Showing posts with label Jazz. Show all posts
Showing posts with label Jazz. Show all posts

5/04/2020

Avant-Garde Jazz Duo MRS. FUN Release New Album TRUTH


“Their musicality and stage presence remind me of the glory days of vaudeville. Kim and Connie are kind of like the Bert Lahr and Al Jolson of modern music.” - Victor De Lorenzo, Violent Femmes

MRS. FUN plays nu jazz. Complex, sophisticated and adventurous, their music is a unique blend of off-center jazz, ultra-funk, spoken word rap, and their own brand of neo-cabaret. Intelligent lyrics, stellar musicianship, and a dynamic stage presence are hallmarks of their music. The MRS. FUN sound is derived from Connie Grauer's funky bass-driven keyboard playing, combined with Kim Zick's skillful in-the-pocket drumming.

“Their music is a blend of my favorite things. Especially cool jazz. They also remind me of beatniks. I'm from Berkeley and I know my beatniks!” - Martha Davis, Motels

“Grauer is a piano player with few equals whose drive and energy spills across the stage and into the audience like nitrous oxide. She's got a left hand that doesn't quit, the mark of any great pianist, and a right hand with limitless boundaries.” Zick holds court as a “heart-stopping drummer” whose “grooves get so far out, most people need a map to get back.” Voted Best Contemporary Jazz Group by the Wisconsin Area Music Industry(WAMI) three consecutive years, Grauer and Zick have also received WAMI awards for Best Instrumentalist: keyboards and drums. Grauer has also received awards for Best Female Vocalist and Best Stage Entertainer.

Improvisation is the driving force of MRS. FUN. The duo's very first gig was all improvisation. Some of the improvisations became songs. 30 years and five recordings later, they wrote the music for TRUTH and held strong to their original mission statement. In every recording, they include one or two cover pieces, usually a Thelonious Monk song. On TRUTH, “Soulful Strut” and “Light My Fire” were selected being a great fit to their original material. All of the instrumental tracks were recorded live. The only overdubs were vocals.



Here's what the press has said about MRS. FUN:

“Their virtuosity seems earmarked for legendary status.” - Break Magazine (Charlotte)

“MRS. FUN  stomps the jazz terra, doing exactly what Miles Davis had done throughout his whole career: breaking through old boundaries, re-establishing new ones, and then breaking through even those; so that the music can no longer be pigeonholed solely under the label of jazz.” - Shepherd Express

“Multi-keyboardist Connie Grauer and drum basher Kim Zick can play big-beat rock one moment, salute Sun Ra or Thelonious Monk the next, then launch into a groove tune that sounds like a computer getting funky. You gotta respect that.” - Tom Surowicz, Twin City Reader

“Drummer Kim Zick and keyboardist/vocalist Connie Grauer work intuitively from a jazz base, spinning out funky but thorny rhythms and memorable but subtle melodies from disparate threads of rock, pop, tango and the most venturesome explorations of avant-garde '60s jazz.” - Dave Luhrssen, Shepherd Express

“Connie Grauer is one of the most creative, adventurous and energetic musicians in Milwaukee's music scene.” - Visions (Milwaukee)

“Zick, propulsively polyrhythmic and invariably on time, is simply one of most talented percussionist on the scene.” - Michael Point, Austin American-Statesman

“A virtuoso duo displaying amazing energy and range, MRS.FUN wraps sharp humor and wigged-out joy around an aggressive, crunchy acid jazz center.” - JazzTimes

“MRS. FUN are post-modernist bop, the perfect lounge entertainment for the Cabaret Kerouac…Both Connie Grauer and Kim Zick are impressive players, with not just the ability, but also the agility and vision to take their music into the greenest pastures out in left field. Fun indeed.” - The Austin Chronicle

“Moe Tucker, drummer for the Velvet Underground named MRS.FUN one of her top ten bands in 1994.” - Guardian, San Francisco

“Their quirky output is equal parts chaos and tunefulness. Hanging out in left field where they do, there's a thin line between pretension and art. Thankfully, they manage to always stay on the right side of the line.” - Creative Loafing (Charlotte) 

Up coming gigs & recordings:
MRS. FUN will be headlining Summerfest 2020 on the Klements stage. They will also be performing in several concert series in the Midwest beginning May 2020 along with other jazz performances throughout the Midwest.

