Rock Review: Eric Burdon & The Animals-When I Was Young – The MGM Recordings 1967-1968

Release Date: February 28, 2020

Label: Esoteric

Website

When I Was Young – The MGM Recordings 1967-1968 is a 5-disc set covering Eric Burdon & The Animals. Each of these discs shows a pattern. As you stream through the music, the tone and themes overall go from disc one, and five shapes themselves up to be more of a darker sound than that of the other three discs. In ascending order, discs two through four increasingly become a bit lighter with the themes surrounding them. Minus a few extra tracks and one being formatted in stereo and one for mono, the two bookend discs play out similarly. It’s well worth playing on a day of reminiscing or if you might have a grey feeling throughout your day.

Eric Burdon & The Animals came about in 1966 when the actual band The Animals abruptly parted ways, he formed a similar but newer version of the group. It took hold of a Psychedelic rock type of influence rather than that of its former R&B stylings. He possessed a particular skill few in the Rock world could bring to life and not have the message and sound overdone or duplicated.

Disc two still carries a bit of a darker undertone but, generally, The Twain Shall Meet is an album of eventfulness and storytelling. You can feel a sense of wonder and awe in songs like “All Is One,” and “Just The Thought.” The album is rightly titled because it comes off very poetically. However, it also speaks to songs of war and unfortunate sorrow in the song “Sky Pilot.” You get an action-packed album amid this packaged deal.

Everyone Of Us is a blend of items. It contains an instrumental piece, “Serenade to A Sweet Lady,” along with a spoken-word track of “The Immigrant Lad.” It also includes a short story-styled song of “New York 1963 – America 1968.” You can tell by the titles of the tracks, that a lot of historical context surrounds the entirety of this album, and while it may be for a select group of ears (as many may not find the album impactful), it does carry an impressive framework about it.

Think of disc four as the icing on the cake, or the joy and celebration of light after a series of unfortunate events. There’s a common theme of love and its lasting effects both good and bad. “River Deep, Mountain High,” is that excitement burst of how much intensity one’s love could be another while, “Ring Of Fire,” represents how much power and heat can be put into love itself and loving someone, who may or may not return the same feeling.

This album certainly has an eclectic sense of emotion and lessons to be learned. Moreover, it is a great representation of laid back, mellow vibes to give younger listeners a sense of how music can captivate both a message and create an endless earworm to soothe the mind after an eventful day or stimulate the mind to think more introspectively.

Key Tracks: “Monterey,” “A Girl Named Sandoz,” “Year of the Guru,” “Gemini,” “Ring of Fire.”

Gregg Keniston- MuzikMan.net Staff
May 8, 2020

Reviews Provided By:

The Final on Vinyl

MuzikMan Productions

MuzikMan Reviews

Write A Music Review

Prog Rock Music Talk

New Age Music Reviews

Rate The Tracks

Track Listing:
 
Disc One: Winds Of Change (Re-Mastered Stereo Mix)

01.    Winds Of Change
02.    Poem By The Sea
03.    Paint It Black
04.    The Black Plague
05.    Yes, I Am Experienced
06.    San Franciscan Nights
07.    Man – Woman
08.    Hotel Hell
09.    Good Times
10.    Anything
11.    It’s All Meat
12.    When I Was Young
13.    A Girl Named Sandoz
14.    Ain’t That So
15.    Gratefully Dead
16.    Anything (Single Version)

Disc Two: The Twain Shall Meet

01.    Monterey
02.    Just The Thought
03.    Closer to The Truth
04.    No Self Pity
05.    Orange and Red Beams
06.    Sky Pilot
07.    We Love You Lil
08.    All Is One
09.    Sky Pilot (Part One) (Mono Single)
10.    Sky Pilot (Part Two) (Mono Single)
11.    Monterey (Mono Single Version)

Disc Three: Everyone Of Us

01.    White Houses
02.    Uppers and Downers
03.    Serenade to a Sweet Lady
04.    The Immigrant Lad
05.    Year of the Guru
06.    St. James Infirmary
07.    New York 1963 – America 1968
08.    White Houses (Single Version)

