Showing posts with label Drums. Show all posts
Showing posts with label Drums. Show all posts

6/08/2020

Legendary Alice Cooper Group Drummer Neal Smith To Release New Album of Retro Pop Songs "POP 85/95"


Legendary Alice Cooper Group drummer Neal Smith will be releasing a new album on June 1st, 2020. Neal's new Retro Pop album is titled “POP 85/95” signifying the music style and time period in which Neal wrote these songs between 1985 and 1995.The songs and album concept are totally sexy and politically incorrect. Neal's “POP 85/95” songs represent all aspects of relationships, falling in and out of love in a simpler bygone era before Coronavirus, politically correctness and the new world disorder.

With the onslaught of glam hair bands and heavily homogenized rock of the 1980's, Neal Smith, Hall of Fame Drummer and founding member of the original Alice Cooper Group, was looking for a new direction for his songwriting. Inspired by another drummer, songwriter, singer Phil Collins, Neal turned from writing hard rock to a slicker, more pop rock songwriting style. In the late 1980's he took four of his new songs into the studio and recorded them. One of the songs “Secret Eyes” helped land a recording deal with newly formed record company called Grudge Records. Along with Dennis Dunaway (Alice Cooper fame), Joe Bouchard (Blue Oyster Cult fame), Charlie Hune (Ted Nugent fame) and lead guitarist Jay Jesse Johnson (also known as “Triple J”), a new band called “Deadringer” was formed and signed by Grudge Records. Deadringer recorded an album in 1989 called “Electrocution Of The Heart” featuring the single “Secret Eyes.” The album and Deadringer were all short lived after Grudge Records quick demise. After Deadringer and well into the 1990's, Neal continued writing songs with Jay Jesse Johnson (“Triple J”) in this pop rock style.

Decades later, well into the New Millennium, Neal was searching through his archives of music and found those songs that he composed and recorded with 'Triple J” between the years of 1985 and 1995. Inspired by “Triple J's” amazing lead guitar work, Neal polished the songs and brought them back to life with the help of two of his best friends, Peter Catucci (bass guitar of Killsmith) and Rick Tedesco (guitarist/engineer). Now, much to the excitement of his fans worldwide, Neal Smith's “POP 85/95” is available digitally and on CD!

Hall of Fame Drummer/songwriter/singer Neal Smith on “POP 85/95” CD:
(founding member of the Alice Cooper Group)

In the 80’s and 90’s Rap, Hip Hop, Pop and even Rock music was being recorded with synthesized programmed drums. I understood that this was a new wave of recording percussion. But what I did not like was many of the synthesized drum tracks were being programmed by engineers and musicians who were not even drummers. Disappointed and inspired by that fact, I began a new phase of songwriting by programming synthesized drums on my recordings. The last eight songs on my new CD “POP 85/95” is a collection of songs I wrote from that era featuring synth drums I programmed myself.



To purchase:
http://nealsmithrocks.com/store
https://nealsmithpop8595.hearnow.com

For more information:
www.nealsmithrocks.com
http://nealsmithrocks.com/store
https://www.facebook.com/NealsmithRocks

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

6/27/2019

Martin Barre Drummer Dave Schoepke To Release Innovative Solo Drum Album "Drums On Low"


Drummer Dave Schoepke will be releasing his first solo drum album titled “Drums On Low” on July 15, 2019. Schoepke is an accomplished North American drummer, who has had the pleasure of working with the legendary Jethro Tull guitarist Martin Barre. Dave toured with Martin's band in 2017 and in 2018 for the “Cruise To The Edge” Tour. He's also been the primary drummer for The Willy Porter Band since 2002, and has loved every second of his time with the band. Dave has toured with Willy Porter on a number of occasions over the years, and has numerous television and radio appearances on his record. The amazing part is that Dave is able to do all of this, and still has time to devote to his own band Tweed. Tweed has been a mainstay touring in Europe for the last few years along with a number of other blues and soul groups.

Dave said this about “Drums On Low”: “The music and recording are a direct response to my life changes. Post the birth of my son I was inspired to craft and assemble this album. The concept is simple: to make an album in response to the overwhelming feelings I had about my family and where I was as a musician at this stage of my career. What flowed out was soaked with the spirit of love and harmony between our family unit and the reality that rhythms of life which bind us are always there in the ways we talk, feel, think, breathe and react to one another. I was motivated to write music that to me resonated those elements.”

The completion of this album was the realization of a dream of Dave's since age 16 to make music solely on drums and percussion instruments. Until now, that was an unattainable goal due to work demands, recording capabilities and costs. Written and recorded at Dave's home studio in the first 2 months after the birth of his 2nd child, this collection of pieces reflects the joy, wonder, and sleeplessness of being a new parent. The music was assembled in bits and pieces in between naptimes and family maintenance.

“My wife was very supportive in that when there was some free time, I was able to run downstairs and work on the music. Often, I began recording a piece only minutes after changing a diaper, feeding my son or some other family business. It was nearly impossible to separate the elements which is the biggest part of this whole story. The music is so directly informed by my day to day family life, and it's as much a reaction to those things as it is to my purely musical pursuits. At times I just sat down and the music flowed with no thought or preconceived ideas, nothing but reaction to life with my family. Ultimately the content on the album is 1/3 pre-formed pieces, 1/3 sketches that were embellished on and 1/3 full improvisations. I had the intention of having it all ready to go ahead of time, and a lot of things were finished, but when inspired I was able to turn on a dime and go with where the muse took me, which often happened in the midst of working on another piece. My overall goal with this album was to create a body of work that reflected where I had been as a musician but with the intent that the pieces come across as songs rather than solos. All of the music was recorded live with no overdubs, punch-ins, or edits/splicing on a combination of drum kits with varied tuning schemes.”

Some of the pieces are more melodically driven with the pitches, “Window, War Of The Grasshoppers, and Eleven Three” are examples of pieces that reflect that approach with mallets being the choice to draw the tones out. “Which One ARE You and N'ging” are informed with more traditional approaches and are considerably more aggressive. Some tracks are more experimental in form and approach, “Sound On Low” uses free spinning metal shakers on various snare drums and micro percussion alongside a detuned 26” kick drum, while “The Thing From The Darkness” is a flat out free expression coupled with audio from an old 1930's radio show.

“At times I wanted to abandon any concept of bars or strict form to the pieces, which I felt would restrict me and inhibit my transference of ideas. If I added a beat, dropped one, or the form floated away from my original intent, I went with it rather than be beholden to anything other than the moment. I wanted to disregard any of the common notions of form, tempo, tuning, and theory in favor of feel, attitude, flavor, vibe and excitement. There was no fixing or editing on anything, so if there are mistakes, odd sounds, and any quirkiness that didn’t take away from the flow and intent of the piece, I left it in and in turn feel it adds more human element to the production rather than an over polished product. All in all, 20 songs were recorded and 11 selected to represent where I was at that time. Because this was to be my first solo endeavor and one I longed to do since childhood, I felt like I had a lot to get out. Concurrently making this album has inspired me to work on building this facet of my career, as I have a slew of concepts and ideas I'd love to share.”



Watch the video for “Which One ARE You?”:


Dave said this about the video, “This is about an illustration of dualities in life. The two girls symbolize struggles that sometimes exist within people, good and bad, yin and yang, whatever. The music informs the manic-ness and chaos that can exist. I wanted to express chaos to the form of the song and do away with measures and structure at points, while returning to a rabid unrelenting ostinato that symbolizes the need to walk the line in life. The fight within people is often so much greater and out of control than we can comprehend. I learned this firsthand from a bi-polar suicidal father who took his own life when I was 10.”

When Dave is not touring with Martin Barre, touring Europe or holding down the drum throne for Willy Porter, he can be found in the studio recording. He is an extremely busy session musician with over 50 albums to his credit. These albums cut across all genres of music. He has also done dozens of instructional CD's for the Hal Leonard Corporation (One of the world's largest music publishers). Dave also heads up the improvisational recording project, Blank Radio, and is the chief engineer and curator of hundreds of sessions with musicians from all over the greater Milwaukee area, culminating 23 full length album releases since 2008. These albums feature improvisations in all styles from ambient soundscapes to classical, jazz, and seething progressive rock.