Soon to be released on the MRS. FUN record label FunTime Records:
Carnival of Souls by Outer Limits Duo: drum & sax improvisation recording; Kim Zick: drums, Juli Wood: saxophones, Produced by: Connie Grauer

In closing the band has this to impart, “Our goal in writing music for MRS. FUN is to continue writing eclectic ear bending pieces for the listener to be engaged in the complexities of each piece. That goal was most definitely achieved on TRUTH.”

To purchase: MRS. FUN/TRUTH is available through Spotify and most digital sites.

For more information:
www.mrsfun.com
https://www.facebook.com/MRS-FUN-468335266600579/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

4/09/2020

Jazz Rock Supergroup MANDOKI SOULMATES Say "THANK YOU" To The COVID-19 Helpers With Their New Single!


Los Angeles, CA - As the world continues to be consumed by the COVID-19 pandemic, Mandoki Soulmates mastermind and leader Leslie Mandoki has found inspiration and a new spark of hope amidst the chaos. He has penned a powerful new song in appreciation for the heroes who have emerged in this global crisis, the nurses, doctors, and other health care providers as well as the grocery store clerks and food delivery personnel who have stepped up to serve their communities. The new song, entitled simply “Thank You,” expresses so clearly the feelings of gratitude many of us have felt in these troubled times. Mandoki explains, “As an artist, I feel it is my duty to contemplate ideas for a better world. Now, like so many of us, I suddenly have the time. Let us grab this uncommon moment of pause together and take a new approach to the problems of the world. And let’s take a hard look at who this crisis is casting in a heroic light, and who comes out the villain.”

The song is being released through the Purple Pyramid imprint of indie giant Cleopatra Records, Inc. and is Mandoki Soulmate’s first release in the recently inked partnership with the L.A.-based label. Additional releases are set to follow later this year.

Stream the song here: https://orcd.co/mandoki-soulmates-thank-you

Read the complete essay written by Leslie Mandoki to complement the single: http://cleorecs.com/home/mandoki-soulmates-thank-you/

Press inquiries: 
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com


CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com


Follow PURPLE PYRAMID  @ 
Facebook  |  Instagram  | Twitter | Youtube | Purple Pyramid Store
Facebook @PurplePyramidRecords
https://www.facebook.com/PurplePyramidRecords/
Instagram @Purple.pyramid
https://www.instagram.com/purple.pyramid/
Twitter @PurplePyramid1
https://twitter.com/PurplePyramid1
Youtube @ Purple Pyramid
https://www.youtube.com/channel/UCwiCec6bS6mX3c7dpitfYRQ
Purple Pyramid Store @
https://cleorecs.com/store/product-category/record-label/purple-pyramid/

Jazz Rock Supergroup MANDOKI SOULMATES Say "THANK YOU" To The COVID-19 Helpers With Their New Single!


Los Angeles, CA - As the world continues to be consumed by the COVID-19 pandemic, Mandoki Soulmates mastermind and leader Leslie Mandoki has found inspiration and a new spark of hope amidst the chaos. He has penned a powerful new song in appreciation for the heroes who have emerged in this global crisis, the nurses, doctors, and other health care providers as well as the grocery store clerks and food delivery personnel who have stepped up to serve their communities. The new song, entitled simply “Thank You,” expresses so clearly the feelings of gratitude many of us have felt in these troubled times. Mandoki explains, “As an artist, I feel it is my duty to contemplate ideas for a better world. Now, like so many of us, I suddenly have the time. Let us grab this uncommon moment of pause together and take a new approach to the problems of the world. And let’s take a hard look at who this crisis is casting in a heroic light, and who comes out the villain.”

The song is being released through the Purple Pyramid imprint of indie giant Cleopatra Records, Inc. and is Mandoki Soulmate’s first release in the recently inked partnership with the L.A.-based label. Additional releases are set to follow later this year.

