Multinational Rock Fusion Band City Weezle To Release New Album “No.2”

City Weezle is a rock fusion band that fuses elements of different styles and influences, but marks its distinctly unique brand of fusion with a punky swing rock, groove backbone at its core. The band’s self proclaimed influences are Faith No More, Mr. Bungle, Primus, King Crimson, The Melvins, Frank Zappa...

“No.2” is City Weezle’s latest offering after a long Hiatus taken due to disbanding in 2010. It’s the fruit of years of work! The album was written and recorded in various beautiful and precarious places from the backwaters of Ireland to the metropoles of France and Japan over a 4 year period.

City Weezle was founded in Paris back in 2005 by potato lovin’ Irishman Simon Fleury. After stringing together two demos, “City Weezle” (in 2006) and “The Leprechaun” (in 2008), City Weezle became a prominent member of the European underground fusion scene. They toured Europe several times sharing the stage with acts such as Watcha, Sleepytime Gorilla Museum. They have also become good friends and collaborated with great underground acts such as Igorrr (who produced both the band’s LP’s), Vladimir Bozar, Pryapisme and Clurichaun. After the release of their first full length LP drummer Ai Uchida had to return to Japan.

Due to not being able to find anyone to replace him, City Weezle was put on hiatus indefinitely but released “Lysergik Tea Party” in 2012 to let people know the band would be back. In 2013 and the following years, Simon would meet pianist and composer CSL Parker, who mentored him in experimental free form improvisation. Under his advice, Simon would reform the band, reconnecting with drummer Ai Uchida and bassist Kengo Mochizuki. Ai flew from Japan to write and record the drums over a two week period In a little cottage in Ireland.

Over the following years, the instrumentation and vocals would be written and recorded in “various beautiful and precarious places” throughout Ireland, France and Japan, culminating in their latest effort and second LP entitled “No. 2”

The recordings include many Guests and the band’s musical palette diversifies on this album incorporating Piano, Organ, Harpsichord, String arrangements, etc. “No. 2” is a less chaotic sounding album stepping away from the Primus and Bungle influenced sound of Taboo opening up some new directions for the band who will strive to keep things original, fun and interesting for the listener to enjoy. The band is now promoting “No. 2” preparing for a post Covid return to the Stage.

Both City Weezle’s albums “Taboo” and “No.2” were co-produced with legendary breakcore artist “Igorrr.”

The Lineup  
Simon Fleury (IRL) aka “The Vocal Viking”: Vocals, Guitars, Banjo’s, baby screams
Kengo Moichizuki (JAP) aka “Bass Samurai”: Bass
Ai Uchida (JAP) aka “Drum Ninja”: Drums
Axel Steinbiss(DE) aka “Wunderkind”: Keyboards, Piano  
Pierre Schmidt(FR): Guitar

Here’s what the press has said about City Weezle:

“City Weezle has elements of Beefheart and Frank Zappa that make a welcome relief to singer-songwriter-dom and Guitar-band isms.” - Hot Press Magazine (Ireland)

“The Prog songs of this incredible band jump seamlessly through metal funk and an array of styles all while making it sound very natural.” - Longueur d’ondes (France)

“City Weezle plays a metal, fusion, psychobilly twisted mix that is sure to be a favorite of avid Twisted Hillbilly Readers.” - Twisted Hillbilly Magazine (USA)

“There are some Crimson notions in there and certainly the influence of Frank Zappa is present. There's this gigantic funky sound that seems to be present just about everywhere on this album.” - Dutch Prog Rock Page (Netherlands)

“They describe their sound as swinging, grooving rock with a sharp punky edge. All I know is with these 12 songs, the outcasts and forward thinkers will go bonkers over City Weezle. Brilliant!” - Eternal Terror (Norway)

“City Weezle have blended their influences into a surprisingly cohesive sound. The musicianship is excellent, and the songs are well crafted” - Progressive World (USA)

“The band is all over the musical map delving into hard rock, metal, funk, jazz, prog, opera, fusion and probably a few more genres that I missed. There is no denying the band displays exemplary musicianship and there is something about their quirky nature that is charming.” - Sea of Tranquility (USA)

“The pieces proposed are very enjoyable in addition to being well played and having a well-characterized choice of sounds, there is a certain care in the arrangements: odd tempos, well-executed cuts and a voice that seems to come directly from a madhouse criminal.” - Hard sounds.it (Italy)

Support the band by buying some of our cool merch here:
https://cityweezle.bigcartel.com/

Hear all our music and read all our lyrics for free here:
https://cityweezle.bandcamp.com/

Like and Follow us on:
https://www.facebook.com/cityweezle
https://www.instagram.com/
https://twitter.com/cityweezle
https://open.spotify.com/artist/4ii6ZSUfxuPp8CtKrtHruo
https://www.tiktok.com/@cityweezle

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

JUDY COLLINS, JACK BRUCE, ANN WILSON & JOHN WETTON Lead A Team Of Legends Covering THE BEATLES On A New Collection!

Also includes performances by Air Supply, Molly Hatchet, Glenn Hughes, Steve Morse, Andrew Gold, Howard Jones, Richard Page and more!

Los Angeles, CA - While the world waits for Academy Award-winning filmmaker Peter Jackson’s highly anticipated documentary on The Beatles, the return of Beatlemania is getting kick started with a brand new collection of Beatle cover tunes recorded by an incredible host of rock, pop and folk icons and superstars! Legends Play The Beatles showcases the extraordinary influence the Fab Four had across a broadly diverse array of artists from ‘60s folk icon Judy Collins to former Deep Purple vocalist Glenn Hughes to ‘80s sensation Howard Jones. Each of these artists bring their unique talents to bear on such timeless Beatles’ classics as “Here Comes The Sun,” “Eleanor Rigby,” “Let It Be,” “Across The Universe,” “Tomorrow Never Knows” and many more!

Legends Play The Beatles is available both on CD in a fantastic looking digipak and on limited-edition colored vinyl in your choice of either YELLOW or BLUE!

Order the CD/vinyl: https://cleorecs.com/store/?s=legends+play+beatles&post_type=product

Track List:
1. Here Comes The Sun - Richard Page & Steve Morse
2. Across The Universe - Ann Wilson
3. Penny Lane - John Wetton
4. Back In The USSR - Molly Hatchet
5. Norwegian Wood - Andrew Gold
6. The Long And Winding Road - Air Supply
7. Tomorrow Never Knows - Electric Moon
8. Rain - Sugar Candy Mountain
9. Eleanor Rigby - Jack Bruce
10. And I Love Her - Howard Jones
11. Yesterday - Judy Collins
12. Let It Be - Glenn Hughes

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com
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Prog Ensemble The Far Cry Releases Debut Album “If Only”

Prog ensemble The Far Cry has released their debut album “If Only.” Though not intended in any way to be a “concept” album, “If Only” very much exhibits a connecting common thread of human emotion and perspective meeting real human conditions.

Apparently, some people just won’t give up on long held goals and aspirations. Jeff Brewer and Robert Hutchinson, co-conspirators behind the inception of what was to become The Far Cry, can vividly recall the musical awakening that occurred in their younger days when The Beatles landed and with all that followed. Soon thereafter, they each were even more deeply moved by the emergence of the Progressive Rock bands of the early 70’s, most notably King Crimson, Yes, Emerson, Lake & Palmer, Genesis and Gentle Giant.

Jeff and Hutch first crossed paths around 1976 with the formation of a short-lived rock covers band. Common ground occurred later, though not simultaneously, when both were members of Connecticut prog-rock band Holding Pattern, Hutch as co-founder from 1980-83 and, after Hutch left the band, Jeff joined as lead vocalist & percussionist from 1984 to 1993 when the band ceased operations.

Fast forward to 2013 when Hutch purchased a speaker cabinet Jeff had for sale. In the attendant dialogue, the pursuit of the likely impossible was quickly broached and a decision was made to chase the dream just one more time. Thus the seeds for The Far Cry were sown.

Unfortunately, due to the ambitious and stylistic nature of the music they were pursuing, connecting with suitable personnel to complete the band lineup was met with recurring difficulty and disappointment.