Currently Dave makes his home in Milwaukee and is a private lesson instructor at Cascio Interstate Music. He has done dozens of clinics and been billed with legendary drummers Ed Thigpen, Paul Wertico, Dom Famularo, Greg Bissonette, Ernie Adams, and Carmine Appice. He maintains a busy schedule of teaching, touring, clinics, and sessions, and is always striving to evolve in every facet of his music making. Dave proudly endorses Ludwig Drums and Paiste Cymbals and was named 2009 Wisconsin Area Music Industry (WAMI) drummer of the year. In support of the release of “Drums On Low,” Dave is booking shows for August/September 2019

In closing, Dave has this message to impart to his listeners, “Joy and exploration. To make music with joy in the heart devoid of the constraints and trappings of the business and analytical side of the music industry.”

To purchase: https://itunes.apple.com/us/artist/1466733343

For more information:
Website: www.daveschoepke.com
Facebook: https://www.facebook.com/daveschoepkemusic
Twitter: www.twitter.com/daveschoepke
YouTube: https://www.youtube.com/user/vontum

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Martin Barre Drummer Dave Schoepke To Release Innovative Solo Drum Album "Drums On Low"


Drummer Dave Schoepke will be releasing his first solo drum album titled “Drums On Low” on July 15, 2019. Schoepke is an accomplished North American drummer, who has had the pleasure of working with the legendary Jethro Tull guitarist Martin Barre. Dave toured with Martin's band in 2017 and in 2018 for the “Cruise To The Edge” Tour. He's also been the primary drummer for The Willy Porter Band since 2002, and has loved every second of his time with the band. Dave has toured with Willy Porter on a number of occasions over the years, and has numerous television and radio appearances on his record. The amazing part is that Dave is able to do all of this, and still has time to devote to his own band Tweed. Tweed has been a mainstay touring in Europe for the last few years along with a number of other blues and soul groups.

Dave said this about “Drums On Low”: “The music and recording are a direct response to my life changes. Post the birth of my son I was inspired to craft and assemble this album. The concept is simple: to make an album in response to the overwhelming feelings I had about my family and where I was as a musician at this stage of my career. What flowed out was soaked with the spirit of love and harmony between our family unit and the reality that rhythms of life which bind us are always there in the ways we talk, feel, think, breathe and react to one another. I was motivated to write music that to me resonated those elements.”

The completion of this album was the realization of a dream of Dave's since age 16 to make music solely on drums and percussion instruments. Until now, that was an unattainable goal due to work demands, recording capabilities and costs. Written and recorded at Dave's home studio in the first 2 months after the birth of his 2nd child, this collection of pieces reflects the joy, wonder, and sleeplessness of being a new parent. The music was assembled in bits and pieces in between naptimes and family maintenance.

“My wife was very supportive in that when there was some free time, I was able to run downstairs and work on the music. Often, I began recording a piece only minutes after changing a diaper, feeding my son or some other family business. It was nearly impossible to separate the elements which is the biggest part of this whole story. The music is so directly informed by my day to day family life, and it's as much a reaction to those things as it is to my purely musical pursuits. At times I just sat down and the music flowed with no thought or preconceived ideas, nothing but reaction to life with my family. Ultimately the content on the album is 1/3 pre-formed pieces, 1/3 sketches that were embellished on and 1/3 full improvisations. I had the intention of having it all ready to go ahead of time, and a lot of things were finished, but when inspired I was able to turn on a dime and go with where the muse took me, which often happened in the midst of working on another piece. My overall goal with this album was to create a body of work that reflected where I had been as a musician but with the intent that the pieces come across as songs rather than solos. All of the music was recorded live with no overdubs, punch-ins, or edits/splicing on a combination of drum kits with varied tuning schemes.”

Some of the pieces are more melodically driven with the pitches, “Window, War Of The Grasshoppers, and Eleven Three” are examples of pieces that reflect that approach with mallets being the choice to draw the tones out. “Which One ARE You and N'ging” are informed with more traditional approaches and are considerably more aggressive. Some tracks are more experimental in form and approach, “Sound On Low” uses free spinning metal shakers on various snare drums and micro percussion alongside a detuned 26” kick drum, while “The Thing From The Darkness” is a flat out free expression coupled with audio from an old 1930's radio show.

“At times I wanted to abandon any concept of bars or strict form to the pieces, which I felt would restrict me and inhibit my transference of ideas. If I added a beat, dropped one, or the form floated away from my original intent, I went with it rather than be beholden to anything other than the moment. I wanted to disregard any of the common notions of form, tempo, tuning, and theory in favor of feel, attitude, flavor, vibe and excitement. There was no fixing or editing on anything, so if there are mistakes, odd sounds, and any quirkiness that didn’t take away from the flow and intent of the piece, I left it in and in turn feel it adds more human element to the production rather than an over polished product. All in all, 20 songs were recorded and 11 selected to represent where I was at that time. Because this was to be my first solo endeavor and one I longed to do since childhood, I felt like I had a lot to get out. Concurrently making this album has inspired me to work on building this facet of my career, as I have a slew of concepts and ideas I'd love to share.”



Watch the video for “Which One ARE You?”:


Dave said this about the video, “This is about an illustration of dualities in life. The two girls symbolize struggles that sometimes exist within people, good and bad, yin and yang, whatever. The music informs the manic-ness and chaos that can exist. I wanted to express chaos to the form of the song and do away with measures and structure at points, while returning to a rabid unrelenting ostinato that symbolizes the need to walk the line in life. The fight within people is often so much greater and out of control than we can comprehend. I learned this firsthand from a bi-polar suicidal father who took his own life when I was 10.”

When Dave is not touring with Martin Barre, touring Europe or holding down the drum throne for Willy Porter, he can be found in the studio recording. He is an extremely busy session musician with over 50 albums to his credit. These albums cut across all genres of music. He has also done dozens of instructional CD's for the Hal Leonard Corporation (One of the world's largest music publishers). Dave also heads up the improvisational recording project, Blank Radio, and is the chief engineer and curator of hundreds of sessions with musicians from all over the greater Milwaukee area, culminating 23 full length album releases since 2008. These albums feature improvisations in all styles from ambient soundscapes to classical, jazz, and seething progressive rock.

Currently Dave makes his home in Milwaukee and is a private lesson instructor at Cascio Interstate Music. He has done dozens of clinics and been billed with legendary drummers Ed Thigpen, Paul Wertico, Dom Famularo, Greg Bissonette, Ernie Adams, and Carmine Appice. He maintains a busy schedule of teaching, touring, clinics, and sessions, and is always striving to evolve in every facet of his music making. Dave proudly endorses Ludwig Drums and Paiste Cymbals and was named 2009 Wisconsin Area Music Industry (WAMI) drummer of the year. In support of the release of “Drums On Low,” Dave is booking shows for August/September 2019

In closing, Dave has this message to impart to his listeners, “Joy and exploration. To make music with joy in the heart devoid of the constraints and trappings of the business and analytical side of the music industry.”

To purchase: https://itunes.apple.com/us/artist/1466733343

For more information:
Website: www.daveschoepke.com
Facebook: https://www.facebook.com/daveschoepkemusic
Twitter: www.twitter.com/daveschoepke
YouTube: https://www.youtube.com/user/vontum

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Martin Barre Drummer Dave Schoepke To Release Innovative Solo Drum Album "Drums On Low"


Drummer Dave Schoepke will be releasing his first solo drum album titled “Drums On Low” on July 15, 2019. Schoepke is an accomplished North American drummer, who has had the pleasure of working with the legendary Jethro Tull guitarist Martin Barre. Dave toured with Martin's band in 2017 and in 2018 for the “Cruise To The Edge” Tour. He's also been the primary drummer for The Willy Porter Band since 2002, and has loved every second of his time with the band. Dave has toured with Willy Porter on a number of occasions over the years, and has numerous television and radio appearances on his record. The amazing part is that Dave is able to do all of this, and still has time to devote to his own band Tweed. Tweed has been a mainstay touring in Europe for the last few years along with a number of other blues and soul groups.

Dave said this about “Drums On Low”: “The music and recording are a direct response to my life changes. Post the birth of my son I was inspired to craft and assemble this album. The concept is simple: to make an album in response to the overwhelming feelings I had about my family and where I was as a musician at this stage of my career. What flowed out was soaked with the spirit of love and harmony between our family unit and the reality that rhythms of life which bind us are always there in the ways we talk, feel, think, breathe and react to one another. I was motivated to write music that to me resonated those elements.”

The completion of this album was the realization of a dream of Dave's since age 16 to make music solely on drums and percussion instruments. Until now, that was an unattainable goal due to work demands, recording capabilities and costs. Written and recorded at Dave's home studio in the first 2 months after the birth of his 2nd child, this collection of pieces reflects the joy, wonder, and sleeplessness of being a new parent. The music was assembled in bits and pieces in between naptimes and family maintenance.