Disc Four: Love Is

01.    River Deep, Mountain High
02.    I’m An Animal
03.    I’m Dying, or Am I?
04.    Ring Of Fire
05.    Coloured Rain
06.    To Love Somebody
07.    As The Years Go Passing By
08.    Gemini
09.    The Madman (Running Through the Fields)
10.    River Deep, Mountain High (Single Version)

Disc Five: Winds Of Change (Re-Mastered Mono Mix)

01.    Winds of Change
02.    Poem By the Sea
03.    Paint It Black
04.    The Black Plague
05.    Yes, I Am Experienced
06.    San Franciscan Nights
07.    Man – Woman
08.    Hotel Hell
09.    Good Times
10.    Anything
11.    It’s All Meat
 

Contemporary Instrumental Review: Yurina Shin-Connections

Release Date: May, 7, 2020

Label: Independent

Website

Yurina Shin is a classically trained composer who blends the richness of the classical tradition with the fast-paced, moving rhythms of today. This is on her “About” page on her website. I find this kind of info is simple and straightforward. It creates a clear picture of who the artist is. Yurina has created a lot of music for very successful video games and is very well educated in music, holding an M.A in Music Composition, and a B.A. in Music Education.

That kind of combination is an excellent core to work from for any performing artists as far as I am concerned. I have found the educated musicians are always drawn to the classical genre. This makes total sense as that is where everything else comes from one way or another, it all started there.

Connections is her latest release, which combines her two EP’s Memory Lane and Reflection. This encompasses eight tracks of contemporary instrumental that shines the light upon Yurina’s education and previous experiences as a recording artist.

I do believe as well that many listeners would put this music into the new age instrumental genre. For the sake of brevity, I will call it contemporary instrumental, which does have a strong crossover tendency to new age classifications. The music is very relaxing and beautiful. Piano based music such as this can serve many purposes for personal use, movie soundtracks, and documentaries. However, that is not the intent of presenting this encapsulation of the two EPs. This brings attention to her all-around talents and abilities and hopefully to a wider distribution of listeners and potential record labels.

Because of the changing tides of the music, it makes for a more diverse listening experience. The pace and length of the tracks are just right and Yurina uses all of her talents to make each one a singular work of art. The addition of a violin only accentuates her efforts through the ivory keys. The addition of that instrument is always is well suited for the piano accompaniment that I have heard with so many artists.

Yurina desires to reach a larger audience and the uses of her music will certainly follow once that happens. Connections will be an introduction for many potential listeners and I believe will be the springboard to more opportunities and much larger fan base than she already has.

Keith “MuzikMan” Hannaleck
April 25, 2020

Founder of:

The Final on Vinyl

MuzikMan Productions

MuzikMan Reviews

Write A Music Review

Prog Rock Music Talk

New Age Music Reviews

Rate The Tracks

Track List:
1. Wind
2. Another Day
3. La Lumiere
4. Pulse
5. The Soft Voice
6. A Blue Boy
7. Fog Over the Lake
8. In Darkness

Jazz Review: Pasquale Grasso - Solo Masterpieces

Release Date: March 6, 2020

Label: Sony Music Entertainment

Website

At a crossroads where coffee shop meets professionalism, you are bound to run into Pasquale Grasso’s Solo Masterpieces. This album is the definition of tranquility and peace of mind. This artist goes to show that you don’t always need words to describe how you are feeling or to set a mood right.

The 30-year-old  Italian guitarist unveils an album that is a sure delight to any ear. He practiced under the direction of Agostino Di Giorgio then Barry Harris respectively. Pasquale and his brother quickly became a fixture within Harris’s workshops, soon after, in 2008 he studied at the Conservatory of Bologna under Professor Walter Zanetti. Then, in 2012, Grasso moved to New York City, where he cultivated his talent for Jazz. Rising to a certain level of stardom over the past five years, Pasquale Grasso developed a sound all his own. Pat Metheny, a jazz-guitar icon and NEA Jazz Master stated of Grasso, “This guy is doing something so amazingly musical and so difficult.”