Eventually, the duo decided to enter the recording studio to get the material up and running. Guitarist Bryan Collin had already been in contact, having answered a Craigslist ad, and was amenable to playing on the recordings. As he did so, he became intrigued and more strongly connected to the music and the band concept. Certainly his stellar contributions and playing on the “If Only” CD demonstrate that. Bryan Collin was now The Far Cry guitarist.

Still, a highly competent keyboardist was required. Studio owner and master engineer John Bolduc was asked if he knew of any keyboard man who could properly interpret and perform the music he was hearing.

John responded instantaneously: Chris Dabbo. No time was wasted in contacting him. At first, Chris came on as a session man but very quickly demonstrated his impressive skill set as well as a connection to and understanding of the music. All involved were highly enthused and Chris was drafted in as keyboardist for The Far Cry.

Hence, the “If Only” CD is a result of a step by step evolution by what has now become a fully formed membership. Robert Hutchinson, Jeff Brewer, Bryan Collin and Chris Dabbo are the artists that comprise The Far Cry. The future awaits

Says the band, “Our fondest wish and recommendation is that this music should be listened to from beginning to end uninterrupted through a great set of headphones.”

The Far Cry is now formulating plans for the creation of videos to support the music from the CD. Certainly, live performance will be part of the near future and into 2022. Also, work on the next CD to follow “If Only” will begin within the next couple of months.

The Far Cry:
Chris Dabbo: piano. keyboards, vocals
Robert Hutchinson: drums, percussion, bells, spoken word
Jeff Brewer: lead vocals, bass, bass synth, bass pedals, guitar.
Bryan Collin: lead guitar, Electric and acoustic guitars.

To purchase The Far Cry “If Only.”:
https://music.apple.com/us/album/if-only/1574868556?uo=4&app=itunes
https://music.apple.com/us/album/if-only/1574868556?uo=4&app=apple+music
https://open.spotify.com/album/1Lm9OsAksc7miRffkvEpe2
https://www.amazon.com/gp/product/B098JRGWF4
To purchase physical CD from outside the USA.
https://www.lasercd.com/

For more information:
www.thefarcrygroup.com
www.facebook.com/thefarcry

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Prog Ensemble The Far Cry To Releases Debut Album “If Only”

Prog ensemble The Far Cry has released their debut album “If Only.” Though not intended in any way to be a “concept” album, “If Only” very much exhibits a connecting common thread of human emotion and perspective meeting real human conditions.

Apparently, some people just won’t give up on long held goals and aspirations. Jeff Brewer and Robert Hutchinson, co-conspirators behind the inception of what was to become The Far Cry, can vividly recall the musical awakening that occurred in their younger days when The Beatles landed and with all that followed. Soon thereafter, they each were even more deeply moved by the emergence of the Progressive Rock bands of the early 70’s, most notably King Crimson, Yes, Emerson, Lake & Palmer, Genesis and Gentle Giant.

Jeff and Hutch first crossed paths around 1976 with the formation of a short-lived rock covers band. Common ground occurred later, though not simultaneously, when both were members of Connecticut prog-rock band Holding Pattern, Hutch as co-founder from 1980-83 and, after Hutch left the band, Jeff joined as lead vocalist & percussionist from 1984 to 1993 when the band ceased operations.

Fast forward to 2013 when Hutch purchased a speaker cabinet Jeff had for sale. In the attendant dialogue, the pursuit of the likely impossible was quickly broached and a decision was made to chase the dream just one more time. Thus the seeds for The Far Cry were sown.

Unfortunately, due to the ambitious and stylistic nature of the music they were pursuing, connecting with suitable personnel to complete the band lineup was met with recurring difficulty and disappointment.

Eventually, the duo decided to enter the recording studio to get the material up and running. Guitarist Bryan Collin had already been in contact, having answered a Craigslist ad, and was amenable to playing on the recordings. As he did so, he became intrigued and more strongly connected to the music and the band concept. Certainly his stellar contributions and playing on the “If Only” CD demonstrate that. Bryan Collin was now The Far Cry guitarist.

Still, a highly competent keyboardist was required. Studio owner and master engineer John Bolduc was asked if he knew of any keyboard man who could properly interpret and perform the music he was hearing.

John responded instantaneously: Chris Dabbo. No time was wasted in contacting him. At first, Chris came on as a session man but very quickly demonstrated his impressive skill set as well as a connection to and understanding of the music. All involved were highly enthused and Chris was drafted in as keyboardist for The Far Cry.

Hence, the “If Only” CD is a result of a step by step evolution by what has now become a fully formed membership. Robert Hutchinson, Jeff Brewer, Bryan Collin and Chris Dabbo are the artists that comprise The Far Cry. The future awaits

Says the band, “Our fondest wish and recommendation is that this music should be listened to from beginning to end uninterrupted through a great set of headphones.”

The Far Cry is now formulating plans for the creation of videos to support the music from the CD. Certainly, live performance will be part of the near future and into 2022. Also, work on the next CD to follow “If Only” will begin within the next couple of months.

The Far Cry:
Chris Dabbo: piano. keyboards, vocals
Robert Hutchinson: drums, percussion, bells, spoken word
Jeff Brewer: lead vocals, bass, bass synth, bass pedals, guitar.
Bryan Collin: lead guitar, Electric and acoustic guitars.

To purchase The Far Cry “If Only.”:
https://music.apple.com/us/album/if-only/1574868556?uo=4&app=itunes
https://music.apple.com/us/album/if-only/1574868556?uo=4&app=apple+music
https://open.spotify.com/album/1Lm9OsAksc7miRffkvEpe2
https://www.amazon.com/gp/product/B098JRGWF4
To purchase physical CD from outside the USA.
https://www.lasercd.com/

For more information:
www.thefarcrygroup.com
www.facebook.com/thefarcry

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

New Atomic Rooster Tribute Nuclear Bird “Tyrannical Megalomaniac” Now Available!

Nuclear Bird was inspired by the 70’s band, Atomic Rooster which was led by extraordinary keyboardist Vincent Crane who is also known for his signature organ work on The Crazy World of Arthur Brown’s “FIRE.” Tyrannical Megalomaniac was Vincent Crane’s nickname.

Drummer/songwriter, Mark Murdock was influenced by Atomic Rooster and other early 70’s progressive-psychedelic bands from England, recently composed a batch of original songs with the intent of capturing Atomic Rooster’s spirit musically, but also telling an interpretation of the band’s story.

Mark invited Atomic Rooster drummer, Ric Parnell to the recordings. “Ric gave the music that authentic Atomic Rooster feel with his exceptional drumming on five of the eight songs. Thrilled to have him on board,” says Mark. Ric shared some of those interesting stories of the band which were incorporated into the lyrics. Also, lyricist/music reviewer, Dmitry M. Epstein contributed on a few of the songs.

“There was also an attempt to invite other former Atomic Rooster cast onboard; Peter French, Steve Bolten, Carl Palmer, Arthur Brown and Preston Heyman to participate but unfortunately could not participate for various reasons - scheduling, conflict of interest and lack of studio access, to name a few. “Perhaps I’ll try knocking on their door on the next Nuclear Bird works,’’ laughs Mark.

Vocalist Tim Pepper not only captured a flowing vocal on the songs but did the concept cover art of a Quetzalcothus (dinosaur bird) playing a Hammond organ with a nuclear power plant burning in the background. Thus, the title Nuclear Bird, not to be confused with Brand X’s “Nuclear Burn.” Speaking of which, former guitarist John Goodsall played on two of Mark’s Cymbalic Encounters works.

Additional musicians who contributed to the tracks are guitarist, Ken Hall who played with Mark in Phoenix, Arizona from the 70’s who captured an authentic 70’s era guitar and Broadway drummer, Jon Berger who guested on drums for two songs.

