Showing posts with label Jazz. Show all posts
Showing posts with label Jazz. Show all posts

10/30/2024

3Below “Live in Mérida” Featuring Michael Manring (Jaco Pastorius), Trey Gunn (King Crimson), Alonso Arreola Releases November 8, 2024

3Below features three extended range instruments played by Michael Manring (Jaco Pastorius alumni, creator of the Hyperbass), Trey Gunn (Warr Guitarist with King Crimson), Alonso Arreola (Mexican bassist, writer and poet).

Their latest release, “Live in Mérida”, was recorded on November 5, 2023 at the Palacio del La Música de Mérida in the Yucatan in Mexico. During this performance, they were joined by special guest Emmanuel Pina on the oud.

3Below began in a small but significant way when Arreola and Gunn, along with Gunn’s daughter Harper, traveled across Mali and The Dogon in West Africa in 2012. They took their baritone ukuleles with them hoping to touch base with local musicians. Mali is known for its deep musical traditions and by the third day they had found their way in: go into each small village and ask for lessons from the local master drummer or ngoni player (African string instrument). This led to a string of lessons and playing sessions with a variety of musicians from Bamako, Séguo, Mopti, Djenne and throughout the Dogon where they ended up participating in a late-night festival and jam session with the king and queen of Begnemato.

These experiences and the musical languages they learned in Mali set the groundwork for 3Below. This exploded further with bringing in bass legend Michael Manring. Manring is most known for his jaw-dropping solo performances, but he is also a brilliant ensemble player.

3Below first began with live shows in Mexico about one year after their return from Mali. Combining roots from Latin America, Asia, Africa and Europe, the first part of a 3Below live show is acoustic-based with Arreola and Gunn on ukulele and acoustic bass. The second half of the show is full-on electric, with the addition of solo pieces by Gunn and Manring.

Time Out Magazine calls them “Musicians with enormous talent and giant careers.”

“3Below was the triumph of the Alterna Jazz Season.” - The Chronicle on their Centro Cultural Roberto Cantoral, Mexico City performance.

Credits
Alonso Arreola: Percussive Electroacoustic & Electric Basses
Trey Gunn: Warr Guitar, Baritone Ukulele
Michael Manring: Fretless Basses, Caxixi Shaker
Emmanuel Pina: Oud

Live Sound: Nelson Sánchez
Mixed by Trey Gunn at 7d Studios

Track List:
1. Relamparia (Arreola)
2. Mamadou's Mercedes (Arreola)
3. Versos (Arreola)
4. Hard Winds (Gunn)
5. Forest Floor (Gunn, Arreola)
6. Big Fungus (Manring)
7. Lake of Ice (Gunn)
8. Lake of Fire (Gunn)
9. The World Is Everything That Is The Case (Manring)
10. Monkey Businessman (Manring)
11. Culpa (Arreola)
12. Area (arr. Arreola, Pina)

Alonso Arreola - Percussive Electroacoustic & Electric Basses
Joined as time went by on a Saturday afternoon. It was Day of the Dead in Mexico City, November the 2nd. The year: 1974. There were clouds in the sky. When he could believe in something, he chose the movement that animates music and words. With seven albums to his name and as many in collaboration or as a producer, he has created and staged numerous stage projects in more than fifteen countries. He has also written thousands of articles, interviews, reviews, chronicles, poems or stories in magazines and newspapers about music, cinema or gastronomy from four continents, as well as a book about letters from his paternal grandfather (Juan José Arreola). He has done stage shows with authors such as Michel Houellebecq and Agustín Fernández Mallo. He is the author of “Relamparia,” a collection of poems, voices and entertainment published by Attica. For twenty years he has had a bass laboratory with dozens of disciples (LabA), and for twenty-five years he has had a musical column in the cultural supplement of the newspaper La Jornada. He launched the Curandera guitar alongside the Spanish artist Alejandro Sanz and the luthier Antonio Álvarez Bernal. He aspires to be a son of art and become a lightning rod. His favorite animal is the water buffalo.

Trey Gunn - Warr Guitar, Baritone Ukulele
A native Texan who resides in New Mexico, Gunn is known for the unusual 10-string touch guitar that he plays. From the blistering live recordings at the Royal Albert Hall in London with David Sylvian and Robert Fripp (“Damage”, Virgin Records) to ten years recording and touring with King Crimson – a group many contend as the most aggressively, adventurous rock band of all time – Gunn is associated with a constant stream of cutting edges projects.

In addition to the powerful performances and recordings of his groups Tu-Ner, TU, KTU, 3Below, The Security Projectand the multi-mediators Quodia, Gunn has toured and/or recorded with John Paul Jones, Brian Eno, Maynard J. Keenan’s “Puscifer”, Vernon Reid, Azam Ali, David Hykes of the Harmonic Choir and Steven Wilson of Porcupine Tree.

When not on the road, Gunn continues his work scoring for tv/film, runs his own media label (7d Media) and coaches musicians in the creative process.

Michael Manring - Fretless Basses, Caxixi Shaker
Hailed by many as the world’s leading solo bassist, Michael Manring has been pushing back the boundaries of what’s possible on the bass guitar for decades. A student of bass legend Jaco Pastorius, Michael has honed his skills on hundreds of recordings and thousands of live shows around the world, working with a diverse collection of artists including the late guitar genius Michael Hedges, New Age keyboardist Suzanne Ciani, Avant-improv guitar innovator Henry Kaiser, celebrated folk troubadour John Gorka, experimental post-metal rockers Tim Alexander (Primus) and Alex Skolnick (Testament) and electro-pop pioneer Thomas Dolby. He has earned three gold records, Grammy and Bammie nominations, a Berklee School of Music Distinguished Alumni Award, two Just Plain Folks Awards and numerous Bass Player Magazine Readers’ Poll awards including 1994 Bassist of the Year. His YouTube videos have garnered millions of views displaying the expressive skills that have led The San Jose Mercury News to call him “...a virtuoso electric bassist who’s almost single-handedly re-defined the outer limits of the instrument” and The Philadelphia Inquirer to refer to him as simply “...the hottest bassist today.”

Emmanuel Pina - Oud
Biologist, Ph.D. in Biomedical Sciences and multi-instrumentalist musician. Throughout his scientific career, he has been involved in several research projects with international publications in fields such as virology, breast cancer and the development of drugs for the treatment of lymphoma, diabetes, and parasitic diseases. As a self-taught musician, he started playing drums and guitar. Currently specializes in the study and performance of ancient string instruments such as the oud, tar, setar and baglama, as well as modern instruments such as the electric bass and the Chapman Stick. He has been part of various bands and shared the stage with several musicians, including Human, Luz de Riada, Alfonso André, Markus Reuter, and Alonso Arreola in projects such as Rosetta and LabAcústica, which eventually led to his inclusion in 3Below.

To purchase: https://3belowband.com/live/

For more information: https://3belowband.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

9/25/2024

KING CRIMSON “Red 50th Anniversary Edition” 2CD / 2Blu-ray & 2LP 200-gram Audiophile Vinyl Available October 25, 2024

50th Anniversary editions of King Crimson’s classic 1974 album
4 disc boxed set with 2 x Blu-ray & 2CDs
2 x Blu-rays featuring completely new mixes of the album in Dolby Atmos, 5.1 DTS-HD MA Surround & Hi-Res Stereo by Steven Wilson, New Elemental Mixes in Hi-Res Stereo by David Singleton, a number of extra tracks drawn from the existing sessions reels mixed by David Singleton, all three mixes of the live album USA in Hi-Res Stereo, 5 audio restored bootleg concert recordings from the 1974 US tour making their debut on disc & the audio restored bootleg of the band’s final US show in Central Park NYC on July 1st, 1974
2 x CDs feature new Stereo + instrumental mixes by Steven Wilson & new Elemental Mixes & a sequence of studio recordings detailing the making of ‘Starless’ mixed by David Singleton
Presented as two vinyl replica sleeves in a rigid slipcase with booklet including photos & new sleeve-notes by King Crimson Biographer Sid Smith

King Crimson:
Robert Fripp: Guitar and Mellotron
John Wetton: Bass and Voice
William Bruford: Percussives
With: David Cross, Mel Collins, Ian McDonald, Robin Miller, Mark Charig

DGM & Panegyric proudly present the 50th anniversary edition of the King Crimson classic album “Red”. A 2 Blu-ray + 2 CD edition features completely new Dolby Atmos, 5.1 DTS-HD Master Audio Surround & Stereo mixes by Steven Wilson taking the music to new levels of clarity & power. “Red” was one of the earliest mixes undertaken by Steven Wilson in 2009 & King Crimson was the first of a number of classic bands & artists to be mixed by Steven so it’s entirely appropriate that he return, some 15 years later, to take the album into the Dolby Atmos era.