The entirely instrumental album is made up of a collection of Standard-type pieces, each given their own, personal spin. Do you want to find something that brings you comfort? Here it is. Grasso finds ways to bring life to classic, contemporary works that highlight a timeline of musical genius. The simplicity of the album is its greatest asset. As the album progresses, the listener can see hear the intricate details of bringing every song to melodic, dream-sequenced works.

Tracks like “Over the Rainbow,” “Tea for Two,” and “Body and Soul” find a different groove. They stand apart from the rest of the album with an uptick in the tempo. Where the majority of the album streamlines a very mellow, soft undertone; these songs make the album pop with staccato and crescendo flare-ups that will appeal like a new sound to the listener. The opening track, “All the Things You Are” provides the listener with a sample of the ebb and flow of radio-friendly, pop-themed songs through the body of more classically-styled songs.

Grasso is a prime example of how you are never too young to push beyond expectations of your own and those around you. Jumping on a passion and cultivating his talent, Pasquale is a young heart with an old soul. He keeps the old sound of music blending through modern contemporary airwaves. The album represents how a mark in time can last throughout the ages and not everything fades off into the horizon. Rather, some tradition is emboldened with new meaning.

Key Tracks include: “’Round Midnight,” “Epistrophy,” “Body and Soul,” and “Over the Rainbow.”

Gregg Keniston- MuzikMan.net Staff
April 30, 2020

Track Listing:
01. All the Things You Are
02. Over the Rainbow
03. Just One of Those Things
04. ‘Round Midnight
05. Hallucinations
06. Sophisticated Lady
07. Tea for Two
08. Bouncing With Bud
09. These Foolish Things
10. Epistrophy
11. Parker’s Mood
12. Body and Soul

Reviews Provided By:

The Final on Vinyl

MuzikMan Productions

MuzikMan Reviews

Write A Music Review

Prog Rock Music Talk

New Age Music Reviews

Rate The Tracks

 

New Age Instrumental Review: Peter Sterling-Sanctuary of Light

Release Date: April 1, 2020

Label: Harp Magic

Website

I have had the pleasure of covering two of Peter Sterling’s releases so far. The 2016 release Sacred Visions and in 2018 Magic Kingdom. Both were filled with beautiful sounds led by his diverse harp playing. Now we have the latest to enjoy titled Sanctuary of Light which is ready to enchant us all that can appreciate new age instrumental music.

For my personal tastes, this music works. I value all music in such a way that there is built-in respect and admiration I have before listening to any artisan’s creation. With that in mind, it opens the mental aperture some more and casts aside any preconceived ideas one may have about what they will be hearing.

Right now, more than ever, we all need healing on some level. The world is in turmoil and distress and the only way to realign mother earth and its inhabitants is to take a collective breath and let the music lead the way. This is why music has been and always will be our savior. That is in effect, a community of unsung heroes as far as I am concerned.  

Peter is saying to us all “Let the light be your sanctuary, you can find it in my music.” While there is always darkness and shades of grey in our world, we can always find the light whether it's through the music, a kind face, or a gentle smile of assurance from a loved one. Yes, this is what this music brings to the forefront of my mind and how it relates to my spirit, consciousness, and attitude at any given moment.

As Peter intimates on the inner sleeve of the CD jacket “This music is dedicated and inspired by the divine light that lives in us all.” I find this to be so true right now. Every day, I am seeing how people are coming together, sacrificing their time, energy, and knowledge to fight the worldwide pandemic we are facing. It so predominant right now in all our lives that I cannot help but talk about it and how this all connects together. I am linked to music consciously and unconsciously. This gorgeous and heavenly sound Peter coaxes from his harp, gives me more awareness of my surroundings and how easily I can become grounded and centered with some help provided by his music.