Nuclear Bird “Tyrannical Megalomaniac” Track List:
1. Exposition of Fools
2. Tyrannical Megalomaniac
3. Addicted to the Water
4. Fascination with the Afterlife
5. The Revolving Door
6. The Harvester of Organs
7. Haunted Chords
8. Locked in a Graveyard

Music and Lyrics by Mark Murdock
*Lyrics on songs 6 & 8 by Dmitry M. Epstein

Mark Murdock - organ and drums
Ric Parnell - drums and percussion on songs 1, 2, 3,  7 and 8
Tim Pepper - vocal
Ken Hall - guitar
Jon Berger - drums on songs 6 & 8 *Ric Parnell- percussion on song 6

All compositions by Mark Murdock
Produced by Mark Murdock
Mixed and Mastered by Mark Murdock
Recorded at Off-Shore Studios, Tokyo and various remote locations
Artwork by Tim Pepper

Available as digital download: https://nuclearbird.bandcamp.com/album/tyrannical-megalomaniac

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

New Atomic Rooster Tribute Nuclear Bird “Tyrannical Megalomaniac” Now Available!

Nuclear Bird was inspired by the 70’s band, Atomic Rooster which was led by extraordinary keyboardist Vincent Crane who is also known for his signature organ work on The Crazy World of Arthur Brown’s “FIRE.” Tyrannical Megalomaniac was Vincent Crane’s nickname.

Drummer/songwriter, Mark Murdock was influenced by Atomic Rooster and other early 70’s progressive-psychedelic bands from England, recently composed a batch of original songs with the intent of capturing Atomic Rooster’s spirit musically, but also telling an interpretation of the band’s story.

Mark invited Atomic Rooster drummer, Ric Parnell to the recordings. “Ric gave the music that authentic Atomic Rooster feel with his exceptional drumming on five of the eight songs. Thrilled to have him on board,” says Mark. Ric shared some of those interesting stories of the band which were incorporated into the lyrics. Also, lyricist/music reviewer, Dmitry M. Epstein contributed on a few of the songs.

“There was also an attempt to invite other former Atomic Rooster cast onboard; Peter French, Steve Bolten, Carl Palmer, Arthur Brown and Preston Heyman to participate but unfortunately could not participate for various reasons - scheduling, conflict of interest and lack of studio access, to name a few. “Perhaps I’ll try knocking on their door on the next Nuclear Bird works,’’ laughs Mark.

Vocalist Tim Pepper not only captured a flowing vocal on the songs but did the concept cover art of a Quetzalcothus (dinosaur bird) playing a Hammond organ with a nuclear power plant burning in the background. Thus, the title Nuclear Bird, not to be confused with Brand X’s “Nuclear Burn.” Speaking of which, former guitarist John Goodsall played on two of Mark’s Cymbalic Encounters works.

Additional musicians who contributed to the tracks are guitarist, Ken Hall who played with Mark in Phoenix, Arizona from the 70’s who captured an authentic 70’s era guitar and Broadway drummer, Jon Berger who guested on drums for two songs.

Nuclear Bird “Tyrannical Megalomaniac” Track List:
1. Exposition of Fools
2. Tyrannical Megalomaniac
3. Addicted to the Water
4. Fascination with the Afterlife
5. The Revolving Door
6. The Harvester of Organs
7. Haunted Chords
8. Locked in a Graveyard

Music and Lyrics by Mark Murdock
*Lyrics on songs 6 & 8 by Dmitry M. Epstein

Mark Murdock - organ and drums
Ric Parnell - drums and percussion on songs 1, 2, 3,  7 and 8
Tim Pepper - vocal
Ken Hall - guitar
Jon Berger - drums on songs 6 & 8 *Ric Parnell- percussion on song 6

All compositions by Mark Murdock
Produced by Mark Murdock
Mixed and Mastered by Mark Murdock
Recorded at Off-Shore Studios, Tokyo and various remote locations
Artwork by Tim Pepper

Available as digital download: https://nuclearbird.bandcamp.com/album/tyrannical-megalomaniac

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Blues-Rock Guitarist Chantel McGregor Releases “The Shed Sessions Volume 1 & 2”

Critically acclaimed Blues-rock guitarist Chantel McGregor is releasing 2 new albums titled “The Shed Sessions Volume 1 & 2.” The first volume (acoustic) has been available for a few weeks and the second volume (electric) will be released August 2nd and is now available for pre-order.

“March 2020, the world changed and the everyday things that we normally did became a dream, the world went into lockdown, the pause button on life was hit, and we stayed at home.

So, I was sat there one night in my shed thinking to myself ‘what can I do to make lockdown seem a little bit brighter?’ After a while it came to me,  ‘why not do a live stream so that I could stay in touch and connect with my lovely fans, they could connect with each other, and we all have a little bit of fun and music during a pretty gloomy time?’

At the time, I didn’t know that it would become a weekly thing, but the first session was so much fun that I thought I’ll do another one the following week, and then the week after that, and it became a weekly gig, ‘The Shed Sessions’!

5pm every Saturday was the hour every week where I could perform my music, have a bit of banter and catch up with friends on the live stream. An hour of music and humour to remind everyone that one day things will be fun again and live music will still be there!

A lot of people asked if I would record an album of the sessions, so I started thinking about what to record. There were so many songs to choose from!

At the start of lockdown, I was living in the North of England, so the sessions were just acoustic guitar and vocals, but when the government said you could move around more freely, I moved to the South of England and started collaborating with Jamie Brooks on keyboards, which meant that I could feature my electric guitar and a bit more improvisation. Because lockdown was still restricting studios being open, both albums were recorded at home, using a wardrobe as a vocal booth and then sent off to Wayne Proctor to mix and master.

The two albums are incredibly different, so it seemed appropriate to do two albums, one acoustic and one electric; ‘Volumes One and Two.’”

Chantel McGregor - July 2021

Chantel McGregor has been performing live gigs since the age of 12, schooled at a music college and achieved a First Class Honours Degree in Popular Music. Along with her current band members, Colin Sutton on bass and Thom Gardner on drums, they form an awesome power trio playing an eclectic mix of blues based tunes, composed by Chantel, ranging from traditional blues numbers complimented perfectly by the purity of her singing voice, to a much more raunchy blues rock style. And boy, can that girl play guitar! With several complicated solos she proved that she can shred with the best of them as her and her guitar became one.

To purchase: www.chantelmcgregor.com/store

For more information: https://www.chantelmcgregor.com/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

PFM/Aqua Fragile Vocal Legend Bernardo Lanzetti Releases Solo Album “Horizontal Rain”

Featuring Tony Levin, David Cross, David Jackson, Derek Sherinian, Tony Franklin, Jonathan Mover and others!

Conceived and recorded over a few years with outstanding musicians and special guests, Bernardo Lanzettiʼs new work is presented as a collection of musical episodes that sail from Progressive Rock to Vanguard, making port of call at Modern Opera, Art Rock, Rock & Soul and Classix 2 B.

Eight songs in English, two lyrics written by friend Peter Jack Marmot, wordsmith and coach manager between London and Marbella, plus an Italian text for the song “Ero un num Ero”, built on an elementary and random numerical progression as if to point out that the so-called “inspiration”, at times, can only be a fairy tale to deceive the unwary listener.

Without exaggerating or forcibly imposing his vocal range exceeding three octaves, the vocalist makes available the complete range of his voice, including the one processed by his Glovox device and those written for a choir that, in “Different”, move on articulated bars, always different in their division and imperceptibly delusional succession.

In the album, passion, detached nostalgia, fury and irony unfold track after track with a mix of sounds that are as unpredictable as they are effective: David Jackson’s baritone sax replacing the double bass in “Lanzhaiku” or Tony Levin’s unmistakable stick in “Heck Jack”. The pressing guitars of Marco Colombo in “Genial” where not even Andalusia is neglected or those of Andrea Cervetto, excitingly painful in the desperate appeal of “Walk Away”, which finds Tony Franklinʼs precise fretless bass and, in contrast, the hectic synth of Derek Sherinian and the poignant violin of David Cross. Alternating solid and frantic episodes, Jonathan Moverʼs drumming stands out on four strong selected tracks.

With more than 120 songs already published to his credit, Bernardo also celebrates his being an author/composer with this new album where almost everything, including the artwork, is due to his talent and attitude. Including the above mentioned special guests, in all 19 musicians and a choir of 7 from Italy, UK, USA and Spain, numerous sound engineers and the careful and patient work of the producer Dario Mazzoli, make this work precious and unique.