What I hear on ‘Red’ is the best representation of 72-74 era line-up in the studio. In effect this is a power trio record and their sound is just huge.” – Steven Wilson

Also featured are a complete album’s worth of Elemental Mixes by long-time King Crimson producer (& band manager) David Singleton – using the original multi-track recordings to present a very different audio picture of the album, with greater separation of instruments & utilizing many recorded elements recorded for, but not included in, the original mixes.

As King Crimson biographer Sid Smith puts it in his new notes for the album: “David Singleton’s elemental mixes pull the veil aside on the original sessions and act as a kind of alternative account, a ‘Red’ that could have been, revealing the different passes and takes that the band undertook as well as those Collins, Charig and McDonald as they engaged with the material”.

Multiple new to disc tracks & studio takes – representing all material to survive from the recording sessions have also been mixed &/or mastered for inclusion, making this the most comprehensive overview of the album to be released.

“Red” was recorded immediately after King Crimson’s final US tour of 1974 & the anniversary edition reflects that by including all three Hi-Res Stereo mixes of the live album “USA” in its full concert versions. Also included are a quintet of audio restored bootlegs being issued on disc for the first time, alongside a bootleg of the band’s final US concert in New York in 1974 which Robert Fripp claimed was: “the first gig since the 1969 Crimson where the bottom of my spine registered ‘out of this world’ to the same degree.”

In the decades since its release, “Red” has gone from being an album that was, upon release, under-promoted – as the band had already split up, to being one of the most lauded albums of its era & (after “In The Court of the Crimson King”), King Crimson’s biggest selling album. Writing in The Mojo Collection in 2000, John Bungey assessed “Red” as, “That rarest of records, the sound of a line-up quitting while ahead”.

By the time King Crimson entered the studio in July 74, the band had spent the best part of two years on the road, recorded two albums along the way (“Larks’ Tongues In Aspic” & “Starless & Bible Black”) & shed two band members en route; percussionist Jamie Muir having quit early 1973, and violin/mellotron player David Cross at the end of the US tour just a week prior to the recording of “Red”.

Crimson had built a reputation as one of the tightest, most powerful bands on the rock circuit. Recording as a trio in Olympic studios in London, with one improv piece (Providence) drawn from that final US tour & with contributions from former members & friends on saxophones, violin, and oboe, the group produced the last Crimson studio album of the 70s & one of the decade’s masterpieces – “Red”.

“Red” emerged as a distillation of everything Crimson had been working towards live & in the studio between 72 and 74. In the half century since its release it has built an enviable, enduring reputation among fans & professional musicians alike – with bands from each succeeding decade citing it as an important influence.

Red - The 50th Anniversary Edition”

Disc 1 CD 2024 mixes and Additional Material
1 Red
2 Fallen Angel
3 One More Red Nightmare
4 Providence
5 Starless
Additional Material
2024 Instrumental Mixes
6 Fallen Angel
7 One More Red Nightmare
8 Starless - Edit
Produced and Mixed by Steven Wilson
* 9 Providence - Complete Track
Produced and Mixed by Robert Fripp and David Singleton

Disc 2 CD Elemental Mixes and Session Material
Elemental Mixes
1 Red
2 Fallen Angel
3 One More Red Nightmare
4 Starless - Percussion
5 Starless
The Making of Starless
6 Starless - Mellotron
7 Starless - Three Saxophones
8 Starless - Basic Take
9 Starless - Sax Solos
10 Starless - Cornet and Guitar Solos
11 Starless - Cornet takes
Produced and Mixed by David Singleton

Disc 3 Blu-Ray
USA
I * 1 June 28th, 1974, Casino Arena, NJ
DTS-HD MA 24/192 Stereo, 2013 Mix
Mixed by Robert Fripp, David Singleton and Tony Arnold
* 2 June 28th, 1974, Casino Arena, NJ
24/48 Stereo, 2005 Mix
Mixed by Ronan Chris Murphy
24/96 Stereo, 30th Anniversary Mix
* 3 June 28th, 1974, Casino Arena, NJ
24/48 Stereo, Original album mix
A Crimson Production, Remastered by Simon Heyworth and Robert Fripp, 2001
II USA Tour Concerts
24/48 Stereo
1 April 17th, 1974, Muthers, Nashville, TN
2 April 20th, 1974, Hollywood Sportatorium, Miami, FL
3 May 1st, 1974, Felt Forum, New York, NY
4 June 4th, 1974, Municipal Auditorium, San Antonio, Texas, TX
5 June 19th, 1974, Shrine Auditorium, Los Angeles, California, CA
The Final US Concert
24/48 Stereo
* 6 July 1st, 1974, Central Park, New York, NY

Disc 4 Blu-Ray
I Red
2024 mixes and Additional Material

Dolby Atmos/DTS-HD MA 5.1 Surround/24/96 Stereo
1 Red
2 Fallen Angel
3 One More Red Nightmare
4 Providence
5 Starless
Produced and Mixed by Steven Wilson
II Elemental Mixes and Session Recordings, 24/192 DTS-HD MA Stereo
Elemental Mixes
1 Red
2 Fallen Angel
3 One More Red Nightmare
4 Starless - Percussion
5 Starless
Three More Red Nightmares
1 One More Red Nightmare - Early Guide Vox Section
2 One More Red Nightmare - Saxophone Overdub Section
3 One More Red Nightmare - Bass and Drums
The Making of Starless
1 Starless - Mellotron
2 Starless - Three Saxophones
3 Starless - Basic Take
4 Starless - Sax Solos
5 Starless - Percussion
6 Starless - Cornet and Guitar Solos
* 7 Starless - Cornet takes ~
Produced and Mixed by David Singleton except 7 ~ Produced and Mixed by Alex R Mundy sourced
at 24/48
* 1 Providence - Complete Track
Produced and Mixed by Robert Fripp and David Singleton
2 Think Again - Fragment
Mastered by Alex R Mundy from a John Wetton 1/4" file tape
III 2024 Instrumental Mixes, 24/96 Stereo
1 Fallen Angel
2 One More Red Nightmare
3 Starless (edit)
Produced and Mixed by Steven Wilson
IV * Original Masters, 24/96 Stereo
30th Anniversary Master
1 Red
2 Fallen Angel
3 One More Red Nightmare
4 Providence
5 Starless
* Indicates material previously available on disc
All other material newly mixed/new to disc

Red” 2024 Steven Wilson Mixes & 2024 David Singleton Elemental Mixes
2 x 200gm vinyl
50th Anniversary editions of King Crimson’s classic 1974 album
2LP set pressed on 200-gram audiophile vinyl
LP1 features all new 2024 stereo mixes by Steven Wilson
LP2 features all new 2024 elemental mixes by David Singleton
Cut by Jason Mitchell at Loud Mastering

Whilst mixing the album for Dolby Atmos, Steven Wilson also prepared new stereo & 5.1 mixes. Those new stereo mixes are what appears as LP1 of this 2LP set. LP2 consists of a complete album’s worth of Elemental Mixes by long-time King Crimson producer (& band manager) David Singleton – using the original multi-track recordings to present a very different audio picture of the album, with greater separation of instruments & utilizing many recorded elements recorded for, but not included in, the original mixes.

To pre-order:
2CD/2Blu-ray - https://burningshed.com/kingcrimson/king-crimson_red_2cd_2blu-ray
2LP - https://burningshed.com/kingcrimson/king-crimson_red_double-vinyl

For more information:
http://www.dgmlive.com

For further information, please contact: info@panegyric.net

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

9/18/2024

Mothers of Invention Keyboard & Synthesizer Legend Don Preston Embarks on First European Solo Tour September 2024

Pianist & Synthesizer legend Don Preston will be touring Europe starting in September (tour dates below). Don Preston leads a life filled with music, innovation, and experimentation in acoustic and electronic music. “Groundbreaking” is a phrase that is clearly overused. With Don it rings true. One of the first performers to drag a pile of oscillators and filters onstage, he brought his classical training to the Avant Garde. In the early 60s Frank Zappa would come to see Don’s “electronic music with films of bacterial life” shows in Los Angeles. Don was soon in Zappa’s radical new group The Mothers Of Invention, touring and playing on classics like “We're Only In It For The Money” and “Roxy & Elsewhere” from 1966 to 1973.

Don has played with everyone from Elvin Jones, Gil Evans, and Nat King Cole to The Residents, Jack Bruce and Robbie Krieger.  His keyboard solos on Zappa albums, as well as countless soundtracks like Coppola’s “Apocalypse Now,” are considered ground-breaking moments in synthesizer music history.

Still very active in his 90’s, Don was there for the dawn of electronic musical performance, and today grafts new technologies into his experimental palette with software synths & iPhone apps, blending jazz, rock, comedy, magic and ambient synths into a captivating performance.