So rather than mention any particular track on the recording, I prefer to put my attention on the entire project as a whole. I am looking at the big picture right now for all of humanity and the fact that music can inspire me in such a way that my inner spirit and true self is revealed.

Thank you, Peter Sterling, for your artistic genius and contribution to all of mankind with the soothing spiritual sounds provided on Sanctuary of Light.

Keith “MuzikMan” Hannaleck

April 3, 2020

Founder of:

The Final on Vinyl

MuzikMan Productions

MuzikMan Reviews

Write A Music Review

Prog Rock Music Talk

New Age Music Reviews

Rate The Tracks

Review Provided By New Age Music Reviews

Track List: 
1. The Light Within
2. Divine Reflection
3. Light In Your Eyes
4. This Path I Walk
5. Forever More
6. Pool of Love
7. Seventh Heaven
8. Shores of Eternity
 

Rock-Americana-Progressive Review: Euphoria-The Reverie Suite

Release Date: September 17, 2019

Label: Independent

Website

Euphoria’s second release titled The Reverie Suite was released in September 2019. This is the kind of music that can be hard to put into a corner and stick a label on. For my ears, that is a fine start knowing that I was in for a lot of diversity and surprises.

I would call it Rock-Americana with a Progressive twist, just as the band describes it. What is initially indicative of the progressive leanings is the length of the tracks.

The band explains the album like this: It is a concept album based on the life of vocalist Saskia who delivers her story with an earnest passion that’s hauntingly beautiful. Its theme is centered around childhood and musically presented with a sound that evokes America in all its beauty – whether it be folk, rock, jazz, or Native purple mountains majesty with progressive tinges.

I think that statement puts it all into a proper perspective for potential listeners. It serves as a looking glass into what you can expect. It is everything and more than one would expect actually. Saskia has a rich powerful voice that pulls you right into the story and holds you. The music is all very tasteful and well suited to the lyrics and vocal style of Saskia. Every track is a musical carpet ride that will capture your imagination. In a word, it is all quite cinematic. Choosing the recording to be a concept album worked well.

Hoyt Binder’s guitar is fantastic. He can be powerful with some meaty chords or tone it down to sound quieter and more textured. He also utilizes a banjo and mandolin to get that Americana element in place sandwiched in between his power strokes. I most certainly appreciate all of his work with the stringed instruments. His multitude of talent leads the way, inviting Saskia’s inviting vocals to come out and play with the music making it a complete experience for a listener. Her vocals were giving me goosebumps.

The Reverie Suite is engaging, precise, diversified, exciting, and filled with the many colors of the world and cultures. I sincerely appreciate that kind of take on a recording, it is always impressive and something you cannot forget. The musicianship is stellar. Ronald Van Deurzen adds the quintessential keyboard element while The Americana Daydream Revival Orchestra delivers background harmonies, flute, percussion, harmonica, bass, and strings, which in turn gives their sound a layered effect that makes each track a real musical journey. (I have included a list of all contributors below)

Their magnum opus is ”Paradise Road,” which clocks in at a hefty 9:42. With this one track, you get the whole package and stylings that this band commands in one track. It is quite impressive to sit back and hear everything going on. I loved every minute of it. The long instrumental breaks are a testament to this band’s all-around talent. This is the one track I would call definitively progressive. The way it ends so suddenly with Saskia singing “And paradise is her name,” puts the final touch on the elements of prog as the door shuts and you get ready for the next track (or another one opens).

Then you get the full instrumental track “Remind Me.” It is a delight, bringing a distinct Americana/Celtic flair to your senses, transporting the listener to a world stage. Getting the full instrumental treatment of their sounds encourages you to paint your personal picture on the canvas of their music.

The Reverie Suite may take a few listens to get it all into perspective, but I believe that any listener that has an appreciation for rock, prog, Americana, folk, or any combination thereof, will find great value in this album.