Stream the song here: https://orcd.co/mandoki-soulmates-thank-you

Read the complete essay written by Leslie Mandoki to complement the single: http://cleorecs.com/home/mandoki-soulmates-thank-you/

Press inquiries: 
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com


CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com


Follow PURPLE PYRAMID  @ 
Facebook  |  Instagram  | Twitter | Youtube | Purple Pyramid Store
Facebook @PurplePyramidRecords
https://www.facebook.com/PurplePyramidRecords/
Instagram @Purple.pyramid
https://www.instagram.com/purple.pyramid/
Twitter @PurplePyramid1
https://twitter.com/PurplePyramid1
Youtube @ Purple Pyramid
https://www.youtube.com/channel/UCwiCec6bS6mX3c7dpitfYRQ
Purple Pyramid Store @
https://cleorecs.com/store/product-category/record-label/purple-pyramid/

2/03/2020

Acoustic Instrumental Review:New Latitude-Wood, Steel, and Grace

Release Date: January 20, 2020
Label: New Latitude Music

Dave Erickson (acoustic guitar), Jim Carr (acoustic guitar), Deon Kuhl (drums & percussion) and Rick Brough (upright bass) are New Latitude. The former bass player Bob Strickland played on 5 tracks. Their latest release is Wood, Steel, and Grace.

This would serve as my introduction and a new discovery, so that starts things off with a lot of anticipation. After reading some history of the band I could tell it was going to be something I would enjoy.

The cover of the album is wood with various colorings, just like the music you will hear on this recording It is acoustic instrumental with a melting pot of styles and genres offered on the nine tracks. New Age, Jazz, and Latin flavored tracks flow effortlessly through their instruments.

I have a kinship for Latin music and “Días Calientes” was a quick favorite. There is that irresistible and colorful rhythm that runs through the song along with some very fast acoustic guitar playing. If they could have picked one spotlight track for the album this would be it. The musical gusto of each member of the band is quite impressive and when all of their talents come together it is like a musical carnival of sounds. 

“Open Road” is a jazz track, the embodiment of the “quiet storm” label minus the R&B reference. 
It is a distinct sub-genre of that particular kind of music. The transition from the previous track is perfectly executed and a reminder that the genres are close cousins in the diverse genre that jazz can give a listener.

“A Serious Man” is a fast-moving track featuring uplifting nimble-fingered guitar interplay. It is a wonderful listen that also spotlights the unmistakable standup bass with well-placed percussion. The choice for bass is excellent for this type of acoustic instrumental presentation, it complements the guitar playing and is the driving wheel of each track.

“Old Friends” was more of New Age style, it reminded me of some of the Windham Hill releases that came out when Will Ackerman was signing on artists to his label and getting this kind of music a world stage. Now the stage is infinite because of the internet and streaming, which is a good thing for any artist looking for exposure. The title of the track was perfect, it was like seeing an “Old Friend.”

The curtain closer “Prismatic Sky,” which also had a New Age sound and atmosphere and consequently was an easy choice to add to my New Age Music Reviews Spotify Playlist. It was a great way to end the album.

The range of musical style and expertise on display throughout the nine tracks is superb and I would most definitely appreciate another helping of this at any time. This is music for any time of day or night, or if you happen to be looking for something that will put a smile on your face and in your heart, then I would recommend listening to Wood, Steel, and Grace.

Keith “MuzikMan” Hannaleck
February 1, 2020
Founder of:

Review Provided By New Age Music Reviews

Tracks: 
1. Alpine Bliss (3:10)
2. Cruising Altitude (3:42)
3. Días Calientes (4:31)
4. Open Road (3:40)
5. Alpenglow (3:37)
6. A Serious Man (3:58)
7. Windmills (3:19)
8. Old Friends (3:12)
9. Prismatic Sky (3:03)
C

10/28/2019

Magma's Simon Goubert Releases New Album "NOUS VERRONS..."


Featuring Stella Vander of Magma!

The voice has always been part of Simon Goubert's life.

First, in the theater background of his childhood, it was spoken in all its forms. Sometimes whispered, other times recited, in the end it was always applauded.

Then it was sung. Whether divine when illuminating György Ligeti’s Lux Aeterna, velvety as Billie Holiday’s or husky like Tina Turner’s, the voice has always transported Simon Goubert... all the way to his meeting Magma.

His ten years collaborating with Christian Vander, whose music revolves around voices, have taught him to fine-tune this very special instrument.