DON PRESTON SOLO EUROPEAN TOUR
9/24 Porgy & Bess Vienna
9/25 Prague Czech
9/26 Prague Czech
9/27 Broumod Under
9/29 NordHausen, Germany
9/30 Bb (Jazz Club) Berlin, Germany
10/2 Weert, Netherland
10/3 Russelsheim, Germany
10/5 Brussels, Belgium
10/6 Stuttgart, Germany

The guy that really impressed me was Don Preston, I didn’t know what that stuff was when I heard it on Frank Zappa's records. I said, ‘Man!’” - GEORGE DUKE

Preston not only brought his skewed piano sensibility into the creative jazz context, he lugged along a little of his zany synthesizer as well…touching on all these associations (Carla and Paul Bley, John Carter, Zappa and Cole Porter), showing what he can do twisting a standard around and delving a bit into his own compositional bag as well. Preston resides on the edge of tonality, toying with it.” – DOWNBEAT

Revisiting choice moments of weirdness and glory, as well as dig into original works and unlikely standards, is not to be missed. The range of program is somewhat camouflaged by the seamless interplay of Preston and cohorts. They possess a cohesion born of fluidity that is reminiscent of Paul Bley’s 60’s trios, but they have their own crisp edge. It is a high common denominator for such a diverse program.” – JAZZTIMES

Best known as the first synth wielding Mother of Invention - Frank Zappa’s keyboardist aide de camp, to others he is an avowed New Music experimentalist, whose work in theatre, and with assorted sonic daredevils is the stuff of underground acclaim.......in the jazz orbit Preston’s credits have included Gil Evans, Carla Bley, Buell Niedlinger, Michael Mantler, John Carter, and Bobby Bradford” – DOWNBEAT

Preston demonstrated anew that he is one of the most consistently exciting keyboardists anywhere, he plays with an intensity and a rhythmic vitality that approached the demonic, at climactic moments smashing the keys with a forearm and elbow, as if the piano were just not instrument enough for him.” - LA JAZZ SCENE

DON PRESTON DISCOGRAPHY
http://en.wikipedia.org/wiki/Don_Preston#Discography

DON PRESTON ON FACEBOOK
https://www.facebook.com/don.preston.54540

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

9/05/2024

Soft Machine’s THEO TRAVIS “AELOUS” One Hour Duduk Meditation CD/Blu-ray Featuring Production and Soundscapes by Steven Wilson Available September 6th, 2024

Theo Travis is widely known due to his work with his own bands and (among others) Soft Machine, Steven Wilson, Robert Fripp, Gong, Porcupine Tree and many more
Theo’s previous releases of duduk music on YouTube have become something of a sensation. The piece “Ancient Soul, Modern Times” (which is included on the Blu-ray) has amassed over 1 million listens
Steven Wilson is one of the world’s most sought-after producers, mix engineers and remixers of multi-channel Surround Sound and Dolby Atmos audio
Both artists enjoy a significant fan-base

When Theo Travis began experimenting with long-form improvised instrumentals for duduk - a woodwind instrument from Armenia sometimes described as ‘the saddest sounding instrument in the world’ - he could hardly have imagined a world in which such a one-hour piece would clock up in excess of a million plays on YouTube. Yet that is precisely what happened, with the multi-functional music finding fans purely in its own terms as well as for an array of uses from meditation to yoga, to relaxation and more. Something about the sound, the performances, the context, found, built and maintained a much wider audience than most, far more mainstream music. All of this was achieved without hype, marketing or a dedicated record label supporting the release.

Extending the idea, earlier this year Theo worked with producer Steven Wilson, (who has previously mixed and mastered many of Theo’s solo recordings and in whose band Theo has played) to produce a new duduk improvisation in multi-channel audio as well as stereo, with soundscapes assembled by Steven Wilson from Theo’s alto flute playing. The result is a stunning and utterly unique piece of work which helps to define new possibilities for so-called “immersive audio”, without losing focus on the pure sound and inherent musicality of the duduk improvisations which have struck such a chord with a wide and growing audience online.

The new piece “Aeolus” (again, one hour long) appears in Dolby Atmos, DTS-HD MA 5.1 Surround Sound and 24/96 high resolution stereo on the Blu-ray and in standard 16/44 audio on the accompanying CD.

Watch the promotional trailer: https://www.youtube.com/watch?v=Z0ceR1EkiO4

TRACKLISTING:

CD:
Aeolus (60mins)

Blu-ray:
Aeolus (60 mins)
Dolby Atmos, DTS-HD MA Surround (5.1) & 24/96 LPCM stereo

Aeolus (4 min edit)
24/96 LPCM stereo.

Ancient Soul, Modern Times (60 mins)
24/96 LPCM stereo.

AEOLUS: Composed by Theo Travis and Steven Wilson
Theo Travis – Duduk and Alto flute
Steven Wilson – Production & Soundscapes

Ancient Soul, Modern Times: Composed by Theo Travis
Theo Travis – Duduk & Soundscapes

To pre-order: https://burningshed.com/theo-travis_aeolus_cd_blu-ray?filter_name=aeolus&filter_sub_category=true

For more information: https://www.theotravis.com/

For further information, please contact: info@panegyric.net

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


4/02/2024

Austrian Jazz/Fusion Guitarist Gerald Gradwohl To Release New Album “… Or What?” May 3, 2024

Adam Nitti, Kirk Covington, Bill Evans, Gergo Borlai and Stephan Maass. What sounds like a “Who’s Who” in the present jazz-rock/fusion scene, is actually the lineup for electric guitarist Gerald Gradwohl’s new album “…Or What?

Gerald has worked with Kirk Covington since 2002, when they recorded the album “ABQ” with Bob Berg, and Gary Willis, the album making big waves in the fusion scene. The idea to make a mutual album with Adam and Kirk was given birth during the tour in 2014 and could now finally be realized this year.

Modern recording techniques have made it possible to capture these exceptional musicians together on this album. The sessions and what was captured cannot be described in words here……you’ll need to hear the recording. It’s stunning.

A Jazz, Rock and Funk gumbo combined to make an energetic, and exciting project, that not only showcases the amazing instrumental capabilities of these musicians, but also features the exceptional musicality, and the extraordinary chemistry that this band creates together.

Says Gerald, “I started doing this parallel to my last album “Episode 6” and this is maybe the reason why it took that long. The recordings took place between 2020 and 2023 and everybody recorded in his own studio at home. I wanted to prove that it is possible to make an album with a cool vibe although we were not recording together in one room as on all my records before. The music is influenced by all the musicians and records that I listened to and has a strong Funk and Rock influence. The harmonic concept/background comes from Jazz but always with a big amount of Groove and Power.”

The outstanding guest appearances of Bill Evans, Gergo Borlai and Stephan Maass give proof of Gerald’s top-ranking in the jazz and fusion scene today!

Working at the highest level of quality, jazz meets rock!”

Featuring:
Gerald Gradwohl - guitar
Adam Nitti - bass
Kirk Covington - drums, vocals also featuring:
Bill Evans - sax
Gergo Borlai - drums
Stephan Maass - perc.

Track list:
1 Paradoxon
2 Cheap Chunk
3 Color Of Magic
4 Unterwurzacher
5 What Are We Gonna Do Tomorrow
6 Still There
7 The Course
8 Gerephitti

Release date May 3, 2024

To purchase:
www.gradwohl.at
www.hoanzl.at
www.bandcamp.com

For more information: www.gradwohl.at

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

3/29/2024

Santana Drum Legend Michael Shrieve To Release New Album “Drums of Compassion” May 24, 2024

Featuring Jack DeJohnette, Zakir Hussain, Airto Moreira, Trey Gunn & others!

Seattle, WA – Legendary drummer Michael Shrieve announces the much-anticipated release of his album, “Drums of Compassion,” set to drop on May 24, 2024 on Trey Gunn’s innovative label, 7D Media. This album is a testament to Shrieve’s artistic journey, encapsulating over fifty years of musical exploration and collaboration with some of the most revered names in the industry.

“Drums of Compassion” is not merely an album; it’s an odyssey that began two decades ago inspired by the Dalai Lama’s call for a Time of Compassion, with a nod to the title of Nigerian Percussionist Babatunde Olatunji’s classic album from 1959, “Drums of Passion”, which is one of the first records to popularize African Music to the Western World. This album is graced with an Introduction Vocal Incantation by Olatunji himself and acts as a bridge between eras, cultures, and sounds, embodying the spirit of unity and the transformative power of music.

The album boasts an ensemble of musical virtuosos, including Jack DeJohnette, Zakir Hussain, Airto Moreira, Trey Gunn and special guest Babatunde Olatunji, among others. Their collective genius creates a tapestry of rhythmic brilliance that transcends conventional music boundaries, offering listeners an immersive sonic experience.

Shrieve’s collaboration with Soundmaster Jeff Greinke lays the foundation of the album with ambient, space-evoking melodies that serve as a backdrop to the dynamic percussive elements. Recorded in the iconic Robert Lang and London Bridge Studios in Seattle, “Drums of Compassion” offers a rich acoustic experience, further enriched by contributions from world-renowned musicians during a serendipitous gathering at the Bumbershoot Festival.

