The 3rd Edition of "The Strawberry Bricks Guide to Progressive Rock" by Charles Snider To be Released March 27, 2020

The Strawberry Bricks Guide to Progressive Rock, 3rd Edition

• Reviews of 510+ albums from 1967 - 1982

• 572 pages

• Fully edited, proofread and fact-checked

Back in print for 2020! The definitive record guide to the progressive era of rock music, Strawberry Bricks presents a comprehensive discography with reviews of 500+ albums, with band histories, musical synopses, key tracks and critical commentary, all presented in the historical context of a timeline. Beginning in 1967 and continuing through 1982, a generation of musicians took rock music in directions unforeseen as they charted what would become known as progressive rock. From art rock to krautrock, from England to Germany to Italy and all across Europe, Strawberry Bricks offers a candid reappraisal of rock’s most cerebral genre. Also for this edition, Matt Howarth has revisited his original artwork from the first edition of the book.

Says Charles, “The newly written Prologue offers a historical perspective of the pretext to the progressive era, beginning post-WWII, while the Epilogue offers a current perspective on progressive rock since the early 80's. I've also spent a good deal of time fact-checking every detail in the book, including song titles and artist names. Further, this edition has been professionally edited and peer reviewed, all to make this as exacting and rewarding a book as the music it covers. Strawberry Bricks is another narrative on the classic era of progressive rock, one with hopefully a novel and candid outlook on the genre, its albums and the men that made it one of the most interesting chapters in rock's history.”

With 212 more reviews, 210 more pages, completely fact-checked and professionally edited, and with a full index, the third edition is a substantial upgrade to owners of the first edition of the book. For owners of the second edition, Matt Howarth once again revisits his original artwork for Strawberry Bricks. Enjoy the music!

Praise for Strawberry Bricks:

“In Strawberry Bricks Charles Snider gives us a history of progressive rock from 1967 to 1982 through his astute, colourful and insightful entries on a personal selection of over 500 albums – and not always the obvious choices. He acts as an informed and trustworthy guide leading the reader on a fascinating journey through the genre.” - Mike Barnes, A New Day Yesterday: UK Progressive Rock & The 1970s

“Snider’s research is impeccable, his writing style enjoyable and it’s hard to fault the inclusion of any of the hundreds of albums he covers.” - Kev Rowland, The Progressive Underground

“Most impressive! I can see it’s phenomenally well researched. Well done.” - Hugh Banton, Van der Graaf Generator

Comments on previous editions of Strawberry Bricks:

“Only one major book on progressive rock that matters has been published this year, and it's this one: The Strawberry Bricks Guide to Progressive Rock (Revised and Expanded Edition) by Charles Snider. This is a work of great passion and expertise by a true aficionado and historian of the form. It's an exhaustive, comprehensive and engaging overview of the genre. It also offers 500+ reviews of important albums from the "golden era" of this music from 1967 to 1982. This is a valuable addition to the library of every enthusiast of progressive music.” - Anil Prasad, Innerviews

“Charles Snider has an encyclopedic knowledge of progressive rock, and has accrued one of the world’s most formidable record collections. No one is better equipped to write the definitive discography of this rich genre of music.” - Jonathan Schang, District 97

About the Author:
Charles Snider has been collecting records since the early 1970s, amassing one of the most complete archives of progressive rock. “One of my earliest memories of vinyl was The Beatles' 'Paperback Writer' b/w 'Rain.' Musically, my love for British music and everything thereafter starts with The Beatles. My daughters are even named after Beatles’ songs!” Snider's self-professed passion for the music “archaeology” continued over the decades, branching out to many other genres of music. “In the early 90s, Kevin Eden and I curated the WMO label, with the cooperation and support of Wire. The CD was a new format, and we released a lot of hard to find records, as well as unreleased archival material and two very good tribute discs.” Upon moving to Chicago in 2000, he began writing the first edition of The Strawberry Bricks Guide to Progressive Rock. “I've always loved record guides. Certainly, Ira Robbin’s Trouser Press was the prototype, but growing up in the 70s with magazines like Circus, Creem and of course Rolling Stone, I've always enjoyed the passion writers convey about music.” While not listening to prog rock in his man-cave, Snider can be found blogging about personal technology or cheering on the Chicago Blackhawks.

The 3rd Edition of “The Strawberry Bricks Guide to Progressive Rock” will be released on March 27th, 2020. Available directly from http://strawberrybricks.com/the-book, and from Amazon.com (including UK, JP and the EU). Published by http://www.strawberrybricks.com/ via Kindle Direct Publishing, an Amazon company.

To purchase from Amazon:
Amazon.com: https://amzn.to/39eAui9
Amazon.co.uk https://amzn.to/2JaeQkA

For more information: http://www.strawberrybricks.com/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

The 3rd Edition of "The Strawberry Bricks Guide to Progressive Rock" by Charles Snider To be Released March 27, 2020

The Strawberry Bricks Guide to Progressive Rock, 3rd Edition

• Reviews of 510+ albums from 1967 - 1982

• 572 pages

• Fully edited, proofread and fact-checked

Back in print for 2020! The definitive record guide to the progressive era of rock music, Strawberry Bricks presents a comprehensive discography with reviews of 500+ albums, with band histories, musical synopses, key tracks and critical commentary, all presented in the historical context of a timeline. Beginning in 1967 and continuing through 1982, a generation of musicians took rock music in directions unforeseen as they charted what would become known as progressive rock. From art rock to krautrock, from England to Germany to Italy and all across Europe, Strawberry Bricks offers a candid reappraisal of rock’s most cerebral genre. Also for this edition, Matt Howarth has revisited his original artwork from the first edition of the book.

Says Charles, “The newly written Prologue offers a historical perspective of the pretext to the progressive era, beginning post-WWII, while the Epilogue offers a current perspective on progressive rock since the early 80's. I've also spent a good deal of time fact-checking every detail in the book, including song titles and artist names. Further, this edition has been professionally edited and peer reviewed, all to make this as exacting and rewarding a book as the music it covers. Strawberry Bricks is another narrative on the classic era of progressive rock, one with hopefully a novel and candid outlook on the genre, its albums and the men that made it one of the most interesting chapters in rock's history.”

With 212 more reviews, 210 more pages, completely fact-checked and professionally edited, and with a full index, the third edition is a substantial upgrade to owners of the first edition of the book. For owners of the second edition, Matt Howarth once again revisits his original artwork for Strawberry Bricks. Enjoy the music!