LINE-UP:
Saskia Binder - Vocals
Hoyt Binder - Guitars, banjo, mandolin, background harmonies
Ronald Van Deurzen - Piano, organ
Trevor Lloyd - Strings
Tollak Ollestad - Harmonica
Rebecca Kleinmann - Flute
Paulo Gustavo - Bass
Chris Quirarte - Drums
Mike Disarro - Background harmonies
Bobby Albright – Percussion

Mixed by Smiley Sean
Mastered by Howie Weinberg at Howie Weinberg Mastering

Keith “MuzikMan” Hannaleck

April 28, 2020

Founder of:

The Final on Vinyl

MuzikMan Productions

MuzikMan Reviews

Write A Music Review

Prog Rock Music Talk

New Age Music Reviews

Rate The Tracks

Review Provided By Prog Rock Music Talk

Track List: 
01. Prelude/ She's Calling 04:54
02. Reverie 07:12
03. On My Way 07:31  
04. Heartbeat 04:53
05. Bridge of Dreams 04:38
06. Queen of Hearts 04:47
07. Paradise Road 09:42
08. Move On 05:21
09. Seasons 07:00  
10. Reprise 03:24
11. Remind Me 05:44
12. Content 05:57

Rock-Americana-Progressive Review: Euphoria-The Reverie Suite

Release Date: September 17, 2019

Label: Independent

Website

Euphoria’s second release titled The Reverie Suite was released in September 2019. This is the kind of music that can be hard to put into a corner and stick a label on. For my ears, that is a fine start knowing that I was in for a lot of diversity and surprises.

I would call it Rock-Americana with a Progressive twist, just as the band describes it. What is initially indicative of the progressive leanings is the length of the tracks.

The band explains the album like this: It is a concept album based on the life of vocalist Saskia who delivers her story with an earnest passion that’s hauntingly beautiful. Its theme is centered around childhood and musically presented with a sound that evokes America in all its beauty – whether it be folk, rock, jazz, or Native purple mountains majesty with progressive tinges.

I think that statement puts it all into a proper perspective for potential listeners. It serves as a looking glass into what you can expect. It is everything and more than one would expect actually. Saskia has a rich powerful voice that pulls you right into the story and holds you. The music is all very tasteful and well suited to the lyrics and vocal style of Saskia. Every track is a musical carpet ride that will capture your imagination. In a word, it is all quite cinematic. Choosing the recording to be a concept album worked well.

Hoyt Binder’s guitar is fantastic. He can be powerful with some meaty chords or tone it down to sound quieter and more textured. He also utilizes a banjo and mandolin to get that Americana element in place sandwiched in between his power strokes. I most certainly appreciate all of his work with the stringed instruments. His multitude of talent leads the way, inviting Saskia’s inviting vocals to come out and play with the music making it a complete experience for a listener. Her vocals were giving me goosebumps.

The Reverie Suite is engaging, precise, diversified, exciting, and filled with the many colors of the world and cultures. I sincerely appreciate that kind of take on a recording, it is always impressive and something you cannot forget. The musicianship is stellar. Ronald Van Deurzen adds the quintessential keyboard element while The Americana Daydream Revival Orchestra delivers background harmonies, flute, percussion, harmonica, bass, and strings, which in turn gives their sound a layered effect that makes each track a real musical journey. (I have included a list of all contributors below)

Their magnum opus is ”Paradise Road,” which clocks in at a hefty 9:42. With this one track, you get the whole package and stylings that this band commands in one track. It is quite impressive to sit back and hear everything going on. I loved every minute of it. The long instrumental breaks are a testament to this band’s all-around talent. This is the one track I would call definitively progressive. The way it ends so suddenly with Saskia singing “And paradise is her name,” puts the final touch on the elements of prog as the door shuts and you get ready for the next track (or another one opens).

Then you get the full instrumental track “Remind Me.” It is a delight, bringing a distinct Americana/Celtic flair to your senses, transporting the listener to a world stage. Getting the full instrumental treatment of their sounds encourages you to paint your personal picture on the canvas of their music.