The album’s artwork, crafted by the talented designer Christo Downs and artist Penebranca, mirrors the album’s profound musical narrative, presenting a visual feast that complements the auditory journey.

“Drums of Compassion” is more than an album; it’s an offering from Shrieve to the world. It’s a declaration of the pure intentions of musicians, a prayer for compassion, and an invitation to explore the depth of human connection through the universal language of music.

Available on May 24, 2024, “Drums of Compassion” promises to be a landmark release in Shrieve’s illustrious career and a beacon of hope and unity while inviting listeners to embark on a journey of musical and spiritual discovery.

photo by Steve Korn

Track List:
1. The Call of Michael Olatunji
2. On the Path to the Healing Waters
3. As Above, So Below
4. The Euphoric Pandiero of Airto Moriera
5. The Fierce Energy of Love
6. Oracle
7. The Breath of Human Kindness
8. Zakir Hussain
9. Hejira

Produced by Michael Shrieve and Eric Oz

Recorded by Eric Oz at Glenn Sound, and Ironornj Studio, Robert Lang at Robert Lang Studios, Rik Parashar at London Bridge Studios and Don Gunn at the office. All in Seattle, WA

Mixed by Donn Gunn and Eric Oz
Mastered by Donn Gunn

Album designed by Christo Downs, cover illustration by Bruno Borges

To pre-order: https://7dmedia.com/micheal-shrieve-drums-of-compassion

For more information:
www.michaelshrieve.com
www.instagram.com/michaelshrieve/
https://www.facebook.com/michaelshrieve/
https://7dmedia.com


Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

3/11/2024

Alchemy Records Elevates the Vibe With “Momentarily,” the Highly Anticipated New Album From Guitarist Jon Durant

PORTLAND, OR - Alchemy Records is thrilled to announce the release of “Momentarily,” an ensemble tour de force from celebrated composer guitarist Jon Durant. The album showcases the best of Durant’s unique skill set, an amalgamation of transcultural, jazz-related styles, that gives way to euphoric, universally relatable grooves and soundscapes. A trio recording featuring Durant alongside longtime musical partners Colin Edwin (bass) and Andi Pupato (drums/ percussion), both legends in their own right, this musical jewel showcases rare mastery through individually compelling tracks and comprehensive arcs.

The responsive and fluid interaction of these three collaborators immediately draws listeners in. Created initially as a series of guitar improvisations by Durant, the composer then developed and rearranged the pieces for trio. Grounded musical elements beautifully balance freely improvised aspects, hinting at one of the key ingredients of Durant’s signature, sublime sound. The seamless flow between composition and improvisation leaves the listener in an effortless state of engagement.

Throughout “Momentarily” Durant’s explorative guitar leads the way. His expressive use of fretless guitar on all but one of the tracks “shows he is one of the precious few practitioners on the instrument that elevate it beyond its usual presence as a mere novelty.” (All About Jazz) In addition, his use of guitar synth – in this case playing a modified sample of an Armenian Duduk – adds a breathy counterpoint to his emotionally tinged guitar parts.

Percussionist Andi Pupato (Nik Bärtsch’s Ronin, Andreas Vollenwider, Fractal Sextet) shines throughout with his totally unique hybrid kit comprising both hand drums and conventional drum set. This distinctive collection of timbres emotes the open space of European jazz with considerable Middle Eastern elements that the hand drums reveal alongside Durant’s Fretless guitar. Anchoring the whole process is bassist Colin Edwin (O.R.k., Gaudi, Burnt Belief), with whom Durant has worked extensively over the past 12 years. On “Momentarily” he is playing acoustic basses (upright and fretless acoustic) providing a sonorous low end balancing out the whole picture.  His beautifully melodic playing on the opening track “In A Moment” provides especially delightful interaction with Durant and Pupato.

Among the standout tracks on the album is the epic “Rockets on Kyiv.” Originally conceived and recorded on the morning Russia bombed the glass bridge in Kyiv (where Durant, Edwin and Ukrainian singer Inna Kovtun had filmed many scenes in the video for their song “Gannochka”). When Durant steps on the distortion on this one, you can instantly feel the deep emotions he was experiencing that morning. In addition, the one track with fretted guitar (“Bitter Wind”) shows a depth of gratitude towards his Scandinavian musical influences.

Momentarily” will be available on Bandcamp beginning March 29, 2024, and all streaming services on April 16, 2024.

To purchase: https://jondurant.bandcamp.com/

Alchemy Records
188 SE Spokane St, #2 Portland, OR 97202
Contact: jd@alchemyrecords.com

About Jon Durant
Explorative · Expressive · Transcultural · Texture-driven
Guitarist, composer, and producer Jon Durant is one of the world’s most distinguished proponents of creative, transcultural jazz. With his impressive legacy of collaborative work and highly acclaimed, genre-defying albums, Durant is “one of the reigning masters of what might be called ‘infinitely manipulated atmospheric guitar effects’… [He] sets a standard to be defined by… [with] brilliance and vision.” (All Music) Combining a nuanced and emotive fretless playing style with explorative effects, Durant integrates aspects of jazz, ambient music, progressive rock, and ethnically sourced material in lush, multi-textured melodies. His signature “guitar clouds” create compelling textures and moods over which he brings directionality with enticing riffs and solos. Sought out for his uniquely American aesthetic in a predominantly European style, Durant is a go-to collaborator for multi-genre, improvised music. In partnership with renowned bassist Colin Edwin, Durant has formed the duo Burnt Belief, releasing four albums and creating “elegant, sophisticated music of multiple genres… [that] evolves toward the best of many worlds and still sounds like nobody else… a sonic paradise of the uppermost quality.” (Prog Archives) Durant is also a member of the celebrated Fractal Sextet, with guitarist / composer Stephan Thelen, pianist Fabio Anile, Colin Edwin, and drummers Yogev Gabay and Andi Pupato. Of their debut, All About Jazz commented, “Durant’s guitar is a near-perfect stylistic counter…. he is one of the precious few practitioners on the instrument that elevates it beyond its usual presence.” Durant splits his time between Boston and Portland, Oregon, and frequently travels to Europe for musical projects. As the founder and producer of Alchemy Records and with an extensive discography that includes eleven solo albums, Durant has “delivered pristine music year after year… effortless and sure.” (Art Rockin)

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

1/25/2024

Flamenco Guitar Maestro RAFAEL RIQUENI Transforms Classic Rock Staple “STAIRWAY TO HEAVEN” For His New Single And Album!

Los Angeles, CA – Prepare to be mesmerized as Maestro Rafael Riqueni, an iconic figure in flamenco guitar music, unveils a transcendent rendition of a classic rock staple with his brand new single released today, a flamenco-infused cover of Led Zeppelin's rock epic "Stairway to Heaven." The track serves as a glimpse into Riqueni's innovative approach to music, which relies more on emotive, passionate playing over technical wizardry, and has made him one of the most celebrated Spanish guitarists in history.

Riqueni’s deliberative approach to “Stairway” adds new dimension and weight to the song’s familiar melodies, allowing each note to take center stage before proceeding to the next. The transitions between the composition’s many passages are seamless and natural, and the bombastic conclusion is as explosive as you’d expect - except Riqueni accomplishes the feat without the aid of Marshall stacks! It’s a bravura performance that both rock and flamenco fans are sure to love!

Stream the single: https://orcd.co/rafaelriqueni_stairwaytoheaven

And Riqueni's brilliant reinterpretation of "Stairway” is just the beginning. Come February 16, the artist is set to release a full album of phenomenal renderings of timeless classics by the likes of Eric Clapton, Aerosmith, Whitney Houston, The Police and more! Called Versatae, the album will also feature lush renderings of Ennio Morricone’s gorgeous movie theme to “Cinema Paradiso” as well as two Spanish-flavored tracks, one written by Latin superstar Santana and the other a traditional Spanish favorite “Amapola,” which has been covered by everyone from Bing Crosby to Gaby Moreno and Natalie Cole! Music enthusiasts are also sure to enjoy Riqueni’s collaboration with soul great Ben E. King as well as his astounding version of The Beatles' "Yesterday," which are included as bonus tracks on the CD version.

Versatae will be available on both CD and digital first with the vinyl version due a couple of weeks later. Order your copies today!

