Showing posts with label Music Reissues. Show all posts
Showing posts with label Music Reissues. Show all posts

4/15/2020

Quintessential American Garage Band THE LIMITS Continue To Find New Fans Under The Leadership Of Musician RICK LEVY!


Los Angeles, CA - Memphis rock icon Alex Chilton of Big Star & The Box Tops called The Limits “the quintessential American Garage band…both preposterous and sublime,” and said their version of “Suzie Q” was “the best I ever heard.”

Formed in Allentown PA in late 1964, The Limits were by 1965 playing all over the Lehigh Valley at frat parties, teen clubs, school dances and more. Chris, Rook, Beau Jones, Rick Levy, Irwing Goldberg and Jack Shaffer honed their skills with constant gigs and rehearsals. The collection Garage Nuggets ’65-’68 is a compilation of the early Limits recordings - live, in the studio, in rehearsal - capturing the band’s first attempts at songwriting while the collection Songs About Girls captures their later incarnation from 1979-1988. Both collections have been reissued on all digital music platforms courtesy of a licensing arrangement with Garage Masters, a division of Cleopatra Records, Inc.



Rick Levy, who spearheaded the band’s ‘80s revival, continues to keep The Limits torch burning bright with gigs and special engagements all over the US delighting fans with their authenticity and love of early pop and rock. Levy has also gone on to perform with and manage such artists as Jay & The Techniques, Herman’s Hermits, Tommy Roe, Freddy Cannon and currently performs with The Box Tops. Levy’s memoir High In The Mid ‘60s - How To Have A Fabulous Life In Music Without Being Famous is available on Amazon or at www.ricklevy.com.



Listen to Garage Nuggets ’65-’68: https://orcd.co/the-limits-garage-nuggets
Listen to Songs About Girls: https://orcd.co/the-limits-songs-about-girls
Purchase Rick Levy’s memoir: https://www.amazon.com/High-Mid-60s-Fabulous-without-Famous/dp/194991464X

Press inquiries: 
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com


CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com
Facebook @Cleopatrarecords
https://www.facebook.com/CleopatraRecords/
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https://twitter.com/cleopatrarecord
Youtube @Cleopatrarecords
https://www.youtube.com/channel/UCopQ0616Fpfrq8Gt0N-0zOQ
Soundcloud @cleopatra-recs
https://soundcloud.com/cleopatra-recs
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https://www.dailymotion.com/CleopatraRecords
Vimeo @cleopatrarecords
https://vimeo.com/cleopatrarecords
Spotify  @cleopatra_recs
https://open.spotify.com/user/cleopatra_recs
Linkedin @cleopatra-records
https://www.linkedin.com/company/cleopatra-records

3/02/2020

Gentle Giant Release New Promotional Video For Vinyl Reissues

To all Gentle Giant friends, fans and followers:Here is the YouTube link to pre-order the vinyl albums!
Enjoy the short video!


Amazon USA:

Amazon Canada:


Gentle Giant is happy to announce the release of the first 4 albums on vinyl April 3rd.

After the positive response to the box set “Unburied Treasure” many fans asked whether the vinyl albums would ever be available. The band has responded and decided to make these albums officially available for the first time in decades.

The band’s first album “Gentle Giant” was first released in October 1970. Produced by Tony Visconti it marks the 50th Anniversary of the recording and live appearances of the band. Tony Visconti produced the follow up album “Acquiring The Taste” in 1971.

The band oversaw the production of the third album “Three Friends” in 1972 and was the first official release in North America. Strangely the N.A. version featured the artwork from the U.K. “Gentle Giant” album.

This album was followed up with their milestone album “Octopus” in 1972. Once again the North American artwork was different to the Roger Dean U.K. version and featured a dye cut Octopus in a jar.

Released on the Alucard label, the albums will be manufactured in 180 gram vinyl with the original gatefold artwork from the U.K.

The band hopes that their friends, followers and fans will enjoy these albums in their original form 50 years later!

For more information:
Twitter: @GGIANTMUSIC
Facebook: https://www.facebook.com/gentlegiantband/
Instagram: @gentlegiantband

Press inquiries (North America): Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Gentle Giant Release New Promotional Video For Vinyl Reissues

To all Gentle Giant friends, fans and followers: Here is the YouTube link to pre-order the vinyl albums!
Enjoy the short video!


Amazon USA:

Amazon Canada:


Gentle Giant is happy to announce the release of the first 4 albums on vinyl April 3rd.

After the positive response to the box set “Unburied Treasure” many fans asked whether the vinyl albums would ever be available. The band has responded and decided to make these albums officially available for the first time in decades.

The band’s first album “Gentle Giant” was first released in October 1970. Produced by Tony Visconti it marks the 50th Anniversary of the recording and live appearances of the band. Tony Visconti produced the follow up album “Acquiring The Taste” in 1971.

The band oversaw the production of the third album “Three Friends” in 1972 and was the first official release in North America. Strangely the N.A. version featured the artwork from the U.K. “Gentle Giant” album.

This album was followed up with their milestone album “Octopus” in 1972. Once again the North American artwork was different to the Roger Dean U.K. version and featured a dye cut Octopus in a jar.

Released on the Alucard label, the albums will be manufactured in 180 gram vinyl with the original gatefold artwork from the U.K.

The band hopes that their friends, followers and fans will enjoy these albums in their original form 50 years later!

For more information:
Twitter: @GGIANTMUSIC
Facebook: https://www.facebook.com/gentlegiantband/
Instagram: @gentlegiantband

Press inquiries (North America): Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

2/19/2020

Prog Legends Gentle Giant To Release First 4 Albums On Vinyl April 3, 2020


Gentle Giant is happy to announce the release of the first 4 albums on vinyl April 3rd.

After the positive response to the box set “Unburied Treasure” many fans asked whether the vinyl albums would ever be available. The band has responded and decided to make these albums officially available for the first time in decades.

The band’s first album “Gentle Giant” was first released in October 1970. Produced by Tony Visconti it marks the 50th Anniversary of the recording and live appearances of the band. Tony Visconti produced the follow up album “Acquiring The Taste” in 1971.

The band oversaw the production of the third album “Three Friends” in 1972 and was the first official release in North America. Strangely the N.A. version featured the artwork from the U.K. “Gentle Giant” album.

This album was followed up with their milestone album “Octopus” in 1972. Once again the North American artwork was different to the Roger Dean U.K. version and featured a dye cut Octopus in a jar.

Released on the Alucard label, the albums will be manufactured in 180 gram vinyl with the original gatefold artwork from the U.K.

The band hopes that their friends, followers and fans will enjoy these albums in their original form 50 years later!

For more information:
Twitter: @GGIANTMUSIC
Facebook: https://www.facebook.com/gentlegiantband/
Instagram: @gentlegiantband

Press inquiries (North America): Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Prog Legends Gentle Giant To Release First 4 Albums On Vinyl April 3, 2020


Gentle Giant is happy to announce the release of the first 4 albums on vinyl April 3rd.

After the positive response to the box set “Unburied Treasure” many fans asked whether the vinyl albums would ever be available. The band has responded and decided to make these albums officially available for the first time in decades.

The band’s first album “Gentle Giant” was first released in October 1970. Produced by Tony Visconti it marks the 50th Anniversary of the recording and live appearances of the band. Tony Visconti produced the follow up album “Acquiring The Taste” in 1971.

The band oversaw the production of the third album “Three Friends” in 1972 and was the first official release in North America. Strangely the N.A. version featured the artwork from the U.K. “Gentle Giant” album.

This album was followed up with their milestone album “Octopus” in 1972. Once again the North American artwork was different to the Roger Dean U.K. version and featured a dye cut Octopus in a jar.

Released on the Alucard label, the albums will be manufactured in 180 gram vinyl with the original gatefold artwork from the U.K.

The band hopes that their friends, followers and fans will enjoy these albums in their original form 50 years later!

For more information:
Twitter: @GGIANTMUSIC
Facebook: https://www.facebook.com/gentlegiantband/
Instagram: @gentlegiantband

Press inquiries (North America): Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

9/16/2019

King Crimson's "In The Court Of The Crimson King" 50th Anniversary Series 3CD/Blu-Ray featuring 5.1 Surround Sound Mix & New Stereo Mix


Blu-Ray features all-new, 2019, 5.1 & stereo mixes by Steven Wilson, approved by Robert Fripp in 24/96 resolution 

Recorded in 1969 “In The Court Of The Crimson King” stands as one of the defining albums of British rock music & one of the finest debut albums of all time. Described at the time as “an uncanny masterpiece” by Pete Townshend, the album has achieved legendary status over the years. Fifty years on, the album is one of the most beloved & revered in the rock music canon.

