Prog Ensemble Dario and the Clear Release New Album “Reflective Touch” Featuring Crack The Sky Founding Member!

Guitarist Dario Saraceno and his band Dario and the Clear has released his eagerly awaited new album “Reflective Touch.” Dario was born in Ripacandida, Italy and moved to London, England during the height of Beatlemania. After his mom took him to see the Beatles at an outdoor concert, he was profoundly influenced and became infatuated with becoming a musician.  

Fast forward to his teenage years and music became reality when he purchased his first guitar.  Dario took an unusual approach. When most musicians were aspiring to play covers, Dario was immediately drawn to writing original music and spent time learning multi-track recording.  

After graduating Berklee College of Music, Dario toured with his band, Decoy and worked as a session guitarist, touring and teaching. His instructional book, “The Shapes Remain the Same” was published in 2010. After his Decoy project came to a close, Dario went solo, starting a new band he named Dario and the Clear. Dario and the Clear has released seven albums since 2011. After the release of his previous album, “Optic Nerve,” the creative muse continued to provide inspiration for a new body of work that he named “Reflective Touch.”

Since the album is guitar-driven, he invited a number of his favorite guitarists as special guests: Rick Witkowski, founding member of Crack the Sky, Gabriel Marin, multi-ethnic instrumentalist and experimental guitar player, and Hudson Valley based session guitarist, Tony De Paolo. Dario continued experimenting with his sound palette using his classical fretless guitar on the title track “Reflective Touch” and Chapman stick on the track “Heavy Merge.” Adding to the unique flavor on “Heavy Merge,” is Gabriel Marin's use of the dutar (a Pakistani instrument) and guitar arpeggiator, a fretless electric guitar.

“This album is great for progressive junkies who relish UK and Yes and other bands that are able to blend heavy guitar riffs with expertise, whimsy and creative intensity.” - Laurent Rejto, Executive Director, Hudson Valley Film Commission.  

“Guitars are ripping my face hairs off one at a time. Then the vocals come in for the soothing aftershave and nice hooks all the way around.” - Steve Ball, Instructor at Guitar Craft.

To purchase:
https://darioandtheclear.hearnow.com/reflective-touch  

For more information:
https://darioandtheclear4.bandcamp.com/album/reflective-touch    
https://music.apple.com/us/artist/dario-and-the-clear/430371436  
https://www.youtube.com/watch?v=ts7uemMlxXA

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

MARK DUDA Charts an Exciting New Path with His Transformative Debut Album BODEGA FLOWERS

Featuring Kasim Sulton (Todd Rundgren & Utopia), Thommy Price (Joan Jett, Billy Idol), Arno Hecht (Dion, Rolling Stones) and others!

New York, NY – MARK DUDA is a New York City-based artist and storyteller who sings, plays guitar, and writes great rock and roll songs. MARK DUDA shines on his debut full-length album BODEGA FLOWERS, which journalist and musician Phil Mitchum praises as a “transformative album from a generational songwriter.” Set for release July 29, 2022, BODEGA FLOWERS is an emotional journey packed with characters, experiences, and swagger straight from Manhattan’s lower east side. MARK DUDA seamlessly blends all of the NY flavors he’s soaked up over the years, from Dion to Lou Reed, The NY Dolls, the Dead Boys, and beyond, bringing his own signature update to the New York rock and roll sound and continuing to forge the musical identity he first introduced with his Month of Sundays EP from 2017.

A singer/songwriter above all else, MARK DUDA is influenced by Dion, Buddy Holly, Lou Reed, David Bowie, and Willie Nile. These influences are effortlessly delivered through the glam rock lens he grew up with, and shine through on BODEGA FLOWERS. Just as Jesse Malin emerged from the glam punk of D Generation to carve out his niche as an important voice for New York singer-songwriters, MARK DUDA is now bringing his own unique voice to the scene. Over his storied career, MARK DUDA has collaborated with rock and roll royalty from New York and beyond. Recent collaborations include legendary guitarists Cheetah Chrome (Dead Boys), Jake Cinninger (Umphrey’s McGee), Pat Travers, and Steve Hackett (Genesis). Mark has also recorded with bassist Kenny Aaronson (Billy Idol, Joan Jett), bassist Kasim Sulton (Todd Rundgren, Joan Jett), drummers Bobby Rondinelli (Black Sabbath, Blue Oyster Cult) and Thommy Price (Joan Jett, Billy Idol), and saxophone legend Arno Hecht (Dion, Rolling Stones).

BODEGA FLOWERS was executive produced by MARK DUDA and produced by Jimi K. Bones (Blondie, Joan Jett, Jonas Brothers, Willie Nile.) Jimi’s crisp production and arrangements perfectly showcase Mark Duda at his finest. Two-time Grammy nominee Kostadin Kamcev served as both recording and mastering engineer for BODEGA FLOWERS, while also contributing keys. BODEGA FLOWERS proudly features the legendary rhythm section of Kasim Sulton (bass) and Thommy Price (drums), collaborating here for the first time in 30 years! Jimi K. Bones further energizes the record with his guitar playing and background vocals. Arno Hecht (Dion, Rolling Stones) returns to play saxophone on several songs, and Johnny Pisano (Willie Nile) sings backing vocals throughout the record. Cynthia Longley Richards, who was featured on Month of Sundays, returns to the band to play cello on several songs, and Joan Chew (Lez Zeppelin) contributes keys.

Before recording 2017’s Month of Sundays, MARK DUDA gained wide recognition as the front man for New York hard rockers The Handful. The Handful have released four full-length albums since 2004, including Sons of Downtown in 2015, which was Mark’s first collaboration with Cheetah Chrome, and also features Mark in a duet with Cherie Currie of Runaways fame. Other releases with The Handful include Second Hand Smoke, Palmistry, and Wooden Indian on which Mark wrote, sang, and played guitar. Mark is also the lead vocalist for Rome, Italy-based band Mad City Rockers, who released the album Black Celebration in 2009, and handles guitar and vocals for contemporary heavy rockers August Fire. Mark continues to write and record for himself and with other groups.

BODEGA FLOWERS includes eleven brand new original MARK DUDA songs that are sure to make a fan of anyone who loves New York style rock and roll and is looking for something new to add to their rotation!

To order or stream BODEGA FLOWERS please visit: https://lnk.to/BodegaFlowers

For more information about MARK DUDA or upcoming tour dates please visit:  www.markdudamusic.com or https://markduda.bandcamp.com/

For booking inquiries please email: booking@markdudamusic.com

For Press and Interview inquiries please contact Billy James of Glass Onyon PR: (828) 350-8158 or glassonyonpr@gmail.com

For Digital Marketing please contact Jerome Forney of Independent Distribution Collective: jerome@independentdistro.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Award Winning New Age Artists Paul Adams and Elizabeth Geyer Release New Album “Sanctuary”

In recent years upheaval and uncertainty has become normal for many of us. Our careers, possessions, health, even relationships are more fragile than we realized. More than ever we need that sanctuary, the safe blissful place that can only be found within.

Following on from their previous successful collaborations including “Imaginings” (Winner, ZMR's Instrumental Album of the year) and “Deeper Imaginings” (nominated for both Zone and Independent Music Awards), Paul Adams and Elizabeth Geyer now bring us “Sanctuary,” nine new pieces borne out of their own - and our global collective need - to heal and re-anchor to our soul's true home in uncertain times. Included is an art insert of poetry focusing on peace, self - acceptance and songs within.