Order the CD/vinyl: https://cleorecs.com/store/?s=rafael+riqueni&post_type=product
Pre-save/pre-order the digital: https://orcd.co/rafaelriqueni_versatae


Track List:
1. Tears In Heaven
2. Europa (Earth’s Cry Heaven’s Smile)
3. Cinema Paradiso
4. Just The Two Of Us
5. What A Wonderful World
6. Dream On
7. Moon River
8. Stairway to Heaven
9. I Will Always Love You
10. Every Breath You Take
11. Amapola
12. Cogiendo Rosas
BONUS TRACKS [CD ONLY]
13. Spanish Harlem with Ben E. King
14. Yesterday
15. Spanish Harlem (Instrumental Version)

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com


CLEOPATRA RECORDS, INC.
Facebook | Instagram | Twitter | YouTube | Spotify | Cleopatra Records Store
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com

1/16/2024

Progressive Jam-Fusion Supergroup PAKT Featuring Brand X Bass Legend Percy Jones Heading To West Coast USA Tour To Promote New Album “No Steps Left to Trace”

PAKT, a true super group of master musicians merging & colliding new music in the realms of progressive rock, electric jazz, experimental, ambient, psychedelic and beyond, is an experience as much as a musical project. An IMAX film for the ears, PAKT takes its listeners on an improvised sonic voyage with no preconceived destination, minimal pre-planning and little use for forms and conventions. Rare is the musician who can thrive in such a spontaneous environment but Percy Jones (fretless bass guitar), Alex Skolnick (guitar), Kenny Grohowski (drums) and Tim Motzer (guitar and electronics) are all up to the task. Armed with enough tastefully used effects to stock a small music store, Motzer and Skolnick create sounds so atmospheric and ethereal that one might not guess their source is a guitar. Meanwhile, Grohowski and Jones approach their instruments in textural manners that seamlessly intertwine with each other and the quartet as a whole. The music runs the gamut from highly sensitive to intense, with all four musicians’ listening skills so strong that their collective playing is as cohesive as it is unpredictable. Welsh bassist Jones (now a New York resident) is known for his tenure in the legendary jazz fusion group Brand X (whose classic lineup included drummer Phil Collins, yes that one) and extensive studio work (especially with Brian Eno). Skolnick is a diverse improviser whose jazz and world playing and instrumental associations (including bass virtuosos Stuart Hamm and Michael Manring) forms a Jeckyll & Hyde dynamic with his high profile as lead guitarist of the metal band Testament. Grohowski's many recent associations include John Zorn, a reincarnated version of Brand X and masked avant-metal outfit, Imperial Triumphant. Motzer has a long background in free improvisation, including the bands Bandit65 (with fellow guitarist Kurt Rosenwinkel) and Orion Tango, plus many other recorded collaborations for his 1k Recordings label.

Before this album, all of PAKT’s releases had been taken from live performances. This studio session took place during the band’s East Coast tour in December, 2021. Primed from several successful shows in Upstate New York (including musician Daryll Hall’s thriving venue in Pawling, NY, Daryl’s House), the band took the day off in the Catskills Mountains, where they tracked live at NRS Studios. NRS is located in the home of musician/recording engineer Scott Petito, whose studio has hosted such luminaries John Scofield, Chick Corea and James Taylor. The PAKT musicians set up in a circle, all in the same room and performed, just as they would at a live concert. This began in the late morning and continued past dusk. By day’s end, they had accumulated a bunch of material—quite a nice document of where the band was musically back in 2021.

Tim Motzer, who produced this recording as well as providing artwork, says the following: “One of the things we all realized is that this band isn't going backward...it may be fueled by what we've done in the past, but really it’s a forward-evolving band composing in-the-moment, finding new language, and discovering our music as we go along. It's in that feeling that the title, ‘No Steps Left To Trace’, came to me because our music is a continuum, and more like a journey or an experience. We are, in a sense, tunneling or boring through the musical abstract toward and through to the ‘other side’.” Skolnick adds “From the moment we did our first performance together, it was clear that this project had a special chemistry that doesn’t happen all that often. The fact that we found this chemistry in our favorite Brooklyn venue, called Shape Shifter Lab, is fitting. It being the height of the 2020 Pandemic, that first show was streamed, with no audience present. Our first studio album ‘No Steps Left to Trace’, is a return to us just playing to each other, only this time, we have a number of live shows and touring under our belt, recorded in a high-quality studio. It’s a great document of PAKT in 2021.”

Live, of course, they have an audience that takes the ride with them. It is a real shared experience in that regard. Motzer curated five such journeys for the Live CD, one from Buffalo, three from NYC (Nublu), and one from Philadelphia. Adding the live album to the double release shows the growth and evolving chemistry in PAKT from the 2021 studio recording to the newer live recordings in 2023. It's a nice contrast with a lot of great interplay and listening happening from all the players. It also makes the album an excellent introduction to the band’s music for anyone new to it, as well as a fine addition to their discography.

PAKT
with
PERCY JONES - bass
ALEX SKOLNICK - guitar
KENNY GROHOWSKI - drums
TIM MOTZER - guitars, electronics

PAKT recalls the fearless attitude and daring approach that originally defined progressive music: where the magic of the moment always triumphed over preconception. Templates be damned ... this music blazes its own path! This is truly exquisite fare, serving as a reminder to aficionados of what initially drew them to this most creative, visionary of genres.”

WEST COAST TOUR DATES
Feb 01 - Seattle, WA (Funhouse)
Feb 02 - Portland, OR (Alberta Abbey)
Feb 03 - Eugene, OR (WOW Hall)
Feb 04 - Redding, CA (The Dip)
Feb 06 - TBA
Feb 08 - Mill Valley, CA (Sweetwater Music Hall)
Feb 09 - Fresno, CA (Fulton 55)
Feb 10 - Los Angeles, CA (Baked Potato, 2 shows)
Feb 11 - Los Angeles, CA (Baked Potato, 2 shows)
Feb 12 - Costa Mesa, CA (Wayfarer)
Feb 13 - Phoenix, AZ (The Rhythm Room)

To purchase PAKT “No Steps Left to Trace” (2CD, 2LP, 24bit Download):
https://pakt-moonjune.bandcamp.com/album/no-steps-left-to-trace

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

12/06/2023

Guitar Legend Scott Henderson To Release New Album “Karnevel!”, Announces Forthcoming European Tour

Scott Henderson will be releasing his highly anticipated new album “Karnevel!” on February 2, 2024! Scott’s previous album “People Mover” was voted best fusion album of 2019 by Jazz Times magazine, and he won both Best Guitarist and Best Electric/Jazz-Rock/Contemporary Group in JazzTimes Readers Poll.

“Karnevel!” features a diverse set of beautiful compositions, and demonstrates Scott's striking ability to combine elements of jazz, rock, funk and blues in an authentic, seamless and musical way. After 35 years as a bandleader, Scott is a musician who's playing and composing continues to grow.

The album was recorded live in the studio with Romain Labaye on bass and Archibald Ligonnière on drums, the same musicians on “People Mover.” After the live session, Scott spent quite a bit of time layering additional guitar tracks. “I’m happy I was able to come up with quite a few sounds I’ve never used before” said Scott in a recent interview. “The variety and pacing are very important aspects of a record to me, and this one covers a lot of territory, from heavy rock moments to very harmonic jazz, and there’s a solo guitar piece which is something I haven’t done on an album before”.

Scott replied about the album concept, “It comes from being a fan of the LA Fair and carnivals in general, not so much as a kid, but from being a dad. Disneyland is fun, but the fair is way more quirky, ridiculous, and always hilarious. It’s a crazy atmosphere filled with variety, like my music.”


Born in 1954, Scott Henderson emerged in the 1980s with his legendary band Tribal Tech and has since become one of the top guitar players/composers in jazz fusion. Scott has toured and recorded with Chick Corea, Weather Report’s Joe Zawinul, Jean-Luc Ponty, and many others. As a bandleader, Scott has toured in over 70 countries and released over 20 albums. Throughout his career, he’s won numerous Best Guitarist awards in Guitar Player and Guitar World magazines, and been on the cover of many international guitar magazines.

Few players have joined the spirit of jazz and rock as successfully as Scott Henderson, who consistently cranks out masterpieces of harmonic sophistication, overdriven energy, and tonal beauty. He is fully steeped in both jazz and rock tradition, and he’s woven them together to create one of the most powerful voices in fusion guitar.” - Guitar Player Magazine

Track List:

1. Step Right Up
2. Karnevel!
3. Haunted Ballroom
4. Covid Vaccination
5. Puerto Madero
6. Sea Around Us
7. Sky Coaster
8. Greene Mansion
9. Bilge Rat
10. Acacia
11. Carnies’ Time

To purchase: https://www.amazon.com/Karnevel-Scott-Henderson/dp/B0CHN3FM3P/

Karnevel!” will be available at major retailers like Amazon, and in digital form at iTunes and other streaming platforms.