The 50th anniversary edition features:

Blu-Ray: First time on Blu-Ray for this iconic album with all new mixes in stereo & 5.1, original album mixes and a multitude of extras all in Hi-Resolution.

CDs: 3 CDs present the 2019 mixes in stereo & instrumental forms, an expanded alternate album and the original album mix – also with additional tracks.

Packaged in two gatefold sleeves with  booklet in a rigid exterior slipcase

Blu-Ray features all-new, 2019, 5.1 & stereo mixes by Steven Wilson, approved by Robert Fripp in 24/96 resolution – the first time the album has appeared in 5.1 at 24/96 resolution. Blu-Ray also features the original master edition of the 1969 album mix in 24/96 stereo. Blu-Ray also features a complete alternate album comprising 2019 mixes by Steven Wilson

A further album's worth of additional material drawn from studio takes – much of it mixed by Steven Wilson & including extracts from the 'wind session' that produced the intro to 21CSM in stereo for the first time, the single a/b sides of the album title track drawn, for the first time since on disc, from the original master tapes & more are also included.

The Blu-Ray is completed by a set of 2019 instrumental mixes and the surviving fragment of black & white footage from Hyde Park in 1969

This set marks the first appearance of the album on Blu-Ray completing the availability of all King Crimson studio albums on the format.

CD1 presents the album in its 2019 stereo mix – along with the 2019 instrumental takes (with 'Moonchild' edited to song length)
CD2 presents an expanded edition of the alternate album from the Blu-Ray
CD3 features the original master edition of the 1969 mix plus additional tracks

Presented as a 2 x gatefold sleeve edition containing the individual CDs plus booklet with new sleeve-notes by King Crimson biographer Sid Smith packed in a rigid slipcase. Artwork derived from the original paintings, as meticulously restored, for the limited edition full sized, signed prints

All material on this set will also feature on the forthcoming “Complete 1969 Sessions” – the eighth boxed set in the series documenting King Crimson's studio & live recordings from 1969 onwards.

The Alternate album appears, quite deliberately, in slightly different track-listings on the Blu-Ray & CD (& on the accompanying double vinyl set). The aim on the Blu-Ray was to provide a fully sequenced listen that closely resembled the original album running order. This was extended on the CD, gathering many of the new mixes on one disc & revised again to make for a satisfying listen on vinyl.

In common with all other King Crimson studio albums in the format, the 5.1 mixes are being made available in this affordable set rather than being held over exclusively for larger expensive boxed sets, a practice that limits the availability of the music in multichannel audio to the detriment of artists and fans alike.

In the 50 years since its release “In The Court of the Crimson King” has never been out of print or unavailable in any of the world's main music markets & continues to enjoy consistently high sales.

Blu-Ray NTSC, Zone ABC, playable on all BD players & drives

2019 5.1 mixes

1 21st Century Schizoid Man
2 I Talk to the Wind
3 Epitaph
4 Moonchild
5 The Court of the Crimson King

Additional track

6 I Talk to the Wind (duo version)

Mixed by Steven Wilson

Original Master Edition

1 21st Century Schizoid Man
2 I Talk to the Wind
3 Epitaph
4 Moonchild
5 The Court of the Crimson King

Produced by King Crimson

Alternate Album

1 21st Century Schizoid Man
2 I Talk to the Wind
3 I Talk to the Wind
4 Epitaph
5 Epitaph
6 Moonchild
7 The Court of the Crimson King

1 Morgan studios June 1969 take with Greg Lake vocal overdubs from Wessex August 1969 &
            Mel Collins & Jakko Jakszyk August 2019 overdubs
2 Alternate 2019 mix
3 Duo version, full length master, 2019 mix
4 Vocals isolated/highlighted, 2019 mix
5 Alt take – 2019 mix
6 Take 1, 2019 mix
7 Morgan studios, June 1969 take, 2019 mix

Mixed by Steven Wilson except 1, 4 mixed by David Singleton

Additional material

1 Wind Session
2 21st Century Schizoid Man
3 I Talk to the Wind
4 Epitaph
5 Moonchild
6 The Court of the Crimson King
7 21st Century Schizoid Man
8 The Court of the Crimson King (part 1)
9 The Court of the Crimson King (part 2)

1 2019 stereo mix
2 Trio version, 2019 mix
3 Studio run through, 2019 mix
4 Backing track, 2019 mix
5 Album edit, 2009 mix
6 Take 3, 2009 mix
7 Morgan studios take, June 1969
8, 9 Single a/b side, 1969

Mixed by Steven Wilson 1 – 6, Mixed by King Crimson 7 – 9

2019 Instrumental mixes

1 21st Century Schizoid Man
2 I Talk to the Wind
3 Epitaph
4 Moonchild
5 The Court of the Crimson King

Mixed by Steven Wilson

Video: 21csm extract Hyde Park 1969

CD 1 2019 stereo mixes & instrumental mixes

1 21st Century Schizoid Man
2 I Talk to the Wind
3 Epitaph
4 Moonchild
5 The Court of the Crimson King
6 21st Century Schizoid Man
7 I Talk to the Wind
8 Epitaph
9 Moonchild (edit)
10 The Court of the Crimson King

1 - 10 mixed by Steven Wilson

CD 2 Alternate Album, expanded edition

1 Wind Session
2 21st Century Schizoid Man
3 I Talk to the Wind
4 I Talk to the Wind
5 Epitaph
6 Epitaph
7 Moonchild
8 The Court of the Crimson King
9 21st Century Schizoid Man

1 Wind Session, 2019 stereo mix
2 Morgan studios June 1969 take with Greg Lake vox overdubs from Wessex August 1969 & 
            Mel Collins/Jakko Jakszyk August 2019 overdubs
3 Alternate 2019 mix
4 Duo version, full length master, 2019 mix
5 Vocals isolated/highlighted, 2019 mix
6 Alt take - 2019 mix
7 Take 1, 2019 mix
8 Morgan studios, June 1969 take, 2019 mix
9 Trio version, 2019 mix

Mixed by Steven Wilson except 2, 5 mixed by David Singleton

CD 3 Original Master Edition, expanded

1 21st Century Schizoid Man
2 I Talk to the Wind
3 Epitaph
4 Moonchild
5 The Court of the Crimson King
6 21st Century Schizoid Man
7 I Talk to the Wind
8 Epitaph
9 The Court of the Crimson King (single a side)
10 The Court of the Crimson King (single b side)

1 to 5 Original master edition produced by King Crimson
Mastered by Simon Heyworth
6 Morgan studios instrumental take, 1969, produced by King Crimson
7 studio run through, 2019 mix by Steven Wilson
8 Backing track, 2019 mix by Steven Wilson
9/10 Original single master

To pre-order:
https://shop.schizoidshop.com/king-crimson---in-the-court-of-the-crimson-king-50th-anniversary-blu-ray-edition-p1815.aspx

Distributed in North America by Amped Distribution.

Catch King Crimson's North American tour:

SEP 14, 2019 - BUDWEISER STAGE, Toronto
SEP 17, 2019 - ST DENIS THEATRE, Montreal
SEP 19, 2019 - BOCH CENTER WANG THEATER, Boston
SEP 21, 2019 - RADIO CITY MUSIC HALL, New York City
SEP 23, 2019 - THE MET, Philidelphia
SEP 25, 2019 - HARD ROCK ROCKSINO, Cleveland
SEP 27, 2019 - THE RYMAN AUDITORIUM, Nashville
SEP 29, 2019 - THE COBB CENTER, Atlanta

For more information: www.dgmlive.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

King Crimson's "In The Court Of The Crimson King" 50th Anniversary Series 3CD/Blu-Ray featuring 5.1 Surround Sound Mix & New Stereo Mix


Blu-Ray features all-new, 2019, 5.1 & stereo mixes by Steven Wilson, approved by Robert Fripp in 24/96 resolution 

Recorded in 1969 “In The Court Of The Crimson King” stands as one of the defining albums of British rock music & one of the finest debut albums of all time. Described at the time as “an uncanny masterpiece” by Pete Townshend, the album has achieved legendary status over the years. Fifty years on, the album is one of the most beloved & revered in the rock music canon.

The 50th anniversary edition features:

Blu-Ray: First time on Blu-Ray for this iconic album with all new mixes in stereo & 5.1, original album mixes and a multitude of extras all in Hi-Resolution.

CDs: 3 CDs present the 2019 mixes in stereo & instrumental forms, an expanded alternate album and the original album mix – also with additional tracks.