Praise for Strawberry Bricks:

“In Strawberry Bricks Charles Snider gives us a history of progressive rock from 1967 to 1982 through his astute, colourful and insightful entries on a personal selection of over 500 albums – and not always the obvious choices. He acts as an informed and trustworthy guide leading the reader on a fascinating journey through the genre.” - Mike Barnes, A New Day Yesterday: UK Progressive Rock & The 1970s

“Snider’s research is impeccable, his writing style enjoyable and it’s hard to fault the inclusion of any of the hundreds of albums he covers.” - Kev Rowland, The Progressive Underground

“Most impressive! I can see it’s phenomenally well researched. Well done.” - Hugh Banton, Van der Graaf Generator

Comments on previous editions of Strawberry Bricks:

“Only one major book on progressive rock that matters has been published this year, and it's this one: The Strawberry Bricks Guide to Progressive Rock (Revised and Expanded Edition) by Charles Snider. This is a work of great passion and expertise by a true aficionado and historian of the form. It's an exhaustive, comprehensive and engaging overview of the genre. It also offers 500+ reviews of important albums from the "golden era" of this music from 1967 to 1982. This is a valuable addition to the library of every enthusiast of progressive music.” - Anil Prasad, Innerviews

“Charles Snider has an encyclopedic knowledge of progressive rock, and has accrued one of the world’s most formidable record collections. No one is better equipped to write the definitive discography of this rich genre of music.” - Jonathan Schang, District 97

About the Author:
Charles Snider has been collecting records since the early 1970s, amassing one of the most complete archives of progressive rock. “One of my earliest memories of vinyl was The Beatles' 'Paperback Writer' b/w 'Rain.' Musically, my love for British music and everything thereafter starts with The Beatles. My daughters are even named after Beatles’ songs!” Snider's self-professed passion for the music “archaeology” continued over the decades, branching out to many other genres of music. “In the early 90s, Kevin Eden and I curated the WMO label, with the cooperation and support of Wire. The CD was a new format, and we released a lot of hard to find records, as well as unreleased archival material and two very good tribute discs.” Upon moving to Chicago in 2000, he began writing the first edition of The Strawberry Bricks Guide to Progressive Rock. “I've always loved record guides. Certainly, Ira Robbin’s Trouser Press was the prototype, but growing up in the 70s with magazines like Circus, Creem and of course Rolling Stone, I've always enjoyed the passion writers convey about music.” While not listening to prog rock in his man-cave, Snider can be found blogging about personal technology or cheering on the Chicago Blackhawks.

The 3rd Edition of “The Strawberry Bricks Guide to Progressive Rock” will be released on March 27th, 2020. Available directly from http://strawberrybricks.com/the-book, and from Amazon.com (including UK, JP and the EU). Published by http://www.strawberrybricks.com/ via Kindle Direct Publishing, an Amazon company.

To purchase from Amazon:
Amazon.com: https://amzn.to/39eAui9
Amazon.co.uk https://amzn.to/2JaeQkA

For more information: http://www.strawberrybricks.com/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Award Winning Documentary "MELODY MAKERS The Bible of Rock 'n Roll" Companion Interactive Apple Book Now Available

Featuring ERIC BURDON (The Animals), IAN ANDERSON (Jethro Tull), YES (Steve Howe, Chris Squire, Alan White), DAVE COUSINS (The Strawbs), JUDY DYBLE (Fairport Convention), Nazareth (PETE AGNEW & DAN MCCAFFERTY) and STEVE ABBOTT (UK Decay)

In tandem with the theatrical and home entertainment release of the film MELODY MAKERS (December 17. 2019) comes the release of the Melody Makers Companion Apple Book. An immersive experience, this interactive book takes users through the rise of Melody Maker magazine through a series of rock trivia games, photo puzzles, embedded interviews, and a photographic gallery full of Barrie Wentzell's Legends Series from his iconic rock photographic archive (1965-1975). The book is a robust partner to the film that offers viewers an added music history experience. The book was “invented” - designed, curated and created - by Canadian filmmaker, and film festival producer Leslie Ann Coles.







For more information:
http://www.melodymakersmovie.com/ibook
https://books.apple.com/au/book/melody-makers/id1471754506?mt=11&app=itunes

MELODY MAKERS is not just another music doc. It chronicles the birth of music journalism and the world’s oldest and longest standing seminal music magazine; Melody Maker. Through a series of interviews from artists (Ian Anderson/JETHRO TULL, Eric Burdon/THE ANIMALS, Alan White, Steve Howe and Chris Squire/YES, among others) and journalists of the time, the film tells the true story of the rise and fall of the world’s most influential music publication and uncovers an era of tremendous creative freedom.

At the heart of the story is Barrie Wentzell, Chief Contributing Photographer of Melody Maker Magazine (1965-1975) and his iconic photographic archive of legendary musicians during the birth of the rock 'n roll era, who along with his journalist colleagues gained unprecedented access to bands and musicians that would go on to become the legends of rock n' roll. Wentzell's photos are the touchstone of this documentary as the photographer and others recount the many untold stories from behind the pictures. Barrie recalls a Peter Townshend telling him about an idea he had for a rock opera when Tommy was a concept. Melody Maker journalist, Chris Charlesworth recalls when the magazine tried to expand into the US market without paying off the mobsters who controlled magazine distribution in key cities such as New York, and PR Keith Altham shares an anecdotal story about a publicity stunt gone awry involving the notorious drummer, Keith Moon and a hovercraft.

Beyond the visual stories told, Melody Maker includes interviews ERIC BURDON (The Animals), IAN ANDERSON (Jethro Tull), YES (Steve Howe, Chris Squire, Alan White), DAVE COUSINS (The Strawbs), JUDY DYBLE (Fairport Convention), Nazareth (PETE AGNEW & DAN MCCAFFERTY) and SEVE ABBOTT (UK Decay); journalists CHRIS WELCH, CHRIS CHARLESWORTH, ALLAN JONES (Senior Editor UNCUT Magazine); ALAN LEWIS; and other notable subjects PETER WHITEHEAD (filmmaker Charlie My Darling), ROGER DEAN (artist), JEFF DEXTER (DJ/ Promoter), KEITH ALTHAM (PR for The Rolling Stones, The Who) and GLEN COLSON (Stiff Records) to name a few.

BIOGRAPHY
Leslie Ann is thrilled to launch her debut feature documentary MELODY MAKERS with the enhanced Apple Book made possible with the generous support of Telefilm Canada’s Marketing and Promotions Program. As the executive producer and director of LA Coles Fine Art Films she is currently engaged in a wide variety of works which include theatrical features, non-scripted TV, documentaries, shorts and interactive digital media. Her company is committed to producing films and cross platform projects that combine art, entertainment and social justice. Coles is a Women In the Director’s Chair alumni, and a recipient of three CTV Banff Fellowships for original series. Founder of the Female Eye Film Festival (FeFF) in 2001 to address gender parity in the film industry, she has executive-produced 46 short films directed by at risk female youth through the Young Filmmaker Development Workshop (YFDW), a program established under the auspices of the FeFF.  In her capacity as Festival Director for the past 17 years, she oversees the rigorous evaluation and selection of independent films for FeFF from over 2,500 entries every year. Intimately familiar with the local and international filmmaking community since 2001 with the inaugural festival and her debut multiple-award-winning film “In The Refrigerator: Spirit of a Haunted Dancer,” Leslie Ann’s strength is her ability to creatively strategize projects and determine market potential during the development process, always with a critical understanding of a film’s milieu, be it social, cultural, or art-focused.

MELODY MAKERS will see a limited theatrical release on November 29, 2019 at the Arena CineLounge Sunset, 6464 Sunset Blvd, Hollywood CA,  followed by the Apple iBook on the same day and the DVD Release on December 17, 2019.

