it for full orchestra, giving the piece more cinematic depth.

As this music is essentially ‘Program Music’, I've also included in the sleeve notes of this album my descriptions of the pieces. As with works like Vivaldi’s ‘Four Seasons’ and Berlioz’s ‘Symphonie Fantastique’, it's sometimes helpful for the listener to know what the composer’s original intentions were.

Having said that, I’m just as happy for the listener to make up their own stories for the music.

Finally, I hope you enjoy this album as much as I did creating it.”

Darryl Way. 2021

To pre-order Darryl Way’s “Destinations 2”: https://geni.us/DWdestination2

Watch excerpts from Darryl Way's “Destinations 2”: 

Darryl Way’s official website: www.darrylway.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Laura Meade of Prog Ensemble IZZ to Release New Solo Album 'The Most Dangerous Woman in America' on May 21, 2021

Laura Meade’s new studio album, The Most Dangerous Woman in America, due on May 21, 2021 on Doone Records, marks Meade’s follow up to her solo debut, 2018’s Remedium and 2019’s Don’t Panic with New York progressive rock septet IZZ.

The Most Dangerous Woman in America, co-written with IZZ bandmate John Galgano between March and December of 2020, explores the story of a woman whose voice was silenced and whose story was all but forgotten by her own country.

“As we wrote the music and lyrics for this album, John and I realized that the concept and story that inspired us was not just the story of one woman, but also the story of all of those who stay true to themselves regardless of the cost,” says Meade.

“There have been so many people throughout history – many of them women – who stand up for themselves, stand up for what they believe in, and experience great pain and suffering for doing so, their memories and voices lost along the way to gossip and rumor. I hope that this album, in some small way, honors and gives voice to the forgotten.”

From the pulsing forward-momentum of “Leaving” to the majesty of “Iconoclast” to the mystery and passion of “Forgive Me,” The Most Dangerous Woman in America explores the sincerity, emotion, and authenticity that so often lie beyond the gossip and sensationalism of fame and celebrity.

“This album was written to honor the forgotten: those whose stories remain untold, whose lives have been neutralized by those with unchecked power,” says Meade.

Meade’s new album features the songs “Burned at the Stake” and the title track, both available on April 23, 2021 for purchase by pre-ordering the full album at izzmusic.bandcamp.com and for streaming on Spotify.

Meade is joined on the album by IZZ members Tom Galgano (Keyboards, Production), Brian Coralian (V-Drums), John Galgano (Bass).

Laura Meade’s The Most Dangerous Woman in America is available for pre-order now on the IZZ Bandcamp page: izzmusic.bandcamp.com (download) and will be available for streaming on all platforms on May 21, 2021. CD and Vinyl versions of the album are also available for pre-order now.

Watch the video for “Burned at the Stake” here: 

Track Listing:
1.   On the Shores of the Seine
2.   Leaving
3.   Burned at the Stake
4.   Iconoclast
5.   End of the Road in Hollywood
6.   Doesn’t Change a Thing
7.   The Most Dangerous Woman in America
8.   The Shape of Shock
9.   Forgive Me
10. Tell Me, Love

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

For all other inquiries, contact Doone Records at: info@doonerecords.com
izzmusic.bandcamp.com
www.laurameademusic.com
www.facebook.com/laurameademusic
Twitter and Instagram: @laurameademusic

Laura Meade of Prog Ensemble IZZ to Release New Solo Album 'The Most Dangerous Woman in America' on May 21, 2021

Laura Meade’s new studio album, The Most Dangerous Woman in America, due on May 21, 2021 on Doone Records, marks Meade’s follow up to her solo debut, 2018’s Remedium and 2019’s Don’t Panic with New York progressive rock septet IZZ.

The Most Dangerous Woman in America, co-written with IZZ bandmate John Galgano between March and December of 2020, explores the story of a woman whose voice was silenced and whose story was all but forgotten by her own country.

“As we wrote the music and lyrics for this album, John and I realized that the concept and story that inspired us was not just the story of one woman, but also the story of all of those who stay true to themselves regardless of the cost,” says Meade.

“There have been so many people throughout history – many of them women – who stand up for themselves, stand up for what they believe in, and experience great pain and suffering for doing so, their memories and voices lost along the way to gossip and rumor. I hope that this album, in some small way, honors and gives voice to the forgotten.”

From the pulsing forward-momentum of “Leaving” to the majesty of “Iconoclast” to the mystery and passion of “Forgive Me,” The Most Dangerous Woman in America explores the sincerity, emotion, and authenticity that so often lie beyond the gossip and sensationalism of fame and celebrity.

“This album was written to honor the forgotten: those whose stories remain untold, whose lives have been neutralized by those with unchecked power,” says Meade.

Meade’s new album features the songs “Burned at the Stake” and the title track, both available on April 23, 2021 for purchase by pre-ordering the full album at izzmusic.bandcamp.com and for streaming on Spotify.

Meade is joined on the album by IZZ members Tom Galgano (Keyboards, Production), Brian Coralian (V-Drums), John Galgano (Bass).