Throughout his career, Simon Goubert has always used the voice, be it singular or plural, subtle or orchestral. But for this album, the musician wanted the voices to be front and center: Stella Vander giving life to Pierre-Michel Sivadier’s lyrics, Annie Ebrel elevating Breton poems and, finally, American rapper and slam poet Mike Ladd.

The instrumentalists are also an eclectic group of kindred spirits, first-rate artists met by Simon Goubert over the decades.

These musicians, whom Simon has always admired, excitedly embarked on this new journey with him. To succeed in this unprecedented adventure, these performers and improvisers have pooled together all of their know-how.

Gathered around Simon Goubert, these artists form an extraordinary band with Michel Edelin (flutes), Vincent Lê Quang (saxophones), Sylvain Kassap (clarinets), Sophia Domancich (piano), Emmanuel Bex (organ) and Hélène Labarrière (double bass).

With all of those talents combined, Simon Goubert has delivered his most beautiful album: the one that most resembles him.

Watch the album trailer:


To order: https://www.seventhrecords.com/en/catalogue-ex-tension-33/simon-goubert-nous-verrons--1290.html

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Magma's Simon Goubert Releases New Album "NOUS VERRONS..."


Featuring Stella Vander of Magma!

The voice has always been part of Simon Goubert's life.

First, in the theater background of his childhood, it was spoken in all its forms. Sometimes whispered, other times recited, in the end it was always applauded.

Then it was sung. Whether divine when illuminating György Ligeti’s Lux Aeterna, velvety as Billie Holiday’s or husky like Tina Turner’s, the voice has always transported Simon Goubert... all the way to his meeting Magma.

His ten years collaborating with Christian Vander, whose music revolves around voices, have taught him to fine-tune this very special instrument.

Throughout his career, Simon Goubert has always used the voice, be it singular or plural, subtle or orchestral. But for this album, the musician wanted the voices to be front and center: Stella Vander giving life to Pierre-Michel Sivadier’s lyrics, Annie Ebrel elevating Breton poems and, finally, American rapper and slam poet Mike Ladd.

The instrumentalists are also an eclectic group of kindred spirits, first-rate artists met by Simon Goubert over the decades.

These musicians, whom Simon has always admired, excitedly embarked on this new journey with him. To succeed in this unprecedented adventure, these performers and improvisers have pooled together all of their know-how.

Gathered around Simon Goubert, these artists form an extraordinary band with Michel Edelin (flutes), Vincent Lê Quang (saxophones), Sylvain Kassap (clarinets), Sophia Domancich (piano), Emmanuel Bex (organ) and Hélène Labarrière (double bass).

With all of those talents combined, Simon Goubert has delivered his most beautiful album: the one that most resembles him.

Watch the album trailer:


To order: https://www.seventhrecords.com/en/catalogue-ex-tension-33/simon-goubert-nous-verrons--1290.html

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

10/03/2019

Progressive Rock-Jazz -Fusion Review: Yuval Ron-Somewhere in the Universe Somebody Hits a Drum

Release Date:  October 3, 2019
Label:  Wrong Notes Music
Website:  www.yuvalron.com

6-years in the making, progressive and jazz fusion guitarist, Yuval Ron has released six other-worldly arrangements sure to please staunch prog-rock enthusiasts and jazz aficionados alike. 

One look at the album art and a minute into the opening title track, you'll realize you're about to explore a new musical world and boldly go where no listener has gone before. You'll hear yodeling, synth landscapes, xylophone interludes, and virtuosic guitar riffs riding on the rhythm of thick, syncopating drumbeats. Along the journey, you'll experience moments of weightlessness followed by playful interludes followed by turbo thrusts where the universe flies past you in a blur. 

Like many of his influences, Yuval Ron has collaborated with several musicians in several bands, including the influential Residents of The Future. His talents cannot be constrained to the fixed structure of a single band. Yuval Ron assembles musicians for a project based on the vision in his head.

For Somewhere in the Universe Somebody Hits a Drum, he recruited renowned prog-rock drummer Marco Minnemann who has worked with Steven Wilson, The Aristocrats, and others. Mr. Minnemann's influence is hard to ignore, providing the grounding for complex synth and guitar solos as well as flashes of brilliance such as "Wifi in Emerald City" when his drumming emerges into the forefront but does not overtake the composition. 