Solo artists each in their own right - multi award winner Adams has 120 million Pandora streams alone and Geyer's singer/songwriter albums have drawn high praise from industry heavyweights including EMI/ Blue Note's Bruce Lundvall, Jim Moginie (Midnight Oil) and multiple Grammy winner Bill Champlin (Chicago, The Sons of Champlin). It was one windy morning in Illinois two years ago which sparked the idea for “Sanctuary.”

“In my view this has to be one of the best New Age music releases I have heard for many years… an award winning album of true majesty…. and a multi-instrumental delight!” - Steve Sheppard, One World Music, UK

Elizabeth was meditating in a dark room to stave off a blinding migraine while Paul practiced the breathy Anasazi and Native American flute downstairs. Something about the combination of the wind and the low gentle phrases Paul was playing was curiously grounding and she began to feel better. Wondering what was different about these sounds from other gentle music they'd created and explored, it was the comforting reassurance of a constant low anchor that seemed to be holding the dreamy, soaring, floating textures. Put simply, music that flies without ever flying away.  Music is an incredible medium; it can excite, confront, take us to the edge; equally other music can nurture, comfort and heal. “Sanctuary” is both a powerful grounding meditation soundtrack while equally artistically rich. Adam's sultry electric sitar and other worldly touches and Geyer's distinctive jazz sensibilities on piano and vocal make “Sanctuary” both indulgence for the soul and a perfect healing backdrop for these troubled times.

Here’s what the press has said about “Sanctuary”:

“With ‘Sanctuary,’ Adams and Geyer once again prove that they are among this genre's finest artists... the soundscape is everything... beautiful beyond words.” - B T Fasmer, New Age Music Guide, Belgium 

“The addition of various other textured layers of sounds like electric sitar, chimes, etc... Elizabeth's wordless background vocalizations. make for a completely immersive experience. I suggest putting this on a loop.” - Keith “MuzikMan” Hannaleck, New Age Music Reviews, USA

“… soundscapes that draw you in and keep you comforted and relaxed are outstanding... both a salve  for the soul and peace for the mind.” - Clouzine Magazine, United Kingdom   

“Using flute, piano and voice, the duo have created nine rich, earthy tracks of ambient and world music that seem to have a life of their own… It is like immersing in waters made of music... Highly recommended.” - RJ Lannan, Artisan Music Reviews, USA

To purchase:
(Apple, Spotify, Pandora etc) https://pauladams.hearnow.com/sanctuary
BANDCAMP https://pauladams.bandcamp.com/album/sanctuary

For more information:
www.pauladams.org  
www.elizabethgeyer.com
https://twitter.com/ppaul3      
https://www.facebook.com/paul.adams.754/
https://www.instagram.com/ppaul3/?hl=en  

Videos:
SANCTUARY: https://www.youtube.com/watch?v=wyAVinhhYaE
GRACEFUL WATERS: https://www.youtube.com/watch?v=8iJLoJD0tsA
AN EVENING’S CARESS: https://www.youtube.com/watch?v=FqAlulE42yA

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Prog Legends FLASH Featuring Peter Banks “In The USA Live 1972-73” 3-CD Set Available Sept, 9, 2022

Available on Sept. 9th, restored live recordings from 1970ʼs classic prog rock group FLASH featuring ex-YES guitarist Peter Banks. Twenty-two tracks from seven shows across 3 discs; a majority of them previously unavailable. Best known thanks to their YES connections, the band nevertheless held their own across three Billboard charting albums, and the top 30 single hit “Small Beginnings.” Includes 32-page booklet with exclusive band interviews, unpublished photos and tour itinerary. A true time capsule back to the golden age of US rock concerts.

• Carefully restored and previously unreleased recordings
• For fans of progressive rock, guitar heroes & YES
• Previously unpublished photos & essay including detailed US tour history with exclusive band interviews and memorabilia

“Capturing the collective during seven of their American shows of 1972-1973, one of those preserved for posterity in its entirety, the digipack will allow the listener to savor most of the three LPs in rather different performances than those laid down in the studio and the uninitiated will have the opportunity to see how brilliant these musicians were. Colin and Ray worked for a while under the old name relatively recently, but it’s the old recordings their followers are after, so there’s something to look forward to.” – Dmitry Epstein https://dmme.net

Says Ray Bennett: “What ‘Think Like A Key Music’ set out to do here, on this multi-disc set, is to gather together whatever was left out there of live FLASH stuff regardless of quality and present it in the best possible way. Whatever improvements could be made to the audio were done. Quite a bit of it is rough sounding, but I found that even with the poor sound issues there was something coming across from the live experience. Some surprisingly good moments. A fair bit of this material was fan-recorded, probably on cassettes, some possibly from rough mixing board recordings; some is much better studio type quality, and some has been online for years on obscure websites, but in the worst possible form – awful sound, complete with extraneous noise and talking in the recordings. So all that has been cleaned up and the sound mastered as well as possible. Overall, I think this is a worthy project for the historical record at the very least. Other than the ‘In Public’ CD which is already available, this new set is it as far as we know. Pretty much all that there is of live FLASH performance.”

Watch the promotional video:  https://www.youtube.com/watch?v=aqi8AVksm7c

FLASH “In The USA” Tracklist:

CD 1:
Roslyn, NY, August 1st, 1972:
1. Black And White
2. There No More
3. Monday Morning Eyes
4. Small Beginnings
5. Children Of The Universe
6. Lifetime

CD 2:
Hempstead, NY, July 18th, 1972:
7. Small Beginnings
8. There No More
9. Children Of The Universe
10. Dreams Of Heaven
Passaic, NJ, December 16th, 1972:
11. Small Beginnings
12. Black And White
13. Children Of The Universe

CD 3:
Indianapolis, IN, December 27th, 1972:
14. Small Beginnings
15. Black And White
16. Children Of The Universe
Burbank, CA, October 9, 1973:
17. Dead Ahead
18. Psychosync
Miami, FL, October 26th, 1973:
19. Children Of The Universe
20. Black And White
Cape Cod, MA, August 24th, 1973:
21. The Bishop
22. Manhattan Morning (Christmas ’72)

To purchase: https://flash.biglink.to/intheusa

For more information: https://www.thinklikeakey.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Captain Beefheart And The Magic Band Alumni Jeff Cotton To Release His Debut Solo Album “The Fantasy Of Reality” On Madfish August 12, 2022

Jeff Cotton of Captain Beefheart and his Magic Band fame will be releasing his first ever solo album “The Fantasy of Reality” on Madfish on August 12, 2022.

After playing guitar, lap steel and vocals with the legendary Captain Beefheart and his Magic Band, appearing on the ground breaking album “Trout Mask Replica” (under the pseudonym Antennae Jimmy Semens), as well as playing on “Strictly Personal” & “Mirror Man,” Cotton withdrew from the commercial music business for nearly 50 years. Using the island state of Hawaii as a home base, he emerges from his seclusion in 2022 with his first ever solo album; “The Fantasy of Reality.”

Whimsical, playful and tongue-in-cheek – Cotton delivers a psychedelic journey that will delight Beefheart devotees while bringing plenty of new ideas to the table across the sprawling 22 track, 66-minute runtime. “Trout Mask Replica” cover designer Cal Schenkel collaborates once again as he returns to contribute to the internal artwork of the album to continue the Captain Beefheart canon into the 2020s.

Across the decades, the Magic Band’s power and influence has only grown in might, and the cult following of 1969’s “Trout Mask Replica” still excites fans to this day, in part due to the mystery and enigma of members such as Antennae Jimmy Semens (aka Jeff Cotton). In 1967, Cotton was scoped by Don Van Vliet – Captain Beefheart himself, replacing Ry Cooder on guitar. He then went one to help craft some of Captain Beefheart and the Magic Band’s most vibrant recordings and later contributed to the cult band MU.