MELODY MAKERS,  English, Color, Stereo, 5.1 HD, 78 min., Canada 

“A cinematic love letter to late British weekly music magazine Melody Maker — captures a vital passage in 20th century music history.” - Kim Hughes, Original Cin

“This cheerful history of the music weekly Melody Maker has enough inside dope to maintain interest.” - Adrian Mack, The Georgia Straight

“Whimsically titled Melody Makers leans heavily on Barrie Wentzell, chief photographer from 1965-1975, both for his recollections and his amazing collection of images.” - Chris Knight, The National Post

“Melody Makers is charming, informative, and highly entertaining.” - Andrew Parker, The Gate

“The narrator-less film rattles along to the extent that I couldn’t believe it was over, so enthralled was I by the anecdotes, analysis, pictures and film of such an extraordinary ten years of music.” - Martin Webb, A New Day

“The tunes and the images, combined with countless inspiring and entertaining first-hand recollections brilliantly resurrect a time that produced some of the most remarkable artists that have ever lived.” - Amy Balog, 60’s Today

FESTIVAL AWARDS FOR MELODY MAKERS
WINNER Best Music Documentary, 18th Bare Bones International Film Festival 2017
WINNER Best Documentary, 8th Fort Myers Film Festival 2018
WINNER Best International Documentary, 16th Garden State Film Festival 2018
WINNER Audience Choice Award, Hot Springs Women’s Film Festival 2018
WINNER Gold Award Best Documentary, Spotlight Film Festival 2018
WINNER Best International Documentary, Color Tape Film Festival 2018
WINNER Best Documentary, Meraki Film Festival  2018
WINNER Best Director, Borderlands Film Festival 2018
WINNER Best Feature Documentary, Nice IFF 2018
WINNER Best Documentary, MedFF 2019

To purchase “MELODY MAKERS The Bible of Rock 'n Roll” documentary: https://www.amazon.com/Melody-Makers-Ian-Anderson/dp/B07WGJKDNK/








Copyright © Barrie Wentzell

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com


CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com
Facebook @Cleopatrarecords
https://www.facebook.com/CleopatraRecords/
Instagram @cleopatrarecords
https://www.instagram.com/cleopatrarecords/
Twitter @cleopatrarecord
https://twitter.com/cleopatrarecord
Youtube @Cleopatrarecords
https://www.youtube.com/channel/UCopQ0616Fpfrq8Gt0N-0zOQ
Soundcloud @cleopatra-recs
https://soundcloud.com/cleopatra-recs
Dailymotion @Cleopatrarecords
https://www.dailymotion.com/CleopatraRecords
Vimeo @cleopatrarecords
https://vimeo.com/cleopatrarecords
Spotify  @cleopatra_recs
https://open.spotify.com/user/cleopatra_recs
Linkedin @cleopatra-records
https://www.linkedin.com/company/cleopatra-records

Award Winning Documentary "MELODY MAKERS The Bible of Rock 'n Roll" Companion Interactive Apple Book Now Available

Featuring ERIC BURDON (The Animals), IAN ANDERSON (Jethro Tull), YES (Steve Howe, Chris Squire, Alan White), DAVE COUSINS (The Strawbs), JUDY DYBLE (Fairport Convention), Nazareth (PETE AGNEW & DAN MCCAFFERTY) and STEVE ABBOTT (UK Decay)

In tandem with the theatrical and home entertainment release of the film MELODY MAKERS (December 17. 2019) comes the release of the Melody Makers Companion Apple Book. An immersive experience, this interactive book takes users through the rise of Melody Maker magazine through a series of rock trivia games, photo puzzles, embedded interviews, and a photographic gallery full of Barrie Wentzell's Legends Series from his iconic rock photographic archive (1965-1975). The book is a robust partner to the film that offers viewers an added music history experience. The book was “invented” - designed, curated and created - by Canadian filmmaker, and film festival producer Leslie Ann Coles.







For more information:
http://www.melodymakersmovie.com/ibook
https://books.apple.com/au/book/melody-makers/id1471754506?mt=11&app=itunes

MELODY MAKERS is not just another music doc. It chronicles the birth of music journalism and the world’s oldest and longest standing seminal music magazine; Melody Maker. Through a series of interviews from artists (Ian Anderson/JETHRO TULL, Eric Burdon/THE ANIMALS, Alan White, Steve Howe and Chris Squire/YES, among others) and journalists of the time, the film tells the true story of the rise and fall of the world’s most influential music publication and uncovers an era of tremendous creative freedom.

At the heart of the story is Barrie Wentzell, Chief Contributing Photographer of Melody Maker Magazine (1965-1975) and his iconic photographic archive of legendary musicians during the birth of the rock 'n roll era, who along with his journalist colleagues gained unprecedented access to bands and musicians that would go on to become the legends of rock n' roll. Wentzell's photos are the touchstone of this documentary as the photographer and others recount the many untold stories from behind the pictures. Barrie recalls a Peter Townshend telling him about an idea he had for a rock opera when Tommy was a concept. Melody Maker journalist, Chris Charlesworth recalls when the magazine tried to expand into the US market without paying off the mobsters who controlled magazine distribution in key cities such as New York, and PR Keith Altham shares an anecdotal story about a publicity stunt gone awry involving the notorious drummer, Keith Moon and a hovercraft.

Beyond the visual stories told, Melody Maker includes interviews ERIC BURDON (The Animals), IAN ANDERSON (Jethro Tull), YES (Steve Howe, Chris Squire, Alan White), DAVE COUSINS (The Strawbs), JUDY DYBLE (Fairport Convention), Nazareth (PETE AGNEW & DAN MCCAFFERTY) and SEVE ABBOTT (UK Decay); journalists CHRIS WELCH, CHRIS CHARLESWORTH, ALLAN JONES (Senior Editor UNCUT Magazine); ALAN LEWIS; and other notable subjects PETER WHITEHEAD (filmmaker Charlie My Darling), ROGER DEAN (artist), JEFF DEXTER (DJ/ Promoter), KEITH ALTHAM (PR for The Rolling Stones, The Who) and GLEN COLSON (Stiff Records) to name a few.

BIOGRAPHY
Leslie Ann is thrilled to launch her debut feature documentary MELODY MAKERS with the enhanced Apple Book made possible with the generous support of Telefilm Canada’s Marketing and Promotions Program. As the executive producer and director of LA Coles Fine Art Films she is currently engaged in a wide variety of works which include theatrical features, non-scripted TV, documentaries, shorts and interactive digital media. Her company is committed to producing films and cross platform projects that combine art, entertainment and social justice. Coles is a Women In the Director’s Chair alumni, and a recipient of three CTV Banff Fellowships for original series. Founder of the Female Eye Film Festival (FeFF) in 2001 to address gender parity in the film industry, she has executive-produced 46 short films directed by at risk female youth through the Young Filmmaker Development Workshop (YFDW), a program established under the auspices of the FeFF.  In her capacity as Festival Director for the past 17 years, she oversees the rigorous evaluation and selection of independent films for FeFF from over 2,500 entries every year. Intimately familiar with the local and international filmmaking community since 2001 with the inaugural festival and her debut multiple-award-winning film “In The Refrigerator: Spirit of a Haunted Dancer,” Leslie Ann’s strength is her ability to creatively strategize projects and determine market potential during the development process, always with a critical understanding of a film’s milieu, be it social, cultural, or art-focused.

MELODY MAKERS will see a limited theatrical release on November 29, 2019 at the Arena CineLounge Sunset, 6464 Sunset Blvd, Hollywood CA,  followed by the Apple iBook on the same day and the DVD Release on December 17, 2019.