Packaged in two gatefold sleeves with  booklet in a rigid exterior slipcase

Blu-Ray features all-new, 2019, 5.1 & stereo mixes by Steven Wilson, approved by Robert Fripp in 24/96 resolution – the first time the album has appeared in 5.1 at 24/96 resolution. Blu-Ray also features the original master edition of the 1969 album mix in 24/96 stereo. Blu-Ray also features a complete alternate album comprising 2019 mixes by Steven Wilson

A further album's worth of additional material drawn from studio takes – much of it mixed by Steven Wilson & including extracts from the 'wind session' that produced the intro to 21CSM in stereo for the first time, the single a/b sides of the album title track drawn, for the first time since on disc, from the original master tapes & more are also included.

The Blu-Ray is completed by a set of 2019 instrumental mixes and the surviving fragment of black & white footage from Hyde Park in 1969

This set marks the first appearance of the album on Blu-Ray completing the availability of all King Crimson studio albums on the format.

CD1 presents the album in its 2019 stereo mix – along with the 2019 instrumental takes (with 'Moonchild' edited to song length)
CD2 presents an expanded edition of the alternate album from the Blu-Ray
CD3 features the original master edition of the 1969 mix plus additional tracks

Presented as a 2 x gatefold sleeve edition containing the individual CDs plus booklet with new sleeve-notes by King Crimson biographer Sid Smith packed in a rigid slipcase. Artwork derived from the original paintings, as meticulously restored, for the limited edition full sized, signed prints

All material on this set will also feature on the forthcoming “Complete 1969 Sessions” – the eighth boxed set in the series documenting King Crimson's studio & live recordings from 1969 onwards.

The Alternate album appears, quite deliberately, in slightly different track-listings on the Blu-Ray & CD (& on the accompanying double vinyl set). The aim on the Blu-Ray was to provide a fully sequenced listen that closely resembled the original album running order. This was extended on the CD, gathering many of the new mixes on one disc & revised again to make for a satisfying listen on vinyl.

In common with all other King Crimson studio albums in the format, the 5.1 mixes are being made available in this affordable set rather than being held over exclusively for larger expensive boxed sets, a practice that limits the availability of the music in multichannel audio to the detriment of artists and fans alike.

In the 50 years since its release “In The Court of the Crimson King” has never been out of print or unavailable in any of the world's main music markets & continues to enjoy consistently high sales.

Blu-Ray NTSC, Zone ABC, playable on all BD players & drives

2019 5.1 mixes

1 21st Century Schizoid Man
2 I Talk to the Wind
3 Epitaph
4 Moonchild
5 The Court of the Crimson King

Additional track

6 I Talk to the Wind (duo version)

Mixed by Steven Wilson

Original Master Edition

1 21st Century Schizoid Man
2 I Talk to the Wind
3 Epitaph
4 Moonchild
5 The Court of the Crimson King

Produced by King Crimson

Alternate Album

1 21st Century Schizoid Man
2 I Talk to the Wind
3 I Talk to the Wind
4 Epitaph
5 Epitaph
6 Moonchild
7 The Court of the Crimson King

1 Morgan studios June 1969 take with Greg Lake vocal overdubs from Wessex August 1969 &
            Mel Collins & Jakko Jakszyk August 2019 overdubs
2 Alternate 2019 mix
3 Duo version, full length master, 2019 mix
4 Vocals isolated/highlighted, 2019 mix
5 Alt take – 2019 mix
6 Take 1, 2019 mix
7 Morgan studios, June 1969 take, 2019 mix

Mixed by Steven Wilson except 1, 4 mixed by David Singleton

Additional material

1 Wind Session
2 21st Century Schizoid Man
3 I Talk to the Wind
4 Epitaph
5 Moonchild
6 The Court of the Crimson King
7 21st Century Schizoid Man
8 The Court of the Crimson King (part 1)
9 The Court of the Crimson King (part 2)

1 2019 stereo mix
2 Trio version, 2019 mix
3 Studio run through, 2019 mix
4 Backing track, 2019 mix
5 Album edit, 2009 mix
6 Take 3, 2009 mix
7 Morgan studios take, June 1969
8, 9 Single a/b side, 1969

Mixed by Steven Wilson 1 – 6, Mixed by King Crimson 7 – 9

2019 Instrumental mixes

1 21st Century Schizoid Man
2 I Talk to the Wind
3 Epitaph
4 Moonchild
5 The Court of the Crimson King

Mixed by Steven Wilson

Video: 21csm extract Hyde Park 1969

CD 1 2019 stereo mixes & instrumental mixes

1 21st Century Schizoid Man
2 I Talk to the Wind
3 Epitaph
4 Moonchild
5 The Court of the Crimson King
6 21st Century Schizoid Man
7 I Talk to the Wind
8 Epitaph
9 Moonchild (edit)
10 The Court of the Crimson King

1 - 10 mixed by Steven Wilson

CD 2 Alternate Album, expanded edition

1 Wind Session
2 21st Century Schizoid Man
3 I Talk to the Wind
4 I Talk to the Wind
5 Epitaph
6 Epitaph
7 Moonchild
8 The Court of the Crimson King
9 21st Century Schizoid Man

1 Wind Session, 2019 stereo mix
2 Morgan studios June 1969 take with Greg Lake vox overdubs from Wessex August 1969 & 
            Mel Collins/Jakko Jakszyk August 2019 overdubs
3 Alternate 2019 mix
4 Duo version, full length master, 2019 mix
5 Vocals isolated/highlighted, 2019 mix
6 Alt take - 2019 mix
7 Take 1, 2019 mix
8 Morgan studios, June 1969 take, 2019 mix
9 Trio version, 2019 mix

Mixed by Steven Wilson except 2, 5 mixed by David Singleton

CD 3 Original Master Edition, expanded

1 21st Century Schizoid Man
2 I Talk to the Wind
3 Epitaph
4 Moonchild
5 The Court of the Crimson King
6 21st Century Schizoid Man
7 I Talk to the Wind
8 Epitaph
9 The Court of the Crimson King (single a side)
10 The Court of the Crimson King (single b side)

1 to 5 Original master edition produced by King Crimson
Mastered by Simon Heyworth
6 Morgan studios instrumental take, 1969, produced by King Crimson
7 studio run through, 2019 mix by Steven Wilson
8 Backing track, 2019 mix by Steven Wilson
9/10 Original single master

To pre-order:
https://shop.schizoidshop.com/king-crimson---in-the-court-of-the-crimson-king-50th-anniversary-blu-ray-edition-p1815.aspx

Distributed in North America by Amped Distribution.

Catch King Crimson's North American tour:

SEP 14, 2019 - BUDWEISER STAGE, Toronto
SEP 17, 2019 - ST DENIS THEATRE, Montreal
SEP 19, 2019 - BOCH CENTER WANG THEATER, Boston
SEP 21, 2019 - RADIO CITY MUSIC HALL, New York City
SEP 23, 2019 - THE MET, Philidelphia
SEP 25, 2019 - HARD ROCK ROCKSINO, Cleveland
SEP 27, 2019 - THE RYMAN AUDITORIUM, Nashville
SEP 29, 2019 - THE COBB CENTER, Atlanta

For more information: www.dgmlive.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

3/15/2019

Esoteric Recordings Release Expanded & Remastered Renaissance Titles "A Song For All Seasons," "Ashes Are Burning" and "Prologue"

Renaissance latest release “A Symphonic Journey” also available through Esoteric Recordings

Esoteric Recordings Release Expanded & Remastered Renaissance Titles “A Song For All Seasons,” “Ashes Are Burning” and “Prologue.” The band's latest release “A Symphonic Journey” is also available through the label. Expanded & Remastered versions of Renaissance's “Carnegie Hall,” “Scherezade” and “Novella.” are soon to follow!



Renaissance: “A Song For All Seasons” 3CD Remastered & Expanded Clamshell Box Edition

Released March 29, 2019.

TRACKLIST
A NEWLY RE-MASTERED 3 CD EXPANDED CLAMSHELL BOXED SET EDITION OF THIS CLASSIC RENAISSANCE ALBUM

FEATURING 15 BONUS TRACKS INCLUDING THE ENTIRE CONCERT RECORDED AT THE TOWER THEATER, PHILADELPHIA IN DECEMBER 1978 RELEASED IN FULL FOR THE FIRST TIME

WITH ILLUSTRATED BOOKLET WITH A NEW ESSAY AND A REPRODUCTION OF THE ORIGINAL ALBUM POSTER

Esoteric Recordings is pleased to announce the release of a newly re-mastered and expanded 3CD clamshell box edition of the classic album, “A Song for All Seasons” by RENAISSANCE. Released in March 1978, the album featured the song “Northern Lights”, a Top Ten hit single in the UK and Europe, and was a successful hit album in the UK, USA and Canada. By the late 1970s the line-up of highly gifted vocalist Annie Haslam, Michael Dunford (acoustic and electric guitars), John Tout (keyboards, vocals), Jon Camp (bass, acoustic & electric guitars, vocals) and Terry Sullivan (drums, percussion) had recorded a series of acclaimed albums that fused classical music influences with progressive rock and had earned a loyal following in Europe and had enjoyed wider success in the United States and Japan.