For more information:
www.scotthenderson.net
https://www.facebook.com/scotthendersonmusic
https://www.instagram.com/scotthendersontrio/
https://open.spotify.com/artist/7iqVI0BpCxVVHyVyGSfAmn

Tour dates:

FEBRUARY
Friday 16 - Jaworki, Poland - Muzyczna Owczarnia
Saturday 17 - Jaworki, Poland - Muzyczna Owczarnia
Monday 19 - Poznan, Poland - Blue Note
Tuesday 20 - Prague, Czech Republic - Jazz Dock
Wednesday 21 - Bamberg, Germany - Jazzclub
Thursday 22 - Passau, Germany - Café Museum
Friday 23 - Vienna, Austria - Porgy & Bess
Saturday 24 - Velden, Austria - Bluesiana
Sunday 25 - Bologna, Italy - Bravo Caffé
Monday 26 - Verona, Italy - Il Giardino
Tuesday 27 - Milano, Italy - Zio Live
Wednesday 28 - Chur, Switzerland - Streaminghall.ch
Thursday 29 - Geneva, Switzerland - eMa

MARCH
Saturday 2 - Paris, France - Le Triton
Monday 4 - London, UK - Ronnie Scott´s
Tuesday 5 - Folkstone, UK - The Chambers
Wednesday 6 - Tilburg, Netherlands - Paradox
Thursday 7 - Bergheim, Germany  - Medio Rhein Erft
Friday 8 - Hoofddorp, Netherlands - Poppodium C.
Saturday 9 - Hasbergen, Germany - Gaste Garage
Sunday 10 - Hamburg, Germany - Kent Club
Monday 11 - Kolding, Denmark - Godset
Tuesday 12 - Malmö, Sweden - Babel
Wednesday 13 - Karlskrona, Sweden - Sparresalen
Thursday 14 - Göteborg, Sweden - Pustervik
Friday 15 - Oslo, Norway - Cosmopolite
Saturday 16 - Sala, Sweden - Rockland
Sunday 17 - Stockholm, Sweden - Fasching
Tuesday 19 - Tampere, Finland - G Live Lab
Wednesday 20 - Äänekoski, Finland - Painotalo
Thursday 21 - Espoo, Finland - Sellosali
Friday 22 - Võru, Estonia - Võru Kultuurimaja Kannel
Saturday 23   Vilnius, Lithuania - Club Vakaris
Wednesday 27 - Gran Canaria, Spain - Teatro Perz
Thursday 28 - Tenerife, Spain - Teatro Leal
Friday 29 - Madrid, Spain - Sala Galileo Galilei
Saturday 30 - Athens, Greece - Athina Live

APRIL
Tuesday 2 - Beijing, China - Blue Note
Wednesday 3 - Hangzhou, China - Meeting Jazz
Thursday 4 - Shanghai, China - Shanghai JZ Club
Friday 5 - Shanghai, China - Shanghai JZ Club
Saturday 6 - XiAn, China - Meeting Jazz
Sunday 7 - Chongqing, China - Meeting Jazz
Monday 8 - Guangzhou, China - Guangzhou JZ
Tuesday 9 - Shenzhen, China - Meeting Jazz
Friday 12 - Bangalore, India - Windmills
Saturday 13 - Bangalore, India - Windmills

Press Inquiries: Glass Onyon PR, PH: 1 (828) 350-8158, glassonyonpr@gmail.com

11/20/2023

Italian Prog Legends Syndone To Release New Concept Album “DirtyThirty”

Sit down, make yourself comfortable. This is the story of an artistic journey, a 30-year parable.

Listen. Immerse yourself. Eliminate all distractions; let the music speak to you, like it used to do. “DirtyThirty” is the culmination of a class struggle, of the utopian ideal of those who stubbornly cling to a model of the world that still embraces thought, wonder and the courage of art. Syndone is a vision, a nine-album journey, the desire to make a mark in the world. Syndone is a shapeshifter, a band that’s changed its skin and its musicians without ever changing its soul: swimming against the tide, defying fashion and the decline (not only musical) of an era in which you can be successful only if it pleases the powers that be.

Yet there was a time when record albums were capable of transporting us, starting with the artistry of the album covers, of breaking the rules, crossing boundaries, with a whole set of atmospheres, sounds, and thoughtful, refined, stylistic constructions. Those were the days of progressive rock; at the time it was simply called ‘pop’, because it was popular. Today there’s very little left that’s progressive: there’s no thrill of discovery, we’re no longer open to wonder and amazement, we don’t deviate from the idea of an increasingly standardized and replaceable human being.

Nik Comoglio, the musical heart and soul of this story, has never surrendered to that reality; flanked by the vocal and conceptual talents of Riccardo Ruggeri, the Turin-based keyboardist and composer has truly succeeded in making his mark. Syndone, with their erudite, impeccable rock, as violent and energetic as they are melancholic and orchestral, are a dare, a counterpoint, a raised middle finger to the devious strategy of collective narcosis slyly dropped from above in the Kali Yuga of Western civilization. They’re an antidote.

“DirtyThirty” is their crowning achievement, the (perhaps) final chapter. Enjoy it like fine wine, in small sips, and remember to stay human.

Track list:

1. DirtyThirty - the end of my love - (Comoglio/Ruggeri)  [5’06”]
2. Fight Club (Comoglio/Rubinato/Ruggeri) [3’08”]
3. The Angel (Comoglio/Rubinato/Ruggeri) - quoting the track “Il fiele e il limite” from the album “La bella è la bestia”, 2012 [4’19”]
4. Valdrada’s Screen (Comoglio/Ruggeri) - restyling the track “Spleen” from the album “Spleen”,1992  [3’46”]
5. I spit on my virtue (Comoglio/Rubinato/Ruggeri) [4’40”]
6. I only ask for a super glue (Comoglio/Ruggeri) - quoting the track “Eros & Thanatos” from the album “Odysséas”, 2014 [5’02”]
7. Mary Ann (Comoglio/Ruggeri) - restyling the track “Marianne” from the album “Spleen”,1992   [5’57”]
8. René (Comoglio/Ruggeri) - restyling the track “Magritte” from the album “Melapesante”, 2010   [4’25”]
9. God’s will (Comoglio/Ruggeri) - restyling track “Inca” from the album “Inca”, 1993  [5’30”]
10. Thousand times I cried (Comoglio/Ruggeri) - restyling the track “Proverbi” from the album “Inca”, 1993  [2’11”]
11. Evelyn Japanese version (Comoglio Ruggeri) translation of the track “Evelyn” from the album “Mysoginia”, 2018   [4’21”]
12. So long everybody - the time has come and I must leave you - (Comoglio) - restyling the track “Penelope” for full orchestra from the album “Odysséas”, 2014   [4’46”]

Bonus track
Evelyn Japanese version (Comoglio Ruggeri) translation of the track “Evelyn” from the album “Mysoginia”, 2018 [4’21”]

Total time running 48’03”

SYNDONE Line up:

Nik Comoglio - composition, orchestration, hammond, juno dist. moog, mellotron, keyboards
Riccardo Ruggeri – composition, vocals, lyrics
Marta Caldara – vibraphone, marimba, keyboards
Gigi Rivetti – ac. piano, el. pianos, hammond, moog, accordion
Simone Rubinato – bass, fretless bass, el. baritone guitar Ciro Iavarone - drums, percussions

Guests

Tony de Gruttola – electric guitar & ac. guitar (on “DirtyThirty”)
Andrea Carbone – electric guitar (on “Mary Ann”)
Pino Russo – classic guitar (on “René”)
Gianluca Cagnani – pipe organ (on “Valdrada’s screen”)
Kaori Tsutsui – clarinet in Bb (on “Evelyn”)
Rebecca Onyeji - backing vocals
Charlie Poma - backing vocals

String Trio (on “I spit on my virtue”) – Valerio Iaccio (violin), Roberto D’Auria (violin), Michelangiolo Mafucci (cello)

Budapest Scoring Symphonic Orchestra conducted by M° Francesco Zago

Fabrizio Argiolas - sound engineer
Valentina Fornacca – artwork cover: “folli eroi e sognatori” (oil on canvas)
Eugenia Brini - layout and booklet project

To purchase: http://store.maracash.com/product_info.php?products_id=799&osCsid=n5r7g884nhrv8lm38p12vncf6p

For more information:
www.syndone.it
www.facebook.com/syndone

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

11/17/2023

Singer-Songwriter Percy Howard Releases New Album “The Stars and The Well” Featuring Fred Frith, Vernon Reid & Matt Chamberlain

Percy Howard, a NorCal based singer-songwriter and product of the New York no-wave avant-garde, has performed and or toured with members of Living Colour, King Crimson, Swans, Guns N’ Roses (Buckethead), Oxbow, Henry Cow, This Heat, and Brand X. Percy has also shared European festival stages with Brazilian music legend Caetano Veloso and ambient pioneer Stephan Micus.

Percy is the generator of the Meridiem project, which has included collaborative input from Bill Laswell, Vernon Reid, Charles Hayward, Trey Gunn, Fred Frith, Robert Rich, Buckethead, Jarboe, Happy Rhodes, and Jill Tracy, amongst others. Percy's Genre-defying mix of rock, jazz, soul and classical influences have drawn critical attention and praise from all over the planet. Percy has recently started the record label Necessary Angel, which he sees as an archival entity whose sole mission is to spread as much sonic beauty across the world as possible.