MELODY MAKERS,  English, Color, Stereo, 5.1 HD, 78 min., Canada 

“A cinematic love letter to late British weekly music magazine Melody Maker — captures a vital passage in 20th century music history.” - Kim Hughes, Original Cin

“This cheerful history of the music weekly Melody Maker has enough inside dope to maintain interest.” - Adrian Mack, The Georgia Straight

“Whimsically titled Melody Makers leans heavily on Barrie Wentzell, chief photographer from 1965-1975, both for his recollections and his amazing collection of images.” - Chris Knight, The National Post

“Melody Makers is charming, informative, and highly entertaining.” - Andrew Parker, The Gate

“The narrator-less film rattles along to the extent that I couldn’t believe it was over, so enthralled was I by the anecdotes, analysis, pictures and film of such an extraordinary ten years of music.” - Martin Webb, A New Day

“The tunes and the images, combined with countless inspiring and entertaining first-hand recollections brilliantly resurrect a time that produced some of the most remarkable artists that have ever lived.” - Amy Balog, 60’s Today

FESTIVAL AWARDS FOR MELODY MAKERS
WINNER Best Music Documentary, 18th Bare Bones International Film Festival 2017
WINNER Best Documentary, 8th Fort Myers Film Festival 2018
WINNER Best International Documentary, 16th Garden State Film Festival 2018
WINNER Audience Choice Award, Hot Springs Women’s Film Festival 2018
WINNER Gold Award Best Documentary, Spotlight Film Festival 2018
WINNER Best International Documentary, Color Tape Film Festival 2018
WINNER Best Documentary, Meraki Film Festival  2018
WINNER Best Director, Borderlands Film Festival 2018
WINNER Best Feature Documentary, Nice IFF 2018
WINNER Best Documentary, MedFF 2019

To purchase “MELODY MAKERS The Bible of Rock 'n Roll” documentary: https://www.amazon.com/Melody-Makers-Ian-Anderson/dp/B07WGJKDNK/








Copyright © Barrie Wentzell

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com


CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com
Facebook @Cleopatrarecords
https://www.facebook.com/CleopatraRecords/
Instagram @cleopatrarecords
https://www.instagram.com/cleopatrarecords/
Twitter @cleopatrarecord
https://twitter.com/cleopatrarecord
Youtube @Cleopatrarecords
https://www.youtube.com/channel/UCopQ0616Fpfrq8Gt0N-0zOQ
Soundcloud @cleopatra-recs
https://soundcloud.com/cleopatra-recs
Dailymotion @Cleopatrarecords
https://www.dailymotion.com/CleopatraRecords
Vimeo @cleopatrarecords
https://vimeo.com/cleopatrarecords
Spotify  @cleopatra_recs
https://open.spotify.com/user/cleopatra_recs
Linkedin @cleopatra-records
https://www.linkedin.com/company/cleopatra-records

Is Prog Rock Really Progressive? A New Book Discussing the Progress in Progressive Rock Music

Is Prog Rock really progressive anymore? How do the current Prog bands feel about the genre and its legacy? Do they feel that there is progress in the music they perform? Different Prog artists/bands are being interviewed and answer 5 questions about the current status of the Progressive Rock and its culture. This exploratory research focuses on exploring the present and the future of a music genre that survived through the years due to its innovative nature.

While most of the previous Prog books focus on historical facts of the genre, this journalistic effort is a self-criticism of the genre through the looking glass of modern and active Prog musicians. The book starts with an introduction to Prog Rock by VIAJERO INMÓVIL Records (Argentina) and the rest of the material is divided into chapters that include the musicians’ answers to the following discussion themes:

1. What is progress in Progressive Rock?
2. Is Progressive Rock really progressive?
3. Accepting other music genres as progressive music
4. Next step for the progress of Progressive Rock
5. Technology and Progressive Rock

The participating Prog artists/bands that are being interviewed: Aisles, Anubis, Ant-Bee, EchoTest, Evership, Karakorum, Kotebel, Life After Mars, Light Freedom Revival, Lars Eric Mattson, Liquid Orbit, Magenta, Mouth, Process of Illumination, RTFACT, Robert Berry, Seven Impale, Soul Enema, Sproingg, Terra Collective, Time King, Wobbler, Yang.

The book was written by Vasileios Yfantis who has also authored other thematic books on Punk, Metal and music technology. Next plans for Vasileios Yfantis include the release of a Prog musical album in 2020 and a new book on melodic rock scheduled for release during the early 2021.

Product details
Paperback: 119 pages
Publisher: CreateSpace Independent Publishing Platform (January 11, 2020)
Language: English
ISBN-10: 1548614416
ISBN-13: 978-1548614416

Book Distribution
Paperback version: https://www.amazon.com/Prog-Rock-Really-Progressive/dp/1548614416/
E-book version:
https://www.amazon.com/gp/product/B083RK8N59

About the author
Vasileios Yfantis has been working in the music industry for more than 20 years as a freelance music journalist. Moreover, he holds 2 Master Degrees in Information Technology and he is a Phd candidate in University of West Attica in Greece. Vasileios has presented conference papers in both Europe and Africa. The main areas of his research interests feature: Musicology, Marketing, Information Communications Technology, Digital Entertainment Industry.

Bibliography
1. V. Yfantis, “The Commercial Exploitation Of Color As A Consumer Stimulus” (Greek Edition), Createspace, 2013.
2. V. Yfantis, “The Lost Lyrics” (Greek Edition), Createspace, 2013.
3. V. Yfantis, “Punk Goes Science: The Academic Punk Bibliography”,CreateSpace, 2014.
4. V. Yfantis, “City Streets Of Europe”, Lulu, 2017.
5. V. Yfantis, “Metal Goes Science”, Createspace 2017.
6. V. Yfantis, “Disadvantaged Populations And Technology In Music”, Createspace 2017.
7. V. Yfantis, “Hip Hop Goes Science: Volume I”, Createspace 2019.

For more information about Yfantis books, check out here: https://www.amazon.com/Vasileios-Yfantis/e/B00JNNL306

For more information about Yfantis music, check out here: https://billyyfantis.bandcamp.com/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Is Prog Rock Really Progressive? A New Book Discussing the Progress in Progressive Rock Music

Is Prog Rock really progressive anymore? How do the current Prog bands feel about the genre and its legacy? Do they feel that there is progress in the music they perform? Different Prog artists/bands are being interviewed and answer 5 questions about the current status of the Progressive Rock and its culture. This exploratory research focuses on exploring the present and the future of a music genre that survived through the years due to its innovative nature.

While most of the previous Prog books focus on historical facts of the genre, this journalistic effort is a self-criticism of the genre through the looking glass of modern and active Prog musicians. The book starts with an introduction to Prog Rock by VIAJERO INMÓVIL Records (Argentina) and the rest of the material is divided into chapters that include the musicians’ answers to the following discussion themes:

1. What is progress in Progressive Rock?
2. Is Progressive Rock really progressive?
3. Accepting other music genres as progressive music
4. Next step for the progress of Progressive Rock
5. Technology and Progressive Rock

The participating Prog artists/bands that are being interviewed: Aisles, Anubis, Ant-Bee, EchoTest, Evership, Karakorum, Kotebel, Life After Mars, Light Freedom Revival, Lars Eric Mattson, Liquid Orbit, Magenta, Mouth, Process of Illumination, RTFACT, Robert Berry, Seven Impale, Soul Enema, Sproingg, Terra Collective, Time King, Wobbler, Yang.

The book was written by Vasileios Yfantis who has also authored other thematic books on Punk, Metal and music technology. Next plans for Vasileios Yfantis include the release of a Prog musical album in 2020 and a new book on melodic rock scheduled for release during the early 2021.