The Reverie Suite may take a few listens to get it all into perspective, but I believe that any listener that has an appreciation for rock, prog, Americana, folk, or any combination thereof, will find great value in this album.

LINE-UP:
Saskia Binder - Vocals
Hoyt Binder - Guitars, banjo, mandolin, background harmonies
Ronald Van Deurzen - Piano, organ
Trevor Lloyd - Strings
Tollak Ollestad - Harmonica
Rebecca Kleinmann - Flute
Paulo Gustavo - Bass
Chris Quirarte - Drums
Mike Disarro - Background harmonies
Bobby Albright – Percussion

Mixed by Smiley Sean
Mastered by Howie Weinberg at Howie Weinberg Mastering

Keith “MuzikMan” Hannaleck

April 28, 2020

Founder of:

The Final on Vinyl

MuzikMan Productions

MuzikMan Reviews

Write A Music Review

Prog Rock Music Talk

New Age Music Reviews

Rate The Tracks

Review Provided By Prog Rock Music Talk

Track List: 
01. Prelude/ She's Calling 04:54
02. Reverie 07:12
03. On My Way 07:31  
04. Heartbeat 04:53
05. Bridge of Dreams 04:38
06. Queen of Hearts 04:47
07. Paradise Road 09:42
08. Move On 05:21
09. Seasons 07:00  
10. Reprise 03:24
11. Remind Me 05:44
12. Content 05:57

Metal Review: Exlibris - Shadowrise

Release Date: April 17, 2020

Label: 2020 Exlibris Recordings

Website 

Crank up your radio or stereo and let er’ rip with Shadowrise! The band Exlibris unleashes its latest, six-track album with a blend of rage and power, combined with a melodic body of work; all of which accelerates the band through a momentous round of music.

Coming high off their critically acclaimed album Aftereal, the band leaves no stone unturned in letting rip all efforts fly on their fourth studio album. With the intense vocals of Riku Turunen mixed into the instrumental stylings of keyboardist - Piotr Sikora, bassist – Piotr Torbicz, and drummer Grzegorz “Gregor” Olejnik; a rebirth of heavy metal, or “Hi-octane metal,” or “speed metal”, has also been referenced...is born. One would assume, four albums in, a band starts to either sound repetitive or lose its fundamental uniqueness of sound. Exlibris keeps it polished and the volume past 11 as the album unfolds.

Right out of the gate, “Rule #1” transforms from an intense set up as a trick of a possible light hunter’s battle-themed tune, to then quickly evolving into an intense battle royale. Its powerful guitar-shredding clashing with the main theme of the lyrics to produce a dramatic introductory track proves to energize the listener and excite them for what is to come. As the song continues, it plateaus and slightly builds to heighten the dramatic effect of enticing the listener, only to leave them wanting more with the singer repeating a partial chorus.

“Hell or High Water” intensifies the continuation of the record. It is the fighter anthem, with the strong intensity of the guitar, this song is all about building up and getting stronger with each note that passes on. It connects well also to the beginning of “All I Never Know.” “All I Never Know” starts with great force and then lends itself to mellow out for a good half of a minute in the middle. This is only to follow it through with another short burst of energy, keeping the listener on their toes, and unwinds by mellowing out with the keyboards.

Another instance of a song flowing right into another is that of the title track “Shadowrise.” The song blends the keyboard fadeout in the very beginning and then bursts right into power and might “looking for a sanctuary.” This might imply that everything that lies within the shadows might be in danger or that the shadows may be the danger themselves. Whatever the case may be, it is a clever appeal to combine a lyrical image with the speed and sound of the song at hand.

“Megiddo” comes in with a bang. Rightfully so, aside from Riku’s vocals, this song is 85 percent dedicated to the work and craft of Grzegorz “Gregor” Olejnik. Without him, much of this record, and this song would fail to carry itself as the drum beats are what it is built upon. The speed, the rhythm, and the control of the song carry out only because of Grzegorz.