Watch the video for “Heck Jack”: 

(*) Alesia Baltach, Cello on 7// Marco Brioschi, Trumpet on 2// Andrea Cervetto, Gtrs, Bass, Keys, Arranger for 2 and 4// Kim Chandler, Backing Vocals on 1 and 2// Marco Colombo, Gtrs on 5 and 8 // David Cross, Violin on 1// Tony Franklin,  Bass on 1// Pier Gonella, Gtrs on 6// Franco Grandoni, Choir conductor ** on 9 // David Jackson, all Saxophones and Flutes on 3//Bernardo Lanzetti: Lead and Backing Vocals, acoustic Gtr, Harmonica, pre production and programming // Tony Levin, Stick on 2// Dario Mazzoli, Bass on 5// Sara Wilma Milani: backing vocals on 3// Carlo Napolitano: Trombone on 2// Jonathan Mover, Drums on 1, 2, 5 and 8// Alex Polipo, Drums on 4// Giancarlo Porro, sax and horn section arrangements on 2// Derek Sherinian, Keys on 1// Pier Vigolini, Keys on 6. (**) Chorus on “Different”: Luisa Baiocco, Federica Bastianelli, Silvia Metelli, Michelle Rainone, Gabriele Santoni, Teo Tiburzi, Gabriele Serano.

Track List:
01-Walk Away
02-Heck Jack
03-Lanzhaiku
04-Time Is King
05-Genial!
06-Conventional
07-Ero un num Ero
08-Horizontal Rain
09-Different

All music and lyrics by B.Lanzetti except 02 and 05, lyrics by P.J.Marmot.

To purchase:
SPOTIFY: https://open.spotify.com/album/0CX7kn753qMkUt7oZDiYxI
iTunes Italy: https://music.apple.com/it/album/1565842423?app=itunes
iTunes USA: https://music.apple.com/com/album/1565842423?app=itunes
iTunes UK: https://music.apple.com/uk/album/1565842423?app=itunes
AMAZON CD & DIGITAL STREAMING & MP3: https://www.amazon.com/gp/product/B09437RKHK/ref=dm_ws_sp_ps_dp

For more information:
http://bernardolanzetti.blogspot.com/
https://www.facebook.com/BernardoLanzetti

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

PFM/Aqua Fragile Vocal Legend Bernardo Lanzetti Releases Solo Album “Horizontal Rain”

Featuring Tony Levin, David Cross, David Jackson, Derek Sherinian, Tony Franklin, Jonathan Mover and others!

Conceived and recorded over a few years with outstanding musicians and special guests, Bernardo Lanzettiʼs new work is presented as a collection of musical episodes that sail from Progressive Rock to Vanguard, making port of call at Modern Opera, Art Rock, Rock & Soul and Classix 2 B.

Eight songs in English, two lyrics written by friend Peter Jack Marmot, wordsmith and coach manager between London and Marbella, plus an Italian text for the song “Ero un num Ero”, built on an elementary and random numerical progression as if to point out that the so-called “inspiration”, at times, can only be a fairy tale to deceive the unwary listener.

Without exaggerating or forcibly imposing his vocal range exceeding three octaves, the vocalist makes available the complete range of his voice, including the one processed by his Glovox device and those written for a choir that, in “Different”, move on articulated bars, always different in their division and imperceptibly delusional succession.

In the album, passion, detached nostalgia, fury and irony unfold track after track with a mix of sounds that are as unpredictable as they are effective: David Jackson’s baritone sax replacing the double bass in “Lanzhaiku” or Tony Levin’s unmistakable stick in “Heck Jack”. The pressing guitars of Marco Colombo in “Genial” where not even Andalusia is neglected or those of Andrea Cervetto, excitingly painful in the desperate appeal of “Walk Away”, which finds Tony Franklinʼs precise fretless bass and, in contrast, the hectic synth of Derek Sherinian and the poignant violin of David Cross. Alternating solid and frantic episodes, Jonathan Moverʼs drumming stands out on four strong selected tracks.

With more than 120 songs already published to his credit, Bernardo also celebrates his being an author/composer with this new album where almost everything, including the artwork, is due to his talent and attitude. Including the above mentioned special guests, in all 19 musicians and a choir of 7 from Italy, UK, USA and Spain, numerous sound engineers and the careful and patient work of the producer Dario Mazzoli, make this work precious and unique.

Watch the video for “Heck Jack”: 

(*) Alesia Baltach, Cello on 7// Marco Brioschi, Trumpet on 2// Andrea Cervetto, Gtrs, Bass, Keys, Arranger for 2 and 4// Kim Chandler, Backing Vocals on 1 and 2// Marco Colombo, Gtrs on 5 and 8 // David Cross, Violin on 1// Tony Franklin,  Bass on 1// Pier Gonella, Gtrs on 6// Franco Grandoni, Choir conductor ** on 9 // David Jackson, all Saxophones and Flutes on 3//Bernardo Lanzetti: Lead and Backing Vocals, acoustic Gtr, Harmonica, pre production and programming // Tony Levin, Stick on 2// Dario Mazzoli, Bass on 5// Sara Wilma Milani: backing vocals on 3// Carlo Napolitano: Trombone on 2// Jonathan Mover, Drums on 1, 2, 5 and 8// Alex Polipo, Drums on 4// Giancarlo Porro, sax and horn section arrangements on 2// Derek Sherinian, Keys on 1// Pier Vigolini, Keys on 6. (**) Chorus on “Different”: Luisa Baiocco, Federica Bastianelli, Silvia Metelli, Michelle Rainone, Gabriele Santoni, Teo Tiburzi, Gabriele Serano.

Track List:
01-Walk Away
02-Heck Jack
03-Lanzhaiku
04-Time Is King
05-Genial!
06-Conventional
07-Ero un num Ero
08-Horizontal Rain
09-Different

All music and lyrics by B.Lanzetti except 02 and 05, lyrics by P.J.Marmot.

To purchase:
SPOTIFY: https://open.spotify.com/album/0CX7kn753qMkUt7oZDiYxI
iTunes Italy: https://music.apple.com/it/album/1565842423?app=itunes
iTunes USA: https://music.apple.com/com/album/1565842423?app=itunes
iTunes UK: https://music.apple.com/uk/album/1565842423?app=itunes
AMAZON CD & DIGITAL STREAMING & MP3: https://www.amazon.com/gp/product/B09437RKHK/ref=dm_ws_sp_ps_dp

For more information:
http://bernardolanzetti.blogspot.com/
https://www.facebook.com/BernardoLanzetti

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

YES Keyboard Legend Tony Kaye To Release Solo Album “End Of Innocence” - Out September 10, 2021!

20th July 2021: Keyboard legend Tony Kaye announces the release of his debut solo album “End Of Innocence,” on 10th September 2021 on Spirit Of Unicorn Music (distributed via Cherry Red Records) to mark the 20th anniversary of 9/11.   

Having retired from music in 1996, Kaye was moved, by the events of 11th September 2001, to commit his thoughts and feelings to a heartfelt personal musical interpretation.

“End Of Innocence” is a requiem for those who lost their lives and all those touched by the horrific events of 9/11. Primarily orchestral, “End Of Innocence” is a powerful and emotional suite that is both beautiful and sinister, reflecting the dark forces at work that day. It guides the listener through the day and touches on the response, to reach a hope that peace and calm may prevail.

As did many millions, Kaye watched the horrors of 9/11 unfold on his TV screen. “The next day I unpacked my keyboards for the first time in a long time,” Kaye recalls. “I didn’t know what I was going to do. It was one of those things that happened, inspiration on a musical level.”

The suite begins the night before 9/11 but, as Kaye’s wife Dani Torchia sings an innocent lullaby, menacing storms are gathering. The beautiful “9/11 Overture” was the first piece Kaye composed, the following day. “I had no recording equipment, just an 8-track cassette recorder and some of those recordings became what you hear now.”

Kaye continues to create vivid images of New York City life and a vibrancy around The World Trade Centre (285 Fulton Street) before the terror begins and captures the fears of those on the planes, “Flight 11” depicting the conversations stewardesses had with the tower. The track includes a powerful drum solo by Kaye’s friend Jay Schellen (CIRCA, YES) reflecting the struggles onboard.