Product details
Paperback: 119 pages
Publisher: CreateSpace Independent Publishing Platform (January 11, 2020)
Language: English
ISBN-10: 1548614416
ISBN-13: 978-1548614416

Book Distribution
Paperback version: https://www.amazon.com/Prog-Rock-Really-Progressive/dp/1548614416/
E-book version:
https://www.amazon.com/gp/product/B083RK8N59

About the author
Vasileios Yfantis has been working in the music industry for more than 20 years as a freelance music journalist. Moreover, he holds 2 Master Degrees in Information Technology and he is a Phd candidate in University of West Attica in Greece. Vasileios has presented conference papers in both Europe and Africa. The main areas of his research interests feature: Musicology, Marketing, Information Communications Technology, Digital Entertainment Industry.

Bibliography
1. V. Yfantis, “The Commercial Exploitation Of Color As A Consumer Stimulus” (Greek Edition), Createspace, 2013.
2. V. Yfantis, “The Lost Lyrics” (Greek Edition), Createspace, 2013.
3. V. Yfantis, “Punk Goes Science: The Academic Punk Bibliography”,CreateSpace, 2014.
4. V. Yfantis, “City Streets Of Europe”, Lulu, 2017.
5. V. Yfantis, “Metal Goes Science”, Createspace 2017.
6. V. Yfantis, “Disadvantaged Populations And Technology In Music”, Createspace 2017.
7. V. Yfantis, “Hip Hop Goes Science: Volume I”, Createspace 2019.

For more information about Yfantis books, check out here: https://www.amazon.com/Vasileios-Yfantis/e/B00JNNL306

For more information about Yfantis music, check out here: https://billyyfantis.bandcamp.com/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

The Keith Emerson Estate Announces the Release of the ‘Selections From Emerson Plays Emerson and Other Works’ Music Transcriptions Book – OUT NOW!

The Keith Emerson Estate is pleased to announce the completion and release of the music transcriptions book that Keith Emerson had been approving at the time of his passing.

The 25 transcriptions were created by a group of fans of the late composer’s work, and began as just the compositions on the ‘Emerson Plays Emerson’ album, before the book was expanded to include other works including “Piano Concerto No 1.”

The Emerson Estate would like to thank Jean Casavant and Gianfelice Riccardi for leading the groups of fans preparing these transcriptions. The Emerson Estate has commissioned its own quality control of the transcriptions and approved this book.

The book features a foreword adapted from Emerson’s emails about the project and a previously unpublished poem about composing which gives us an insight into Emerson’s mind.

Part of the late Keith Emerson’s foreword reads “So imagine my delight when news reached me that people had felt moved enough by my compositions to create transcriptions of them! Hopefully the “Emerson Plays Emerson” transcriptions will, in some small way, be useful to the next generation of composers to play and practice upon. I am humbled.”



The book is exclusively available as an Amazon Print-on-Demand book via the below link: https://geni.us/EPlaysEtranscriptions

The ‘Emerson Plays Emerson’ album continues to be available via the below links:
Amazon CD: https://geni.us/EplaysE
iTunes: https://geni.us/KE002dig
GooglePlay: https://geni.us/EPlaysEGP
Spotify: https://geni.us/EPlaysESpotify

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

The Keith Emerson Estate Announces the Release of the ‘Selections From Emerson Plays Emerson and Other Works’ Music Transcriptions Book – OUT NOW!

The Keith Emerson Estate is pleased to announce the completion and release of the music transcriptions book that Keith Emerson had been approving at the time of his passing.

The 25 transcriptions were created by a group of fans of the late composer’s work, and began as just the compositions on the ‘Emerson Plays Emerson’ album, before the book was expanded to include other works including “Piano Concerto No 1.”

The Emerson Estate would like to thank Jean Casavant and Gianfelice Riccardi for leading the groups of fans preparing these transcriptions. The Emerson Estate has commissioned its own quality control of the transcriptions and approved this book.

The book features a foreword adapted from Emerson’s emails about the project and a previously unpublished poem about composing which gives us an insight into Emerson’s mind.

Part of the late Keith Emerson’s foreword reads “So imagine my delight when news reached me that people had felt moved enough by my compositions to create transcriptions of them! Hopefully the “Emerson Plays Emerson” transcriptions will, in some small way, be useful to the next generation of composers to play and practice upon. I am humbled.”



The book is exclusively available as an Amazon Print-on-Demand book via the below link: https://geni.us/EPlaysEtranscriptions

The ‘Emerson Plays Emerson’ album continues to be available via the below links:
Amazon CD: https://geni.us/EplaysE
iTunes: https://geni.us/KE002dig
GooglePlay: https://geni.us/EPlaysEGP
Spotify: https://geni.us/EPlaysESpotify

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Todd Rundgren Presents Braille Copy of His Autobiography "The Individualist" To The Library of Congress

Longtime fan of Todd Rundgren Julie Dye attended his show in Cleveland on May 6th and presented Todd with a Braille version of his book “The Individualist” that Chelsea, her blind daughter, had made by hand.



As the first leg of the current White Album Tribute tour featuring Todd Rundgren, Micky Dolenz, Christopher Cross, Joey Molland and Jason Scheff was ending in Washington, DC on October 20th, Todd thought of presenting the book to the Library of Congress (specifically the National Library Service For The Blind And Disabled division).

A presentation at the Librarian of Congress Ceremonial Office was held the morning of October 21. Todd flew Julie and Chelsea to Washington to attend the DC concert and the ceremony the following morning.



The brief ceremony was held in the Librarian’s Ceremonial Office at the historic Thomas Jefferson Building of the Library Of Congress on Capitol Hill. The Library was represented by Karen Keninger, Director of the National Library Service for the Blind and Print Disabled, Jason Yasner, Deputy Director of the National Library Service for the Blind and Print Disabled, and Mark Sweeney, Principal Deputy Librarian Of Congress.

The second leg of the White Album Tribute tour resumes on November 30th in Pittsburgh.

Press inquiries:   
Glass Onyon PR
PH: 828-350-8158
glassonyonpr@gmail.com


CLEOPATRA RECORDS, Inc.  
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com

Todd Rundgren Presents Braille Copy of His Autobiography "The Individualist" To The Library of Congress

Longtime fan of Todd Rundgren Julie Dye attended his show in Cleveland on May 6th and presented Todd with a Braille version of his book “The Individualist” that Chelsea, her blind daughter, had made by hand.



As the first leg of the current White Album Tribute tour featuring Todd Rundgren, Micky Dolenz, Christopher Cross, Joey Molland and Jason Scheff was ending in Washington, DC on October 20th, Todd thought of presenting the book to the Library of Congress (specifically the National Library Service For The Blind And Disabled division).

A presentation at the Librarian of Congress Ceremonial Office was held the morning of October 21. Todd flew Julie and Chelsea to Washington to attend the DC concert and the ceremony the following morning.



The brief ceremony was held in the Librarian’s Ceremonial Office at the historic Thomas Jefferson Building of the Library Of Congress on Capitol Hill. The Library was represented by Karen Keninger, Director of the National Library Service for the Blind and Print Disabled, Jason Yasner, Deputy Director of the National Library Service for the Blind and Print Disabled, and Mark Sweeney, Principal Deputy Librarian Of Congress.

The second leg of the White Album Tribute tour resumes on November 30th in Pittsburgh.

Press inquiries:   
Glass Onyon PR
PH: 828-350-8158
glassonyonpr@gmail.com


CLEOPATRA RECORDS, Inc.  
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com

Todd Rundgren Announces "The Individualist" World Tour Presented By SiriusXM

PHOTO: © 2018 Lynn Goldsmith

Tickets On Sale December 10, 2018 at 10AM Local Time

Citi Presale Begins December 04, 2018 at 10AM Local Time

Los Angeles - Current Rock & Roll Hall of Fame nominee Todd Rundgren will be embarking on the world’s first hybrid concert/book tour this spring, highlighting both his hits as well as “deep tracks” spanning his 50-year career.