The final track “Interstellar” is intriguing. Much of the track is spoken word of a speech formerly given by President John F. Kennedy in 1962. Anyone born after the early 1990s or, even some just before then, might not even know of this infamous speech proclaiming the great desire of traveling to the moon and through space. It is a great tease in history. Never close your mind to where music could lead you even in secrecy.

Key Tracks: “Hell Or High Water,” “Shadowrise”

Gregg Keniston- MuzikMan.net Staff
April 23, 2020

Track Listing:
01. Rule #1
02. Hell Or High Water
03. All I Never Knew
04. Shadowrise
05. Megadido
06. Interstellar

Celtic-Acoustic-New Age Review: 2002- Celtic Fairy Dream

Release Date: April 24, 2020

Label: Real Music

Website

When you go to the 2002 website the new release Celtic Fairy Dream is introduced as a relaxing, soothing, nurturing music for peaceful rest and sleep. Celtic Fairy Dream is a collection of timeless songs from ancient lands. Harps, flutes, piano, and subtle orchestration accompany delightful lyrics in Gaelic, Welsh and English. That puts it all into proper perspective for any potential listeners.

There is much more to this family’s music, however, Pamela, Randy, and Sarah Copus are the contributors to this lush soundscape. As the saying goes, beauty is in the eyes of the beholder. In this case, what you hold within your mind’s eye may be different for all us, but what you hear is musical perfection with vocals that sound like they are coming straight from heaven.

The one thing that remains consistent throughout is Sarah’s incredible vocal talent. She is growing into the music with each release and mother and father have let her walk the path as they provide all the gorgeous layers of sounds for her silky sweet vocals to gloss over the top. She shines like a bright star on the verge of bursting into a supernova. I am hoping I have the opportunity to witness that event as time goes on, as each passing year will lend the experience and maturity to her vocal expertise and approach.

Sarah’s angelic vocals are the focal point of this album but she has the best support possible with her veteran musician parents. It is a beautiful thing, this amazing family and all their talents coming together as one musical energy. I am sure that there will be the third generation of musicians and vocalists someday but I am sure mom and dad are in no rush for that!

All ten tracks offer the listener a real music experience coming from three spiritual beings wishing to pass it on to humanity. They have been doing this for so long, I could not imagine another result than absolute bliss perfected in the studio.

Besides all of the excellent vocal tracks, there is an instrumental titled “Genevieve's Waltz” that puts the spotlight on the excellence of their musicianship. I am so glad that they did this track so listeners can realize the immense talent that these folks have, then to have a daughter with a voice like an angel, it completes the partnership.

Celtic Fairy Dream takes their music to yet another level that so many people will most certainly appreciate. I would love to hear this album on vinyl someday, it would be amazing, not that it isn’t already. I am a firm believer that LPs give music a different dimension. This recording is well suited to be spinning on a turntable.

Keith “MuzikMan” Hannaleck
April 10, 2020

 

Track List: 
01. Castle of Dromore 5:00
02. The Green Fields of Autumn (Coinleach Glas an Fhomhair) 5:43
03. Dream(Suantrai) 5:07
04. South Wind 5:06
05. David of the White Rock (Dafydd y Garreg Wen) 4:41
06. Close Your Eyes (Dun do Shuil) 6:12
07. She Moved Through the Fair 5:59
08. Genevieve's Waltz 5:16
09. Little Bird (Einini) 5:41
10. Across the Waves (Trasna na d'Tonnta) 5:15

Folk Rock Review: M. Ward - Migration Stories

Release Date: April 10, 2020

Label: Anti-Records

Web Site

---

On Migration Stories, M. Ward rides the elusive suffusion, which intertwines the conscious and unconscious mind. Someone tried to label it long ago as ‘Mellow Gold,’ but like all labels, it is superficial and, like an abstract of an abstract, fails to capture any depth.  The sonic essence of this record feels like the springtime sun smacking your face after a long, cold winter. It warms you to the point of epiphany and a realization that better times are ahead of us.  