Following the collapse of the towers, Dani Torchia sings her lament “Sweetest Dreams” and the album looks at the “Aftermath” and the “Heroes” before focusing on the response. “I wanted it, musically, to be about that day,” Kaye says, “but I felt compelled to extend it to deal with the repercussions of what happened. Musically, it was quite challenging to do the battle scene and then the 'Hope And Triumph,' a patriotic anthem and the consequences of war. 'Ground Zero' is the hope for the future, the rebuilding.”

The artwork for the album has been created by Roger Dean, known for his work with YES and ASIA, powerful imagery reflecting the journey the music takes.

“End Of Innocence” Track Listing:
1. Twinkle Twinkle Little Star/Twilight Time
2. 911 Overture
3. NYC Blues
4. Battle Cry
5. 285 Fulton Street
6. Let’s Roll
7. Tug of War
8. Flight 11
9. Towers Fall
10. Sweetest Dreams
11. Aftermath
12. Heroes
13. The Battle
14. Hope and Triumph
15. Homecoming
16. Ground Zero

Produced by Tony Kaye

All tracks composed by Tony Kaye except “Sweetest Dreams” by Dani Torchia.

Tony Kaye, Spirit of Unicorn Music and Cherry Red Records are donating 10% of all profits from “End of Innocence” to https://www.garysinisefoundation.org/ The charity supports veterans, defenders and first responders in times of hardship.

About Tony Kaye
Tony Kaye is best known as the original keyboard player with prog legends YES, his Hammond organ giving their groundbreaking “The YES Album” it’s most distinctive sound within the YES catalogue. Following his departure from YES in 1971 Kaye was involved with a number of other bands including David Bowie, Badger, Flash and Badfinger before returning to YES for their greatest commercial success “90125” in 1983. Kaye remained with YES for several albums and tours before retiring from the music business in 1996.  

Following the re-awakening of his musical inspiration in 2001, Kaye accepted an invitation from current YES bassist Billy Sherwood to work on projects which led to the formation of CIRCA, in 2007, and has yielded four albums to date.

Tony Kaye – “End of Innocence”
Released on 10th September  through Spirit of Unicorn Music Formats: Standard CD Jewel case

Pre-order here: https://www.cherryred.co.uk/product/tony-kaye-end-of-innocence/
www.yesworld.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

YES Keyboard Legend Tony Kaye To Release Solo Album “End Of Innocence” - Out September 10, 2021!

20th July 2021: Keyboard legend Tony Kaye announces the release of his debut solo album “End Of Innocence,” on 10th September 2021 on Spirit Of Unicorn Music (distributed via Cherry Red Records) to mark the 20th anniversary of 9/11.   

Having retired from music in 1996, Kaye was moved, by the events of 11th September 2001, to commit his thoughts and feelings to a heartfelt personal musical interpretation.

“End Of Innocence” is a requiem for those who lost their lives and all those touched by the horrific events of 9/11. Primarily orchestral, “End Of Innocence” is a powerful and emotional suite that is both beautiful and sinister, reflecting the dark forces at work that day. It guides the listener through the day and touches on the response, to reach a hope that peace and calm may prevail.

As did many millions, Kaye watched the horrors of 9/11 unfold on his TV screen. “The next day I unpacked my keyboards for the first time in a long time,” Kaye recalls. “I didn’t know what I was going to do. It was one of those things that happened, inspiration on a musical level.”

The suite begins the night before 9/11 but, as Kaye’s wife Dani Torchia sings an innocent lullaby, menacing storms are gathering. The beautiful “9/11 Overture” was the first piece Kaye composed, the following day. “I had no recording equipment, just an 8-track cassette recorder and some of those recordings became what you hear now.”

Kaye continues to create vivid images of New York City life and a vibrancy around The World Trade Centre (285 Fulton Street) before the terror begins and captures the fears of those on the planes, “Flight 11” depicting the conversations stewardesses had with the tower. The track includes a powerful drum solo by Kaye’s friend Jay Schellen (CIRCA, YES) reflecting the struggles onboard.

Following the collapse of the towers, Dani Torchia sings her lament “Sweetest Dreams” and the album looks at the “Aftermath” and the “Heroes” before focusing on the response. “I wanted it, musically, to be about that day,” Kaye says, “but I felt compelled to extend it to deal with the repercussions of what happened. Musically, it was quite challenging to do the battle scene and then the 'Hope And Triumph,' a patriotic anthem and the consequences of war. 'Ground Zero' is the hope for the future, the rebuilding.”

The artwork for the album has been created by Roger Dean, known for his work with YES and ASIA, powerful imagery reflecting the journey the music takes.

“End Of Innocence” Track Listing:
1. Twinkle Twinkle Little Star/Twilight Time
2. 911 Overture
3. NYC Blues
4. Battle Cry
5. 285 Fulton Street
6. Let’s Roll
7. Tug of War
8. Flight 11
9. Towers Fall
10. Sweetest Dreams
11. Aftermath
12. Heroes
13. The Battle
14. Hope and Triumph
15. Homecoming
16. Ground Zero

Produced by Tony Kaye

All tracks composed by Tony Kaye except “Sweetest Dreams” by Dani Torchia.

Tony Kaye, Spirit of Unicorn Music and Cherry Red Records are donating 10% of all profits from “End of Innocence” to https://www.garysinisefoundation.org/ The charity supports veterans, defenders and first responders in times of hardship.

About Tony Kaye
Tony Kaye is best known as the original keyboard player with prog legends YES, his Hammond organ giving their groundbreaking “The YES Album” it’s most distinctive sound within the YES catalogue. Following his departure from YES in 1971 Kaye was involved with a number of other bands including David Bowie, Badger, Flash and Badfinger before returning to YES for their greatest commercial success “90125” in 1983. Kaye remained with YES for several albums and tours before retiring from the music business in 1996.  

Following the re-awakening of his musical inspiration in 2001, Kaye accepted an invitation from current YES bassist Billy Sherwood to work on projects which led to the formation of CIRCA, in 2007, and has yielded four albums to date.

Tony Kaye – “End of Innocence”
Released on 10th September  through Spirit of Unicorn Music Formats: Standard CD Jewel case

Pre-order here: https://www.cherryred.co.uk/product/tony-kaye-end-of-innocence/
www.yesworld.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

The Poppermost, One-Man “Beat Group” Feat. Joe Kane From Scotland Delivers Beatlesque Power-Poppin’ Folk-Rockin’ Roll On Debut Album “Hits To Spare”

Released August 27, 2021 on Think Like A Key Music

With the genuine desire to create a continuation of the FABS early vibe, The Poppermost is the one-man mission of Glasgow multi-instrumentalist Joe Kane - whose attention to detail is impeccable; the structure and arrangements, the playing, the sentimentality is all there along with the in-jokes, creating songs that satisfy your innermost Fab Four desires.

The Poppermost finds Joe in his garage studio playing everything himself. Utilising an array of instruments, microphones and recording techniques, all glued together by bargain basement analogue junk that builds up to the very first Poppermost album, “Hits To Spare.”

Short, sweet and exactly as they used to make ‘em, “Hits To Spare” does exactly what it says on the sleeve. Kicking off with an enthusiastic “1-2-3-4,” the opening track “Egg And Chips,” with its solid back beat-driven Cavern Club stomp and ascending “ah-ah-ah’s” sets the scene for what follows. In just over half an hour, “Hits To Spare” packs in a multitude of double-tracked vocals, three-part harmonies and major sixth endings that’ll leave you giddy and dizzy, dizzy, dizzy Miss Lizzy.

Within these carefully considered grooves there are rockers galore like “Goodnight Georgia Peach” and “Laziest Fella In The Realm.” Then there is the chugging, chiming “Ticket To Ride” inspired “Park And Ride” alongside the romantic balladry of “Get It Down.” Whether it’s the Lennon-like “you wanted the werld and I gave you the werld” here, a woody McCartney bass-line there, a multitude of 12-string chiming George middle eight’s, with everything held in place by a perfect Ringo compressed backbeat, there’s a song for every occasion.