Produced by Live Nation and presented by SiriusXM, the North American leg of the tour starts in Atlanta, GA and hits major markets before wrapping in San Francisco, CA. The North American dates will be preceded by dates in Europe/UK and followed by dates in Japan. Full itinerary is below.

Rundgren’s long-awaited autobiography, The Individualist: digressions, dreams and dissertations, is being released by Cleopatra Press on December 21, documenting his life through his 50th birthday. The concert set list will mirror that time period, consisting of song selections from the inception of his musical career through 1996, with intros & stories behind the songs and Rundgren’s impressive career.

He will be playing back-to-back shows in the ten North American markets in order to be available for books signings and local TV and radio appearances on the second show day in each city. Tickets go on sale Monday, December 10 at 10AM Local Time. Two-day ticket packages, along with single-day tickets, will be available in each North American market.

Citi is the official presale credit card of the Todd Rundgren – The Individualist Tour. As such, Citi cardmembers will have access to purchase presale tickets beginning Tuesday, December 4th at 10AM local time until Sunday, December 9th at 10PM local time through Citi’s Private Pass program. For complete presale details, visit www.citiprivatepass.com.

FOR INTERVIEW REQUESTS CONTACT: Paul Maloney, Panacea Entertainment paul@panacea-ent.com



The Individualist: digressions, dreams and dissertations is available now for pre-order at: 
Amazon.Com: Pre-order Todd: https://www.amazon.com/Individualist-Digressions-Dreams-Dissertations/dp/0997205652

Europe: https://www.amazon.co.uk/Individualist-Digressions-Dreams-Dissertations/dp/0997205652

TODD RUNDGREN “THE INDIVIDUALIST TOUR”

April 1 - Theater am Mareintor - Duisburg, Germany
April 2 - Laeiszhalle - Hamburg, Germany
April 3 - Paradiso - Amsterdam, Netherlands
April 6 - Eventim Apollo - London, UK
April 10 - Buckhead Theatre - Atlanta, GA
April 11 - Buckhead Theatre - Atlanta, GA
April 13 - State Theatre - Washington, DC
April 14 - State Theatre - Washington, DC
April 16 - Town Hall - New York, NY
April 17 - Town Hall - New York, NY
April 19 - Berklee Performance Center - Boston, MA
April 20 - Berklee Performance Center - Boston, MA
April 23 - Athenaeum Theatre - Chicago, IL
April 24 - Athenaeum Theatre - Chicago, IL
April 27 - Danforth Music Hall - Toronto, ON
April 28 - Danforth Music Hall - Toronto, ON
May 01 - Fillmore - Philadelphia, PA
May 02 - Fillmore - Philadelphia, PA
May 05 - Ohio Theatre at Playhouse Square - Cleveland, OH
May 06 - Ohio Theatre at Playhouse Square - Cleveland, OH
May 09 - The Wiltern - Los Angeles, CA
May 10 - The Wiltern - Los Angeles, CA
May 12 - Palace of Fine Arts - San Francisco, CA
May 13 - Palace of Fine Arts - San Francisco, CA
May 22 - Sumida Triphony Hall - Tokyo, Japan
May 23 - NHK Hall - Osaka, Japan

TODD RUNDGREN

A Wizard, A True Star. The title of Todd Rundgren's 1973 solo album aptly sums up the contributions of this multi-faceted artist to state-of-the-art music. As a songwriter, video pioneer, producer, recording artist, computer software developer, conceptualist, and interactive artist (re-designated TR-i), Rundgren has made a lasting impact on both the form and content of popular music.

Born and raised in Philadelphia, Rundgren began playing guitar as a teenager, going on to found and front The Nazz, the quintessential `60's psychedelic group. In 1969, he left the band to pursue a solo career, recording his debut offering, the legendary Runt. But it was 1972's seminal Something/Anything?, on which he played all the instruments, sang all the vocal parts, and acted as his own producer, that catapulted Todd into the superstar limelight, prompting the press to unanimously dub him 'Rock's New Wunderkind'. It was followed by such landmark LPs as The Hermit of Mink Hollow and the above mentioned A Wizard, A True Star, as well as such hit singles as “I Saw The Light,” “Hello It's Me,” “Can We Still Be Friends,” and “Bang The Drum.”

In 1974, Todd formed Todd Rundgren’s Utopia (renamed and reconfigured in 1976 as Utopia), an entirely new approach to the concept of interactive musicianship, and embarked on an extensive round of touring and recording. Standout Utopia offerings included Oops! Wrong Planet, Adventures in Utopia, and Oblivion. Along the way, Todd Rundgren’s Utopia combined technical virtuosity and creative passion to create music that initially, for millions, defined the term "progressive rock”, and subsequently, as Utopia, the term “powerpop.”

Rundgren's myriad production projects include albums by Patti Smith, Cheap Trick, Psychedelic Furs, Meat Loaf, XTC, Grand Funk Railroad, and Hall And Oates. Rounding out his reputation as rock's Renaissance Man, Rundgren composed all the music and lyrics for Joe Papp's 1989 Off-Broadway production of Joe Orton's Up Against It  (the screenplay commissioned by The Beatles for what was meant to have been their third motion picture). He also has composed the music for the hit film Dumb and Dumber, as well as a number of television series, including Pee Wee’s Playhouse and Crime Story.

In 2012 Rundgren performed his iconic 1973 album A Wizard A True Star in concert in its entirety for the first time ever, and several years later did the same with a double bill: Todd & Healing. He has toured with Ringo Starr as an erstwhile member of the All-Starr Band since 1989, and continues to perform with symphony orchestras both domestically and internationally. His latest studio album, White Knight, was released last May, and this past spring he toured North America with original Utopians Kasim Sulton and Willie Wilcox for the first time in 33 years. His long-awaited autobiography The Individualist, will be in stores December 21. He embarks on the world’s first hybrid concert/book tour this coming April/May, highlighting music across his 50-year career.

Last year on successive weekends he was awarded honorary doctorates from both the Berklee School of Music and DePauw University.

In 1998 Todd debuted his new PatroNet technology which for the first time allowed fans of a musical artist to subscribe directly to the artist’s musical output via the Internet. This caps a long history of groundbreaking early multimedia "firsts", including:

• 1978: The first interactive television concert, broadcast live over the Warner/QUBE system in Columbus, Ohio (the home audience chose each song in real time during the concert by voting via QUBE’s 2-way operating system).
• 1978: The first live nationally broadcast stereo radio rock concert (by microwave), linking 40 cities around the country.
• 1979: The opening of Utopia Video Studios, a multi-million dollar state-of-the-art facility. The first project produced by Todd there is Gustav Holst’s The Planets, commissioned by RCA Selecta Vision as the first demonstration software for their new videodisc format.
• 1980: Creation of the first color graphics tablet, which was licensed to Apple and commercially released as The Utopia Graphics Tablet.
• 1981: “Time Heals,” the first music video to utilize state-of-the-art compositing of live action and computer graphics (produced and directed by Todd), becomes the eighth video to be played during the launch of MTV on August 1, 1981.
• 1982: The first live national cablecast of a rock concert (on the USA Network), simulcast in stereo to over 120 radio stations.
• 1982: The first two commercially released music videos, one of which was nominated for the first-ever Grammy awarded for “Best Short Form Video” in 1983.
• 1992: The first commercially available music downloads via CompuServe.
• 1993: The release of No World Order, the world’s first interactive record album on CD-i.
• 1994: The release of The Individualist, the world’s first full-length Enhanced CD.
• 1994: The world’s first interactive concert tour.
• 1998: Launches PatroNet, the world’s first direct artist subscription service -- predicts that someday "music will be sold by the pound".
• 2016: The production of the world's first full length concert shot with multiple Virtual Reality 360º cameras.