M. Ward’s 10th studio album starts slow and then grows gradually like a flower garden surrounding the listener in a bed of color. Migration Stories’ wavelength is similar to Ray Lamontagne’s super mellow vibe in Oroboros, Beck’s wistful mellowness in Sea Change, and the sun-drenched exaltation of the Beach Boys. Weave all this together with a thread of Nat King Cole, and you have a sonic experience unlike any other.  

Some of the more memorable moments include “Heaven’s Nail and Hammer,” where M. discovers heaven through the holes in the sky.  “Independent Man” rides a slow fuzzy groove in and out of reality toward an uneven proclamation of unrequited obsession. “Real Silence” build on itself orchestrally to produce one of the finest tracks while the infectious “Torch” repeats the line “heartbeats in rhythm to its own, ba, ba, bahhhh” is likely to create an earworm in your brain for days.  Lyrically, whether traveling through the “Unreal City” or “Along the Santa Fe Trail,” they paint a picture throughout of souls lost or in transition. 

There’s a lesson to be learned as we sit on the sand and listen to the tide gently caress the shoreline, and that is, the slower you go, the more you’ll know. Turning down the volume on our lives and moving at a more careful and deliberate pace allows us to take in more of the world around us.  This, in turn, fills us with wonder and hope for a brighter future. When an E chord is introduced after three minutes of a C, G & A progression, that E chord hits your ears like a clapper hitting a church bell.  

So, take a lesson from Migration Stories and let it take you from one place to another.  During these uneasy times, sometimes it’s best to let go and like swallows heading south, ride the wind and surrender yourself to nature, trusting that eventually, we will all arrive at a better place. 

- Tom Endyke | Guitar & Pen  

Alt-Rock Review: Morrissey - I am Not a Dog on a Chain

Release Date: March 20, 2020

Label: BMG

Website

---

Moz is back with his 13th studio album, I am not a Dog on a Chain. Typical of the tortured man, proudly standing his modest piece of ground, the title perfectly matches the sentiment within. Brutal honesty and spilling of one's guts to the point where the listener, for fear of crying, can't help but laugh. 

Other than the atmospheric, eight-minute petulant grouch-fest, "The Secret of Music," there isn't much to draw my interest beyond the tried and true intro/verse/chorus/verse/solo/chorus pop-punk progression. Beginning with The Smiths whose sound defined 1980's British Indie Rock, this formula has served Morrisey well, and the musicianship on this album is solid. Yet, it serves primarily as a foundation for the grouchy vegetarian's sulky bitch-fest, ripe with warning shots of impending doom and hell-to-pay for anyone attempting daring to approach his fragile ego.  

Somewhere within this ridiculous self-indulgence lies the sublime. Worthy moments beckon the disaffected and marginalized and shine a light forward. On the title track, Moz bellows, "open up your nervous mouth and feel the words come streaming out… For otherwise, you'll never know who you are or all that you can do. If you want to" On "Knockabout World," Morrisey belts in his lush, dramatic tone, "Congratulations, you're still okay. I'd kiss your lips off any day." There is no shortage of sage advice from the aging prima donna either, "Time will mold you and craft you. But soon, when you're looking away. It will slide up and shaft you." 

As we've come to know about Morrisey, things can turn dark in a hurry. On "Jim Jim Falls," he encourages a poor indecisive soul to commit suicide. "If you're going to jump, then jump. If you're going to run home and cry, then don't waste my time. If you're going to kill yourself, then to save face, get on with it." There is no shortage of paranoia either, "Time will come, but it hasn't yet. "Someone's out to get me."  

All in all, Morrisey continues to play the victim on this slightly different spin of the same-old, same-old. He has failed to find any new ground, and instead of taking his profound lyrical instincts to blaze a new path forward, he insists on standing his ground, shouting like a disgruntled diva into the void while the world collapses around him.

- Tom Endyke | Guitar & Pen