Now blending together musical strands such as jazz, delta blues, Hawaiian and the avant-garde to create a melting pot of ideas, Cotton will astonish fans with his comeback.

The magic will continue on “The Fantasy of Reality,” which will be released on CD & Digital via Madfish with PRE ORDERS AVAILABLE HERE (https://jeffcotton.lnk.to/fantasyofreality)

Track List:
1. Does It Work For You
2. It Never Ceases To Blow My Mind
3. Ivy
4. Green Bamboo
5. He Made The Eagle
6. Elvirus
7. This Gentle Earth
8. All Things New
9. Crusin` Hamakua
10. Together We Sail
11. The Space Between Us All
12. On The Thread
13. Aloha
14. The Liberation Song
15. The Breeze Of Oblivion
16. Heavy
17. The Season Of The Awakening
18. Mother Earth Needs Healing
19. Together
20. Hear The Word
21. It Would Take An Angel
22. Clean In Nature`s Stream

For more information: https://www.madfishmusic.com/artists/jeff-cotton/

For hi-res images please see https://www.madfishmusic.com/media/jeff-cotton/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Vanderwolf Releases “12 Little Killers” LP As Follow Up To His “Extinction” EP

Following the recent release of his EP “Extinction” which featured musical legends Robert Wyatt and Daevid Allen, Vanderwolf has put forth an album of 12 original tracks available on vinyl and digital download - his first LP under his own name.

Vanderwolf re-emerges with “12 Little Killers” an eclectic collection that includes the deliciously oozing slice of psychedelia of the single “Glisten,” which is heavily-slanted toward melting analogue synthesizers (Sam Sallon) and rich layers of acoustic guitars (Chris Cordoba) and an exquisite vocal by Max Vanderwolf.

Recorded by producer Chris Wyles at his south London studio, the 12 songs were selected, mixed and compiled by keyboardist and co-producer Sam Sallon. It’s available in a limited pressing of 500.

Says Max, “These 12-tracks, present human fallibility in its many forms - greed, anxiety, lust, self-debasement, our seemingly limitless capacity to hurt others – it’s all there. It was important to have a visual identity that carries these themes.”

Vanderwolf’s music spans a wide-range of genres from global beats to hard blues to fragile balladry to prog-rock monstrosities and beyond. With a vast back catalogue of songs to release, Vanderwolf is set to get his wild and restless music out to the world.

Born in NYC, working in London and as of 2020 residing in Los Angeles, Max Vanderwolf has recorded several albums and countless songs. Most of them remain unreleased. Notably, he was vocalist and creative-force behind the semi-legendary London band, Last Man Standing, whose sole album in 2008 received plaudits from many including Mojo and Uncut.

Concurrent to his life in music, Vanderwolf has worked under an assumed name as a music programmer and concert producer in some of the worlds’ most celebrated clubs and venues. He went from overseeing the legendary underground downtown NYC’s Knitting Factory to overseeing London’s Royal Festival Hall, where for 9 years he produced the Meltdown Festival where he worked closely with David Bowie, Patti Smith, Jarvis Cocker, Massive Attack and others. He has produced concerts in Brooklyn, Rome and Paris working closely with John Cale, Sparks and the Residents.

With more music from these London sessions being mixed and an album’s worth of new material being recorded in Los Angeles, Max Vanderwolf is diving headlong into the future.

Vanderwolf “12 Little Killers” will be released on July 20, 2022.

Vanderwolf:
Max Vanderwolf - Vocals
Sam Sallon - Keyboards
Chris Wyles  - Drums
Kevin Petillo - Drums
Chris Cordoba - Guitar
Oli Hannifan - Guitar
Will Muldrew - Bass
Malin-My Nilsson and Amy Langely: strings
Victy Silva - backing vocals

To purchase the new single “Glisten”: https://lnk.to/VanderwolfGlisten

To purchase “12 Little Killers”: https://vanderwolf.lnk.to/12LittleKillers

For more information:
Official website: www.vanderwolfmusic.com
Youtube: https://www.youtube.com/channel/UC5VCMMZZYJ0QKriJy07ZJCg
Facebook: https://www.facebook.com/vanderwolfmusic
Instagram: https://www.instagram.com/vanderwolfmusic/
Twitter: https://twitter.com/Vanderwolfband
Promotional materials: https://www.vanderwolfpromo.com/
Soundcloud link to album, “12 Little Killers”: https://soundcloud.com/vanderwolf-official/sets/12-little-killers

Videos:
“Glisten” from “12 Little Killers”: https://www.youtube.com/watch?v=LE1x25aXIkA
“The Existential Terrier” from “12 Little Killers”:
https://youtu.be/1BhnWCSKoJs (available to watch on the release date)

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Brian Woodbury To Release “Rhapsody & Filigree” the 4th and Final Volume of the “Anthems & Antithets” Series

“Not since... the wondrous works of young Brian Wilson... have I heard sound of this romantic design. Indispensable.” – Van Dyke Parks

Brian Woodbury will be releasing Rhapsody & Filigree, the 4th and Final Volume of the Anthems & Antithets series on July 25th. Brian Woodbury is a songwriter who straddles the avant/pop/theater/comedy divide. His eclecticism ranges from writing Disney cartoon themes and children’s TV songs, to experimental jazz big band, to arranging 1960s Bollywood covers, to a country anthem about marriage equality and Tom Lehrer-esque comedy songs. He has released eleven albums, including the current 4-volume Anthems & Antithets. He creates music videos for his songs, most recently “Gimme Some of That Old Time Prog,” a spot-on sendup of prog rock. His songs have been sung by Nathan Lane, Lisa Loeb, Terre Roche & David Yazbek.

Van Dyke Parks has said of Brian’s music, “Not since... the wondrous works of young Brian Wilson... have I heard sound of this romantic design. Indispensable.” Brian Woodbury has been described as “... a multi-talented musician, bordering on genius. ...He should be up there with Zappa and Beefheart,” BBC Radio 3, Mixing It, and as “a consummate writer of instantly memorable pop tunes,” All Music Guide

Says Brian, “Anthems & Antithets is a series of 4 double albums I’ve made during the pandemic, each one in its own musical mood: comic, confessional, political and arty. Rhapsody & Filigree is the 4th Volume in the series, and the culmination of the project.

“Rhapsody & Filigree is expansive, fancy and fanciful - with a wide variety of arty, experimental kinds of pop songwriting, both musically and in subject matter. An emphasis on melody and beauty. The assumption is we’re all educated adults here. I always try to write songs about the things nobody writes songs about. For this album, even more so.

“On this album, I condense large forms into smaller ones. For instance, the rock opera ‘Theseus Rex’ where Theseus is the bastard son of Jerry Garcia from the Grateful Dead. Inspired by early Genesis and prog rock concept albums, this rock opera lasts just over 9 minutes, but it has a sweeping cinematic scope and it tells a tragic story. Another example is the ‘Brief Mass,’ a full setting of the Latin Mass in just over 7 minutes.

“I also love miniatures, like ‘When Byron Swam,’ a song about the elusive nature of artistic achievement. (“Did Lord Byron swim the Dardanelles or was it the Bosphorus?”) Or ‘The Honorable Mention’ where a Hollywood award show nominee rehearses his acceptance speech.”