Working with producer David Hentschel (who had also produced the albums “A Trick of the Tail” and “Wind and Wuthering” for Genesis), the material on “A Song for All Seasons” was some of the most carefully crafted work of the band's career. Flying in the face of the prevailing musical fashions of the time, “A Song for All Seasons” would be the band's most successful album in Europe and is one of their best-loved works.

This expanded edition has been newly re-mastered from the original master tapes and features 15 bonus tracks, including the previously unreleased promotional edit and a “Top of the Pops” recording of “Northern Lights”, along with a BBC Radio session from August 1978 and a further two CDs comprising the entire concert recorded at the Tower Theater in Philadelphia on 4th December 1978, appearing in full on CD for the first time, with an additional 55 minute's worth of unreleased tracks.

The release also features an illustrated booklet with a reproduction of the band's 1978 US tour programme and new essay. The set also includes a reproduction of the original album poster given away with the initial pressing of “A Song for All Seasons”.

DISC ONE:
“A SONG FOR ALL SEASONS”
RE-MASTERED
1. OPENING OUT
2. DAY OF THE DREAMER
3. CLOSER THAN YESTERDAY
4. KINDNESS (AT THE END)
5. BACK HOME ONCE AGAIN
6. SHE IS LOVE
7. NORTHERN LIGHTS
8. A SONG FOR ALL SEASONS BONUS TRACKS
9. NORTHERN LIGHTS PROMOTIONAL SINGLE EDIT (PREVIOUSLY UNRELEASED ON CD)
10.DAY OF THE DREAMER – BBC SESSION – 19TH AUGUST 1978
11.MIDAS MAN – BBC SESSION – 19TH AUGUST 1978
12.THE VULTURES FLY HIGH – BBC SESSION – 19TH AUGUST 1978
13.NORTHERN LIGHTS – “TOP OF THE POPS” VERSION (PREVIOUSLY UNRELEASED)

DISC TWO:
LIVE AT THE TOWER THEATER, PHILADELPHIA – 4th DECEMBER 1978
1. CAN YOU UNDERSTAND (LIVE 1978)
2. CARPET OF THE SUN (LIVE 1978)
3. THINGS I DON’T UNDERSTAND (LIVE 1978)
4. OPENING OUT (LIVE 1978) (PREVIOUSLY UNRELEASED)
5. DAY OF THE DREAMER (LIVE 1978)
6. MIDAS MAN (LIVE 1978) – LIVE AT THE TOWER THEATER, PHILADELPHIA – 4th DECEMBER 1978

DISC THREE:
1. NORTHERN LIGHTS (LIVE 1978)
2. A SONG FOR ALL SEASONS (LIVE 1978) (PREVIOUSLY UNRELEASED)
3. TOUCHING ONCE IS SO HARD TO KEEP (LIVE 1978) (PREVIOUSLY UNRELEASED)
4. ASHES ARE BURNING (LIVE 1978) (PREVIOUSLY UNRELEASED)

For more information:
https://www.cherryred.co.uk/product/renaissance-a-song-for-all-seasons-3cd-remastered-expanded-clamshell-box-edition/


Renaissance: “Ashes Are Burning” Remastered & Expanded Edition

TRACKLIST
NEW REMASTERED & EXPANDED EDITION OF THE CLASSIC 1973 ALBUM BY RENAISSANCE

FEATURING THREE PREVIOUSLY UNRELEASED LIVE BONUS TRACKS RECORDED FOR BBC RADIO IN 1974

FULLY RESTORED ARTWORK AND LINER NOTES WITH EXCLUSIVE INTERVIEWS

Esoteric Recordings are pleased to announce the release of a newly re- mastered and expanded edition of the classic 1973 album by Renaissance, “Ashes Are Burning”. Formed in 1969 by former Yardbirds members Jim McCarty and Keith Relf, by the 1971 Renaissance had undergone a series of line-up changes and had evolved into a completely different band from the one that had recorded the albums “Renaissance” and “Illusion”. By June 1972 Renaissance had signed to EMI’s Sovereign label and had settled into a line-up featuring the highly gifted vocalist Annie Haslam, John Tout (keyboards, vocals), Jon Camp (bass, vocals), Terry Sullivan (drums, percussion) and Rob Hendry (guitar, mandolin, vocals) who recorded the album “Prologue”, featuring material written by Michael Dunford (a member of the group who had decided to eschew performing with the band to concentrate on song writing) and lyricist Betty Thatcher.

By April 1973 Rob Hendry had departed the band and Michael Dunford rejoined on acoustic guitar in a guest capacity to record the album that would break Renaissance to a wider audience, (particularly in the USA), “Ashes Are Burning”. Featuring such classic material as “Can You Understand”, “Carpet Of The Sun”, “At The Harbour” and the epic title track (featuring Andy Powell of Wishbone Ash on electric guitar). Released in October 1973, “Ashes Are Burning” would establish Renaissance as one of the finest symphonic progressive rock acts.

This Esoteric Recordings edition has been re-mastered from the original Sovereign Records master tapes and adds a previously unreleased thirty minute live performance for BBC Radio One's In Concert programme in 1974 (recently discovered in the archives).

The booklet features a new essay and exclusive interviews with Annie Haslam and Terry Sullivan and fully restores the original album artwork.

1. CAN YOU UNDERSTAND
2. LET IT GROW
3. ON THE FRONTIER
4. CARPET OF THE SUN
5. AT THE HARBOUR
6. ASHES ARE BURNING

BONUS TRACKS
(PREVIOUSLY UNRELEASED)
7. CAN YOU UNDERSTAND (LIVE -BBC RADIO “IN CONCERT” 1974)
8. LET IT GROW (LIVE -BBC RADIO “IN CONCERT” 1974)
9. ASHES ARE BURNING (LIVE – BBC RADIO “IN CONCERT” 1974)

For more information:
https://www.cherryred.co.uk/product/renaissance-ashes-are-burning-remastered-expanded-edition/


Renaissance: “Prologue” Expanded & Remastered Edition

TRACKLIST
NEW REMASTERED & EXPANDED EDITION OF THE CLASSIC 1972 ALBUM BY RENAISSANCE

FEATURING ONE BONUS TRACK PREVIOUSLY UNRELEASED ON CD

FULLY RESTORED ARTWORK AND LINER NOTES WITH EXCLUSIVE INTERVIEWS

Esoteric Recordings are pleased to announce the release of a newly re-mastered and expanded edition of the classic 1972 album by Renaissance, “Prologue”. Formed in 1969 by former Yardbirds members Jim McCarty and Keith Relf, Renaissance had by 1971 undergone a series of line-up changes and had evolved into a completely different band from the one that had recorded the albums “Renaissance” and “Illusion”.

By June 1972 Renaissance had settled into a line-up featuring the highly gifted vocalist Annie Haslam, John Tout (keyboards, vocals), Jon Camp (bass, vocals), Terry Sullivan (drums, percussion) and Rob Hendry (guitar, mandolin, vocals). The album “Prologue” was recorded in June and July 1972 and featured material written by Michael Dunford (a member of the group who had decided to eschew performing with the band to concentrate on song writing) and lyricist Betty Thatcher. Featuring such classic material as the album title track, “Kiev”, “Spare Some Love” and the epic “Rajah Kahn”, “Prologue” was also notable for the presence of guest musician Francis Monkman (of Curved Air) who would play VCS 3 synthesiser on “Rajah Khan”. The album would pave the way for the future success of Renaissance and would effectively be regarded as the band's first true album.

This Esoteric Recordings edition has been re-mastered from the original Sovereign Records master tapes and adds the rare single version of “Spare Some Love” as a bonus track (appearing on CD for the very first time). The booklet features a new essay and exclusive interviews with Annie Haslam and Terry Sullivan and fully restores the original album artwork.