“My wife was very supportive in that when there was some free time, I was able to run downstairs and work on the music. Often, I began recording a piece only minutes after changing a diaper, feeding my son or some other family business. It was nearly impossible to separate the elements which is the biggest part of this whole story. The music is so directly informed by my day to day family life, and it's as much a reaction to those things as it is to my purely musical pursuits. At times I just sat down and the music flowed with no thought or preconceived ideas, nothing but reaction to life with my family. Ultimately the content on the album is 1/3 pre-formed pieces, 1/3 sketches that were embellished on and 1/3 full improvisations. I had the intention of having it all ready to go ahead of time, and a lot of things were finished, but when inspired I was able to turn on a dime and go with where the muse took me, which often happened in the midst of working on another piece. My overall goal with this album was to create a body of work that reflected where I had been as a musician but with the intent that the pieces come across as songs rather than solos. All of the music was recorded live with no overdubs, punch-ins, or edits/splicing on a combination of drum kits with varied tuning schemes.”

Some of the pieces are more melodically driven with the pitches, “Window, War Of The Grasshoppers, and Eleven Three” are examples of pieces that reflect that approach with mallets being the choice to draw the tones out. “Which One ARE You and N'ging” are informed with more traditional approaches and are considerably more aggressive. Some tracks are more experimental in form and approach, “Sound On Low” uses free spinning metal shakers on various snare drums and micro percussion alongside a detuned 26” kick drum, while “The Thing From The Darkness” is a flat out free expression coupled with audio from an old 1930's radio show.

“At times I wanted to abandon any concept of bars or strict form to the pieces, which I felt would restrict me and inhibit my transference of ideas. If I added a beat, dropped one, or the form floated away from my original intent, I went with it rather than be beholden to anything other than the moment. I wanted to disregard any of the common notions of form, tempo, tuning, and theory in favor of feel, attitude, flavor, vibe and excitement. There was no fixing or editing on anything, so if there are mistakes, odd sounds, and any quirkiness that didn’t take away from the flow and intent of the piece, I left it in and in turn feel it adds more human element to the production rather than an over polished product. All in all, 20 songs were recorded and 11 selected to represent where I was at that time. Because this was to be my first solo endeavor and one I longed to do since childhood, I felt like I had a lot to get out. Concurrently making this album has inspired me to work on building this facet of my career, as I have a slew of concepts and ideas I'd love to share.”



Watch the video for “Which One ARE You?”:


Dave said this about the video, “This is about an illustration of dualities in life. The two girls symbolize struggles that sometimes exist within people, good and bad, yin and yang, whatever. The music informs the manic-ness and chaos that can exist. I wanted to express chaos to the form of the song and do away with measures and structure at points, while returning to a rabid unrelenting ostinato that symbolizes the need to walk the line in life. The fight within people is often so much greater and out of control than we can comprehend. I learned this firsthand from a bi-polar suicidal father who took his own life when I was 10.”

When Dave is not touring with Martin Barre, touring Europe or holding down the drum throne for Willy Porter, he can be found in the studio recording. He is an extremely busy session musician with over 50 albums to his credit. These albums cut across all genres of music. He has also done dozens of instructional CD's for the Hal Leonard Corporation (One of the world's largest music publishers). Dave also heads up the improvisational recording project, Blank Radio, and is the chief engineer and curator of hundreds of sessions with musicians from all over the greater Milwaukee area, culminating 23 full length album releases since 2008. These albums feature improvisations in all styles from ambient soundscapes to classical, jazz, and seething progressive rock.

Currently Dave makes his home in Milwaukee and is a private lesson instructor at Cascio Interstate Music. He has done dozens of clinics and been billed with legendary drummers Ed Thigpen, Paul Wertico, Dom Famularo, Greg Bissonette, Ernie Adams, and Carmine Appice. He maintains a busy schedule of teaching, touring, clinics, and sessions, and is always striving to evolve in every facet of his music making. Dave proudly endorses Ludwig Drums and Paiste Cymbals and was named 2009 Wisconsin Area Music Industry (WAMI) drummer of the year. In support of the release of “Drums On Low,” Dave is booking shows for August/September 2019

In closing, Dave has this message to impart to his listeners, “Joy and exploration. To make music with joy in the heart devoid of the constraints and trappings of the business and analytical side of the music industry.”

To purchase: https://itunes.apple.com/us/artist/1466733343

For more information:
Website: www.daveschoepke.com
Facebook: https://www.facebook.com/daveschoepkemusic
Twitter: www.twitter.com/daveschoepke
YouTube: https://www.youtube.com/user/vontum

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

4/16/2019

Drum Legend Simon Phillips Celebrates 30th Anniversary of Protocol With 6-CD Box Set!


Features two full CDs of previously unreleased demos!

Drum legend Simon Phillips will be releasing a 6-CD box set on April 12th on Phantom Recordings. This truly deluxe set celebrates the 30th Anniversary of Protocol, the powerhouse jazz-rock vehicle for the music of legendary drummer Simon Phillips (Jeff Beck, Toto, The Who, Mike Oldfield, Hiromi). Included are all of the previous Protocol releases (I, II, III & IV), re-mastered for an even better sonic experience. Plus two full CDs of previously unreleased demos, with the embryonic tunes that would later become finished material for the Protocol II, III & IV albums. Protocol 4, included, was nominated for a Grammy in 2018 for Best Contemporary Instrumental Recording.

Phillips himself composed the liner notes of a glorious 24-page booklet with historic photos, providing deep insight into the genesis of the band, the tunes and recording processes. An absolute must-have collector's item for Simon's devotees worldwide!

Previously Unreleased Demos

Disc: 5 - Protocol II & III Demos
  1. Wildfire
  2. Funk Tune #1
  3. Six Eight
  4. Pump Type
  5. Thirteen
  6. Herbie Type
  7. Ballad
  8. Three Four
  9. Zawinul
  10. Mystery
  11. Protocol Blues
  12. A Perfect Flush
  13. Circle Seven
  14. Pilatus
  15. Stir Crazy
  16. Fast Five

Disc: 6 - Protocol IV Demos
  1. Six Eight
  2. Pentangle
  3. Indian Theme
  4. 7 Four Funk
  5. Intro + Celtic Boogie
  6. Blues
  7. Ballad
  8. Jan Type

Audio CD (April 12, 2019)
Number of Discs: 6
Label: Phantom Recordings

Protocol's 6-CD Set is available worldwide wherever you shop for CDs including: 

US
https://www.amazon.com/s?k=677357037425&ref=nb_sb_noss

UK
https://burningshed.com/simon-phillips_protocol_boxset?filter_name=simon%20phillips&filter_sub_category=true

Japan
https://www.amazon.co.jp/Protocol-Boxed-Set-Simon-Phillips/dp/B07PL6JK5V

Germany
https://www.jpc.de/jpcng/poprock/detail/-/art/simon-phillips-protocol-boxed-set/hnum/9029987

(Please note that the bonus material will not be available digitally.)

Management:
(818) 616-2065 office
(310) 413-1864 cell
mitomusicmanagement@gmail.com
www.mitomusic.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

Distribution is being handled in the US exclusively by Amped Distribution www.ampeddistribution.com and wholesale inquiries can be made to Alex Jimenez at alex@ampeddistribution.com

Drum Legend Simon Phillips Celebrates 30th Anniversary of Protocol With 6-CD Box Set!


Features two full CDs of previously unreleased demos!

Drum legend Simon Phillips will be releasing a 6-CD box set on April 12th on Phantom Recordings. This truly deluxe set celebrates the 30th Anniversary of Protocol, the powerhouse jazz-rock vehicle for the music of legendary drummer Simon Phillips (Jeff Beck, Toto, The Who, Mike Oldfield, Hiromi). Included are all of the previous Protocol releases (I, II, III & IV), re-mastered for an even better sonic experience. Plus two full CDs of previously unreleased demos, with the embryonic tunes that would later become finished material for the Protocol II, III & IV albums. Protocol 4, included, was nominated for a Grammy in 2018 for Best Contemporary Instrumental Recording.

Phillips himself composed the liner notes of a glorious 24-page booklet with historic photos, providing deep insight into the genesis of the band, the tunes and recording processes. An absolute must-have collector's item for Simon's devotees worldwide!