Here’s what the press has said about the music of Brian Woodbury:

“Now it’s official – Brian Woodbury is a multi-talented musician, bordering on genius. …he should be up there with Zappa and Beefheart.” - BBC Radio 3 Mixing It

“…An extraordinary confection. Surprise your dinner guests; flummox the music anoraks; and enjoy.” - John Bungey, The Times (London)

“A cleverly lyrical, deviously funny kitchen-sink songwriter.” - New York Daily News

“An authentic pop gem that lovers of XTC and the like should absolutely not miss.” - Ondarock (Italy)

“Brian Woodbury is a particularly beautiful example of a maverick in the mainstream and double agent in the pop industry.” - Bad Alchemy (Germany)

“…alluring…. there is no way to classify what Woodbury and his Orchestra do…. There are other artists who blend styles, but none quite so seamlessly and with complete abandon as Woodbury. …Full of captivating melodies and rhythms…. Clever without being coy, this album is remarkable….” - All About Jazz

“It’s one thing to have that exceptional ability to fuse humor and witty lyrics to great music – Zappa, 10cc, Ray Stevens, Weird Al come to mind – but it’s altogether something else to be able to do it while genre hopping all over the musical map with highly original material. Quirky, witty, artful and sometimes poignant, covering the pop and country spectrum.” - Expose

Says Brian, “I had the great opportunity of collaborating with dozens of unique artists on this album. One song ‘How Soon We Forget, How Long We Remember,’ a song about the evolution of culture, was constructed using a game of musical telephone, where a half-remembered musical theme was recreated and passed on to the next musician in the chain.

“Another collaboration came about when I found my music confused with the music of a different Brian Woodbury on all the streaming platforms. A situation apparently beyond the ability of the tech giants to solve. So I reached out to this other Brian Woodbury - a jazz trombonist - and we wrote a song about it. Called ‘The Other Brian Woodbury.’”

Brian concludes, “The overriding theme of the new CD is the future. Whereas Volume 2 is a wistful look at the past, and Volume 3 is an indictment of the injustices of the present, on the new album I tried to glimpse the future. To see what positive or at least non-dystopian outcomes we have to look forward to. Dystopia is an easy pose, but it shows an utter lack of imagination. In the face of climate change and authoritarianism, it’s a copout. There are solutions, and hints of better things to come. There will be a future.”

In support of the new releases, Brian is making music videos for the 18 songs on the new album, as well as continuing to make videos for songs from the other volumes of “Anthems & Antithets”. There are 20 music videos so far from the other volumes. And in a unique kind of tour, Brian will be doing a series of attentive listening parties at select music listening rooms in the US, UK & Europe.

Release date July 25th for both the new CD (Rhapsody & Filigree) and box set of all four volumes of the “Anthems & Antithets” project.

To purchase:
US & North America: https://brianwoodbury.bandcamp.com/album/rhapsody-filigree
UK & Europe: http://www.rermegacorp.com/

For more information:
www.BrianWoodbury.com
https://www.facebook.com/BrianWoodburyMusic/
https://brianwoodbury.bandcamp.com/
https://www.youtube.com/c/brianwoodburymusic

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Female Rockabilly Pioneer LINDA GAIL LEWIS, Sister Of Rock Legend JERRY LEE LEWIS, Shares New Collection Of Early Recordings From The ‘60s & ‘70s!

Los Angeles, CA – At a time when most female artists were content with crooning sappy love songs for mainstream audiences, vocalist and pianist Linda Gail Lewis was following her own muse, singing rowdy and rousing versions of early rock classics like “C.C. Rider,” “Jim Dandy” and “Baby (You’ve Got What It Takes).” The latter track might hint at what drove Lewis to blaze her own musical path as it is a duet with Lewis’s brother, well-known raconteur and rabble rouser Jerry Lee Lewis. Lewis would go on to record several times with her brother but also branched out to record several solo albums throughout the years as well as a 2000 album with Van Morrison and, more recently, has appeared on albums by Robert Gordon and Ann-Margret!  

But it’s Gail’s early tracks that truly showcase her historic importance as a pioneer of rockabilly music, and these tracks have now been collected on a brand-new compilation, entitled Early Sides 1963-1973, giving fans of vintage rock and rockabilly a chance to discover her unique talents. The audio has been completely remastered by guitar icon Danny B. Harvey who had this to say about the collection “It’s a well-known fact that from 1961 until the late ‘70s, Linda Gail Lewis sang and stood beside her big brother Jerry Lee Lewis, both onstage and in the studio. Not as well-known is during that time she also managed to record her own amazing solo singles in Memphis, Nashville and LA with legendary musicians & producers like Scotty Moore, Jerry Reed, Harold Bradley, Reggie Young & of course her brother backing her.”

Check out the collection’s lead-off track, a fantastic version of “C.C. Rider!”

Stream the single: https://orcd.co/linda_gail_lewis_cc_rider

Early Sides 1963-1973 will be released worldwide July 15 on CD, vinyl and digital!

Pre-order the CD/vinyl: https://cleorecs.com/store/?s=CLO2922&post_type=product

Pre-order/pre-save the digital: https://orcd.co/linda_gail_lewis_early_sides

TRACK LIST:
1. C.C. Rider
2. Nothin' Shakin' (But The Leaves)
3. Sittin' And Thinkin'
4. Break Up The Party
5. Small Red Diary
6. Baby (You've Got What It Takes) feat. Jerry Lee Lewis
7. Jim Dandy
8. Who Will Be The Next One
9. My Heart Was The Last One To Know
10. Louisiana
11. Gather 'Round Children
12. What Is Love
13. Before The Snow Flies feat. Jerry Lee Lewis
14. Working Girl
15. Smile, Somebody Loves You
16. Ivory Tower
17. I Wanna Be A Sensuous Woman
18. I Should Have Not Fallen In Love With You

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

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Singer/Songwriter Mary Fahl Interprets Pink Floyd, George Harrison, Moody Blues, ELO and Others On New Solo Album “Can’t Get It Out Of My Head”

Released July 22, 2022!

In an effort to find some light and comfort during these challenging times, singer/songwriter Mary Fahl looks back to some of the essential music that has brought her sustenance and clarity by reinterpreting songs from her greatest inspirations … Pink Floyd, George Harrison, Moody Blues, ELO, The Rolling Stones, Neil Young and others. For Mary, this is a tribute to the music that defined her as an artist.

With “a voice for the gods that can transport listeners to other realms” (Boston Globe), Mary Fahl is an expressive, emotional singer/songwriter who first achieved fame as lead singer and co-founder of the mid-1990s NYC- based chamber-pop group October Project, a band known for their lush harmonies, sweeping melodies and Fahl’s unique and powerful vocals. After two records on Epic, the band disbanded, but Fahl had more freedom to pursue her own muse, whether that meant writing and recording songs for movies (including the theme for the Civil War epic “Gods and Generals”), singing arias and medieval Spanish songs for Sony Classical or releasing a unique album-length take on “Dark Side of the Moon.”

Fahl's music has a timeless quality that she conveys with an earthy, viscerally powerful contralto that bridges the generational gap between Fairport Convention’s Sandy Denny and London Grammar’s Hannah Reid. Her elegant, cinematic songs have a hauntingly gothic romanticism that inspired renowned writer Anne Rice to portray Mary’s voice emanating from a dead woman’s room in her 2013 novel “The Wolves of Midwinter.”

Over the past few years, she’s been touring and recording on her own label, Rimar Records, and her recent releases have garnered awards including an Indie Acoustic Award for Best Live Album for “Live at the Mauch Chunk Opera House” (filmed for PBS) and a 2020 Independent Music Award for her recent holiday album, “Winter Songs and Carols”. Her latest release, a Blu-ray 5.1 surround DVD, “From the Dark Side of the Moon,” brilliantly mixed by Bob Clearmountain, won the 2021 Immersive Album Audio Listener’s Choice award and was named “Immersive Album of the Year” by Life in Surround.