Laura Meade’s The Most Dangerous Woman in America is available for pre-order now on the IZZ Bandcamp page: izzmusic.bandcamp.com (download) and will be available for streaming on all platforms on May 21, 2021. CD and Vinyl versions of the album are also available for pre-order now.

Watch the video for “Burned at the Stake” here: 

Track Listing:
1.   On the Shores of the Seine
2.   Leaving
3.   Burned at the Stake
4.   Iconoclast
5.   End of the Road in Hollywood
6.   Doesn’t Change a Thing
7.   The Most Dangerous Woman in America
8.   The Shape of Shock
9.   Forgive Me
10. Tell Me, Love

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

For all other inquiries, contact Doone Records at: info@doonerecords.com
izzmusic.bandcamp.com
www.laurameademusic.com
www.facebook.com/laurameademusic
Twitter and Instagram: @laurameademusic

Symphonic Rock Legends Renaissance feat. Annie Haslam Release “50th Anniversary - Ashes are Burning - an Anthology - Live in Concert with The Renaissance Chamber Orchestra”

Featuring special guest Jim McCarty!

Renaissance are proud to announce the release of their Blu-ray/DVD/2CD set of the 50th Anniversary Concert at The Keswick Theatre in Glenside PA, USA on October 12th 2019, featuring their own 10-piece Renaissance Chamber Orchestra and with special guest Renaissance co-founder Jim McCarty.

It is time to celebrate the culmination of the bands widespread touring and recording over the past 50 years with their first high-definition concert film and Blu-ray release.

Renaissance featuring lead singer Annie Haslam performed an impressive concert of high quality musicianship alongside a magical backdrop of paintings for each song in the show, created by Annie. The combination was stunning.

The concert film is a retrospective celebration of Renaissance classics songs, some of which have never been orchestrated before, including their most notably “Ashes Are Burning”!

Watch the video for “Day of Dreamer”:

Annie Haslam says: I am so proud I was chosen to be lead singer in this incredibly unique band and to have witnessed all the musicians that have been a part of our history, each person adding something extra into the mix and life of the band. Particularly the band that we are now, who have put their hearts and souls into this music. Rave Tesar, our keyboardist and MD has taken the band to a new level by creating our own orchestra of hand-picked musicians... when we go touring now it’s like a 16-piece band, and to have them with us on our 50th Anniversary tour was so natural and perfect. Personally, I have come full circle with our special guest and friend Renaissance co-founder Jim McCarty who was at my audition on December 31st 1970! He added such special moments and memories as we performed ‘Island’, written by Keith Relf and Jim, the song that got me the job!

Renaissance are: Annie Haslam - lead vocals, Rave Tesar - keyboards, Mark Lambert - guitars/vocals, Geoffrey Langley - keyboards/vocals, Leo Traversa - bass guitar/vocals, Frank Pagano - drums/percussion/vocals

Renaissance is a band with a rich history unique unto themselves as progressive rock pioneers who rose from the ashes of the seminal UK rock band, The Yardbirds. Acclaimed for their unique blending of progressive rock with classical and symphonic influences, the band's career has now spanned fifty years spearheaded by the 5 octave voice of Annie Haslam and the masterful songwriting skills of Michael Dunford. They are widely considered to be the band that most successfully and routinely utilized the sound of a full orchestra in their recordings.

The band has toured throughout the world and has performed at Carnegie Hall with the New York Philharmonic Orchestra and additionally at the Royal Albert Hall with the Royal Philharmonic Orchestra and Royal Chorale Society. Renaissance had a top ten hit in the UK with their song “Northern Lights” that still demands airplay to this day.

Retail release will follow through Symphonic Rock Recordings in the United States, Canada and South America on April 23rd other territories will be distributed through Cherry Red Records on April 30.

To pre-order: https://renaissancetouring.com/50

For more information:
www.renaissancetouring.com
facebook.com/renaissancetouring
www.anniehaslam.com
facebook.com/anniehaslamart

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Symphonic Rock Legends Renaissance feat. Annie Haslam Release “50th Anniversary - Ashes are Burning - an Anthology - Live in Concert with The Renaissance Chamber Orchestra”

Featuring special guest Jim McCarty!

Renaissance are proud to announce the release of their Blu-ray/DVD/2CD set of the 50th Anniversary Concert at The Keswick Theatre in Glenside PA, USA on October 12th 2019, featuring their own 10-piece Renaissance Chamber Orchestra and with special guest Renaissance co-founder Jim McCarty.

It is time to celebrate the culmination of the bands widespread touring and recording over the past 50 years with their first high-definition concert film and Blu-ray release.

Renaissance featuring lead singer Annie Haslam performed an impressive concert of high quality musicianship alongside a magical backdrop of paintings for each song in the show, created by Annie. The combination was stunning.

The concert film is a retrospective celebration of Renaissance classics songs, some of which have never been orchestrated before, including their most notably “Ashes Are Burning”!