1. PROLOGUE
2. KIEV
3. SOUNDS OF THE SEA
4. SPARE SOME LOVE
5. BOUND FOR INFINITY
6. RAJAH KAHN

BONUS TRACK
7. SPARE SOME LOVE (SINGLE VERSION)
(PREVIOUSLY UNRELEASED ON CD)

For more information:
https://www.cherryred.co.uk/product/renaissance-prologue-expanded-remastered-edition/



Renaissance: “A Symphonic Journey” 2CD / 1DVD Digipak Edition

TRACKLIST
A WONDERFUL NEW LIVE SET COMPRISING 2 CDS & A DVD (NTSC / REGION FREE) SET OF LIVE RECORDINGS MADE IN CONCERT IN OCTOBER 2017 IN THE USA WITH THE RENAISSANCE CHAMBER ORCHESTRA

FEATURING CLASSIC MATERIAL

INCLUDES AN ILLUSTRATED BOOKLET WITH QUOTES FROM ANNIE HASLAM

RENAISSANCE PERFORMING TWO EXCLUSIVE CONCERTS IN TOKYO 17th & 18th SEPTEMBER 2018

Symphonic Rock Recordings is delighted to announce the release of a new 2 CD and DVD live album by Renaissance, “A Symphonic Journey”. This wonderful recording captures in sound and vision a very special concert staged at the Keswick Theatre in Glenside PA, USA on 27th October 2017. Renaissance perform an extensive set of classic material with the Renaissance Chamber Orchestra, an ensemble especially formed for a series of American concerts.

Annie Haslam comments: “Renaissance has touched so many hearts across land and sea, for what seems to be most of a lifetime now, in the performance of this exquisite and unique music. I cannot imagine my life apart from being the 'voice' of Renaissance, to carry our message out into the world. For a long time now it has been a dream of mine for Renaissance to perform 'live' again with an orchestra, but the how and when of this was unclear. I felt however, deep inside that it would one day come to pass.

“I was filled with pride and overwhelmed with emotion when we finally stepped onto the stage for this performance. To look over my shoulder and see all of the classical musicians with their instruments, brought back my vivid memory of our orchestral performance forty years ago in London, of Renaissance at The Royal Albert Hall with The Royal Philharmonic Orchestra.

“Renaissance band members Rave Tesar, Mark Lambert, Leo Traversa, Geoffrey Langley and Charles Descarfino are impeccable on this DVD in their performance of the timeless music. In the culmination of a perfect blend with the Renaissance Chamber Orchestra who graced our stage, how wonderful it was and is to be able to share this incredible, unforgettable evening with our loyal supportive fans who have accompanied us on this musical-spiritual journey”.

“A Symphonic Journey” captures on two CDs and a DVD (NTSC / Region Free) the magic of the concert and features such classic material as “Trip To The Fair”, “Carpet Of The Sun”, “Mother Russia”, “A Song For All Seasons” and “Ashes Are Burning” and is a fine souvenir of a perfect musical evening.

DISC ONE:
1. PROLOGUE
2. TRIP TO THE FAIR
3. CARPET OF THE SUN
4. AT THE HARBOUR
5. GRANDINE IL VENTO
6. SYMPHONY OF LIGHT

DISC TWO:
1. KALYNDA
2. ISLAND
3. MOTHER RUSSIA
4. SONG FOR ALL SEASONS
5. ASHES ARE BURNING

DISC THREE: DVD
1. PROLOGUE
2. TRIP TO THE FAIR
3. CARPET OF THE SUN
4. AT THE HARBOUR
5. GRANDINE IL VENTO
6. SYMPHONY OF LIGHT
7. KALYNDA
8. ISLAND
9. MOTHER RUSSIA
10.SONG FOR ALL SEASONS
11.ASHES ARE BURNING
NTSC / REGION FREE

For more information:
https://www.cherryred.co.uk/product/renaissance-a-symphonic-journey-2cd-1dvd-digipak-edition/

You can learn more about the band by visiting:
www.renaissancetouring.com
facebook.com/renaissancetouring
www.anniehaslam.com
facebook.com/anniehaslamart

Press inquiries (North America): Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

Distribution is being handled in the US exclusively by Amped Distribution www.ampeddistribution.com and wholesale inquiries can be made to Alex Jimenez at alex@ampeddistribution.com

Esoteric Recordings Release Expanded & Remastered Renaissance Titles "A Song For All Seasons," "Ashes Are Burning" and "Prologue"

Renaissance latest release “A Symphonic Journey” also available through Esoteric Recordings

Esoteric Recordings Release Expanded & Remastered Renaissance Titles “A Song For All Seasons,” “Ashes Are Burning” and “Prologue.” The band's latest release “A Symphonic Journey” is also available through the label. Expanded & Remastered versions of Renaissance's “Carnegie Hall,” “Scherezade” and “Novella.” are soon to follow!



Renaissance: “A Song For All Seasons” 3CD Remastered & Expanded Clamshell Box Edition

Released March 29, 2019.

TRACKLIST
A NEWLY RE-MASTERED 3 CD EXPANDED CLAMSHELL BOXED SET EDITION OF THIS CLASSIC RENAISSANCE ALBUM

FEATURING 15 BONUS TRACKS INCLUDING THE ENTIRE CONCERT RECORDED AT THE TOWER THEATER, PHILADELPHIA IN DECEMBER 1978 RELEASED IN FULL FOR THE FIRST TIME

WITH ILLUSTRATED BOOKLET WITH A NEW ESSAY AND A REPRODUCTION OF THE ORIGINAL ALBUM POSTER

Esoteric Recordings is pleased to announce the release of a newly re-mastered and expanded 3CD clamshell box edition of the classic album, “A Song for All Seasons” by RENAISSANCE. Released in March 1978, the album featured the song “Northern Lights”, a Top Ten hit single in the UK and Europe, and was a successful hit album in the UK, USA and Canada. By the late 1970s the line-up of highly gifted vocalist Annie Haslam, Michael Dunford (acoustic and electric guitars), John Tout (keyboards, vocals), Jon Camp (bass, acoustic & electric guitars, vocals) and Terry Sullivan (drums, percussion) had recorded a series of acclaimed albums that fused classical music influences with progressive rock and had earned a loyal following in Europe and had enjoyed wider success in the United States and Japan.

Working with producer David Hentschel (who had also produced the albums “A Trick of the Tail” and “Wind and Wuthering” for Genesis), the material on “A Song for All Seasons” was some of the most carefully crafted work of the band's career. Flying in the face of the prevailing musical fashions of the time, “A Song for All Seasons” would be the band's most successful album in Europe and is one of their best-loved works.

This expanded edition has been newly re-mastered from the original master tapes and features 15 bonus tracks, including the previously unreleased promotional edit and a “Top of the Pops” recording of “Northern Lights”, along with a BBC Radio session from August 1978 and a further two CDs comprising the entire concert recorded at the Tower Theater in Philadelphia on 4th December 1978, appearing in full on CD for the first time, with an additional 55 minute's worth of unreleased tracks.

The release also features an illustrated booklet with a reproduction of the band's 1978 US tour programme and new essay. The set also includes a reproduction of the original album poster given away with the initial pressing of “A Song for All Seasons”.

DISC ONE:
“A SONG FOR ALL SEASONS”
RE-MASTERED
1. OPENING OUT
2. DAY OF THE DREAMER
3. CLOSER THAN YESTERDAY
4. KINDNESS (AT THE END)
5. BACK HOME ONCE AGAIN
6. SHE IS LOVE
7. NORTHERN LIGHTS
8. A SONG FOR ALL SEASONS BONUS TRACKS
9. NORTHERN LIGHTS PROMOTIONAL SINGLE EDIT (PREVIOUSLY UNRELEASED ON CD)
10.DAY OF THE DREAMER – BBC SESSION – 19TH AUGUST 1978
11.MIDAS MAN – BBC SESSION – 19TH AUGUST 1978
12.THE VULTURES FLY HIGH – BBC SESSION – 19TH AUGUST 1978
13.NORTHERN LIGHTS – “TOP OF THE POPS” VERSION (PREVIOUSLY UNRELEASED)

DISC TWO:
LIVE AT THE TOWER THEATER, PHILADELPHIA – 4th DECEMBER 1978
1. CAN YOU UNDERSTAND (LIVE 1978)
2. CARPET OF THE SUN (LIVE 1978)
3. THINGS I DON’T UNDERSTAND (LIVE 1978)
4. OPENING OUT (LIVE 1978) (PREVIOUSLY UNRELEASED)
5. DAY OF THE DREAMER (LIVE 1978)
6. MIDAS MAN (LIVE 1978) – LIVE AT THE TOWER THEATER, PHILADELPHIA – 4th DECEMBER 1978

DISC THREE:
1. NORTHERN LIGHTS (LIVE 1978)
2. A SONG FOR ALL SEASONS (LIVE 1978) (PREVIOUSLY UNRELEASED)
3. TOUCHING ONCE IS SO HARD TO KEEP (LIVE 1978) (PREVIOUSLY UNRELEASED)
4. ASHES ARE BURNING (LIVE 1978) (PREVIOUSLY UNRELEASED)

For more information:
https://www.cherryred.co.uk/product/renaissance-a-song-for-all-seasons-3cd-remastered-expanded-clamshell-box-edition/


Renaissance: “Ashes Are Burning” Remastered & Expanded Edition

TRACKLIST
NEW REMASTERED & EXPANDED EDITION OF THE CLASSIC 1973 ALBUM BY RENAISSANCE

FEATURING THREE PREVIOUSLY UNRELEASED LIVE BONUS TRACKS RECORDED FOR BBC RADIO IN 1974

FULLY RESTORED ARTWORK AND LINER NOTES WITH EXCLUSIVE INTERVIEWS

Esoteric Recordings are pleased to announce the release of a newly re- mastered and expanded edition of the classic 1973 album by Renaissance, “Ashes Are Burning”. Formed in 1969 by former Yardbirds members Jim McCarty and Keith Relf, by the 1971 Renaissance had undergone a series of line-up changes and had evolved into a completely different band from the one that had recorded the albums “Renaissance” and “Illusion”. By June 1972 Renaissance had signed to EMI’s Sovereign label and had settled into a line-up featuring the highly gifted vocalist Annie Haslam, John Tout (keyboards, vocals), Jon Camp (bass, vocals), Terry Sullivan (drums, percussion) and Rob Hendry (guitar, mandolin, vocals) who recorded the album “Prologue”, featuring material written by Michael Dunford (a member of the group who had decided to eschew performing with the band to concentrate on song writing) and lyricist Betty Thatcher.