Previously Unreleased Demos

Disc: 5 - Protocol II & III Demos
  1. Wildfire
  2. Funk Tune #1
  3. Six Eight
  4. Pump Type
  5. Thirteen
  6. Herbie Type
  7. Ballad
  8. Three Four
  9. Zawinul
  10. Mystery
  11. Protocol Blues
  12. A Perfect Flush
  13. Circle Seven
  14. Pilatus
  15. Stir Crazy
  16. Fast Five

Disc: 6 - Protocol IV Demos
  1. Six Eight
  2. Pentangle
  3. Indian Theme
  4. 7 Four Funk
  5. Intro + Celtic Boogie
  6. Blues
  7. Ballad
  8. Jan Type

Audio CD (April 12, 2019)
Number of Discs: 6
Label: Phantom Recordings

Protocol's 6-CD Set is available worldwide wherever you shop for CDs including: 

US
https://www.amazon.com/s?k=677357037425&ref=nb_sb_noss

UK
https://burningshed.com/simon-phillips_protocol_boxset?filter_name=simon%20phillips&filter_sub_category=true

Japan
https://www.amazon.co.jp/Protocol-Boxed-Set-Simon-Phillips/dp/B07PL6JK5V

Germany
https://www.jpc.de/jpcng/poprock/detail/-/art/simon-phillips-protocol-boxed-set/hnum/9029987

(Please note that the bonus material will not be available digitally.)

Management:
(818) 616-2065 office
(310) 413-1864 cell
mitomusicmanagement@gmail.com
www.mitomusic.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

Distribution is being handled in the US exclusively by Amped Distribution www.ampeddistribution.com and wholesale inquiries can be made to Alex Jimenez at alex@ampeddistribution.com

2/11/2019

DarWin Releases Debut Concept Album "Origin Of Species" Internationally Featuring Drum Legend Simon Phillips

Featuring Simon Phillips, Matt Bissonette, Greg Howe, Jeff Babko, Dennis Hamm & others!


“We Have 12 years to Limit Climate Change Catastrophe” Warns the United Nations IPCC

“Earth’s Carbon Dioxide Levels are Likely the Highest They’ve been in 15 Million Years” University of Texas at Austin, Jackson School of Geosciences

“Technologies built for our survival, 
Back on Earth made us a dominant rival. 
Working as one, we conquered all nations, 
All networks now under our communications. 
Resources rationed, ideas controlled, 
An intelligent regime to save our souls. 
Children of the future, 
Return to the light, 
Saving our Planet from our self-inflicted plight.” 
— DarWin, For Humanity

“The Revolution will come in waves.”— DarWin, Artificial

Welcome to the near-future: the world of DarWin. An intricate musical fantasy concept that launched in November 2018 in the UK only with the ambitious single release of “Escape The Maze,” followed by the full length album “Origin Of Species.”

The album is now available internationally on all major digital distribution platforms, with an epic cinematic video of “Escape the Maze” available on YouTube, Facebook and iTunes. More DarWin videos can be found on YouTube and Facebook.

Who is DarWin?: An Introduction to the “Escape the Maze” video saga.

It’s roughly ten years from now into the future, 2028. An exhausted ecology, and global conflicts, have led to a huge upheaval of the world order, straining and diminishing human populations. The lives of everyday people and families have been turned upside down by the intense ecological pressures related to climate change. No longer just a theory discussed by scientists and politicians, climate change is wreaking havoc on the world. Chaos and confusion reign as fighting for basic resources continuously escalates. “Day Zero” has occurred, when nuclear attacks punctuated what had for many years been a civility between nations and people. As Earth rejects life, those of us who remain struggle to survive.



“Escape The Maze” is the first installment in an evolving saga that addresses the challenges of mankind in our coming era. It depicts the role of a changing planet, and the potential, as well as limitations, of technology to help solve mankind’s greatest challenges. The story of “Origin Of Species” is represented through music, graphic storytelling and videos.

A complex project that’s eschews the hollow immediacy of much contemporary art. A narrative that demands attention and imagination. With music sweeping in scope, at times evoking hard rock virtuoso shredding, alongside grand orchestral compositions, warm harmonies and soaring choruses.

The music seeks to capture the listener in the spirit of the greatest concept albums that have helped to define the history of rock. Heavy riffs and killer grooves lead way to delicate ensembles, only to pick up the pace again with searing guitar solos. The genre is decisively Prog Rock, but DarWin begs to be appreciated by a large global audience of music enthusiasts. Key tracks to discover the narrative include: For Humanity, Walk Away from Earth, the Last Chance and Artificial. Emotionally powerful songs for a wide audience include One Horizon, Cosmic Rays, and Forever.

It’s time to enter the saga. It’s time to join DarWin on his journey…

The “Origin Of Species” album features legendary drummer and producer Simon Phillips, who, in addition to playing drums, percussion and keyboards, also engineered, mixed and drove the production on the album. Veteran bass player and singer Matt Bissonette performed a rich array of lead and background vocals and bass. DarWin himself drove the songwriting and conceptual vision while playing various guitars.

The album features guest performances from the likes of Jeff Babko (keyboards and quartet arrangements), Greg Howe (blazing lead guitar solos), Dennis Hamm (keyboards), Ernst Tibbs (bass), Katisse Buckingham (Flute, Soprano Sax), Samuel Sim and Peter Nickalls (orchestral and quartet arrangements), The Origin of Species Quartet (Los Angeles), The Reykjavik String Quartet (Iceland), and The Chamber Orchestra Of London (Conductor Matt Dunkley)

The album was recorded at Simon Phillip’s Phantom Recordings, Sherman Oaks, CA, with additional recording at Abbey Road Studios (Studio 2, the “Beatles Room”), London, United Kingdom, Sundlaugin Studio in Reykjavik, Iceland, The Doghouse, Woodland Hills, CA, Rose Lane Studios, Carpenteria, CA, and Megatrax, Ventura, CA.

The album was produced by DarWin and Simon Phillips. They are continuing to work on new music together at an undisclosed location. The saga will continue...

Watch Simon Phillips discuss the making of  “Origin Of Species”:


Full tracklisting:

1 FOR HUMANITY
2 THE LAST CHANCE
3 TAKING CHANCES
4 ESCAPE THE MAZE
5 WALK AWAY FROM EARTH
6 GUMMY BEAR
7 FOREVER

Intermission

8 WAR AGAINST MY MIND
9 ARTIFICIAL
10 ONE HORIZON
11 MODERN INSANITY
12 COSMIC RAYS
13 LIFE IS A MYSTERY
14 SLOWLY MELTING
15 RISE
16 JUST ONE MORE DAY
17 PROLOGUE

The album will also feature a stunning graphic comic-style layout telling the story visually. A sample page is below:



The epically cinematic video for the “Escape The Maze” single is available here


The album is released by Origin Of Species LLC.

To purchase:
https://darwin.fanlink.to/oos

D2C Store (Pre-order the CD) - https://darwin.tmstor.es
25th February 2018 is the physical CD release date on D2C and Amazon.

For further Information:
Official website: http://www.darwin.is/
Spotify: https://open.spotify.com/artist/5dkLHW5y7w1CeHzazXdlmZ?nd=1
Youtube: https://www.youtube.com/channel/UCqCdVQrrcMrFznnzq6M-_qA

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

DarWin Releases Debut Concept Album "Origin Of Species" Internationally Featuring Drum Legend Simon Phillips

Featuring Simon Phillips, Matt Bissonette, Greg Howe, Jeff Babko, Dennis Hamm & others!


“We Have 12 years to Limit Climate Change Catastrophe” Warns the United Nations IPCC

“Earth’s Carbon Dioxide Levels are Likely the Highest They’ve been in 15 Million Years” University of Texas at Austin, Jackson School of Geosciences

“Technologies built for our survival, 
Back on Earth made us a dominant rival. 
Working as one, we conquered all nations, 
All networks now under our communications. 
Resources rationed, ideas controlled, 
An intelligent regime to save our souls. 
Children of the future, 
Return to the light, 
Saving our Planet from our self-inflicted plight.” 
— DarWin, For Humanity

“The Revolution will come in waves.”— DarWin, Artificial

Welcome to the near-future: the world of DarWin. An intricate musical fantasy concept that launched in November 2018 in the UK only with the ambitious single release of “Escape The Maze,” followed by the full length album “Origin Of Species.”

The album is now available internationally on all major digital distribution platforms, with an epic cinematic video of “Escape the Maze” available on YouTube, Facebook and iTunes. More DarWin videos can be found on YouTube and Facebook.

Who is DarWin?: An Introduction to the “Escape the Maze” video saga.

It’s roughly ten years from now into the future, 2028. An exhausted ecology, and global conflicts, have led to a huge upheaval of the world order, straining and diminishing human populations. The lives of everyday people and families have been turned upside down by the intense ecological pressures related to climate change. No longer just a theory discussed by scientists and politicians, climate change is wreaking havoc on the world. Chaos and confusion reign as fighting for basic resources continuously escalates. “Day Zero” has occurred, when nuclear attacks punctuated what had for many years been a civility between nations and people. As Earth rejects life, those of us who remain struggle to survive.