Influenced by the Laurel Canyon Sound, Bowie, Steely Dan, Richie Havens, and Scott Walker, but created in the context of my own experience, Percy’s new album “The Stars and The Well” is unabashedly nostalgic, consumed with Romance and unafraid of the fragility of love. It’s a retrospective of the impact of love in my life, in all its forms… From the heights (The Stars) to the depths (The Well).

Please listen with your ears, mind and heart open.

Produced by Joe Chiccarelli at Sunset Sound, Los Angeles, CA. October 2022


Musicians:
Bass - Kaveh Rastegar, Sean Hurley
Guitars - Joe Gore, Vernon Reid, Fred Frith, David Levita
Banjo - Joe Gore
Drums - Matt Chamberlain
Keyboards - Zac Rae
Backing Vocals and Vocal Arrangement on “The Lonely Sea” - Roger Joseph Manning
Backing Vocals - Valerie Pinkston, Mia Pfirmann, India Carney
Trumpet - James Havorka
Horns - Danny T. Levin
Strings - The Section Quartet
Song Charts - Benjamin Lee

Advice and Coordination: Eliot Goldstein for Blue Buddha Productions

To purchase: https://7dmedia.com/percy-howard-the-stars-the-well

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

11/14/2023

Multi-Instrumentalist Julian Calv Releases A Cover Of The Moondog Song “Encore” (Originally Titled “Utsu”) Through Deko Entertainment

Calv carries on the legacy of Moondog (aka The Viking of Sixth Avenue) with full support from the Moondog archives!

Stockton, NJ – Percussionist Julian Calv was a music major who recently graduated from Moravian University in Bethlehem, PA. He now resides in the art community of Windsor, VT. Calv can occasionally be seen on Church Street in Burlington, VT, busking much in the way Moondog, aka the Viking of Sixth Avenue, did in NYC during the 50’s and 60’s.

Calv has studied every aspect of the avant-garde musician’s creative life. In addition to composing and performing, Moondog’s life included the invention of several musical instruments, most famously the trimba (a sort of triangular drum). Calv has even built his own one-of-a-kind trimba, going to great lengths to travel to Sweden and Germany to meet with fellow Moondog aficionados, and study the design of the instrument. Moondog archivist Wolfgang Gnida states, “Julian Calv - the future of the trimba, that's what I called Julian some time ago. That may seem a bit of an exaggeration, but since the time I've been working at the Moondog archives, I’ve yet to meet a musician who has been as intensely involved with the trimba as Julian.”

Calv had this to say about his latest release, “‘Encore’ is written by Moondog and performed by Ava Bloomfield on piano and myself. The song was originally titled ‘Utsu’ and played on an instrument Moondog built having the same name. This reinterpretation of the song brings the utsu's melody to the piano keys. ‘Encore’ is one of nine songs from an upcoming album titled ‘Nonstop Motion,’ featuring the music of Moondog and Julian all wrapped up in one.”

Listen here: https://ada.lnk.to/JCEncore

In addition to covering Moondog material, Calv has now been creating his own percussion-based compositions in a style reminiscent of the late composer. His first release, “Route 4,” and follow up “Thorn and Roots” have been picked up on multiple Spotify playlists.

Listen to “Route 4” here: https://ada.lnk.to/Route4

Listen to “Thorn and Roots” here: https://ada.lnk.to/ThornandRoots

Order the limited edition (only 250 printed) 7”-single and limited bundles here: https://bit.ly/JulianCalv

Tracklist:
Side A – “Route 4”
Side B – “Thorn and Roots”

This bundle Includes:
One (1) 7” Vinyl Single
One (1) Julian Calv Sticker
Two (2) Maraca Key Chains

For more information: http://www.instagram.com/julian.trimba/


www.dekoentertainment.com
Deko Entertainment–Art Has Value

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

11/07/2023

Bruford “One Of A Kind” 12” Vinyl Edition Available November 24, 2023

Definitive vinyl re-release re-issued on Bruford’s own Winterfold Records and overseen personally by drum legend Bill Bruford

• Bill Bruford is the original drummer in YES and was a long-term member of King Crimson.

• The band Bruford recorded this album in 1979 and it went on to achieve critical acclaim and commercial success.

Bruford “One Of A Kind” 12” vinyl reissue will be available November 24, 2023!

The line-up on this album is: Bill Bruford – drums, percussion, Allan Holdsworth – electric guitar, Dave Stewart – keyboards, Jeff Berlin – bass

This 12” vinyl re-issue has been mastered from the original 1979 mix, taken from the original 1979 analogue tapes, and comes housed in a replica sleeve.

Mastered from the original tapes recorded and mixed by Stephen W Tayler in 1979

This definitive vinyl re-release is re-issued on Bruford’s own Winterfold Records and was overseen personally by Bill Bruford.

It's music that breathes... played by empathetic, truly virtuosic musicians. But is it rock, jazz, prog or fusion? Who knows, but it's some of the greatest British instrumental music of all time”. Sounds of Surprise

“… despite a landscape of constantly-shifting meters and tempi, the magic of One of a Kind is that it remains compelling and accessible”. All about Jazz

“This collection of ten tracks stands as a maelstrom of chops, arranging skills and inspired ensemble playing... the dynamics between drums, keys and fretless bass provide a high profile, capable structure for Holdsworth's top-flight soloing ability”. Exposé Online

Photo by Pascal Devillers

TRACK LISTING

Side 1
1 Hell’s Bells
2 One Of A Kind – Part One
3 One Of A Kind – Part Two
4 Travels With Myself – And Someone Else
5 Fainting In Coils
Side 2
1 Five G
2 The Abingdon Chasp
3 Forever Until Sunday
4 The Sahara Of Snow – Part One
5 The Sahara Of Snow – Part Two

To pre-order: https://burningshed.com/store/billbruford/bruford_one-of-a-kind_vinyl

Bill Bruford official website: https://billbruford.com/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

11/06/2023

King Crimson “Larks' Tongues In Aspic” The Complete Recording Sessions - Dolby Atmos 2023 Mixes Blu-ray/2CD Now Available!

• 50th anniversary edition of King Crimson’s classic 1973 album
• Blu-Ray I features all-new 2023 mixes in Dolby Atmos, DTS-HD MA 5.1 Surround Sound and Hi-Res Stereo by Steven Wilson
• Blu-Ray I also features the new Elemental Mixes by David Singleton
• Blu-Ray II contains the complete recordings of every session recorded for the album. All of this material has been newly mixed from the original performances and is presented on disc for the first time in Hi-Res 24/96 stereo.
• Additionally, Blu-Ray II includes Hi-Res stereo mixes of the original stereo masters & David
Singleton’s audio documentary of the album recording “Keep That One, Nick” previously included on the 2012 boxed set. These are the sole inclusions to have been issued previously.
• CD1 includes the 2023 stereo mix and instrumentals of the album.
• CD2 includes the elemental mixes and selected master reels.
• Presented as a 2x gatefold sleeve edition containing the individual discs plus booklet with new sleeve-notes by King Crimson biographer Sid Smith packaged in a rigid slipcase

This band is more King Crimson than it’s ever been. All the original ideals and aspirations are there – love, respect and compatible ideas. It’s a magic band!” – Robert Fripp, July, 1972

Bill Bruford ~ David Cross ~ Robert Fripp ~ Jamie Muir ~ John Wetton

When, in July 1972, Melody Maker revealed that Bill Bruford & John Wetton were joining King Crimson – from Yes & Family respectively, it was front page news. Also joining were Jamie Muir – a key figure in London’s jazz scene & David Cross – from the band Waves. Fripp’s claims about the band’s ‘magic’ were to be put to the test that autumn when, following a three-night stint at the Zoom Club, Frankfurt & TV appearance on Bremen’s Beat Club, the band undertook an extensive UK tour, which ran from the end of October through to mid-December. With the exception of the encore “21st Century Schizoid Man”, the material was all new, with a heavier emphasis on improvisation than had ever been utilized by any major UK rock group on a headlining tour. The developing material for “Larks’ Tongues in Aspic” was premiered to a succession of audiences who, for the most part, had bought tickets expecting to hear something else entirely (encore notwithstanding) but who responded to the challenging set with enthusiasm.

Recorded from mid-January to the beginning of February & released in late March of 1973, “Larks’ Tongues in Aspic” became one of the most acclaimed of King Crimson’s albums as well as establishing its reputation as a key album from one of rock music’s most significant years. After a handful of further UK concerts, Jamie Muir left the band with the remaining quartet working with ever greater success until Summer 1974 when Fripp placed the band on indefinite hiatus.

Almost half a century after its release, Steven Wilson undertook the job of mixing the album for Dolby Atmos and, in the process, prepared new stereo & 5.1 mixes. The new stereo & 5.1 mixes – no doubt informed by the more adventurous mix techniques allowed by the Atmos process – are quite different in approach, more expansive than the earlier mixes as released in 2012, while still retaining and enhancing the core power of the original material.