Not one of these six tracks sounds indulgent or derivative. Yuval Ron democratizes the talent he's assembled. He shares the spotlight, letting the solos fly and then return to form a colorful assembly of textured sound. You'll feel as if you're on a journey of discovery. You won't know where you are, you won't know where you're going, but you'll be thrilled to be on the ride.  

Key Tracks Include: “Gravitational Lensing”, “Wifi in Emerald City”, “I Believe in Astronauts”

Tom Endyke – MuzikMan.net Staff
October 3, 2019

Reviews Provided By:
Rate The Tracks

Tracks:
1. Somewhere in This Universe Somebody Hits a Drum
2. Gravitational Lensing
3. Kuiper Belt
4. WiFi in Emerald City
5. The Discovery of Phoebe
6. I Believe in Astronauts

Progressive Rock-Jazz -Fusion Review: Yuval Ron-Somewhere in the Universe Somebody Hits a Drum

Release Date:  October 3, 2019
Label:  Wrong Notes Music
Website:  www.yuvalron.com

6-years in the making, progressive and jazz fusion guitarist, Yuval Ron has released six other-worldly arrangements sure to please staunch prog-rock enthusiasts and jazz aficionados alike. 

One look at the album art and a minute into the opening title track, you'll realize you're about to explore a new musical world and boldly go where no listener has gone before. You'll hear yodeling, synth landscapes, xylophone interludes, and virtuosic guitar riffs riding on the rhythm of thick, syncopating drumbeats. Along the journey, you'll experience moments of weightlessness followed by playful interludes followed by turbo thrusts where the universe flies past you in a blur. 

Like many of his influences, Yuval Ron has collaborated with several musicians in several bands, including the influential Residents of The Future. His talents cannot be constrained to the fixed structure of a single band. Yuval Ron assembles musicians for a project based on the vision in his head.

For Somewhere in the Universe Somebody Hits a Drum, he recruited renowned prog-rock drummer Marco Minnemann who has worked with Steven Wilson, The Aristocrats, and others. Mr. Minnemann's influence is hard to ignore, providing the grounding for complex synth and guitar solos as well as flashes of brilliance such as "Wifi in Emerald City" when his drumming emerges into the forefront but does not overtake the composition. 

Not one of these six tracks sounds indulgent or derivative. Yuval Ron democratizes the talent he's assembled. He shares the spotlight, letting the solos fly and then return to form a colorful assembly of textured sound. You'll feel as if you're on a journey of discovery. You won't know where you are, you won't know where you're going, but you'll be thrilled to be on the ride.  

Key Tracks Include: “Gravitational Lensing”, “Wifi in Emerald City”, “I Believe in Astronauts”

Tom Endyke – MuzikMan.net Staff
October 3, 2019

Reviews Provided By:
Rate The Tracks

Tracks:
1. Somewhere in This Universe Somebody Hits a Drum
2. Gravitational Lensing
3. Kuiper Belt
4. WiFi in Emerald City
5. The Discovery of Phoebe
6. I Believe in Astronauts

9/13/2019

New Video About The Making Of Magma's New Album "Zëss" On Limited Edition Gold Colored Vinyl


Limited edition of 1500 numbered copies on 180 gram audiophile gold colored vinyl

Magma's new album “Zëss” is available for pre-order as a limited edition of 1500 numbered copies on gold colored vinyl. The package includes a 4-page booklet. The vinyl edition will be released on September 20, 2019.

Watch the The Making Of Magma's Limited Edition Gold Colored Vinyl of  “Zëss”:


Magma's critically acclaimed newest album “Zëss” is a 38-minute musical work by Christian Vander. Composed in 1970, Zëss had long been plagued by its incompleteness, its recording was deferred for years. Four decades after its first draft, the work has finally been recorded in an orchestral version that gives it both its true dreamlike dimension and its transcending power. The first public performance took place in Bourges in 1979. It is the last piece in a series of unfinished compositions from the 1970s. During the last 15 years, they finished and released all these different pieces. “Zëss” is described as a work that touches the philosophical domain by its treatment of the idea of nothingness and its evocation of the theme of time.