Now she returns with “Can’t Get It Out of My Head,” a collection of songs that she calls “essential” to her development as an artist … “On top of all the madness that was happening in the world, I was grappling with the devastating loss of my mother and sister this past year and was feeling completely rootless. In an effort to find an anchor, a link to the past, a sense of home, I began to immerse myself in the comfort of music from my youth. These were such essential songs for me… like old friends… my musical home in many ways. I fell in love with each of them at the quintessential coming-of-age moment when music goes straight into your heart with no filter and these songs became part of my musical DNA… I learned to play guitar with several of them – especially the early Neil Young songs. Most of these covers come from the first albums I ever bought using one of those Columbia House ‘get 12 free albums for a $1’ mail order programs. I played these records endlessly… and the lyrics on many of these songs still have a powerful resonance for me.”

“The challenge for me and my producer Mark Doyle was to make each of these songs our own while paying tribute to their original greatness...,” says Fahl, “Along with a standard hi-res audio version, we wanted to bring these classics into a new light by utilizing the latest audio technologies to reinterpret my favorite Pink Floyd, Neil Young, George Harrison, Richard Thompson, Moody Blues, The Rolling Stones, ELO, Nick Drake, Judy Collins, and the Mamas and Papas songs in the brilliant, full immersive, high-resolution clarity of 5.1 surround.”

Mary further comments on her collaborator on this latest release, “Producer Mark Doyle and I first met around 2005 when he was the co-producer of 'From the Dark Side of the Moon' and he’s been my Music Director since 2013. Aside from the strings and drums, he played every instrument on this album. We recorded most of it at his home studio and a majority of the vocals are taken from the first time I auditioned these songs with Mark for the album… something I never would have done in my youth… but there’s something fresh, unstudied and unselfconscious about working that way. Mark has been essential to the process of helping me make these great songs my own without sacrificing the essence first captured by their original creators.”

Track List:

1) Can’t Get It Out of My Head (Electric Light Orchestra)
2) Ruby Tuesday (The Rolling Stones)
3) Tuesday Afternoon (Moody Blues)
4) River Man (Nick Drake)
5) Got A Feelin’ (The Mama and the Papas)
6) Don’t Let It Bring You Down (Neil Young)
7) Comfortably Numb (Pink Floyd)
8) Since You’ve Asked (Judy Collins)
9) Beware of Darkness (George Harrison)
10) The Great Valerio (Richard & Linda Thompson)

Here’s what the press has said about Mary Fahl:

“With her unmatched contralto voice, a heartfelt piece of herself firmly attached to every song, and her bravery in tackling revered favorites (Dark Side of The Moon, where she brilliantly re-imagined the entirety of the 1973 holy classic), Mary Fahl gives everything to fans.” - MUSIC TAP

“Mary Fahl’s striking voice with its wide range, rich, full-bodied amplitude and stately, formal tone, marks her as a first-rate smart-pop diva in the making. Fahl also has the artistic temperament and emotional radar to avoid the showy excesses of divadom.” - THE LOS ANGELES TIMES

“Mary Fahl has a voice for the gods that can transport listeners to other realms.” - BOSTON GLOBE

“Fahl’s voice has a transcendent and beautiful tone” - THE CELEBRITY CAFE

“One of the most distinctive voices in modern music has been singer Mary Fahl.  While we love the 'ethereal girls' on Echoes, Mary Fahl is a powerhouse singer whose roots are more Grace Slick and Sandy Denny than Elizabeth Fraser and Suzanne Vega.” - JOHN DILIBERTO-ECHOES

“Mary Fahl is a diva in the best sense of the word. The former lead singer of October Project is a powerful, emotive vocalist who employs her wide range and dramatic flair in a way that never seems hammy or contrived.” - BILLBOARD

“It is hard not to fall for this Mary and her soul-permeating pipes…” - THE PORTLAND PRESS

To listen: www.maryfahl.com/oomh/

To purchase:
http://www.maryfahl.com/store/
ITunes: http://itunes.apple.com/album/id1625285028?ls=1&app=itunes
Apple Music: http://itunes.apple.com/album/id/1625285028

MARY FAHL UPCOMING TOUR DATES 2022

FRIDAY, JULY 22, 2022 @8PM
SOILED DOVE (Solo)
Denver, CO
For tickets click here

TUESDAY, AUGUST 9, 2022 @7:30PM
CITY WINERY NYC (full band) ALBUM RELEASE SHOW
New York, NY
For tickets click here

FRIDAY, AUGUST 26, 2022 @8PM
CITY WINERY BOSTON
Boston, MA
For tickets click here

SATURDAY, AUGUST 27, 2022 @8PM
SELLERSVILLE THEATER (full band)
Sellersville, PA
For tickets click here

SEPTEMBER 10, 2022 @8PM
THE SCHOOLHOUSE/PARKER ARTS (solo)
Parker, CO
For tickets click here

SATURDAY, OCTOBER 1, 2022 @8PM
FORT HILLS PERFORMING ARTS CENTER (full band)
Canandaigua, NY (Finger Lakes Region)
For tickets click here

FRIDAY, NOVEMBER 4, 2022 @8PM
SPIRE CENTER FOR THE PERFORMING ARTS (full band)
Plymouth, MA
For tickets click here

SATURDAY, NOVEMBER 5, 2022 @8PM
AUBURN PUBLIC THEATER (full band)
Auburn, NY
For tickets click here

THURSDAY, DECEMBER 8, 2022 @7:30 PM
THE CUTTING ROOM (CHRISTMAS SHOW) (full band)
New York, NY
For tickets click here

FRIDAY, DECEMBER 9, 2022 @8PM
THE KATE (CHRISTMAS SHOW) (full band)
Old Saybrook, CT
For tickets click here

SATURDAY, DECEMBER 10, 2022 @8PM
SELLERSVILLE THEATER (full band)
Sellersville, PA
For tickets click here

For more information:
https://www.maryfahl.com
https://twitter.com/MaryFahlMusic
https://www.facebook.com/profile.php?id=100044794981066
https://www.instagram.com/maryfahlmusic/
https://www.youtube.com/channel/UCV6tdHcWfmXRRFIcPR3IK1w

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Connecticut Cult Favorite Rock Ensemble The Neybas Release Fifth Album “Sunshine Hotel”

Connecticut rock band The Neybas (pronounced “nay-bahz”), a cult favorite in the northeast United States for decades, has just released their fifth album, “Sunshine Hotel.” The album’s collection of hook-laden songs spans multiple genres - from traditional and punkafunkadelic rock, to ska and reggae, seasoned with a dash of Caribbean, New Orleans and jam grooves. The lyrics provide snapshots of the people who work, meet, love - and stay - at the Sunshine Hotel.

The Neybas’ music is organic, energetic, and danceable, with good-vibes and echoes of the late 60s and early 70s. They have won multiple readers’ polls including “Best Original Music,” and “Best Live Performance,” among others. Over the years, the Neybas have played live with the Georgia Satellites, Joan Osborne, Great White, Felix Cavaliere of The Rascals, Ratt, Everything, Poison, Universal Honey, and Rick Derringer, to name a few.

Featuring original members Kevin “English” Bornstein (bass/vocals), Nicholas “Toad” Eckert (guitar/vocals), Russ “Skull” Waesche (guitar/vocals), and long-time drummer Emmet Hale, they added keyboardist and hometown “neybahood” friend Greg Marshall in 2019 to complete the outfit.  