CONTACT: Paul@panacea-ent.com, PH: 805-491-9400

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Todd Rundgren Announces "The Individualist" World Tour Presented By SiriusXM

PHOTO: © 2018 Lynn Goldsmith

Tickets On Sale December 10, 2018 at 10AM Local Time

Citi Presale Begins December 04, 2018 at 10AM Local Time

Los Angeles - Current Rock & Roll Hall of Fame nominee Todd Rundgren will be embarking on the world’s first hybrid concert/book tour this spring, highlighting both his hits as well as “deep tracks” spanning his 50-year career.

Produced by Live Nation and presented by SiriusXM, the North American leg of the tour starts in Atlanta, GA and hits major markets before wrapping in San Francisco, CA. The North American dates will be preceded by dates in Europe/UK and followed by dates in Japan. Full itinerary is below.

Rundgren’s long-awaited autobiography, The Individualist: digressions, dreams and dissertations, is being released by Cleopatra Press on December 21, documenting his life through his 50th birthday. The concert set list will mirror that time period, consisting of song selections from the inception of his musical career through 1996, with intros & stories behind the songs and Rundgren’s impressive career.

He will be playing back-to-back shows in the ten North American markets in order to be available for books signings and local TV and radio appearances on the second show day in each city. Tickets go on sale Monday, December 10 at 10AM Local Time. Two-day ticket packages, along with single-day tickets, will be available in each North American market.

Citi is the official presale credit card of the Todd Rundgren – The Individualist Tour. As such, Citi cardmembers will have access to purchase presale tickets beginning Tuesday, December 4th at 10AM local time until Sunday, December 9th at 10PM local time through Citi’s Private Pass program. For complete presale details, visit www.citiprivatepass.com.

FOR INTERVIEW REQUESTS CONTACT: Paul Maloney, Panacea Entertainment paul@panacea-ent.com



The Individualist: digressions, dreams and dissertations is available now for pre-order at: 
Amazon.Com: Pre-order Todd: https://www.amazon.com/Individualist-Digressions-Dreams-Dissertations/dp/0997205652

Europe: https://www.amazon.co.uk/Individualist-Digressions-Dreams-Dissertations/dp/0997205652

TODD RUNDGREN “THE INDIVIDUALIST TOUR”

April 1 - Theater am Mareintor - Duisburg, Germany
April 2 - Laeiszhalle - Hamburg, Germany
April 3 - Paradiso - Amsterdam, Netherlands
April 6 - Eventim Apollo - London, UK
April 10 - Buckhead Theatre - Atlanta, GA
April 11 - Buckhead Theatre - Atlanta, GA
April 13 - State Theatre - Washington, DC
April 14 - State Theatre - Washington, DC
April 16 - Town Hall - New York, NY
April 17 - Town Hall - New York, NY
April 19 - Berklee Performance Center - Boston, MA
April 20 - Berklee Performance Center - Boston, MA
April 23 - Athenaeum Theatre - Chicago, IL
April 24 - Athenaeum Theatre - Chicago, IL
April 27 - Danforth Music Hall - Toronto, ON
April 28 - Danforth Music Hall - Toronto, ON
May 01 - Fillmore - Philadelphia, PA
May 02 - Fillmore - Philadelphia, PA
May 05 - Ohio Theatre at Playhouse Square - Cleveland, OH
May 06 - Ohio Theatre at Playhouse Square - Cleveland, OH
May 09 - The Wiltern - Los Angeles, CA
May 10 - The Wiltern - Los Angeles, CA
May 12 - Palace of Fine Arts - San Francisco, CA
May 13 - Palace of Fine Arts - San Francisco, CA
May 22 - Sumida Triphony Hall - Tokyo, Japan
May 23 - NHK Hall - Osaka, Japan

TODD RUNDGREN

A Wizard, A True Star. The title of Todd Rundgren's 1973 solo album aptly sums up the contributions of this multi-faceted artist to state-of-the-art music. As a songwriter, video pioneer, producer, recording artist, computer software developer, conceptualist, and interactive artist (re-designated TR-i), Rundgren has made a lasting impact on both the form and content of popular music.

Born and raised in Philadelphia, Rundgren began playing guitar as a teenager, going on to found and front The Nazz, the quintessential `60's psychedelic group. In 1969, he left the band to pursue a solo career, recording his debut offering, the legendary Runt. But it was 1972's seminal Something/Anything?, on which he played all the instruments, sang all the vocal parts, and acted as his own producer, that catapulted Todd into the superstar limelight, prompting the press to unanimously dub him 'Rock's New Wunderkind'. It was followed by such landmark LPs as The Hermit of Mink Hollow and the above mentioned A Wizard, A True Star, as well as such hit singles as “I Saw The Light,” “Hello It's Me,” “Can We Still Be Friends,” and “Bang The Drum.”

In 1974, Todd formed Todd Rundgren’s Utopia (renamed and reconfigured in 1976 as Utopia), an entirely new approach to the concept of interactive musicianship, and embarked on an extensive round of touring and recording. Standout Utopia offerings included Oops! Wrong Planet, Adventures in Utopia, and Oblivion. Along the way, Todd Rundgren’s Utopia combined technical virtuosity and creative passion to create music that initially, for millions, defined the term "progressive rock”, and subsequently, as Utopia, the term “powerpop.”

Rundgren's myriad production projects include albums by Patti Smith, Cheap Trick, Psychedelic Furs, Meat Loaf, XTC, Grand Funk Railroad, and Hall And Oates. Rounding out his reputation as rock's Renaissance Man, Rundgren composed all the music and lyrics for Joe Papp's 1989 Off-Broadway production of Joe Orton's Up Against It  (the screenplay commissioned by The Beatles for what was meant to have been their third motion picture). He also has composed the music for the hit film Dumb and Dumber, as well as a number of television series, including Pee Wee’s Playhouse and Crime Story.

In 2012 Rundgren performed his iconic 1973 album A Wizard A True Star in concert in its entirety for the first time ever, and several years later did the same with a double bill: Todd & Healing. He has toured with Ringo Starr as an erstwhile member of the All-Starr Band since 1989, and continues to perform with symphony orchestras both domestically and internationally. His latest studio album, White Knight, was released last May, and this past spring he toured North America with original Utopians Kasim Sulton and Willie Wilcox for the first time in 33 years. His long-awaited autobiography The Individualist, will be in stores December 21. He embarks on the world’s first hybrid concert/book tour this coming April/May, highlighting music across his 50-year career.

Last year on successive weekends he was awarded honorary doctorates from both the Berklee School of Music and DePauw University.