Magma turned fifty this year, catapulting into the very exclusive circle of bands who for five decades have never laid down their instruments, nor turned down their volume! The oldest French band still in existence has always played at full sail, never yielding to the siren song of passing trends. The fiercely original music has tirelessly adhered to the highest artistic standards while still reaching a wide audience of all ages.



180 gram audiophile vinyl
Brand new album
Gatefold sleeve with UV spot varnish
4-page booklet
Limited edition of 1500 numbered copies on gold colored vinyl

More information about this release: 
https://www.musiconvinyl.com/catalog/magma/zess

To pre-order: 
smarturl.it/MagmaZessVinyl
https://www.seventhrecords.com/en/magma-19/zess-1289.html

Magma's official website: https://www.magmamusic.org/en/home/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

New Video About The Making Of Magma's New Album "Zëss" On Limited Edition Gold Colored Vinyl


Limited edition of 1500 numbered copies on 180 gram audiophile gold colored vinyl

Magma's new album “Zëss” is available for pre-order as a limited edition of 1500 numbered copies on gold colored vinyl. The package includes a 4-page booklet. The vinyl edition will be released on September 20, 2019.

Watch the The Making Of Magma's Limited Edition Gold Colored Vinyl of  “Zëss”:


Magma's critically acclaimed newest album “Zëss” is a 38-minute musical work by Christian Vander. Composed in 1970, Zëss had long been plagued by its incompleteness, its recording was deferred for years. Four decades after its first draft, the work has finally been recorded in an orchestral version that gives it both its true dreamlike dimension and its transcending power. The first public performance took place in Bourges in 1979. It is the last piece in a series of unfinished compositions from the 1970s. During the last 15 years, they finished and released all these different pieces. “Zëss” is described as a work that touches the philosophical domain by its treatment of the idea of nothingness and its evocation of the theme of time.

Magma turned fifty this year, catapulting into the very exclusive circle of bands who for five decades have never laid down their instruments, nor turned down their volume! The oldest French band still in existence has always played at full sail, never yielding to the siren song of passing trends. The fiercely original music has tirelessly adhered to the highest artistic standards while still reaching a wide audience of all ages.



180 gram audiophile vinyl
Brand new album
Gatefold sleeve with UV spot varnish
4-page booklet
Limited edition of 1500 numbered copies on gold colored vinyl

More information about this release: 
https://www.musiconvinyl.com/catalog/magma/zess

To pre-order: 
smarturl.it/MagmaZessVinyl
https://www.seventhrecords.com/en/magma-19/zess-1289.html

Magma's official website: https://www.magmamusic.org/en/home/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

8/16/2019

French Music Legends Magma To Release New Album “Zëss” On Limited Edition Gold Colored Vinyl


Limited edition of 1500 numbered copies on 180 gram audiophile gold colored vinyl

Magma's critically acclaimed newest album Zëss is a 38-minute musical work by Christian Vander. Composed in 1970, Zëss had long been plagued by its incompleteness, its recording was deferred for years. Four decades after its first draft, the work has finally been recorded in an orchestral version that gives it both its true dreamlike dimension and its transcending power. The first public performance took place in Bourges in 1979. It is the last piece in a series of unfinished compositions from the 1970s. During the last 15 years, they finished and released all these different pieces. Zëss is described as a work that touches the philosophical domain by its treatment of the idea of nothingness and its evocation of the theme of time.

Magma turned fifty this year, catapulting into the very exclusive circle of bands who for five decades have never laid down their instruments, nor turned down their volume! The oldest French band still in existence has always played at full sail, never yielding to the siren song of passing trends. The fiercely original music has tirelessly adhered to the highest artistic standards while still reaching a wide audience of all ages.

Zëss is available for pre-order as a limited edition of 1500 numbered copies on gold colored vinyl. The package includes a 4-page booklet. The vinyl edition will be released on September 20, 2019.