“Ultimately, this album was about making a very fresh, quick and positive pop record, utilising the recording aesthetics and sound of my favourite music,” says Kane, who is currently putting together a live version of the band that’ll be ready to get people twisting and shouting as soon as possible.

Based out of Glasgow, Scotland, Joe Kane stays a busy man and has a busy track record, having recorded under various aliases such as Dr. Cosmos’ Tape Lab (You Are The Cosmos) and Radiophonic Tuckshop (Last Night From Glasgow) while working with countless artists including the late, great Neil Innes (The Rutles), Joey Molland (Badfinger), Alan White (Plastic Ono Band), BMX Bandits and Ette. He can also be heard kick starting the recent Ex Norwegian & Friends tribute album to Liverpool singer-songwriter Jimmy Campbell, Sing Jimmy Campbell with a fantastic take of his classic Rockin’ Horse track “Yes It Is.”

This latest project, The Poppermost, exists to remind us of a time when the world shook to the giddy monophonic thunk of Merseybeat, to a time of Dansettes and desert boots, when R&B didn’t mean Rhianna and Beyonce and an MP3 was Harold Wilson and a couple of his Westminster mates out on the razz down Carnaby Street.

Watch the video trailer: 

Stream the album: https://song.space/12nej6rep4v

Pre-order the album: https://tlak.rocks/hitstospare

For all upcoming release announcements, album pre-orders and to find out first about live dates, connect with The Poppermost online at:
thepoppermost.com
instagram.com/thepoppermostband
twitter.com/thepoppermost
facebook.com/thepoppermost
thepoppermost.bandcamp.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Guitarist Vinnie Moore Releases New Video “Kung Fu Grip” From Latest Album “Soul Shifter”

Guitarist Vinnie Moore, best known for his solo albums and work with rock icons UFO, has released a new video titled “Kung Fu Grip” from his latest album “Soul Shifter”!

Says Vinnie, “This is one of my funkier and playful songs. Making this video was some of the most fun ever. Scott Johnson from Rock Titan TV filmed and put this video together for me. Our goal for this was to be as cheesy and funny as possible. I showed my absolute mastery of nun chucks, swords, and kicks in this vid. hahaha.”

Watch the video: 

The follow up to Vinnie’s critically acclaimed 2015 “AERIAL VISIONS” album was released at the end of 2019, on his label Mind's Eye Music. Titled “Soul Shifter,” Vinnie's 9th solo album features guest appearances by legendary artists Rudy Sarzo and Jordan Rudess, with Richie Monica on drums, Michael Bean (bassist from Vinnie’s “TIME ODYSSEY” album), Randy McStine on Bass, John Cassidy (Keyboards), and John Pessoni (Drums).

Vinnie is considered one of the originators of shred guitar, and has released eight influential solo albums, and six albums and a LIVE DVD as a member of rock royalty legends UFO. He’s made countless album guest appearances, and has even recorded the soundtrack for a PEPSI TV commercial. He’s been a member of Alice Cooper’s band and was the opening act for RUSH on their ROLL THE BONES tour with his own band. His solo and UFO recordings as well as LIVE performances have amassed rave reviews all around the globe from both fans and music press, catapulting him into guitar icon distinction! He has been an inspiration for fans and guitarists worldwide.

To order “Soul Shifter”:
iTunes: http://itunes.apple.com/album/id1479017115?ls=1&app=itunes
Apple Music: http://itunes.apple.com/album/id/1479017115

Find Vinnie Online:
www.vinniemoore.com
https://www.facebook.com/Vinnie.Moore.Official
https://www.facebook.com/vinniemooreofficialfanpage/
https://www.instagram.com/vinnie_moore_guitarist/
https://twitter.com/Vinnie_Moore
http://ufo-music.info/

Press Inquiries:
Glass Onyon PR
PH: 828-350-8158
glassonyonpr@gmail.com

Guitarist Vinnie Moore Releases New Video “Kung Fu Grip” From Latest Album “Soul Shifter”

Guitarist Vinnie Moore, best known for his solo albums and work with rock icons UFO, has released a new video titled “Kung Fu Grip” from his latest album “Soul Shifter”!

Says Vinnie, “This is one of my funkier and playful songs. Making this video was some of the most fun ever. Scott Johnson from Rock Titan TV filmed and put this video together for me. Our goal for this was to be as cheesy and funny as possible. I showed my absolute mastery of nun chucks, swords, and kicks in this vid. hahaha.”

Watch the video: 

The follow up to Vinnie’s critically acclaimed 2015 “AERIAL VISIONS” album was released at the end of 2019, on his label Mind's Eye Music. Titled “Soul Shifter,” Vinnie's 9th solo album features guest appearances by legendary artists Rudy Sarzo and Jordan Rudess, with Richie Monica on drums, Michael Bean (bassist from Vinnie’s “TIME ODYSSEY” album), Randy McStine on Bass, John Cassidy (Keyboards), and John Pessoni (Drums).

Vinnie is considered one of the originators of shred guitar, and has released eight influential solo albums, and six albums and a LIVE DVD as a member of rock royalty legends UFO. He’s made countless album guest appearances, and has even recorded the soundtrack for a PEPSI TV commercial. He’s been a member of Alice Cooper’s band and was the opening act for RUSH on their ROLL THE BONES tour with his own band. His solo and UFO recordings as well as LIVE performances have amassed rave reviews all around the globe from both fans and music press, catapulting him into guitar icon distinction! He has been an inspiration for fans and guitarists worldwide.

To order “Soul Shifter”:
iTunes: http://itunes.apple.com/album/id1479017115?ls=1&app=itunes
Apple Music: http://itunes.apple.com/album/id/1479017115

Find Vinnie Online:
www.vinniemoore.com
https://www.facebook.com/Vinnie.Moore.Official
https://www.facebook.com/vinniemooreofficialfanpage/
https://www.instagram.com/vinnie_moore_guitarist/
https://twitter.com/Vinnie_Moore
http://ufo-music.info/

Press Inquiries:
Glass Onyon PR
PH: 828-350-8158
glassonyonpr@gmail.com

Bay Area Singer-Songwriter ROBERT STONER Releases His Personal and Nuanced Debut Album YEAR OF PAIN

San Francisco, CA – ROBERT STONER is a singer-songwriter from Berkeley, CA. He has written and performed music for many years, and now with the help of producer Ben Bernstein is set to release his debut album YEAR OF PAIN on July 9, 2021. ROBERT STONER, who also goes by Bob, wrote and recorded YEAR OF PAIN over the last year. This impressively strong debut showcases his personal and nuanced grappling with issues ranging from the specific challenges of children growing up and keeping a marriage fresh, to the trials and tribulations of our modern times.

The brother of a professional violinist in New York City, ROBERT STONER comes from a very musical family (one of his cousins even won the Tchaikovsky Competition in the Soviet Union at the height of the Cold War, to great national acclaim). Despite the fact YEAR OF PAIN is his debut release, Bob Stoner is a prolific songwriter who has been writing songs his whole life, and he is already hard at work on his next release. “My songs seem to come in a pretty constant stream,” says Bob. “Songwriting to me is an ongoing process of listening, discovery, fleshing out of ideas, honing and sharpening, and trying to maintain or enhance the original creative energy through the production phase.”

Maintaining a day job as an economist means the songwriting process has not always been straightforward for Bob, but the left and right sides of his brain have fully coalesced on YEAR OF PAIN, resulting in a musical experience that is both provocative and enjoyable for the listener. He worked with Ben Bernstein at Ben Bernstein Music to produce the album, and Ben also contributed lead and electric guitar to the songs. YEAR OF PAIN also features vocal and instrumental contributions from singer-songwriter Maya Elise, and drums and percussion from Mike Stevens. Adding to the personal nature of the album is the artwork painted by Bob’s daughter Lily Stoner, who also contributed vocals on the release.