In 1998 Todd debuted his new PatroNet technology which for the first time allowed fans of a musical artist to subscribe directly to the artist’s musical output via the Internet. This caps a long history of groundbreaking early multimedia "firsts", including:

• 1978: The first interactive television concert, broadcast live over the Warner/QUBE system in Columbus, Ohio (the home audience chose each song in real time during the concert by voting via QUBE’s 2-way operating system).
• 1978: The first live nationally broadcast stereo radio rock concert (by microwave), linking 40 cities around the country.
• 1979: The opening of Utopia Video Studios, a multi-million dollar state-of-the-art facility. The first project produced by Todd there is Gustav Holst’s The Planets, commissioned by RCA Selecta Vision as the first demonstration software for their new videodisc format.
• 1980: Creation of the first color graphics tablet, which was licensed to Apple and commercially released as The Utopia Graphics Tablet.
• 1981: “Time Heals,” the first music video to utilize state-of-the-art compositing of live action and computer graphics (produced and directed by Todd), becomes the eighth video to be played during the launch of MTV on August 1, 1981.
• 1982: The first live national cablecast of a rock concert (on the USA Network), simulcast in stereo to over 120 radio stations.
• 1982: The first two commercially released music videos, one of which was nominated for the first-ever Grammy awarded for “Best Short Form Video” in 1983.
• 1992: The first commercially available music downloads via CompuServe.
• 1993: The release of No World Order, the world’s first interactive record album on CD-i.
• 1994: The release of The Individualist, the world’s first full-length Enhanced CD.
• 1994: The world’s first interactive concert tour.
• 1998: Launches PatroNet, the world’s first direct artist subscription service -- predicts that someday "music will be sold by the pound".
• 2016: The production of the world's first full length concert shot with multiple Virtual Reality 360º cameras.

CONTACT: Paul@panacea-ent.com, PH: 805-491-9400

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

New Biography on The Cars Singer/Bassist Benjamin Orr by Vermont Writer Joe Milliken to be Published November 2018!

Bellows Falls, VT – Veteran music journalist Joe Milliken recently announced a publishing deal with the Lanham, Maryland-based publisher Rowman & Littlefield Publishers to produce his first book, a biography about the late Benjamin Orr. Orr was the co-founder, co-lead singer, and bassist for the platinum-selling rock band The Cars. Titled Let’s Go! Benjamin Orr and The Cars, a release date is set for November 15, 2018. 

Often considered the band’s heartthrob, Orr possessed an incredible voice, diverse musical talent and rare stage presence, all balanced by a magnetic, yet enigmatic personality, striking good looks, and a relentless determination to reach rock stardom. Born Benjamin Orzechowski (aka “Benny Eleven Letters”) and raised in the Cleveland suburb of Parma Heights, Orr was, prior to becoming a world-famous rock star with The Cars, a “teen star” as a house band musician for the nationally syndicated television show Upbeat.

A few years later Ben met his musical partner and future Cars' bandleader, Ric Ocasek, and by 1976 their quest for the perfect blend of songs, bandmates, and musical landscape finally materialized as The Cars. They would go on to sell over 30 million albums worldwide resulting in 15 “Top 40” hits.

From his early success in Cleveland through his stardom with The Cars, to his solo band efforts and eventual rebirth with the emerging supergroup Big People, this definitive account of Orr’s rock-and-roll life is not a backstage ‘tell all,’ but the story of a charismatic musician with a vision, a sense of adventure, and unwavering perseverance. Orr passed away much too young at 53, but he achieved his dream through hard work and determination, a long road that began in Cleveland and culminated with The Cars coming back to his hometown to be inducted into the Rock & Roll Hall of Fame in April of 2018.

This first-ever biography about Orr spans 11 years in the making, as Milliken draws together interviews with over 120 family members, friends, bandmates, and music associates from Orr’s life, as well as many unpublished and never before seen photos from private collections, to reveal an intimate portrait of one of classic rock’s great talents.



About the Author: Joe Milliken has been a music journalist, editor and website publisher for two decades. A die-hard music fan with a degree in visual arts, Joe turned to writing as his creative outlet, first as a local reporter, then a sports/arts & entertainment editor and freelancer. In 2014, he launched Standing Room Only, a website dedicated to promoting music and the arts on a local (New England) and national level. Originally from Boston, Milliken now resides in southern Vermont with his wife, Kelly, and his children, Nate and Erin. 

Learn more about upcoming book-related announcements, events, discounts, and author interviews at www.facebook.com/BenOrrBook, by email at benorrbook@gmail.com or follow @benorrbook on Twitter. 

Joe Milliken: Author, Website Publisher
Donna Neale: Public Relations Assistant: benorrbook@gmail.com

Let’s Go is available for presale: 
Rowman & Littlefield’s website: https://rowman.com/ISBN/9781538118658
Amazon: https://www.amazon.com/Lets-Go-Benjamin-Orr-Cars/dp/1538118653/ref=sr_1_1

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

New Biography on The Cars Singer/Bassist Benjamin Orr by Vermont Writer Joe Milliken to be Published November 2018!

Bellows Falls, VT – Veteran music journalist Joe Milliken recently announced a publishing deal with the Lanham, Maryland-based publisher Rowman & Littlefield Publishers to produce his first book, a biography about the late Benjamin Orr. Orr was the co-founder, co-lead singer, and bassist for the platinum-selling rock band The Cars. Titled Let’s Go! Benjamin Orr and The Cars, a release date is set for November 15, 2018.

Often considered the band’s heartthrob, Orr possessed an incredible voice, diverse musical talent and rare stage presence, all balanced by a magnetic, yet enigmatic personality, striking good looks, and a relentless determination to reach rock stardom. Born Benjamin Orzechowski (aka “Benny Eleven Letters”) and raised in the Cleveland suburb of Parma Heights, Orr was, prior to becoming a world-famous rock star with The Cars, a “teen star” as a house band musician for the nationally syndicated television show Upbeat.

A few years later Ben met his musical partner and future Cars' bandleader, Ric Ocasek, and by 1976 their quest for the perfect blend of songs, bandmates, and musical landscape finally materialized as The Cars. They would go on to sell over 30 million albums worldwide resulting in 15 “Top 40” hits.

From his early success in Cleveland through his stardom with The Cars, to his solo band efforts and eventual rebirth with the emerging supergroup Big People, this definitive account of Orr’s rock-and-roll life is not a backstage ‘tell all,’ but the story of a charismatic musician with a vision, a sense of adventure, and unwavering perseverance. Orr passed away much too young at 53, but he achieved his dream through hard work and determination, a long road that began in Cleveland and culminated with The Cars coming back to his hometown to be inducted into the Rock & Roll Hall of Fame in April of 2018.

This first-ever biography about Orr spans 11 years in the making, as Milliken draws together interviews with over 120 family members, friends, bandmates, and music associates from Orr’s life, as well as many unpublished and never before seen photos from private collections, to reveal an intimate portrait of one of classic rock’s great talents.



About the Author: Joe Milliken has been a music journalist, editor and website publisher for two decades. A die-hard music fan with a degree in visual arts, Joe turned to writing as his creative outlet, first as a local reporter, then a sports/arts & entertainment editor and freelancer. In 2014, he launched Standing Room Only, a website dedicated to promoting music and the arts on a local (New England) and national level. Originally from Boston, Milliken now resides in southern Vermont with his wife, Kelly, and his children, Nate and Erin.

Learn more about upcoming book-related announcements, events, discounts, and author interviews at www.facebook.com/BenOrrBook, by email at benorrbook@gmail.com or follow @benorrbook on Twitter. 

Joe Milliken: Author, Website Publisher
Donna Neale: Public Relations Assistant: benorrbook@gmail.com

Let’s Go is available for presale: 
Rowman & Littlefield’s website: https://rowman.com/ISBN/9781538118658
Amazon: https://www.amazon.com/Lets-Go-Benjamin-Orr-Cars/dp/1538118653/ref=sr_1_1

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com