Watch the video for “Day of Dreamer”:

Annie Haslam says: I am so proud I was chosen to be lead singer in this incredibly unique band and to have witnessed all the musicians that have been a part of our history, each person adding something extra into the mix and life of the band. Particularly the band that we are now, who have put their hearts and souls into this music. Rave Tesar, our keyboardist and MD has taken the band to a new level by creating our own orchestra of hand-picked musicians... when we go touring now it’s like a 16-piece band, and to have them with us on our 50th Anniversary tour was so natural and perfect. Personally, I have come full circle with our special guest and friend Renaissance co-founder Jim McCarty who was at my audition on December 31st 1970! He added such special moments and memories as we performed ‘Island’, written by Keith Relf and Jim, the song that got me the job!

Renaissance are: Annie Haslam - lead vocals, Rave Tesar - keyboards, Mark Lambert - guitars/vocals, Geoffrey Langley - keyboards/vocals, Leo Traversa - bass guitar/vocals, Frank Pagano - drums/percussion/vocals

Renaissance is a band with a rich history unique unto themselves as progressive rock pioneers who rose from the ashes of the seminal UK rock band, The Yardbirds. Acclaimed for their unique blending of progressive rock with classical and symphonic influences, the band's career has now spanned fifty years spearheaded by the 5 octave voice of Annie Haslam and the masterful songwriting skills of Michael Dunford. They are widely considered to be the band that most successfully and routinely utilized the sound of a full orchestra in their recordings.

The band has toured throughout the world and has performed at Carnegie Hall with the New York Philharmonic Orchestra and additionally at the Royal Albert Hall with the Royal Philharmonic Orchestra and Royal Chorale Society. Renaissance had a top ten hit in the UK with their song “Northern Lights” that still demands airplay to this day.

Retail release will follow through Symphonic Rock Recordings in the United States, Canada and South America on April 23rd other territories will be distributed through Cherry Red Records on April 30.

To pre-order: https://renaissancetouring.com/50

For more information:
www.renaissancetouring.com
facebook.com/renaissancetouring
www.anniehaslam.com
facebook.com/anniehaslamart

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Music Legends Procol Harum To Release New EP “Missing Persons”

Esoteric Antenna label is pleased to announce the release of a new CD EP by the legendary PROCOL HARUM.

“Missing Persons” was completed during lockdown, after founder and lead singer Gary Brooker rediscovered a CD of rough mixes of two studio tracks the band had laid down during a previous session. “They weren’t written last week, neither are they old” says Gary, but the precise date of the original recordings remains a mystery. With the world locked down Gary and the band revisited these tracks and they now proudly sit alongside the band’s venerable catalogue.

The title track “Missing Persons (Alive Forever)” is a particularly poignant and emotive song, and a fine example of the musical tradition of Procol Harum. Gary adds: “Keith Reid’s lyrics sound incredibly apt for the time we’re living in, this is the sound of Procol Harum today.” The EP’s other new song “War Is Not Healthy” is also a touching observation of war and its impact on humanity.

This is Procol Harum at their timeless best.

(Photo by Deacon Comms)

Procol Harum
Gary Brooker (vocals, piano)
Geoff Whitehorn (guitar)
Josh Phillips (organ)
Geoff Dunn (drums)
Matt Pegg (bass)

Tracklist
1. Missing Persons (Alive Forever)
2. War Is Not Healthy
3. Missing Persons (Alive Forever) (Edited Version)

To pre-order: https://www.cherryred.co.uk/product/procol-harum-missing-persons-alive-forever-ep/

For more information: https://www.procolharum.com/

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Music Legends Procol Harum To Release New EP “Missing Persons”

Esoteric Antenna label is pleased to announce the release of a new CD EP by the legendary PROCOL HARUM.

“Missing Persons” was completed during lockdown, after founder and lead singer Gary Brooker rediscovered a CD of rough mixes of two studio tracks the band had laid down during a previous session. “They weren’t written last week, neither are they old” says Gary, but the precise date of the original recordings remains a mystery. With the world locked down Gary and the band revisited these tracks and they now proudly sit alongside the band’s venerable catalogue.

The title track “Missing Persons (Alive Forever)” is a particularly poignant and emotive song, and a fine example of the musical tradition of Procol Harum. Gary adds: “Keith Reid’s lyrics sound incredibly apt for the time we’re living in, this is the sound of Procol Harum today.” The EP’s other new song “War Is Not Healthy” is also a touching observation of war and its impact on humanity.

This is Procol Harum at their timeless best.

(Photo by Deacon Comms)

Procol Harum
Gary Brooker (vocals, piano)
Geoff Whitehorn (guitar)
Josh Phillips (organ)
Geoff Dunn (drums)
Matt Pegg (bass)

Tracklist
1. Missing Persons (Alive Forever)
2. War Is Not Healthy
3. Missing Persons (Alive Forever) (Edited Version)

To pre-order: https://www.cherryred.co.uk/product/procol-harum-missing-persons-alive-forever-ep/

For more information: https://www.procolharum.com/

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com