The songs on YEAR OF PAIN run the gamut from personal reflections on kids moving on in life (“Just a Riverboat”) or relationship difficulties (“Wait Until the Morning”) to commentary on the present state of ethics in the political realm (“The Principle”) and the difficulties that have become ingrained in our modern era (“Year of Pain”). The song that leads off the album (“Just a Riverboat”) and the song that ends it (the title track “Year of Pain”) each hold special significance for Bob. “Just a Riverboat” reflects on the time his daughter Lily went off to college back East by way of a trip to New Orleans with friends. It was an exciting moment and an important milestone in her (and Bob’s!) life, and the New Orleans imagery provided the perfect backdrop for the song. “Year of Pain” is a song that sums up the difficult times we live in, with political dysfunction, gun deaths, and growing intolerance leading the list.

ROBERT STONER has many influences in his songwriting, but his sound is uniquely his own. This comes from his eclectic taste in music (which includes everything from classical to showtunes to folk and blues), as well as a relatively long period of time spent amalgamating these influences before his debut album. People have said his songs have echoes of Leonard Cohen, Van Morrison, and Bob Dylan – “I don’t know about that, but I will take the compliment!” says Bob. YEAR OF PAIN showcases Bob Stoner’s writing in the singer-songwriter genre, but he also composes fully instrumental music for the piano and has plans to release an album of that music as well.

To purchase or stream the album YEAR OF PAIN please visit: https://smarturl.it/YearOfPain

For more information about ROBERT STONER please visit: https://robertstoner.bandcamp.com

For Press and Interview inquiries please contact Billy James of Glass Onyon PR: (828) 350-8158 or glassonyonpr@gmail.com

For Digital Marketing please contact Jerome Forney of Independent Distribution Collective: jerome@independentdistro.com

Prog Ensemble Dario and the Clear Release New Album “Optic Nerve” Featuring Tony Levin, Jerry Marotta and Trey Gunn

Prog Ensemble Dario and the Clear has released a new album titled “Optic Nerve.” The release features an impressive collaboration of musicians that have worked with Dario on previous recordings and several new musical guests. He was reunited with keyboardists, Jamie Peck and Natt Kerr, as well as his Woodstock friends, Tony Levin (King Crimson, Peter Gabriel) and Jerry Marotta (Orleans, Peter Gabriel & Paul McCartney). Trey Gunn (King Crimson) is on Warr guitar. Music engineer, Eric Dalton, joins Dario for the first time on bass and backing vocals and Robert Kopec on upright and electric bass. Adam Siegel joins on alto sax. “Optic Nerve” is a combination of progressive, ambient and rock.

Says Dario, “The message is to find yourself not just as an artist but a human being. Through all the craziness in the world I had to keep reminding myself that after the Dark Ages came the Renaissance, I really think that will happen. We’ve had so much time to reflect and dig deep into ourselves. For the recording process I was really concentrating on what I call the ‘three I's.’ Instinct, Intuition and Intent. As a result the creative process was so much freer.

Watch the Video for “This Moment”: 

Biography
Dario Saraceno was born in Ripacandida, Italy and moved to London, England during the height of Beatlemania. After his mom took him to see the Beatles at an outdoor concert, he was profoundly influenced and became infatuated with becoming a musician. Fast forward to his teenage years and music became a reality when he purchased his first guitar.

Dario took an unusual approach. When most musicians were aspiring to play covers, Dario was immediately drawn to writing original music and spent time learning multi-track recording.

After graduating Berklee College of Music, Dario toured with his band, Decoy and worked as a session guitarist, touring and teaching. His instructional book, “The Shapes Remain the Same” was published in 2010.

After his Decoy project came to a close, Dario went solo, starting a new band he named Dario and the Clear. Dario and the Clear has released five albums since 2011. His recent album “Optic Nerve” was born out of a creative burst during the coronavirus pandemic when there was time for a great deal of self-reflection.

Track list:
1. Deities and Splendor
2.Smile/Lies
3. Sustained and Distorted
4. Saint Street
5. This Moment
6. Designated Skin
7. Tattooed Prophet.

“Amazing variety of timbres and depth.” Steve Ball, Guitar Craft League

“Fantastical…Cool and iconic voice…and the mood is great. I see it as a thought-provoking and passionate recording.” Joe Battista, Director, The 13th Street Theater

To purchase:
Apple Music: https://music.apple.com/us/artist/dar...
Spotify: https://open.spotify.com/artist/0CcS9...
darioandtheclear4.bandcamp.com

For more information:
Darioandtheclearfacebook.com
Darioandtheclear.Instagram.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Prog Ensemble Dario and the Clear Release New Album “Optic Nerve” Featuring Tony Levin, Jerry Marotta and Trey Gunn

Prog Ensemble Dario and the Clear has released a new album titled “Optic Nerve.” The release features an impressive collaboration of musicians that have worked with Dario on previous recordings and several new musical guests. He was reunited with keyboardists, Jamie Peck and Natt Kerr, as well as his Woodstock friends, Tony Levin (King Crimson, Peter Gabriel) and Jerry Marotta (Orleans, Peter Gabriel & Paul McCartney). Trey Gunn (King Crimson) is on Warr guitar. Music engineer, Eric Dalton, joins Dario for the first time on bass and backing vocals and Robert Kopec on upright and electric bass. Adam Siegel joins on alto sax. “Optic Nerve” is a combination of progressive, ambient and rock.

Says Dario, “The message is to find yourself not just as an artist but a human being. Through all the craziness in the world I had to keep reminding myself that after the Dark Ages came the Renaissance, I really think that will happen. We’ve had so much time to reflect and dig deep into ourselves. For the recording process I was really concentrating on what I call the ‘three I's.’ Instinct, Intuition and Intent. As a result the creative process was so much freer.

Watch the Video for “This Moment”: 

Biography
Dario Saraceno was born in Ripacandida, Italy and moved to London, England during the height of Beatlemania. After his mom took him to see the Beatles at an outdoor concert, he was profoundly influenced and became infatuated with becoming a musician. Fast forward to his teenage years and music became a reality when he purchased his first guitar.

Dario took an unusual approach. When most musicians were aspiring to play covers, Dario was immediately drawn to writing original music and spent time learning multi-track recording.

After graduating Berklee College of Music, Dario toured with his band, Decoy and worked as a session guitarist, touring and teaching. His instructional book, “The Shapes Remain the Same” was published in 2010.

After his Decoy project came to a close, Dario went solo, starting a new band he named Dario and the Clear. Dario and the Clear has released five albums since 2011. His recent album “Optic Nerve” was born out of a creative burst during the coronavirus pandemic when there was time for a great deal of self-reflection.

Track list:
1. Deities and Splendor
2.Smile/Lies
3. Sustained and Distorted
4. Saint Street
5. This Moment
6. Designated Skin
7. Tattooed Prophet.

“Amazing variety of timbres and depth.” Steve Ball, Guitar Craft League

“Fantastical…Cool and iconic voice…and the mood is great. I see it as a thought-provoking and passionate recording.” Joe Battista, Director, The 13th Street Theater

To purchase:
Apple Music: https://music.apple.com/us/artist/dar...
Spotify: https://open.spotify.com/artist/0CcS9...
darioandtheclear4.bandcamp.com

For more information:
Darioandtheclearfacebook.com
Darioandtheclear.Instagram.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Italian Prog Ensemble Syndone To Release New Concept Album “Kāma Sūtra”

Italian Prog ensemble Syndone will be releasing their new concept album “Kāma Sūtra” on June 10th.

The sacred text “Kāma Sūtra” is the “Bible” of how to achieve pleasure in sexual intercourse.

The Kāma Sūtra (aphorisms on pleasure) therefore constitutes for Hindus a compendium on the art of loving and achieving sexual pleasure, in a way consistent with the ancient rural and pastoral origins of their religious culture. This culture still considers love in all its most natural manifestations, from poetry, to singing, dancing, painting, sculpture to enhance its divine sanctity of procreation and the adoration of the principle of life, also through erotic pleasure.

Even in modern India, as in ancient India, the dominant impression offered by Hindu culture is still that of a world in contact with all the natural forces that transfer the richness of life into an existence permeated by tenderness, by pleasure and beauty in all its manifestations.

Like the movements of sex, music and lyrics go in and out of the different variations of the concept of Kāma Sūtra in history and in the contemporary; Kāma Sūtra is here intended only as the sound of a word already heard from which people begins to wonder.