By April 1973 Rob Hendry had departed the band and Michael Dunford rejoined on acoustic guitar in a guest capacity to record the album that would break Renaissance to a wider audience, (particularly in the USA), “Ashes Are Burning”. Featuring such classic material as “Can You Understand”, “Carpet Of The Sun”, “At The Harbour” and the epic title track (featuring Andy Powell of Wishbone Ash on electric guitar). Released in October 1973, “Ashes Are Burning” would establish Renaissance as one of the finest symphonic progressive rock acts.

This Esoteric Recordings edition has been re-mastered from the original Sovereign Records master tapes and adds a previously unreleased thirty minute live performance for BBC Radio One's In Concert programme in 1974 (recently discovered in the archives).

The booklet features a new essay and exclusive interviews with Annie Haslam and Terry Sullivan and fully restores the original album artwork.

1. CAN YOU UNDERSTAND
2. LET IT GROW
3. ON THE FRONTIER
4. CARPET OF THE SUN
5. AT THE HARBOUR
6. ASHES ARE BURNING

BONUS TRACKS
(PREVIOUSLY UNRELEASED)
7. CAN YOU UNDERSTAND (LIVE -BBC RADIO “IN CONCERT” 1974)
8. LET IT GROW (LIVE -BBC RADIO “IN CONCERT” 1974)
9. ASHES ARE BURNING (LIVE – BBC RADIO “IN CONCERT” 1974)

For more information:
https://www.cherryred.co.uk/product/renaissance-ashes-are-burning-remastered-expanded-edition/


Renaissance: “Prologue” Expanded & Remastered Edition

TRACKLIST
NEW REMASTERED & EXPANDED EDITION OF THE CLASSIC 1972 ALBUM BY RENAISSANCE

FEATURING ONE BONUS TRACK PREVIOUSLY UNRELEASED ON CD

FULLY RESTORED ARTWORK AND LINER NOTES WITH EXCLUSIVE INTERVIEWS

Esoteric Recordings are pleased to announce the release of a newly re-mastered and expanded edition of the classic 1972 album by Renaissance, “Prologue”. Formed in 1969 by former Yardbirds members Jim McCarty and Keith Relf, Renaissance had by 1971 undergone a series of line-up changes and had evolved into a completely different band from the one that had recorded the albums “Renaissance” and “Illusion”.

By June 1972 Renaissance had settled into a line-up featuring the highly gifted vocalist Annie Haslam, John Tout (keyboards, vocals), Jon Camp (bass, vocals), Terry Sullivan (drums, percussion) and Rob Hendry (guitar, mandolin, vocals). The album “Prologue” was recorded in June and July 1972 and featured material written by Michael Dunford (a member of the group who had decided to eschew performing with the band to concentrate on song writing) and lyricist Betty Thatcher. Featuring such classic material as the album title track, “Kiev”, “Spare Some Love” and the epic “Rajah Kahn”, “Prologue” was also notable for the presence of guest musician Francis Monkman (of Curved Air) who would play VCS 3 synthesiser on “Rajah Khan”. The album would pave the way for the future success of Renaissance and would effectively be regarded as the band's first true album.

This Esoteric Recordings edition has been re-mastered from the original Sovereign Records master tapes and adds the rare single version of “Spare Some Love” as a bonus track (appearing on CD for the very first time). The booklet features a new essay and exclusive interviews with Annie Haslam and Terry Sullivan and fully restores the original album artwork.

1. PROLOGUE
2. KIEV
3. SOUNDS OF THE SEA
4. SPARE SOME LOVE
5. BOUND FOR INFINITY
6. RAJAH KAHN

BONUS TRACK
7. SPARE SOME LOVE (SINGLE VERSION)
(PREVIOUSLY UNRELEASED ON CD)

For more information:
https://www.cherryred.co.uk/product/renaissance-prologue-expanded-remastered-edition/



Renaissance: “A Symphonic Journey” 2CD / 1DVD Digipak Edition

TRACKLIST
A WONDERFUL NEW LIVE SET COMPRISING 2 CDS & A DVD (NTSC / REGION FREE) SET OF LIVE RECORDINGS MADE IN CONCERT IN OCTOBER 2017 IN THE USA WITH THE RENAISSANCE CHAMBER ORCHESTRA

FEATURING CLASSIC MATERIAL

INCLUDES AN ILLUSTRATED BOOKLET WITH QUOTES FROM ANNIE HASLAM

RENAISSANCE PERFORMING TWO EXCLUSIVE CONCERTS IN TOKYO 17th & 18th SEPTEMBER 2018

Symphonic Rock Recordings is delighted to announce the release of a new 2 CD and DVD live album by Renaissance, “A Symphonic Journey”. This wonderful recording captures in sound and vision a very special concert staged at the Keswick Theatre in Glenside PA, USA on 27th October 2017. Renaissance perform an extensive set of classic material with the Renaissance Chamber Orchestra, an ensemble especially formed for a series of American concerts.

Annie Haslam comments: “Renaissance has touched so many hearts across land and sea, for what seems to be most of a lifetime now, in the performance of this exquisite and unique music. I cannot imagine my life apart from being the 'voice' of Renaissance, to carry our message out into the world. For a long time now it has been a dream of mine for Renaissance to perform 'live' again with an orchestra, but the how and when of this was unclear. I felt however, deep inside that it would one day come to pass.

“I was filled with pride and overwhelmed with emotion when we finally stepped onto the stage for this performance. To look over my shoulder and see all of the classical musicians with their instruments, brought back my vivid memory of our orchestral performance forty years ago in London, of Renaissance at The Royal Albert Hall with The Royal Philharmonic Orchestra.

“Renaissance band members Rave Tesar, Mark Lambert, Leo Traversa, Geoffrey Langley and Charles Descarfino are impeccable on this DVD in their performance of the timeless music. In the culmination of a perfect blend with the Renaissance Chamber Orchestra who graced our stage, how wonderful it was and is to be able to share this incredible, unforgettable evening with our loyal supportive fans who have accompanied us on this musical-spiritual journey”.

“A Symphonic Journey” captures on two CDs and a DVD (NTSC / Region Free) the magic of the concert and features such classic material as “Trip To The Fair”, “Carpet Of The Sun”, “Mother Russia”, “A Song For All Seasons” and “Ashes Are Burning” and is a fine souvenir of a perfect musical evening.

DISC ONE:
1. PROLOGUE
2. TRIP TO THE FAIR
3. CARPET OF THE SUN
4. AT THE HARBOUR
5. GRANDINE IL VENTO
6. SYMPHONY OF LIGHT

DISC TWO:
1. KALYNDA
2. ISLAND
3. MOTHER RUSSIA
4. SONG FOR ALL SEASONS
5. ASHES ARE BURNING

DISC THREE: DVD
1. PROLOGUE
2. TRIP TO THE FAIR
3. CARPET OF THE SUN
4. AT THE HARBOUR
5. GRANDINE IL VENTO
6. SYMPHONY OF LIGHT
7. KALYNDA
8. ISLAND
9. MOTHER RUSSIA
10.SONG FOR ALL SEASONS
11.ASHES ARE BURNING
NTSC / REGION FREE

For more information:
https://www.cherryred.co.uk/product/renaissance-a-symphonic-journey-2cd-1dvd-digipak-edition/

You can learn more about the band by visiting:
www.renaissancetouring.com
facebook.com/renaissancetouring
www.anniehaslam.com
facebook.com/anniehaslamart

Press inquiries (North America): Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

Distribution is being handled in the US exclusively by Amped Distribution www.ampeddistribution.com and wholesale inquiries can be made to Alex Jimenez at alex@ampeddistribution.com

12/01/2018

Definitive Editions of All Three Legendary "Phenomena" Rock Concept Albums - OUT NOW!