The Atmos mixes allow a fresh glimpse of the vast scope of the individual material & performances as recorded for the album. The key to understanding this album, which Atmos illustrates most obviously, but is also present in all of Steven’s new mixes, David’s Elemental mixes & Alex & David’s mixes of the sessions material, is that this music was always this big, complex, interwoven series of soundscapes & while it was, in 1973, released in stereo on vinyl, CD & 8 Track cartridge, it’s only in recent years with, first the 2012 stereo & Surround mixes & now the Atmos/Elemental/Complete Sessions mixes that the available mix options & domestic consumption audio options have grown sufficiently to both contain & present the material to its fullest possible extent.

While Steven was working on this aspect of the material Alex R. Mundy and David Singleton at DGM were mixing every single take of the original studio sessions. These unreleased early takes are presented not as traditionally blended pieces, but with maximum separation, mimicking the experience of sitting in the studio with the individual elements being performed around you. The “Elemental mixes” apply this same approach to the main album takes. An excitingly fresh view on the familiar, with the focus often falling in unusual places, some originally hidden, some unused. Four of the album’s core tracks feature: extended mixes of “Larks’ 1” and “Talking Drum” along with “Easy Money” & “Larks’ 2”.

This material is all presented on Blu-Ray I of the set. Blu-Ray II presents every single session recording from the original studio dates, all newly mixed from the multitrack tapes and presented in date of recording order, in Hi-Res 24/96 stereo – a vast collection of previously unheard studio material from the seminal recording.
Also included on this disc are the original album mix (30th anniversary master) & the audio documentary “Keep that one, Nick” – as compiled by David Singleton for the 2012 boxed set. These two inclusions are the only previously released titles on this set.

It’s no coincidence that many of the pieces from the album became staples of performance for the most recent King Crimson line-ups (2014 – 2021). The material first performed to unsuspecting concert attendees in 1972, first recorded & released in 1973 & beloved of King Crimson fans ever since, has aged remarkably well. That material is now presented in its most complete edition to date, with all of the material on the CDs & almost all of the material on the Blu-Rays (see track-listing below), previously unreleased. In 2023, it still has the capacity to astound the ears.

Track List:

Blu-ray I - NTSC, All Zones (ABC), playable on all BD players & drives Dolby Atmos, DTS-HD MA 5.1 & LPCM Stereo 24/96, all previously unreleased:
Larks’ Tongues in Aspic - 2023 mixes. Dolby Atmos, DTS HD-MA 5.1 Surround, LPCM 24.96 Stereo
1. Larks' Tongues in Aspic, Part One
2. Book of Saturday
3. Exiles
4. Easy Money
5. The Talking Drum
6. Larks' Tongues in Aspic, Part Two

Elemental Mixes (24/96 Stereo)
1. Larks' Tongues in Aspic, Part One
2. Easy Money
3. The Talking Drum
4. Larks' Tongues in Aspic, Part Two

Instrumental Mixes (24/96 Stereo)
1. Book of Saturday
2. Exiles
3. Easy Money

Blu-ray II - NTSC, All Zones (ABC), playable on all BD players & drives Dolby Atmos, DTS-HD MA 5.1 & LPCM Stereo 24/96, all previously unreleased except*

Original Masters (24/96 Stereo) *

30th Anniversary Master
1. Larks' Tongues in Aspic, Part One
2. Book of Saturday
3. Exiles
4. Easy Money
5. The Talking Drum
6. Larks' Tongues in Aspic, Part Two

The Session Reels
1. “Keep That One, Nick” *
Complete Recording Sessions (24/96 Stereo)

January 16th, 1973
Larks’ I - Takes 1 to 10
Larks’ I - Takes 12 to 18 & 20 to 22
Larks’ II - Take 1
Book Of Saturday - Take 1
Book Of Saturday - Take 1 Overdubs & 2nd Main Vocal Take

January 17th, 1973
Larks’ I - Edit 2 Takes 1 to 11
Larks’ I - Edit 2 Take 12 & Overdubs
Larks’ I - 4/4 Section Remake Takes 1 to 4
Larks’ I - 4/4 Section Remake Takes 5 to 9 & 11 to 17
Larks’ I - 2nd Edit Takes 1 to 6
Larks’ I - 2nd Edit Take 1 with Overdubs

January 18th, 1973
Larks’ I - Bill Drum Check
Larks’ I - Jamie Drum Check
Larks’ II - Takes 1 & 2

January 19th, 1973
Larks’ I - 7/8 Section Remake Takes 1 to 5
Larks’ I - 4/4 Section Remake Takes 1 to 9

January 20th, 1973
Larks’ I - 4/4 Section 2nd Remake Takes 10 to 20

January 21st, 1973
Larks’ I - 4/4 Section 2nd Remake Takes 21 to 26

January 23rd, 1973
Easy Money - Takes 1 to 9
Easy Money - Takes 10 & 11
Jamie Various Atmosphere Takes
Jamie More Atmosphere Takes

January 24th, 1973
Easy Money - Remake Takes 1 to 6
Easy Money - Remake Takes 7 to 9
Intermezzo Takes 1 to 6
Intermezzo Takes 7 to 16
Intermezzo Takes 19 to 25

January 25th, 1973
The Talking Drum - Takes 1 to 3
The Talking Drum - Take 3 (Complete)
Larks’ I - 2nd Edit Takes 1 to 5
Larks’ I - Final Edit Remake Non Takes

January 26th, 1973
Exiles - Takes 1 to 3
Exiles - Takes 5 & 6
Exiles - Master Reel Take 4 Backing
Exiles - Master Reel Take 4 Overdubs 1
Exiles - Master Reel Take 4 Overdubs 2
Exiles - Master Reel Take 4 Vocal Overdubs

January 30th, 1973
The Talking Drum - Remake Takes 1 to 6
Larks’ I - Master Bass Drums Percussion 4/4 section
Larks’ I - Master Bass Drums Percussion 7/8 section
Larks’ I - Master Guitar 4/4 Section Pass 1
Larks’ I - Master Guitar 4/4 Section Pass 2
Larks’ I - Master Guitar 4/4 Section Pass 3
Larks’ I - Master Guitar and Violin 7/8 Section
Larks’ I - Master Intermezzo Part 1
Larks’ I - Master Intermezzo Part 1 Overdubs
Larks’ I - Master Intermezzo Part 2
Larks’ I - Master Introduction David & Jamie
Larks’ I - Master Introduction Overdubs
Larks’ I - Master Last Section Newspaper Readings
Larks’ I - Master Lead Guitar Overdubs
Larks’ I - Master Opening Bass, Drums, Guitar, Percussion
Larks’ I - Master Opening Violin and Guitar
Larks’ I - Master Last Section Violin And Guitar

January 31st, 1973
Easy Money - Master Ambient Overdubs to the End
Easy Money - Master Backing Track to the End
Easy Money - Master Intro Backing Track
Easy Money - Master Intro Jamie Overdubs
Easy Money - Master Intro Vocal Overdubs
Easy Money - Master Vocal Overdubs to the End
The Talking Drum - Master Reel Backing Track
The Talking Drum - Master Reel Overdubs
Larks’ II - Master Reel Backing Track
Larks’ II - Master Reel Overdubs
Larks’ II - Master Reel Violin Solos

February 1st, 1973
Book Of Saturday - Takes 1 to 3 & 5 to 10
Book Of Saturday - Master Reel Bass Pass 1, Guitar, Violin
Book Of Saturday - Master Reel Guide Vocals, Guitar, Violin Overdubs
Book Of Saturday - Master Reel Bass Pass 2, Vocals with Vocal Overdubs

CDs: All material newly mixed/released

CD 1 Larks’ Tongues in Aspic (2023 Mix and Instrumentals)
1. Larks’ Tongues in Aspic, Part One
2. Book of Saturday
3. Exiles
4. Easy Money
5. The Talking Drum
6. Larks’ Tongues in Aspic, Part Two
7. Book of Saturday
8. Exiles
9. Easy Money

CD 2 Larks’ Tongues in Aspic (Elemental Mixes and Selected Master Reels)
1. Larks’ Tongues in Aspic, Part One
2. Easy Money
3. The Talking Drum
4. Larks’ Tongues in Aspic, Part Two
5. Exiles - Master Reel Take 4 Backing
6. Book Of Saturday - Master Reel Guide Vocals, Guitar, Violin Overdubs
7. Book Of Saturday - Master Reel Bass Pass 2, Vocals with Vocal Overdubs

To purchase:
Blu-ray/2CD: https://burningshed.com/king-crimson_larks-tongues-in-aspic_2cd_2blu-ray
DBL Vinyl: https://burningshed.com/king-crimson_larks-tongues-in-aspic_double-vinyl

For further information please contact: info@panegyric.net


www.dgmlive.com

Press Inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com