180 gram audiophile vinyl
Brand new album
Gatefold sleeve with UV spot varnish
4-page booklet
Limited edition of 1500 numbered copies on gold colored vinyl

More information about this release: 
https://www.musiconvinyl.com/catalog/magma/zess

To pre-order: 
smarturl.it/MagmaZessVinyl
https://www.seventhrecords.com/en/magma-19/zess-1289.html

Magma's official website: https://www.magmamusic.org/en/home/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

French Music Legends Magma To Release New Album “Zëss” On Limited Edition Gold Colored Vinyl


Limited edition of 1500 numbered copies on 180 gram audiophile gold colored vinyl

Magma's critically acclaimed newest album Zëss is a 38-minute musical work by Christian Vander. Composed in 1970, Zëss had long been plagued by its incompleteness, its recording was deferred for years. Four decades after its first draft, the work has finally been recorded in an orchestral version that gives it both its true dreamlike dimension and its transcending power. The first public performance took place in Bourges in 1979. It is the last piece in a series of unfinished compositions from the 1970s. During the last 15 years, they finished and released all these different pieces. Zëss is described as a work that touches the philosophical domain by its treatment of the idea of nothingness and its evocation of the theme of time.

Magma turned fifty this year, catapulting into the very exclusive circle of bands who for five decades have never laid down their instruments, nor turned down their volume! The oldest French band still in existence has always played at full sail, never yielding to the siren song of passing trends. The fiercely original music has tirelessly adhered to the highest artistic standards while still reaching a wide audience of all ages.

Zëss is available for pre-order as a limited edition of 1500 numbered copies on gold colored vinyl. The package includes a 4-page booklet. The vinyl edition will be released on September 20, 2019.



180 gram audiophile vinyl
Brand new album
Gatefold sleeve with UV spot varnish
4-page booklet
Limited edition of 1500 numbered copies on gold colored vinyl

More information about this release: 
https://www.musiconvinyl.com/catalog/magma/zess

To pre-order: 
smarturl.it/MagmaZessVinyl
https://www.seventhrecords.com/en/magma-19/zess-1289.html

Magma's official website: https://www.magmamusic.org/en/home/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

5/22/2019

Fraudprophets Release Debut Album 'Poptosis', Allay Growing Industry Fears Of Jazz Fusion Takeover


The jazz-rock group is joined by Bob Reynolds of Snarky Puppy, guitarist Oz Noy, keyboardist Matt Rohde and Nashville fiddle ninja Jenee Fleanor

Los Angeles, CA - Fraudprophets (www.fraudprophets.com), a collaboration between multi-instrumentalist and composer Sean Halley and A-list drummer Nate Morton (seen weekly on NBC’s ‘The Voice’), are ecstatic to announce the release of their debut album ‘Poptosis’ on June 3, 2019. The new record seamlessly blends elements of jazz, pop, rock, country and 70’s fusion into tunes that feel uniquely natural together, a result of the long-standing bond between Morton and Halley and their decades-long careers on stage and in the studio…and the gin.

“It probably isn’t the best way to go about it, but we randomly started this whole thing one night by drinking cocktails to a click track”, said Morton. “Not having a plan ended up being a real blessing, as the snippets of music that came out of that evening were free-spirited and fun, and they were infused with personality and our love for each other as musical dorks.” Halley continues, “Nate and I love just about every kind of music, so nothing was off limits if it was a style we felt comfortable with. The same was true for the production - I like big-sounding records, so if we needed a ridiculous Beastie Boys-esque organ-and-drums breakdown for a
tune, I’d have to go figure it out.”

“The tones, the tunes and performances are stellar! It’s the best new instrumental music I’ve heard in ages!” session guitar legend Michael Thompson (Babyface, David Foster, Backstreet Boys, Toni Braxton, etc)

“ …the new CD is fantastic and really musical. All of the players are phenomenal - I love the entire disc, but my favorite tune is ‘Skronktastic’”. Drummer Greg Bissionette (David Lee Roth, Toto, Ringo Starr, Santana).

“This album is a total success from start to finish. The sound quality is nothing short of amazing! Check out ‘Poptosis’ and become a believer.” babysue.com May 2019

The band is currently putting together a musical unit to take ‘Poptosis’ to the next level live, and hope to play dates in the US, Japan and Europe in the coming year. The band keeps a presence on social media as time allows, so check out Instagram and Facebook for examples of their unique brand of musicality and good-natured humor.



The album will be available for pre-sale on May 27 and fully released on June 3. Links for the major online retailers will be available at http://www.fraudprophets.com/buy--poptosis-.html
when live.

For more information: www.fraudprophets.com

Press inquiries: Glass Onyon PR, PH: +1 828-350-8158, glassonyonpr@gmail.com