For Syndone it becomes text and pretext to sink the nails with passion in the love between two people, in today’s real prostitutes, in provocation. Images, symbols, roles and people; among all a true story, the one of Giorgio Perlasca, hero against Nazism and many other common stories, among which, maybe, the ours, with invented characters, divinities, erotic symbols and much, much love.

“Kāma Sūtra,” the eighth album of Syndone, is a key to unhinging the menageries of progressive doctrine. In fact, it is the least progressive album of Syndone, but the news is not bad for this at all: the forays into more rock material are interspersed here and there by the scratches and sweeps of the Hammond that refer to Brian Auger and John Lord, from choral fragments where you can feel the smell of Queen. If “Mysoginia” was Géricault's Raft of the Medusa, “Kāma Sūtra” is a painting by Kandinsky. To be fascinated, the wonderful “We Are the World We Created” is enough. Finally, David Jackson’s saxes and the beautiful vocal duet with the singer Annie Barbazza are a certificate of authenticity of a new masterpiece.

Syndone’s music, supported by the analytical and deeply cerebral texts of Riccardo Ruggeri - a front-man with great theatrical and an amazing voice - is something truly surprising: next to small jewels that shine with joy and pain, sweetness and of bitterness, it burns the fuel of the most genuine rock.

Watch the making of the album teaser: 

BIO

Born in 1989, in the wake of the second progressive wave, Syndone – led by Nik Comoglio – have delved into every aspect of niche music during their first quarter of a century.

Seven excellent albums (Spleen/1990, Inca/1992, Melapesante/2010, La Bella è la Bestia/2012 and Odysséas/2014, Eros & Thanatos/2016 and the new Mysoginia/2018) have come out of this collaboration, contaminated with tones that, more often than not, have gone beyond all codes and frontiers.

Their sound – which reflects the moods of Emerson Lake & Palmer to a certain extent – is not restricted to a slavish reading of the British band though. It tends to revitalize their spirit with formulas that have little to do with the style per se and move towards new shores, new sounds characterized by a rock background with extensive classical openings (sometimes played on strings), all tied together by a very expressive, sometimes theatrical, voice which brings everything together in an original, cultural and innovative product.

While their name might elicit thoughts of the Holy Shroud or Sindon (and all the rules and regulations surrounding it) kept in Turin, we could say that, in the meantime, it also brings to mind the provocative magic of this subalpine capital. Nik explains, “We wanted a name that would evoke all together ‘Sacredness,’ ‘Turin,’ ‘Spirituality’ and ‘Scored Grooves’ (like an old vinyl LP) so I thought of Syndone, with the ‘Y’ to distinguish it from the famous relic and make it International at the same time, without being blasphemous. This name in fact immediately evokes Turin in any part of the world... and I liked this!”

Syndone
Riccardo Ruggeri: composition, vocal, lyricist
Gigi Rivetti: composition, acoustic and electric pianos, clavinet, keyboards
Marta Caldara: composition, vibraphone, timpani, keyboards
Simone Rubinato: composition bass, taurus bass e keyboards
Eddy Franco: drums and percussions
Nik Comoglio: composition, orchestration, arrangements,  Hammond, Moog, Juno dist., Mellotron and keyboards

To purchase: https://www.manticorerecords.com/syndone-kama-sutra?fbclid=IwAR344YhX_jfNot5l-mJoMm0cSDotpg6iDIkfWE5QvoiTR8Fquf9tT8HQnCA

For more information:
Website: www.syndone.it
Facebook: https://m.facebook.com/profile.php?id=188463544523800&ref=content_filter

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Italian Prog Ensemble Syndone To Release New Concept Album “Kāma Sūtra”

Italian Prog ensemble Syndone will be releasing their new concept album “Kāma Sūtra” on June 10th.

The sacred text “Kāma Sūtra” is the “Bible” of how to achieve pleasure in sexual intercourse.

The Kāma Sūtra (aphorisms on pleasure) therefore constitutes for Hindus a compendium on the art of loving and achieving sexual pleasure, in a way consistent with the ancient rural and pastoral origins of their religious culture. This culture still considers love in all its most natural manifestations, from poetry, to singing, dancing, painting, sculpture to enhance its divine sanctity of procreation and the adoration of the principle of life, also through erotic pleasure.

Even in modern India, as in ancient India, the dominant impression offered by Hindu culture is still that of a world in contact with all the natural forces that transfer the richness of life into an existence permeated by tenderness, by pleasure and beauty in all its manifestations.

Like the movements of sex, music and lyrics go in and out of the different variations of the concept of Kāma Sūtra in history and in the contemporary; Kāma Sūtra is here intended only as the sound of a word already heard from which people begins to wonder.

For Syndone it becomes text and pretext to sink the nails with passion in the love between two people, in today’s real prostitutes, in provocation. Images, symbols, roles and people; among all a true story, the one of Giorgio Perlasca, hero against Nazism and many other common stories, among which, maybe, the ours, with invented characters, divinities, erotic symbols and much, much love.

“Kāma Sūtra,” the eighth album of Syndone, is a key to unhinging the menageries of progressive doctrine. In fact, it is the least progressive album of Syndone, but the news is not bad for this at all: the forays into more rock material are interspersed here and there by the scratches and sweeps of the Hammond that refer to Brian Auger and John Lord, from choral fragments where you can feel the smell of Queen. If “Mysoginia” was Géricault's Raft of the Medusa, “Kāma Sūtra” is a painting by Kandinsky. To be fascinated, the wonderful “We Are the World We Created” is enough. Finally, David Jackson’s saxes and the beautiful vocal duet with the singer Annie Barbazza are a certificate of authenticity of a new masterpiece.

Syndone’s music, supported by the analytical and deeply cerebral texts of Riccardo Ruggeri - a front-man with great theatrical and an amazing voice - is something truly surprising: next to small jewels that shine with joy and pain, sweetness and of bitterness, it burns the fuel of the most genuine rock.

Watch the making of the album teaser: 

BIO

Born in 1989, in the wake of the second progressive wave, Syndone – led by Nik Comoglio – have delved into every aspect of niche music during their first quarter of a century.

Seven excellent albums (Spleen/1990, Inca/1992, Melapesante/2010, La Bella è la Bestia/2012 and Odysséas/2014, Eros & Thanatos/2016 and the new Mysoginia/2018) have come out of this collaboration, contaminated with tones that, more often than not, have gone beyond all codes and frontiers.

Their sound – which reflects the moods of Emerson Lake & Palmer to a certain extent – is not restricted to a slavish reading of the British band though. It tends to revitalize their spirit with formulas that have little to do with the style per se and move towards new shores, new sounds characterized by a rock background with extensive classical openings (sometimes played on strings), all tied together by a very expressive, sometimes theatrical, voice which brings everything together in an original, cultural and innovative product.

While their name might elicit thoughts of the Holy Shroud or Sindon (and all the rules and regulations surrounding it) kept in Turin, we could say that, in the meantime, it also brings to mind the provocative magic of this subalpine capital. Nik explains, “We wanted a name that would evoke all together ‘Sacredness,’ ‘Turin,’ ‘Spirituality’ and ‘Scored Grooves’ (like an old vinyl LP) so I thought of Syndone, with the ‘Y’ to distinguish it from the famous relic and make it International at the same time, without being blasphemous. This name in fact immediately evokes Turin in any part of the world... and I liked this!”

Syndone
Riccardo Ruggeri: composition, vocal, lyricist
Gigi Rivetti: composition, acoustic and electric pianos, clavinet, keyboards
Marta Caldara: composition, vibraphone, timpani, keyboards
Simone Rubinato: composition bass, taurus bass e keyboards
Eddy Franco: drums and percussions
Nik Comoglio: composition, orchestration, arrangements,  Hammond, Moog, Juno dist., Mellotron and keyboards

To purchase: https://www.manticorerecords.com/syndone-kama-sutra?fbclid=IwAR344YhX_jfNot5l-mJoMm0cSDotpg6iDIkfWE5QvoiTR8Fquf9tT8HQnCA

For more information:
Website: www.syndone.it
Facebook: https://m.facebook.com/profile.php?id=188463544523800&ref=content_filter

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com