“Escape The Maze” is the first installment in an evolving saga that addresses the challenges of mankind in our coming era. It depicts the role of a changing planet, and the potential, as well as limitations, of technology to help solve mankind’s greatest challenges. The story of “Origin Of Species” is represented through music, graphic storytelling and videos.

A complex project that’s eschews the hollow immediacy of much contemporary art. A narrative that demands attention and imagination. With music sweeping in scope, at times evoking hard rock virtuoso shredding, alongside grand orchestral compositions, warm harmonies and soaring choruses.

The music seeks to capture the listener in the spirit of the greatest concept albums that have helped to define the history of rock. Heavy riffs and killer grooves lead way to delicate ensembles, only to pick up the pace again with searing guitar solos. The genre is decisively Prog Rock, but DarWin begs to be appreciated by a large global audience of music enthusiasts. Key tracks to discover the narrative include: For Humanity, Walk Away from Earth, the Last Chance and Artificial. Emotionally powerful songs for a wide audience include One Horizon, Cosmic Rays, and Forever.

It’s time to enter the saga. It’s time to join DarWin on his journey…

The “Origin Of Species” album features legendary drummer and producer Simon Phillips, who, in addition to playing drums, percussion and keyboards, also engineered, mixed and drove the production on the album. Veteran bass player and singer Matt Bissonette performed a rich array of lead and background vocals and bass. DarWin himself drove the songwriting and conceptual vision while playing various guitars.

The album features guest performances from the likes of Jeff Babko (keyboards and quartet arrangements), Greg Howe (blazing lead guitar solos), Dennis Hamm (keyboards), Ernst Tibbs (bass), Katisse Buckingham (Flute, Soprano Sax), Samuel Sim and Peter Nickalls (orchestral and quartet arrangements), The Origin of Species Quartet (Los Angeles), The Reykjavik String Quartet (Iceland), and The Chamber Orchestra Of London (Conductor Matt Dunkley)

The album was recorded at Simon Phillip’s Phantom Recordings, Sherman Oaks, CA, with additional recording at Abbey Road Studios (Studio 2, the “Beatles Room”), London, United Kingdom, Sundlaugin Studio in Reykjavik, Iceland, The Doghouse, Woodland Hills, CA, Rose Lane Studios, Carpenteria, CA, and Megatrax, Ventura, CA.

The album was produced by DarWin and Simon Phillips. They are continuing to work on new music together at an undisclosed location. The saga will continue...

Watch Simon Phillips discuss the making of  “Origin Of Species”:


Full tracklisting:

1 FOR HUMANITY
2 THE LAST CHANCE
3 TAKING CHANCES
4 ESCAPE THE MAZE
5 WALK AWAY FROM EARTH
6 GUMMY BEAR
7 FOREVER

Intermission

8 WAR AGAINST MY MIND
9 ARTIFICIAL
10 ONE HORIZON
11 MODERN INSANITY
12 COSMIC RAYS
13 LIFE IS A MYSTERY
14 SLOWLY MELTING
15 RISE
16 JUST ONE MORE DAY
17 PROLOGUE

The album will also feature a stunning graphic comic-style layout telling the story visually. A sample page is below:



The epically cinematic video for the “Escape The Maze” single is available here


The album is released by Origin Of Species LLC.

To purchase:
https://darwin.fanlink.to/oos

D2C Store (Pre-order the CD) - https://darwin.tmstor.es
25th February 2018 is the physical CD release date on D2C and Amazon.

For further Information:
Official website: http://www.darwin.is/
Spotify: https://open.spotify.com/artist/5dkLHW5y7w1CeHzazXdlmZ?nd=1
Youtube: https://www.youtube.com/channel/UCqCdVQrrcMrFznnzq6M-_qA

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

DarWin Releases Debut Concept Album "Origin Of Species" Internationally Featuring Drum Legend Simon Phillips

Featuring Simon Phillips, Matt Bissonette, Greg Howe, Jeff Babko, Dennis Hamm & others!


“We Have 12 years to Limit Climate Change Catastrophe” Warns the United Nations IPCC

“Earth’s Carbon Dioxide Levels are Likely the Highest They’ve been in 15 Million Years” University of Texas at Austin, Jackson School of Geosciences

“Technologies built for our survival, 
Back on Earth made us a dominant rival. 
Working as one, we conquered all nations, 
All networks now under our communications. 
Resources rationed, ideas controlled, 
An intelligent regime to save our souls. 
Children of the future, 
Return to the light, 
Saving our Planet from our self-inflicted plight.” 
— DarWin, For Humanity

“The Revolution will come in waves.”— DarWin, Artificial

Welcome to the near-future: the world of DarWin. An intricate musical fantasy concept that launched in November 2018 in the UK only with the ambitious single release of “Escape The Maze,” followed by the full length album “Origin Of Species.”

The album is now available internationally on all major digital distribution platforms, with an epic cinematic video of “Escape the Maze” available on YouTube, Facebook and iTunes. More DarWin videos can be found on YouTube and Facebook.

Who is DarWin?: An Introduction to the “Escape the Maze” video saga.

It’s roughly ten years from now into the future, 2028. An exhausted ecology, and global conflicts, have led to a huge upheaval of the world order, straining and diminishing human populations. The lives of everyday people and families have been turned upside down by the intense ecological pressures related to climate change. No longer just a theory discussed by scientists and politicians, climate change is wreaking havoc on the world. Chaos and confusion reign as fighting for basic resources continuously escalates. “Day Zero” has occurred, when nuclear attacks punctuated what had for many years been a civility between nations and people. As Earth rejects life, those of us who remain struggle to survive.



“Escape The Maze” is the first installment in an evolving saga that addresses the challenges of mankind in our coming era. It depicts the role of a changing planet, and the potential, as well as limitations, of technology to help solve mankind’s greatest challenges. The story of “Origin Of Species” is represented through music, graphic storytelling and videos.

A complex project that’s eschews the hollow immediacy of much contemporary art. A narrative that demands attention and imagination. With music sweeping in scope, at times evoking hard rock virtuoso shredding, alongside grand orchestral compositions, warm harmonies and soaring choruses.

The music seeks to capture the listener in the spirit of the greatest concept albums that have helped to define the history of rock. Heavy riffs and killer grooves lead way to delicate ensembles, only to pick up the pace again with searing guitar solos. The genre is decisively Prog Rock, but DarWin begs to be appreciated by a large global audience of music enthusiasts. Key tracks to discover the narrative include: For Humanity, Walk Away from Earth, the Last Chance and Artificial. Emotionally powerful songs for a wide audience include One Horizon, Cosmic Rays, and Forever.

It’s time to enter the saga. It’s time to join DarWin on his journey…

The “Origin Of Species” album features legendary drummer and producer Simon Phillips, who, in addition to playing drums, percussion and keyboards, also engineered, mixed and drove the production on the album. Veteran bass player and singer Matt Bissonette performed a rich array of lead and background vocals and bass. DarWin himself drove the songwriting and conceptual vision while playing various guitars.

The album features guest performances from the likes of Jeff Babko (keyboards and quartet arrangements), Greg Howe (blazing lead guitar solos), Dennis Hamm (keyboards), Ernst Tibbs (bass), Katisse Buckingham (Flute, Soprano Sax), Samuel Sim and Peter Nickalls (orchestral and quartet arrangements), The Origin of Species Quartet (Los Angeles), The Reykjavik String Quartet (Iceland), and The Chamber Orchestra Of London (Conductor Matt Dunkley)

The album was recorded at Simon Phillip’s Phantom Recordings, Sherman Oaks, CA, with additional recording at Abbey Road Studios (Studio 2, the “Beatles Room”), London, United Kingdom, Sundlaugin Studio in Reykjavik, Iceland, The Doghouse, Woodland Hills, CA, Rose Lane Studios, Carpenteria, CA, and Megatrax, Ventura, CA.

The album was produced by DarWin and Simon Phillips. They are continuing to work on new music together at an undisclosed location. The saga will continue...