Featuring Glenn Hughes, Brian May, John Wetton, Mel Galley, Don Airey, Cozy Powell & Others! 

London - Phenomena is a rock music concept conceived by record producer Tom Galley and brother, Whitesnake guitarist Mel Galley and directed by Wilfried Rimensberger. Contributors were leading rock musicians such as Brian May, John Wetton, Glenn Hughes, Don Airey, Mel Galley, Neil Murray and Cozy Powell amongst others.

Phenomena's production of rock songs based on a story line running through a whole album, attached to artworks and other multi-media aspects was credited for the “return of the concept album” in the 1980s. Phenomena released three albums in the 1980s and early 1990s, and had a number one hit single in South America with “Did It All For Love,” while the album charted across Europe, in Japan and Brazil.

The creator of Phenomena, Tom Galley, said of the re-releases: “I'm happy to see the release of these original recordings. And being in touch with the involved artists, I know they are looking forward to see this happening too. Together with previously never seen material the 3 albums are well presented.”

The promo video, produced by Wilfried Rimensberger, for the #1 hit single  “Did It All For Love” is on YouTube:



PHENOMENA 1
“Phenomena” is an all-star million selling album from 1985, created by Tom Galley, and features:

Glenn Hughes
Cozy Powell
Mel Galley
Neil Murray
Don Airey
Ric Sanders
John Thomas
Ted McKenna

This DEFINITIVE EDITION has received a 2018 remaster and the booklet features new liner notes, including new comments from Tom Galley, who has provided the newly written track by track descriptions.


PHENOMENA 2
“Phenomena II – Dream Runner” is from 1987, created by Tom Galley, and features the HIT SINGLE “DID IT ALL FOR LOVE” which was a #1 across South America, along with artists:

John Wetton
Glenn Hughes
Mel Galley
Neil Murray
Ray Gillen
Max Bacon
Richard Bailey
Michael Sturgis
Scott Gorham
Toshihiro Niimi
John Thomas
Kyoji Yamamoto
Leif Johansen

The booklet features new liner notes, including new comments from Tom Galley, along with alternative artwork and rare pictures. Album Cover by Tim Davies (Tim Elcoch).


PHENOMENA 3
“Phenomena III – Innervision” from 1993 completes the all-star Phenomena trilogy, as created by Tom Galley, and features:

Brian May
Scott Gorham
Michael Sturgis
Keith Murrell
Leif Johansen

The booklet features new liner notes, including new comments from Tom Galley, who has supplied the originally intended front cover artwork, which appears for the FIRST TIME EVER!

To purchase:
Amazon CD: http://geni.us/Phenomena1
iTunes: http://geni.us/Phenomena1dig

Amazon CD: http://geni.us/Phenomena2
iTunes: http://geni.us/Phenomena2dig

Amazon CD: http://geni.us/Phenomena3
iTunes: http://geni.us/Phenomena3dig

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

Definitive Editions of All Three Legendary "Phenomena" Rock Concept Albums - OUT NOW!


Featuring Glenn Hughes, Brian May, John Wetton, Mel Galley, Don Airey, Cozy Powell & Others! 

London - Phenomena is a rock music concept conceived by record producer Tom Galley and brother, Whitesnake guitarist Mel Galley and directed by Wilfried Rimensberger. Contributors were leading rock musicians such as Brian May, John Wetton, Glenn Hughes, Don Airey, Mel Galley, Neil Murray and Cozy Powell amongst others.

Phenomena's production of rock songs based on a story line running through a whole album, attached to artworks and other multi-media aspects was credited for the “return of the concept album” in the 1980s. Phenomena released three albums in the 1980s and early 1990s, and had a number one hit single in South America with “Did It All For Love,” while the album charted across Europe, in Japan and Brazil.

The creator of Phenomena, Tom Galley, said of the re-releases: “I'm happy to see the release of these original recordings. And being in touch with the involved artists, I know they are looking forward to see this happening too. Together with previously never seen material the 3 albums are well presented.”

The promo video, produced by Wilfried Rimensberger, for the #1 hit single  “Did It All For Love” is on YouTube:



PHENOMENA 1
“Phenomena” is an all-star million selling album from 1985, created by Tom Galley, and features:

Glenn Hughes
Cozy Powell
Mel Galley
Neil Murray
Don Airey
Ric Sanders
John Thomas
Ted McKenna

This DEFINITIVE EDITION has received a 2018 remaster and the booklet features new liner notes, including new comments from Tom Galley, who has provided the newly written track by track descriptions.


PHENOMENA 2
“Phenomena II – Dream Runner” is from 1987, created by Tom Galley, and features the HIT SINGLE “DID IT ALL FOR LOVE” which was a #1 across South America, along with artists:

John Wetton
Glenn Hughes
Mel Galley
Neil Murray
Ray Gillen
Max Bacon
Richard Bailey
Michael Sturgis
Scott Gorham
Toshihiro Niimi
John Thomas
Kyoji Yamamoto
Leif Johansen

The booklet features new liner notes, including new comments from Tom Galley, along with alternative artwork and rare pictures. Album Cover by Tim Davies (Tim Elcoch).


PHENOMENA 3
“Phenomena III – Innervision” from 1993 completes the all-star Phenomena trilogy, as created by Tom Galley, and features:

Brian May
Scott Gorham
Michael Sturgis
Keith Murrell
Leif Johansen

The booklet features new liner notes, including new comments from Tom Galley, who has supplied the originally intended front cover artwork, which appears for the FIRST TIME EVER!

To purchase:
Amazon CD: http://geni.us/Phenomena1
iTunes: http://geni.us/Phenomena1dig

Amazon CD: http://geni.us/Phenomena2
iTunes: http://geni.us/Phenomena2dig

Amazon CD: http://geni.us/Phenomena3
iTunes: http://geni.us/Phenomena3dig

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

10/24/2018

Small Faces "Ogdens' Nut Gone Flake" 50th Anniversary Deluxe-Editions Released October 26, 2018


Immediate Records and Charly Records To Release 50th Anniversary Deluxe-Editions of London rock legends' 1968 psychedelic masterpiece across various formats

Immediate Records and Charly Records are to celebrate the 50th Anniversary of the Small Faces' much loved third album “Ogdens' Nut Gone Flake” with the release of a variety of new and very special deluxe editions across various formats (including deluxe triple 180-gram red, white & blue coloured vinyl LP box-set and a comprehensive 3CD+1DVD earbook set) on 26th October 2018.

To order Small Faces “Ogdens' Nut Gone Flake’’ 50th Anniversary Deluxe-Editions: 
http://smarturl.it/ImmediateStore

The 180-gram vinyl LP formats have been newly mastered at half-speed for optimum sound quality and pressed in conjunction with Optimal : Media in Berlin and The Vinyl Factory in London from restored original Immediate Records tape sources. Originally recorded during 1967 and 1968 by Glyn Johns at Olympic Studios, Trident and Pye Studios, the expanded editions of “Ogdens’’ also feature rare material from the archive of surviving Small Faces member Kenney Jones.

“On 'Ogdens' Nut Gone Flake' you can still hear it's a real band firing on all cylinders, great dynamics and everyone equal in their musicianship. The story within concerned an amazing journey and it was exactly the same for us too - a fantastic journey” - Kenney Jones, 2018

All editions have been prepared under the watchful eye of Small Faces reissue producer and Immediate Records label manager Rob Caiger with remastering engineer Nick Robbins (Soundmastering Ltd) and vinyl cutting engineer Matt Colton (Alchemy Mastering) and approved by Kenney Jones.

Talking about the mastering process for this 50th Anniversary, reissue producer Rob Caiger says: “Listening back to the original first pressing of 'Ogdens' on both mono and stereo, we've captured a lot more purely because we can do so much more with the technology we have now, cutting more information to the vinyl than was able to be done back in the day because of the limitations of technology then.”

Remastering engineer Nick Robbins stresses how important it was for the new editions to stay true to the original LP: “I'm not concerned with how it might sound in the context of a modern recording. I think that's a mistake. I think it's much more important to bear in mind the context of its period rather than think 'Most records these days are really whizzy so I should make this the same.' No, you don't do that - that would be a mistake. The records have their time and sound has its time. And it's important to remain true to that.”