“Partying, dancing, and rock n roll. That’s precisely what the Neybas provide.”  - MTV Online

During the pandemic, guitarist/singer/songwriter Russ Waesche wanted to hear new music that hearkened back to the good vibes of the hooky, upbeat rock and roll coming from radios in the early 70s. He wasn’t hearing any that fit that description, so decided to write his own.

The origins of the concept for “Sunshine Hotel” trace back to 2019, as the band was working on their previous album, “Flow.” Russ Waesche was looking for album cover images and came across a photo taken by a friend of the Sunshine Hotel, a flophouse in the Bowery section of NYC. While the photo wouldn’t work for “Flow’s” water theme, it gave Waesche the idea of a follow-up album that would have bright, upbeat grooves and themes. Two years of pandemic darkness later, it seemed increasingly timely.

Waesche and Richard Serviss, the photographer of the album’s cover photo, had bonded years earlier over Beat authors and poets, 1970’s NYC punk culture, photography, and a shared love of Lou Reed, among other things. One of the first songs penned for the album, the lead-off track “At the Sunshine Hotel,” gives a nod to Lou Reed by naming the characters Jack and Jane (remember Sweet Jane?).

During the lockdown, Waesche and fellow singer/guitarist Toad Eckert were both sidelined by injuries which made it too painful and difficult for either to play guitar. Waesche, who lost significant use of his right hand, found that not having a guitar in hand made writing songs nearly impossible. After a full year of medical adventure and physical therapy, the use of Waesche’s hand came back, and so did the songs. Eckert also recovered, and the band began playing again.

Starting in June 2021, Waesche demoed songs for producer John Bolduc, who liked what he heard, and the work began on honing and arranging the songs.  Recording commenced at Bolduc’s Massiphonic Studios in Connecticut at the beginning of 2022, after being postponed by the death of Waesche’s father, followed by a COVID variant surge in which multiple band members had to quarantine. The band recorded all the tracks between January and March, with guest percussionist Alex Giosa, (currently one of the drummers for the Broadway version of “Hamilton”) adding the final touches during the first week of April 2022.

The band is currently storyboarding videos for select songs from “Sunshine Hotel,” and playing select gigs in the northeast.

To purchase: https://neybas.com/store

For more information:
https://neybas.com
https://www.facebook.com/people/Neybas/100045482685721/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

World’s Largest Prog Rock Supergroup THE PROG COLLECTIVE Revisit Folk & Rock Masterpieces On New Album SONGS WE WERE TAUGHT, Release First Single!

Album features performances by David Clayton-Thomas (Blood Sweat & Tears), Rod Argent (The Zombies), Sonja Kristina (Curved Air), Candice Night (Blackmore's Night), Dweezil Zappa, Ron "Bumblefoot" Thal (Guns N' Roses/Asia), Steve Morse (Deep Purple/Dixie Dregs), Martin Barre (Jethro Tull), Steve Hillage (Gong) and more!

Los Angeles, CA – Producer Billy Sherwood has helmed the massive prog rock supergroup The Prog Collective through an astonishing 10 years and 3 studio albums with an ever-evolving cast of 50+ elite-level musicians, vocalists, and creative minds. Through it all, one thing has remained constant: the project has always brought some of the most innovative musical arrangements, unique performances and cutting-edge production techniques, all in service of creating the most engaging, enthralling listening experience to the listener. The same holds true for the band’s newest effort, the gorgeous and sublime Songs We Were Taught.

As the title suggests, Sherwood and his cohort travel back in time to revisit some of the most formative and influential songs of the ‘60s & ‘70s. From Bob Dylan’s massively important “The Times They Are A-Changin’” to Simon & Garfunkel’s unforgettable classic “Sound Of Silence” to the folk standard-turned-chart-topping-rock-dirge “House Of The Rising Sun,” the compositions included here are not ones that would immediately be associated with the kind of progressive /art-rock players featured on Prog Collective albums. But just one listen to the astonishing musicianship Wishbone Ash’s Martin Turner and electric violinist Jerry Goodman bring to Dylan’s song or the mix of soul and atmosphere that David Clayton-Thomas and Steve Hillage add to “House Of The Rising Sun” and you’ll know why this album exists. Thankfully, the band has released “House Of The Rising Sun” as the album’s first single!

Check out the single: https://orcd.co/house_of_the_rising_sun

Watch for the whole of Songs We Were Taught to be released on all formats, including CD, vinyl and digital, starting July 1.

Pre-order the CD/vinyl: https://cleorecs.com/store/?s=songs+we+were+taught&post_type=product

Pre-order/pre-save the digital: https://orcd.co/songs_we_were_taught

Track List:
1. The Sound Of Silence - Jon Davison (Yes) & Geoff Downes (Yes/Asia)
2. Year Of The Cat - Billy Sherwood (Yes/Circa) & David Sancious (Bruce Springsteen's E Street Band)
3. House Of The Rising Sun - David Clayton-Thomas (Blood Sweat & Tears) & Steve Hillage (Gong)
4. In The Land Of Grey And Pink - Ron "Bumblefoot" Thal (Guns N' Roses)
5. Summer Breeze - Roine Stolt (The Flower Kings) & Steve Morse (Dixie Dregs)
6. Fire And Rain - Sonja Kristina (Curved Air) & Martin Barre (Jethro Tull)
7. The Weight - Rod Argent (The Zombies) & Jeff "Skunk" Baxter (The Doobie Brothers)
8. Wild World - Rosalie Cunningham (Ipso Facto) & Patrick Moraz (The Moody Blues)
9. It's Too Late - Candice Night (Blackmore's Night) & Dweezil Zappa
10. The Times They Are A-Changin' - Martin Turner (Wishbone Ash) & Jerry Goodman (The Flock)

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
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Los Angeles CA 90025
www.CleopatraRecords.com

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CIRCUS MIND Continues to Deliver With Their New Album BIOLUMINATE

New York, NY – CIRCUS MIND is a New York-based rock outfit and the brainchild of singer/songwriter and keyboardist Mark Rechler. The band is about to celebrate its 20th year and will unveil their fourth release BIOLUMINATE on June 17, 2022. BIOLUMINATE continues to capture the CIRCUS MIND spirit as they weave through past, present, and funky future.

The first BIOLUMINATE single “Baby Come Back Down” (featuring NoLa guitarist Marc Paradis of Johnny Sketch and The Dirty Notes) released March 18 has a funky driving Caribbean backbeat mixed with rock and soul vibes and delicious synthesizer work. Opening track and second official single “West End Road” feels like you’re in the gospel tent at Jazzfest while mixin’ in some swampy rock reminiscent of Little Feat, Taj Mahal and The Radiators. Special guest Nels Cline of Wilco shines on the standout track “Miss Fortune” a slower paced beauty, while special guests Matty Fox and Matt Godfrey from the Brandon “Taz” Niederauer Band bring the album full circle on the final track “Vampire Blues.” Longtime bassist Chris Crosby, who passed during the recording of the album, appears on four of the tracks.

CIRCUS MIND is a camouflaged Cephalopod that can change colors, moods and styles in an instant, swimming from jazzy groove rock to funky reggae roots with ease. Their previous release JOY MACHINE featured Big Sam, Marc Ribot, Ivan Neville, Walter Wolfman Washington, Scott Metzger, and more. An eclectic collection of ’70s rock and funk with modern takes on N’awlins swamp rock mixed with Beatles pop, the first JOY MACHINE single “Are You Ready?” featured guest guitar phenom Brandon “Taz” Niederauer, and its music video was well received by critics and fans alike.