Watch Simon Phillips discuss the making of  “Origin Of Species”:


Full tracklisting:

1 FOR HUMANITY
2 THE LAST CHANCE
3 TAKING CHANCES
4 ESCAPE THE MAZE
5 WALK AWAY FROM EARTH
6 GUMMY BEAR
7 FOREVER

Intermission

8 WAR AGAINST MY MIND
9 ARTIFICIAL
10 ONE HORIZON
11 MODERN INSANITY
12 COSMIC RAYS
13 LIFE IS A MYSTERY
14 SLOWLY MELTING
15 RISE
16 JUST ONE MORE DAY
17 PROLOGUE

The album will also feature a stunning graphic comic-style layout telling the story visually. A sample page is below:



The epically cinematic video for the “Escape The Maze” single is available here


The album is released by Origin Of Species LLC.

To purchase:
https://darwin.fanlink.to/oos

D2C Store (Pre-order the CD) - https://darwin.tmstor.es
25th February 2018 is the physical CD release date on D2C and Amazon.

For further Information:
Official website: http://www.darwin.is/
Spotify: https://open.spotify.com/artist/5dkLHW5y7w1CeHzazXdlmZ?nd=1
Youtube: https://www.youtube.com/channel/UCqCdVQrrcMrFznnzq6M-_qA

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

10/01/2018

Alice Cooper Drum Legend Neal Smith Celebrates 10 Years of KillSmith With New Compilation "KillSmith Halloween"!


This year marks the 10th anniversary of legendary Alice Cooper drummer & RnR Hall of Fame Inductee Neal Smith's first “KillSmith” solo CD. To celebrate, Neal has created a new 12 song compilation CD called “Neal Smith-KillSmith Halloween,” the best of KillSmith. It has 11 previously released KillSmith songs and features one brand new song called “Strychnine.”

2018 not only marks the golden 50th anniversary of the original Alice Cooper Group, but it also marks the 10th anniversary of my “KillSmith” solo project. Since my last solo album “KillSmith & The Greenfire Empire,” I have been wanting to put together a compilation CD of my scariest and best “KillSmith” songs. I have chosen 11 of my songs plus a brand new bonus track called "Strychnine,” it's a killer! Get your downloads or CD's today! Happy Halloween to all of my sick things around the world! Play my “KillSmith Halloween” loud and let it scare the “HELL” out of you! - Neal Smith



Neal Smith is best known worldwide for his innovative drumming and outrageous stage antics with the original Alice Cooper Group. His solid drumming is the hallmark sound behind such classic 1970's Alice Cooper hits as “School's Out,” “I'm Eighteen,” “Billion Dollar Babies” and “No More Mr. Nice Guy.” Neal is also a prolific songwriter, who helped pen many of the groups best known songs. Alice Cooper was the first band to introduce theatrics to the rock and roll stage, the group has sold over 25 million records worldwide. Neal has six gold and five platinum records to his credit and has performed before millions on extensive grand world tours from the late 1970's to the present. Smith's trademark drum style can be heard on additional albums, including the Billion Dollar Babies Band “Battle Axe,” The Plasmatics “Beyond The Valley Of 1984,” Buck Dharma “Flat Out,” Deadringer “Electrocution Of The Heart,” Bouchard, Dunaway and Smith “Back From Hell” and “BDS Live In Paris,” Cinematik “Cinematik” and “One Full Moon Away.” And Neal's most recent critically acclaimed solo project KillSmith. Neal's KillSmith CD's “Sexual Savior,” “KillSmith Two” and  “KillSmith & The Greenfire Empire,” garnered praise from fans and critics worldwide.

“KillSmith Halloween” Track List

EVIL VOODOO MOON
DEATH BY THE NUMBERS
HOW DO YOU BLEED
CEMETERY OF THE DAMNED
SQUEEZE LIKE A PYTHON
THE KILLSMITH OVERTURE
THRILL THRILL THRILL SHOOT TO KILL
DIE FOR THE NIGHT
PANDEMONIUM
STRYCHNINE
DYNASTY OF DARKNESS
MONSTERS IN THE ATTIC

KillSmith Downloads, CD's & CD/Books Available NOW!
www.nealsmithrocks.com
http://nealsmithrocks.com/store
https://www.facebook.com/NealsmithRocks

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Alice Cooper Drum Legend Neal Smith Celebrates 10 Years of KillSmith With New Compilation "KillSmith Halloween"!


This year marks the 10th anniversary of legendary Alice Cooper drummer & RnR Hall of Fame Inductee Neal Smith's first “KillSmith” solo CD. To celebrate, Neal has created a new 12 song compilation CD called “Neal Smith-KillSmith Halloween,” the best of KillSmith. It has 11 previously released KillSmith songs and features one brand new song called “Strychnine.”

2018 not only marks the golden 50th anniversary of the original Alice Cooper Group, but it also marks the 10th anniversary of my “KillSmith” solo project. Since my last solo album “KillSmith & The Greenfire Empire,” I have been wanting to put together a compilation CD of my scariest and best “KillSmith” songs. I have chosen 11 of my songs plus a brand new bonus track called "Strychnine,” it's a killer! Get your downloads or CD's today! Happy Halloween to all of my sick things around the world! Play my “KillSmith Halloween” loud and let it scare the “HELL” out of you! - Neal Smith



Neal Smith is best known worldwide for his innovative drumming and outrageous stage antics with the original Alice Cooper Group. His solid drumming is the hallmark sound behind such classic 1970's Alice Cooper hits as “School's Out,” “I'm Eighteen,” “Billion Dollar Babies” and “No More Mr. Nice Guy.” Neal is also a prolific songwriter, who helped pen many of the groups best known songs. Alice Cooper was the first band to introduce theatrics to the rock and roll stage, the group has sold over 25 million records worldwide. Neal has six gold and five platinum records to his credit and has performed before millions on extensive grand world tours from the late 1970's to the present. Smith's trademark drum style can be heard on additional albums, including the Billion Dollar Babies Band “Battle Axe,” The Plasmatics “Beyond The Valley Of 1984,” Buck Dharma “Flat Out,” Deadringer “Electrocution Of The Heart,” Bouchard, Dunaway and Smith “Back From Hell” and “BDS Live In Paris,” Cinematik “Cinematik” and “One Full Moon Away.” And Neal's most recent critically acclaimed solo project KillSmith. Neal's KillSmith CD's “Sexual Savior,” “KillSmith Two” and  “KillSmith & The Greenfire Empire,” garnered praise from fans and critics worldwide.

“KillSmith Halloween” Track List

EVIL VOODOO MOON
DEATH BY THE NUMBERS
HOW DO YOU BLEED
CEMETERY OF THE DAMNED
SQUEEZE LIKE A PYTHON
THE KILLSMITH OVERTURE
THRILL THRILL THRILL SHOOT TO KILL
DIE FOR THE NIGHT
PANDEMONIUM
STRYCHNINE
DYNASTY OF DARKNESS
MONSTERS IN THE ATTIC

KillSmith Downloads, CD's & CD/Books Available NOW!
www.nealsmithrocks.com
http://nealsmithrocks.com/store
https://www.facebook.com/NealsmithRocks

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

8/03/2018

Guitarist Tone Masseve To Release Debut Album "Amp L'étude" Feat. Jethro Tull Drum Legend Doane Perry


“Playing with Tone was one of the most illuminating musical experiences of my career. Yes, he's that good.” - Graham Parker

NYC - The singing sustain of multiple razor edged electric guitars, the monster rock backbeat of Jethro Tull drummer Doane Perry and The Moonlight Sonata? Yes, This mash-up is the concept behind Tone Masseve's album “Amp L'étude.” Classical pieces? Yes, but these are not the dry, conventional versions we've all heard before. The album vividly brings these compositions to life with a new and powerful sound.

Tone said, “In my childhood I was exposed to many different musical styles and genres. Although I am really a blues player, I also love the music of Bach, Beethoven, Tchaikovsky, Schubert, Chopin and Debussy. I wanted to play their classical pieces with a rock sound and attitude.” He used the feedback, bends, shakes, falls and dives of his guitar heroes; Jeff Beck, Jimi Hendrix, early Eric Clapton, Robert Fripp, Brian May, Joe Satriani and George Harrison to do just that.

Tone's dynamic playing combined with Doane's great rock feel, give this music of the masters an entirely new presentation. Some of the sound and production techniques of this record are drawn from famous rock tracks such as; “Whiter Shade of Pale,” “The Hill of the Skull,” “God Save the Queen,” “Wind on Water,” “She's so Heavy” & “Girl,” and, “1983… (A Merman I Should Turn to Be).”

Every now and then a brilliant and fully developed artist arrives on the scene. Such is the case of Tone Masseve's enigmatic emergence out of the shadows. His sonic identity, unique voice and concept and his blending of seemingly disparate styles simply amazed and surprised me. Tone's inspired and highly original take on some of the most hallowed and iconic classical music ever composed is eloquently orchestrated, passionately and precisely executed and a wholly satisfying aural experience! I believe any of the great composers represented would be honored and thrilled to hear their music so creatively reimagined and lovingly brought to life within such a modern and innovative context. 