Mastering Engineer Of The Year Award winner 2018, Matt Colton explains the half-speed cutting process to produce a 33 1/3 rpm LP: “Cutting at half-speed offers a better transient and dynamic response, more defined and accurate sound, extended low frequency and smooth high frequencies. Basically, the band really kicks arse on the half-speed cut in a way that it doesn't cutting at normal speed. The sound fills the room, Kenney's kick drum is punching you in the chest, the guitars are pushing the amps to the edge of distortion with a beautiful blues tone and it just delivers a more musical experience. There's more power there than cutting at normal speed and that is really satisfying.”

A red, white & blue coloured vinyl 180-gram half-speed mastered 3LP box-set (Immediate IMBX012) boasts a new softback 12” x 12” 72-page book full of Gered Mankowitz photos, original artwork, rare memorabilia, in-depth sleevenotes and interviews conducted with band members over many years by journalist & writer Mark Paytress, plus introduction by Kenney Jones. LP1 consists of the original mono mix of “Ogdens' Nut Gone Flake,” LP2 features the album's original stereo mix, whilst LP3 boasts a plethora of rare tracks released for the very first time on vinyl, all providing a fascinating snapshot of this key period in the acclaimed British band's career.

The comprehensive new 3CD+1DVD earbook set (Immediate IMEB012) comprises both original mono and stereo versions of the album together with a third CD that boasts an expanded version of the vinyl box-set's bonus LP disc, additionally featuring gems such as the rare American single versions of “Mad John” and “The Journey” plus the much sought after mono “Afterglow Of Your Love” (Alternate Single Mix), previously only released as a long sold-out 7” vinyl single for Record Store Day 2015 and made available here on CD for the first time. The contents of the vinyl book are also reproduced while this edition's DVD boasts a real gem; although “Ogdens' Nut Gone Flake” was never attempted live (in part due to its sheer complexity), the band did perform seven of the album's twelve tracks on one occasion - the 21st June 1968 edition of BBC TV's Late Line-Up Colour Me Pop show. This BBC TV studio performance is included on the new box-set's DVD. Previously only available in grainy quality on a long-deleted VHS video release and as part of a hard-to-find DVD compilation, this new box-set's audio & visual DVD content has been cleaned-up and is presented here in the best quality possible.

All editions have been assembled by Grammy-Award winning graphic designer Rachel Gutek who has had access to the Immediate Records original artwork files.

“They were the most complete pop group for me. They had everything - they were amazing players that all had the same influences. The image, the haircuts, blimey they were even all the same height. A kinda dream band that everyone would want to be in” - Paul Weller

The Small Faces story starts in July 1964 with vocalist & guitarist Steve Marriott, bassist Ronnie Lane and drummer Kenney Jones all sharing a bill at the Albion in Rainham, Essex as part of their own respective bands. Marriott, Lane and Jones met up again months later in a local music shop - the J60 Music Bar - and struck up a conversation whereby they discovered a shared love of American blues and R’n’B. Marriott was invited to play live with Lane & Jones' that evening in Bermondsey but following a particularly rowdy show where Marriott smashed up the venue's piano, they were sacked and ended up planning a new band together - the beginning of the Small Faces.

The band's rise was stratospheric, with the new group playing their first out of town show at Peter Stringfellow's Mojo Club in Sheffield in July 1965, accepting a residency in London's Cavern Club in Leicester Square and signing with heavyweight manager Don Arden before releasing a debut single, “What'cha Gonna Do About It,” on Decca Records in August, which quickly ascended to No.14 in UK Singles Chart. When third single “Sha-La-La-La-Lee” reached No.3 five months later and their eponymously-titled debut LP also reached No.3 in the UK in the summer of 1966 (and with original keyboard player Jimmy Winston leaving the band at this point to be replaced by Ian “Mac” McLagan), the Small Faces had truly arrived.

Acrimoniously splitting from manager Don Arden, the band made an inspired move when they signed to Andrew Loog Oldham's Immediate stable in February 1967. Oldham saw Marriott/Lane as the obvious replacements for the Jagger/Richard songwriting team that had thus far helped afford the fledgling record label its insouciant cool (and big hits). Liberated by the move to their new independent confines, the band could now completely spread their wings; releasing a well-received, accomplished first LP (again entitled “Small Faces”) for Immediate in June 1967, also finding the time to reflect that summer’s psychedelic reverberations two months later via non-album Top 3 hit single, “Itchycoo Park,” before finally blasting it out of the park in December 1967 with the astonishing single “Tin Soldier,” their first collaboration with newly-signed Immediate label mate P.P. Arnold.

The band were at something of a strange juncture as they entered Olympic Studios, London with engineer Glyn Johns in late-1967 to commence the recording of their third long-player. The credibility afforded 'rock' acts as opposed to those considered mere 'pop' was still of crucial importance at this time in British music history and, having already achieved four UK Top 10 singles in 1966 (including a No.1 hit with the mighty “All Or Nothing”) plus three Top 10 singles in the first few months of 1967, the pressure was now somewhat on to make that leap to timeless authenticity by delivering a truly great album. To add to the pressure, Immediate Records was suffering cashflow problems, inter-band relationships had become strained following a period of extensive overseas touring with The Who and the band's frontman Steve Marriott was constantly questioning the group's place in the musical firmament.

The decision was made to stop touring and give the band time to write a bigger record - the four musicians spent February 1968 working up tracks on three different boats cruising up and down the Thames, studio time was unlimited and the band members also took the opportunity to relocate to the countryside from the inner city, a new domestic scene perfectly captured in Andrew Loog Oldham's choice of first single from the forthcoming album, “Lazy Sunday” (Steve Marriott had wanted to release the heavier “Song Of A Baker” with “Lazy Sunday” as the B-side, but Loog Oldham stuck to his guns). Having rowed with a member of The Hollies, both accusing the other of never singing in their own natural accents, Marriott quite deliberately ramped up his vocal cockney tones on the single which reached No.2 on its release in April 1968.

“One of the great English rock LPs” - Mojo  

The Small Faces' third studio album, “Ogdens’ Nut Gone Flake,” was released by Immediate on 26th May 1968, soon sitting pretty atop the UK Album Chart where it enjoyed a six week reign at No.1 that summer. The LP was housed on its original release in a round circular sleeve featuring a replica of the Thomas Ogden metal tobacco tin that inspired the album’s title. “Ogdens’’ was a proper game-changer - a brave British psychedelic rock statement that oozed jaw-dropping rock, soul and R'n'B, played by four remarkable young musicians completely at the top of their game. Whilst side one dazzled with the sheer power of Ronnie Lane's “Song Of A Baker” and the heavy soul of Marriott's “Afterglow” (belatedly reworked into the band's final official studio single, “Afterglow Of Your Love”) plus a liberal dash of Cockney knees-up on aforementioned first single “Lazy Sunday” and “Rene,” the LP's second side premiered the band's six-song fairytale of Happiness Stan and his quest to find the missing section of the crescent moon, the six track cycle linked via narration by comedian Stanley Unwin, his words suitably twisted into odd shapes via his unique, surreal 'Unwinese' linguistics.

“Ogdens' Nut Gone Flake” was the landmark album that the Small Faces had always threatened to make - both a critical and commercial highpoint and one that would finally afford them the real rock credibility that had thus far slightly eluded them. The album's whole was something truly psychedelic and new - at times almost childlike in its innocence, but at the same time infused with the band members' complex emotions and already slightly world-weary experiences. It seems incredible that this was a group a mere three years away from its humble beginnings in the sweaty East End pubs & R'n'B clubs of its birth.

A major influence on acts such as Led Zeppelin, Sex Pistols, The Jam, Blur and Oasis and almost universally acclaimed on its initial release in May 1968, “Ogdens' Nut Gone Flake” has gone on to appear in countless best album polls (it was voted #59 in Q Magazine’s Top 100 Greatest British Albums Ever poll in 2000 and was voted into Mojo’s Hall Of Fame) whilst The Guardian more recently described the album as, “A groundbreaker.”

In addition to these new 50th Anniversary deluxe editions of “Ogdens' Nut Gone Flake” on 26th October 2018, surviving band member Kenney Jones has also recently published an acclaimed autobiography, “Let The Good Times Roll,” via Blink Publishing, writing extensively about his time drumming with the Small Faces, the Faces and The Who (amongst others), speaking openly about his own personal cancer battle and his continued work to raise awareness via the Prostate Cancer UK charity and his own Rock 'n' Horsepower charity events.

ALL ALBUM FORMATS NOW AVAILABLE TO ORDER HERE: http://smarturl.it/ImmediateStore

LINKS
http://www.thesmallfaces.com/
https://www.facebook.com/SmallFacesOfficial
https://www.facebook.com/Kenney-Jones-210771888961688/
http://www.immediate-records.com/
http://smarturl.it/ImmediateStore

North American Press Inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com