Their earlier release “Silver Flower” was voted one of the Best Indie Albums of 2006 by Newsday and put a modern take on influences such as Traffic, Steely Dan, Little Feat, and Mott the Hoople while mixing in NoLa vibe influences like Dr. John, The Meters and The Neville Brothers. The CIRCUS MIND single “Jazzfest Time” was released as an ode to the New Orleans Jazz & Heritage Festival. CIRCUS MIND has opened for national acts (Toots & The Maytals, The Neville Brothers, The Radiators) and had many notable guests sit in on their recordings and live performances (Soulive, Rebirth Brass Band, Cyril Neville).

CIRCUS MIND’s members are diverse in their influences and playing styles. Lead vocalist, songwriter and keyboardist Mark Rechler performs with multiple projects and has played, toured, and recorded with members of The Meters, The Neville Brothers, The Radiators, Soulive, The Brandon “Taz” Niederauer Band, Rebirth Brass Band, Ivan Neville, and more. Spending five years in New Orleans studying music, art, & architecture helped influence his style and direction, and he always keeps his listeners salivating and wanting more.

Guitarist Jaime Scott has toured the world as a guitarist and engineer, with renowned ensemble John Lurie and the Lounge Lizards. In doing so he followed the lineage of the legendary and influential Lounge Lizard’s guitarists who came before him. “Baby Come Back Down” also features late and long-time CIRCUS MIND bassist Chris Crosby, who had studied with Oteil Burbridge of The Allman Brothers Band and Dead & Co.

The band’s rhythm section features drummer Dan Roth, a driving force of funky world influences and percussionist Steve Finkelstein, who has worked recorded and performed with pop icons from Ray Charles as well as jam band giants including members of the Dead, Allman’s, and Neville’s, and Tower of Power. Steve is also a founding member of the Funk Filharmonik.

New Member Saxophonist Michael Amendola holds a BA in Arranging from The Berklee College of Music. Credits include touring, film scores, jingles, and Broadway shows. Michael was a member of The Tony Trischka Band for 7 years, producing 2 recordings on Rounder Records and as a leader, released the jazz recording "Big Sunflower" on CDC Records. Also joining the party is Leandro Da Silva, a multi-faceted bassist from São Paulo, Brazil who brings elements of Samba and Funk that can be heard in his diverse playing style.

To purchase or stream BIOLUMINATE please visit: https://smarturl.it/CMBioluminate

To purchase or stream the singles “Baby Come Back Down” or “West End Road” please visit: https://smarturl.it/BabyComeBackDown or https://smarturl.it/CMWestEndRoad

For more information including tour dates or booking inquiries please visit: www.circusmindband.com

For Press and Interview inquiries please contact Billy James of Glass Onyon PR: (828) 350-8158 or glassonyonpr@gmail.com

For Digital Marketing please contact Jerome Forney of Independent Distribution Collective: jerome@independentdistro.com

Multi-instrumentalist Mike Ian Releases New Conceptual Prog Album “The Learning Tree”

Mike Ian announces his return to original vocal music, bringing a new, large-scale, progressive sound to fans with the release of his next album, “The Learning Tree.” Now available, the new record brings back vocal elements not heard since his 2010 release, “Puzzle Pieces.”

Multi-instrumentalist, Ian recorded all the instruments and vocals for “The Learning Tree” in his studio, Eyeball Studios, in Cinnaminson, NJ casually spanning as far back as 2004 onward. Upon deciding to finally complete this massive project this year, freshly recorded drums and vocals were added to complete the project and give it its final touches.

Lyrics always eluded Mike for completion of this project. The music has such a grand quality about it. And to put lyrics to match such a project was proving difficult. A few phrases were sporadically laid out amongst the tunes in the early infancy years. And a few phrases stuck. But the project lay dormant for years until lyrical inspiration would come to complete this massive music project. But for Mike, the lyrical inspiration never did come. Finally, collaborating with lyricist “Troy Raleigh,” Troy brought life to “The Learning Tree” with his poetic, and explorative lyrics. The words fit seamlessly and take the listener on a spiritual journey of reflection, inspiration, exploration, salvation, and love.

Watch the promotional video: https://www.youtube.com/watch?v=CTBnQA7fnP4

“The Learning Tree” is composed of 9 tracks each of which is an epic adventure within themselves. The opening title, “A Pirate’s Dream,” conjures up the thrill of the pirate life in the deep seas, and the adventures and dangers of the nautical, seafaring life. While “Something More Nothing Less” questions why love must be earned and fought for to have its rightful presence. The CD was mastered by Tom Volpicelli at The Mastering House, PA. Artwork for the project was done by Mike’s daughter, Ivy.

“‘The Learning Tree’ by Mike Ian is with ease the best album produced by the artist, it is one that has made its way onto my playlist of timeless choice, and it is one of the finest works in the rock and progressive rock genres I have heard for at least the last 5 years, this album is that good, is it totally unforgettable, and my advice to all those thinking about purchasing this album is, don’t think, buy it now, your senses will love you forever.” - Steve Sheppard Music Reviews

“The Learning Tree” is now available on all digital streaming platforms and CD. Also in limited quantities, a 5.1 surround sound Blu-ray, mastered by Scott Hull from Masterdisk, NY will be available.

The learning tree of life has many branches. Come experience its growth from its roots to its apex. How a dream in sleep awakened one’s spirit on a journey of reflection, inspiration, exploration, salvation, and love. Embracing the ever changing winds in one’s life with great fortitude…

Dream away into reality.

And climb the learning tree of life.

Track listing:

1. A Pirate’s Dream
2. Happily Ever After
3. Cast In Stone
4. Hereafter
5. Next Stop Anywhere
6. Saved
7. Letter To Home
8. Something More Nothing Less
9. Shine On

Produced by Mike Ian
Recorded/Mixed at Eyeball Studios, Cinnaminson, NJ
Stereo mastering by Tom Volpicelli, The Mastering House, PA
Surround mastering by Scott Hull, Masterdisk, NY

To purchase: https://mikeian.hearnow.com/the-learning-tree

For more information visit: www.mikeian.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Blues-Rock Band Until The Sun To Release New Live Album “A Night At The Rhythm Room”

Rocking Blues band Until The Sun’s new live album, “A Night at the Rhythm Room,” was recorded January 13, 2022 at the historic blues venue. The Rhythm Room, one of the last of the remaining old school blues clubs in the country, proved a fantastic stage to record the show.

Until the Sun recorded ten songs consisting mostly of new material. The album has two covers, the Etta James classic, “At Last,” and the Led Zeppelin tune, “Whole Lotta Love.” Until The Sun played the slow blues song, “Burning Home,” first released off their second album, “Drowning in Blue.” All the other songs are new originals.

The band gave a hard-hitting soulful performance that all the members were happy with. Larry Elyea at Minds Eye Studio recorded and engineered the show and the album was mixed and mastered at Minds Eye Studio. The show was filmed as well as recorded and the video will be released to YouTube when the album is out.

Until The Sun features Brandon Teskey on lead guitar, Bruce Jensen on bass guitar, Chris Tex on drums, and Alyssa Swartz on vocals.

Says Brandon, “The show that was filmed nearly didn’t happen. There were dozens of factors working against us. Up to just days prior we were unsure if the recording would actually take place, while the whole time we were practicing more intensely than ever before. I was almost in disbelief when it did happen. But the show that was captured went great. The album consists of mostly new material and I think it’s the best thing we’ve done. It’s a great snapshot of our live sound. We wanted a live album with mostly new material, like Hendrix did with the Band of Gypsys. Something that stood alone as a piece of work instead of a live version of previously released songs. Overall I think it’s the best material we’ve ever put out.”