One of the most powerful elements in his music is the thick, sonorous and clear voice which he elicits from his “Guitorchestra”. Speaking as one who participated in this exciting project, I found the rich harmonic blend and counterpoint combined with the strength and subtlety of his parts, compelling and utterly inspiring to play off of ... and was astonished to think so much of this was coming through the head, hands and heart of a single musician. And I never even met him. I don't know how he did it but that is one of the delightful musical riddles which does not need solving. 

Joyful, biting, menacing, muscular, melancholy and euphoric are apt descriptions which are summoned to mind when I listen to his music. All of those elements provided a powerful catalyst for my own contributions. I am honored to have worked with this gifted artist and to have been a part of such an original musical adventure … and I would like to think the mysterious and hugely talented Tone Masseve will not remain unknown for much longer.

Doane Perry

Tone started playing the guitar at age 6 and performing live at age 15. By the time he was 18 he was doing session work in NYC. Legendary Graham Parker saw him playing with a band called Robazz Bowtime, and asked him to play a few gigs. Graham said, “I didn't play with Tone for a great deal of time, but it was one of the most illuminating musical experiences of my career. Yes, he's that good.”

The recording started in 1995 and took more than 20 years to complete. The guitar parts alone took more than two years to record. In 1997, while still working on Amp L'étude, tragically, Tone got pneumonia and died.

In 2016 a wonderful and talented group of musicians came together to finish his long lost album. The first was Doane Perry who added his hard hitting rock drumming to six tracks. Doane was the drummer for the legendary, Grammy winning rock band, Jethro Tull, for twenty-seven years. He also played with Lou Reed, Todd Rundgren and many, many others.

Next was Garry Kvistad who is a Grammy award winning master percussionist. He is a member of the four man percussion group Nexus. The New York Times called Nexus “the high priests of the percussion world.” Steve Reich said, “They are probably the most acclaimed percussion group on earth.” Garry added orchestral percussion; tympani, large gong, orchestral bass drum, glockenspiel, orchestral chimes, and symphonic crash cymbals to two of the pieces

Then members of the vocal group Prana added their voices to a couple of tracks. They gave one piece, “Maria, (She's so) Ave” a decidedly Liverpudlian sound. Finally Maria Todaro was brought in to conduct the choir for “O Fortuna.” Maria is not only an internationally renowned opera singer, stage director, and conductor, but also the general director of The International Festival of the Voice. For this recording, with her deep understanding of the voice as an expressive instrument, she evoked an impassioned performance from the choir.

On YouTube there are twelve 30 second sample videos, one for each of the twelve pieces from “Amp L'étude. “The videos feature the characters from the front cover of the album: https://www.youtube.com/playlist?list=PL2Wu-VN7bmX2249K3hIJy8HgFZTfJC208

In closing Tone had this to impart, “Music has no boundaries. If you play it with all of your heart it doesn’t matter what style it is, the feeling will come through.”

To purchase Tone Masseve's “Amp L'étude”: 
https://www.amazon.com/dp/B07FT6C4S5?ref=cp_d_n_u
store.cdbaby.com/cd/tonemasseve

For more information:
Website: www.tonemasseve.com
FB: https://www.facebook.com/Tone-Masseve-291339831409659/
Twitter: https://twitter.com/TMasseve
Instagram: https://www.instagram.com/tonemasseve/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Guitarist Tone Masseve To Release Debut Album "Amp L'étude" Feat. Jethro Tull Drum Legend Doane Perry


“Playing with Tone was one of the most illuminating musical experiences of my career. Yes, he's that good.” - Graham Parker

NYC - The singing sustain of multiple razor edged electric guitars, the monster rock backbeat of Jethro Tull drummer Doane Perry and The Moonlight Sonata? Yes, This mash-up is the concept behind Tone Masseve's album “Amp L'étude.” Classical pieces? Yes, but these are not the dry, conventional versions we've all heard before. The album vividly brings these compositions to life with a new and powerful sound.

Tone said, “In my childhood I was exposed to many different musical styles and genres. Although I am really a blues player, I also love the music of Bach, Beethoven, Tchaikovsky, Schubert, Chopin and Debussy. I wanted to play their classical pieces with a rock sound and attitude.” He used the feedback, bends, shakes, falls and dives of his guitar heroes; Jeff Beck, Jimi Hendrix, early Eric Clapton, Robert Fripp, Brian May, Joe Satriani and George Harrison to do just that.

Tone's dynamic playing combined with Doane's great rock feel, give this music of the masters an entirely new presentation. Some of the sound and production techniques of this record are drawn from famous rock tracks such as; “Whiter Shade of Pale,” “The Hill of the Skull,” “God Save the Queen,” “Wind on Water,” “She's so Heavy” & “Girl,” and, “1983… (A Merman I Should Turn to Be).”

Every now and then a brilliant and fully developed artist arrives on the scene. Such is the case of Tone Masseve's enigmatic emergence out of the shadows. His sonic identity, unique voice and concept and his blending of seemingly disparate styles simply amazed and surprised me. Tone's inspired and highly original take on some of the most hallowed and iconic classical music ever composed is eloquently orchestrated, passionately and precisely executed and a wholly satisfying aural experience! I believe any of the great composers represented would be honored and thrilled to hear their music so creatively reimagined and lovingly brought to life within such a modern and innovative context. 

One of the most powerful elements in his music is the thick, sonorous and clear voice which he elicits from his “Guitorchestra”. Speaking as one who participated in this exciting project, I found the rich harmonic blend and counterpoint combined with the strength and subtlety of his parts, compelling and utterly inspiring to play off of ... and was astonished to think so much of this was coming through the head, hands and heart of a single musician. And I never even met him. I don't know how he did it but that is one of the delightful musical riddles which does not need solving. 

Joyful, biting, menacing, muscular, melancholy and euphoric are apt descriptions which are summoned to mind when I listen to his music. All of those elements provided a powerful catalyst for my own contributions. I am honored to have worked with this gifted artist and to have been a part of such an original musical adventure … and I would like to think the mysterious and hugely talented Tone Masseve will not remain unknown for much longer.

Doane Perry

Tone started playing the guitar at age 6 and performing live at age 15. By the time he was 18 he was doing session work in NYC. Legendary Graham Parker saw him playing with a band called Robazz Bowtime, and asked him to play a few gigs. Graham said, “I didn't play with Tone for a great deal of time, but it was one of the most illuminating musical experiences of my career. Yes, he's that good.”

The recording started in 1995 and took more than 20 years to complete. The guitar parts alone took more than two years to record. In 1997, while still working on Amp L'étude, tragically, Tone got pneumonia and died.

In 2016 a wonderful and talented group of musicians came together to finish his long lost album. The first was Doane Perry who added his hard hitting rock drumming to six tracks. Doane was the drummer for the legendary, Grammy winning rock band, Jethro Tull, for twenty-seven years. He also played with Lou Reed, Todd Rundgren and many, many others.

Next was Garry Kvistad who is a Grammy award winning master percussionist. He is a member of the four man percussion group Nexus. The New York Times called Nexus “the high priests of the percussion world.” Steve Reich said, “They are probably the most acclaimed percussion group on earth.” Garry added orchestral percussion; tympani, large gong, orchestral bass drum, glockenspiel, orchestral chimes, and symphonic crash cymbals to two of the pieces

Then members of the vocal group Prana added their voices to a couple of tracks. They gave one piece, “Maria, (She's so) Ave” a decidedly Liverpudlian sound. Finally Maria Todaro was brought in to conduct the choir for “O Fortuna.” Maria is not only an internationally renowned opera singer, stage director, and conductor, but also the general director of The International Festival of the Voice. For this recording, with her deep understanding of the voice as an expressive instrument, she evoked an impassioned performance from the choir.

On YouTube there are twelve 30 second sample videos, one for each of the twelve pieces from “Amp L'étude. “The videos feature the characters from the front cover of the album: https://www.youtube.com/playlist?list=PL2Wu-VN7bmX2249K3hIJy8HgFZTfJC208

In closing Tone had this to impart, “Music has no boundaries. If you play it with all of your heart it doesn’t matter what style it is, the feeling will come through.”

To purchase Tone Masseve's “Amp L'étude”: 
https://www.amazon.com/dp/B07FT6C4S5?ref=cp_d_n_u
store.cdbaby.com/cd/tonemasseve

For more information:
Website: www.tonemasseve.com
FB: https://www.facebook.com/Tone-Masseve-291339831409659/
Twitter: https://twitter.com/TMasseve
Instagram: https://www.instagram.com/tonemasseve/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

6/16/2018

Drum Legend and Rock & Roll Hall of Fame Inductee Bill Bruford's Definitive Boxed Set "Bruford 1977-1980: Seems Like A Lifetime Ago" Nominated For Progressive Music Awards "Reissue of the Year"!


Drum legend and Rock & Roll Hall of Fame inductee Bill Bruford's recently released definitive boxed set “Bruford 1977-1980: Seems Like A Lifetime Ago” has been nominated for “Reissue of the Year” by Progressive Music Awards. Containing the collected works of the band on one extraordinary 6cd/2dvd-a box set, “Seems Like A Lifetime Ago” is a magnificent testament to one of the UK's most inventive and important Progressive Fusion bands.

Voting has begun and will remain open until August 24, 2018. Cast your vote here!
https://www.loudersound.com/features/vote-now-in-the-2018-progressive-music-awards/7

Bill Bruford's official website: http://www.billbruford.com/
Facebook: https://www.facebook.com/billbruford/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

Drum Legend and Rock & Roll Hall of Fame Inductee Bill Bruford's Definitive Boxed Set "Bruford 1977-1980: Seems Like A Lifetime Ago" Nominated For Progressive Music Awards "Reissue of the Year"!


Drum legend and Rock & Roll Hall of Fame inductee Bill Bruford's recently released definitive boxed set “Bruford 1977-1980: Seems Like A Lifetime Ago” has been nominated for “Reissue of the Year” by Progressive Music Awards. Containing the collected works of the band on one extraordinary 6cd/2dvd-a box set, “Seems Like A Lifetime Ago” is a magnificent testament to one of the UK's most inventive and important Progressive Fusion bands.

Voting has begun and will remain open until August 24, 2018. Cast your vote here!
https://www.loudersound.com/features/vote-now-in-the-2018-progressive-music-awards/7

Bill Bruford's official website: http://www.billbruford.com/
Facebook: https://www.facebook.com/billbruford/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

3/02/2018

Drum Legend Terry Bozzio's "Reality Tour" 2018 North America


Los Angeles, CA – Drum legend Terry Bozzio is known for his work with Frank Zappa, Jeff Beck, Korn, UK, Missing Persons, Mick Jagger, Robbie Robertson, Alan Holdsworth, Tony Levin, Steve Vai, Quincy Jones, Ken Scott, Metropole Orkest - as well as Film score composers Basil Poledouris, Mark Isham & Patrick O'Hearn. He is a Grammy Winner, RockWalk Honoree, Modern Drummer Magazine's Hall of Fame Award, & is in Rolling Stone's Top 5 Drummers of All Time! (See more at www.terrybozzio.com)

Unless you have seen Terry, you have no idea what you are in for. Bozzio is an enigmatic, evocative, and engaging musician whose instrument just happens to be the drums. Terry Bozzio is able to accompany himself with bass note patterns and, at the same time, melodically solo with highly developed coordination skills to express a “complete musical statement” on the drum set alone. Drawing from jazz, classical, & ethnic percussion styles from around the world, Terry Bozzio is “a storyteller,” able to weave a hypnotic spell over audiences and enthrall them with an eclectic experience filled with emotion, contrast, variety, intimacy, excitement, & passion.

His is a unique, intense, dynamic, spiritualistic, melodic, orchestral, atmospheric, and musical performance on the largest tuned drum & percussion set in the world. Please note that this is not a bombastic 2 hour drum solo. This is MUSIC on drums. There is space, classical forms & structures, ambient electronic loops, and atmospheric percussion effects, as well as some exciting & fiery drumming that brings audiences to their feet!

He has spent the last 30 years performing Solo Drum Music for Sold Out Audiences all Around the World, from India to Japan, from Europe to North America.

Terry Bozzio tour dates:
Aug 17, 2018 US-AZ-Phoenix, venue TBA
Aug 20, 2018 US-CO-Denver, Soiled Dove
Aug 23, 2018 US-TX-Austin, One World Theatre
Aug 25, 2018 US-TX-McKinney, The Guitar Sanctuary
Aug 27, 2018 US-TN-Nashville, City Winery
Aug 29, 2018 US-KY-Newport, The Southgate House Revival -- Sanctuary
Aug 31, 2018 US-PA-Pittsburgh, Oaks Theatre
Sept 2, 2018 US-DC-Washington, City Winery
Sept 4, 2018 US-PA-Sellersville, ST94
Sept 5, 2018 US-NY-New York City, City Winery
Sept 6, 2018 US-MA-Northampton, Iron Horse Music Hall
Sept 7, 2018 US-MA-Boston, City Winery
Sept 8, 2018 US-MA-Fall River, Narrows Center for the Arts
Sept 10, 2018 CA-QC-Quebec, "Salle Jean Paul Tardif"
Sept 11, 2018 CA-QC-Montreal, Club Soda
Sept 12, 2018 CA-ON-Ottawa, Algonquin Commons Theatre
Sept 14, 2018 CA-ON-Toronto, The Royal
Sept 15, 2018 CA-ON-London, Aeolian Hall
Sept 16, 2018 US-MI-Detroit, The Token Lounge
Sept 18, 2018 US-IL-Chicago, Reggies
Sept 19, 2018 US-WI-Milwaukee, Shank Hall
Sept 21, 2018 US-MN-Minneapolis, The Dakota
Sept 23, 2018 CA-MB-Winnipeg, West End Cultural Centre
Sept 25, 2018 CA-SK-Saskatoon, Broadway Theatre
Sept 27, 2018 CA-AB-Edmonton, Festival Place
Sept 28, 2018 CA-AB-Airdrie, Bert Church Theatre
Oct 1, 2018 CA-BC-Vancouver, Rickshaw Theatre
Oct 2, 2018 US-WA-Seattle, Triple Door
Oct 4, 2018 US-OR-Eugene, WOW Hall
Oct 7, 2018 US-CA-Sacramento,. Harlow´s

Terry's Latest Releases include: (Available at www.terrybozzio.com)

1) Simple Moments (Bozzio's Compositions)

2) Terry Bozzio's “Reality” (Terry recorded real drums alone in studio with sections, solos, breaks & structures made up on the spot, then recorded & overdubbed all the rest of the music by himself.)

3) “No Work-No Food” (Terry composed & recorded music to 22 poems in spoken word of his poet friend Todd Griese (Gandy Dancer Press)

4) “Composer Series” (59 Musical Compositions with a Bozzio’s Painting for Each, in a Vinyl Sized Book including 4 CDs, Blue Ray & Solo Drum Performance DVD) All available from terrybozzio.com

5) “History of Terry Bozzio” DVD (A 3 Hour Live Performance of Terry playing tunes he has played from some favorite bands of the past. With an All Star Japanese Band Terry revisits the Best of Zappa, Beck, UK, Missing Persons, Bozzio Levin Stevens, Nine Short Films w/Billy Sheehan, his Composer Series & a Solo Drum Performance! (set to be released March 2018)

-In addition Bozzio has been creating Art Works since 1975.

He explains, “I first got interested in Art & Sketching at the encouragement of renowned artist Don Van Vliet (aka: Captain Beefheart) who I played with on my first Zappa/Mothers of Invention tour in 1975. He was very encouraging. 2013, I released my first project called Rhythm & Sketch in collaboration with the art group Scene Four. It's been successful & inspired me to do more. (available at www.terrybozzioart.com & www.terrybozzio.com)

“In 2017, I did my first Gallery Show at Channel Islands Studios. I displayed 30 works from 1975 to the present day (Art available at: www.terrybozzio.com). I have used my Art Works as Stage Sets for my tours for years now, & will have New Works on this tour.

“I want to expand the potential of musical drumming. The drum set is a unique American invention that deserves more than it’s usual role of merely timekeeping.”

For more information: www.terrybozzio.com
Terry Bozzio Biography: http://terrybozzio.com/biography/
Terry’s Official Drum Tech for this tour: Shawn Shaulis

Videos: https://www.youtube.com/watch?v=CroX237dzfY#t=36

MAXIMUM Booking
Phone:  0049-(0)-8324-933-851
Fax:  0049-(0)-8324-933-829
E-Mail:  info@MAXIMUMBooking.com
www.MAXIMUMBooking.com ;

Press inquiries: Glass Onion PR, Billy James, PH: 828-350-8158, glassonyonpr@gmail.com