Chris adds, “Playing the Rhythm Room during the COVID pandemic was a once in a lifetime event, as well as energizing since music has been therapy for so many people during these trying times. I was impressed by the sound quality and the energy we captured in our live show! I feel like the recording certainly captured our raw and powerful blues rock sound!”

Alyssa concludes, “My favorite thing in the world is to perform in front of a live audience. It was so exciting to be out playing our hearts out for everyone who came out!”

Until the Sun was formed in 2017. Their music includes and often fuses elements of Blues, Alternative Rock, Pink-Floyd-esque Psychedelia, and Jazz. Until the Sun quickly began playing national shows, has opened up for famous Blues and Rock artists, and has played world renowned venues.

Until the Sun released their first album, “Blackheart,” in 2019 and completed their second album “Drowning in Blue” in 2021. Brandon, Bruce, Chris, and Alyssa all poured their hearts and souls into striving for what was before unattained levels of musicianship, songwriting, tone, performance, and reaching new levels of professionalism that continues to develop.

“Until the Sun is a band that is as subversive as they come. While embracing the traditional Blues playstyles, the band adds aspects of alternative rock, psychedelia, and jazz to the mix.” – Buzz Music

“An honest take on that great southern trendkill that is delta deep and crossroads strong, Until the Sun twist that with modern flair into a style all their own with a raucous and gritty track that needs multiple listens just to take it all in.” - Ryan Martin, Jammerzine.

“Until the sun put out a stellar debut record” - Andrew Daly, Vinyl Writer

To pre-order:
http://itunes.apple.com/album/id1620185036?ls=1&app=itunes
http://itunes.apple.com/album/id/1620185036

For more information:
https://untilthesun.com/home
https://www.facebook.com/UntilTheSunBand
http://www.instagram.com/untilthesunband

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

“Robert Berry’s 3.2 Band Alive at ProgStock” CD/DVD Now Available

In 1987, Keith Emerson and Carl Palmer recruited Robert Berry to replace Greg Lake, with the resulting album “To the Power of Three,” and naming the band “3”. What was the result? The Top 10 Billboard hit “Talkin’ Bout” and a successful North American Tour.

In 2015, Keith and Robert reunited to resume work on the follow-up album. When Keith died in 2016, Robert worked with the Emerson Estate and Frontiers Records to finish writing and release their collaborative material on the 2018 Billboard-charting album, “The Rules Have Changed.”

When it was time to take the show on the road, Robert recruited Paul Keller from the original “3” touring band on guitar/vocals, Jimmy Keegan (Spock’s Beard) on drums/vocals, and Andrew Colyer (Circuline) to handle keyboards/vocals. What was the result? A spectacular 3.2 band 29-date North American tour, and this CD/DVD product captures the band at the 2019 International ProgStock Festival.

This concert encompasses Robert’s 30-year history of progressive rock, which includes Steve Howe (YES), Geoff Downes (GTR), the Magna Carta Tribute album series, and more!

Track List:
1. Life Beyond L.A. - (5:01)
2. No One Else to Blame - (6:10)
3. Desde La Vida - (7:34)
4. Powerful Man - (4:53)
5. Last Ride Into the Sun - (9:58)
6. Minstrel in the Gallery - (5:27)
7. You Do or You Don’t - (3:29)
8. Roundabout - (7:38)
9. Can’t Let Go - (3:58)
10. Somebody’s Watching - (5:10)  
11. Talkin’ Bout - (3:59)
12. Eight Miles High - (5:28)
13. Deck the Halls - (4:38)
14. Watcher of the Skies - (8:08)
15. Karn Evil 9 (1st Impression, Part 1) - (9:10)

Recorded at the Union County Perf. Arts Center, Rahway, NJ
Mixed and Mastered at Soundtek Studios in Campbell, California

Release Date: Friday, May 20th, 2022 - 2nd Street Records

Purchase on Robert Berry’s website, Amazon, and iTunes
Streaming on Spotify and all streaming services

For more information:
Website: http://robertberry.com/
Facebook: https://www.facebook.com/RobertBerryMusic
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Bass Virtuoso Clint Bahr Releases New Solo Album “PUZZLEBOX” Feat. Members of King Crimson, YES, Van Der Graaf Generator, Sun Ra and Others!

Bass virtuoso Clint Bahr just released a new solo album “PUZZLEBOX” on Moonjune Records. The album features members of King Crimson, YES, Van Der Graaf Generator, Sun Ra and others!

Clint Bahr’s new band, also named PUZZLEBOX, is a multidimensional “Tabula Rasa” in both compositional and improvisational formats. PUZZLEBOX is a genre-defying global collaboration of artists, a cross-pollination of diverse instruments and talents.

Delightfully blurring both stylistic and structural approaches, the tight-knit unit Bahr has assembled proves as unpredictable as they are adept, articulate and gifted. “PUZZLEBOX” recalls prog in its heyday when albums as uninhibited and off script as King Crimson’s “Lizard” and Captain Beefheart’s “Trout Mask Replica” were celebrated, and the Canterbury renaissance was in full swing. It harkens back to the same “reaching beyond” mentality which defined his seminal NYC-based power trio, TriPod. Brilliantly arranged and produced, Clint Bahr has delivered a multi-faceted, timeless epic ... at such a time as this.

Says Bahr, “I decided to do a ‘solo’ album with friends from the UK and USA. They include former members of King Crimson, Anthony Braxton, Television, Van der Graaf Generator, Sun Ra, Flash, TriPod, Gloria Gaynor, YES, Andromeda, etc. The album is a 50/50 compilation of composed and improvisational pieces. More so, PUZZLEBOX is a recording & touring band with interchanging players from around the world with a core bass and drums section.”

Clint Bahr - Composer/Lyricist
(Vocals, 12/8/4 String Basses, Chapman Stick, Acoustic Guitar, Mandolin, Piano, Harmonium, Mellotron, Theremin, Percussion, etc.)
Formerly of TriPod, Andromeda, Flash, 40 Familys, Menage a Trois, as well as the bass player for Eartha Kitt. He has toured nationally and internationally. Progressive Edge Magazine listed him in their “TOP BASS PLAYER of 2002” list. He has recorded for Columbia Records, MoonJune Records, and various independent labels, and was a recipient of the 2021 NYC Artists Corps Grant.

“PUZZLEBOX” Track List
1. Tabula Rasa 1
2. New Design
3. Plate (Improv)
4. Shelter
5. As Tympani Melt In The Greek Heat (Improv)
6. Fall From Grace
7. Belt & Braces
8. Triangles, Circles & Squares (Improv)
9. Oslo
10. Kicking The Wasp’s Nest
11. Lifeguard In The Rain
12. Tabula Rasa 2

Featuring:
Clint Bahr - basses & vocals (TriPod)
Peter Banks - guitar (Yes)
Colin Carter - vocals (Flash)
Marilyn Crispell - piano (Anthony Braxton)
David Cross- violins (King Crimson)
Stephanie Feyne - dialogue (The Dotes)
Billy Ficca - drums (Television)
Dick Griffin - trombone (Sun Ra)
Mike Hough - drums (Flash)
David Jackson - woodwinds (Van der Graaf Generator)
Dan Parkington - sitar & violin (Andromeda)
Jeff Schiller - woodwinds (The Roots)

To purchase:
BANDCAMP: https://clint-bahr-moonjune.bandcamp.com/album/puzzlebox?fbclid
AND also from Website: https://www.puzzlebox.band/

For more information:
https://www.puzzlebox.band/
https://www.facebook.com/ClintBahrPuzzlebox

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com