7/11/2017

Progressive Rock Review: Ghostly Beard- Infinite

Release Date: July 14, 2017
Label: 2017 Patrick Talbot

Ghostly Beard is the name of this one-man band created by one Mr. Patrick Talbot. The beauty of his first EP Infinite is the fact it was just him in the creative and recording process. I am sure any artist brimming with creativity and flowing with an endless energy would appreciate the singularity of purpose. This creation is his and his alone, there was nobody there to bounce off ideas or disagree or play something differently. What a beautiful thing, complete musical freedom, or should I say Infinite freedom?

These five tracks are meant to set the table of what is to come. Talbot has much more to share with us hungry prog heads waiting to absorb another helping of the musical virtuosity he can deliver.

The very first track “Close Your Eyes” I found to be very Floydesque, in fact after looking at his bio I see they refer to his guitar playing as very Gilmore like. Not something that is hard to pick out if you are a fan of prog or Pink Floyd, which to me would be virtually one in the same in many respects.

Every track features dreamy soundscapes, razor sharp guitar lines and vocals that are a perfect fit for the tracks. He maintains a steady inflection, neither going up or down - another notch down it would almost be melancholy at times. Yet his voice is very pleasant and just right for the musical meal he serves up.

Each track can stand on its own and the curtain closer is an instrumental fluffy cloud ride into the sunset. Fluffy in a hypnotic and light way that has you wondering why it all just ended. Keep in mind this and EP, a teaser.  The scope and breadth of what is to come will surely be amazing. Count me in Patrick, I want to hear it all!

4/5 Stars

Keith “MuzikMan” Hannaleck
July 11, 2017
Founder of:

Review Provided By Prog Rock Music Talk 

Tracks: 
1. Close Your Eyes
2. Frozen in Time
3. No Return
4. Limitless
5. Winter Dance



Author Trevor Barre Pens Second Book "Convergences, Divergences & Affinities: Further Beyond Jazz, the Second Wave of English Free Improvisation, 1973-9"


London - The sub title of the book is “The Second Wave of Free Improvisation in England, 1973-9.” It is the author’s second self-published book about English Free Improvisation, and follows his “Beyond Jazz, The Golden Age of Free Music in London, 1966-72,” an account of the genre's formative years. “Beyond Jazz” was well received and gained many favourable reviews in the press. In particular, it seemed that the book both shone a light on, and provided a much-needed account of, a music that had previously been next to ignored in the media. It was, in fact, the first such book of its kind, surprising given the lionization of most other genres from the 60s and 70s.

The author is a retired mental health nurse, having lived and practiced in London for 30 years. Wanting to use his increased spare time to do something useful, and having loved free improvisation for a similar amount of years, he identified a considerable gap in the market, and decided to translate his enthusiasm into the written word. The subject is a complex one which rewards both the historian and fan in Barre, and he has begun the research for another book, which will be a history of the London Musicians Collective. He lives in north London, is married and has three grown children.

If “Beyond Jazz” suggests a Golden Age, then “Convergences” can be said to cover a 7-year Silver Age, when free improv developed and changed, whilst remaining challenging and provocative, England's very own avant-garde, which paralleled and interacted with more popular strains like punk and post-punk. A fair amount of recorded evidence exists and is discussed in the book, and we are lucky that it is complemented by the contemporary magazine Musics, which is also studied in some detail as the house organ of the 'movement.' The emergence of a 'second generation' is studied, and the continuing work of the first, and the formation of several musical collectives/cooperatives across the country gets the attention is finally deserves. The figures of Steve Beresford, Lol Coxhill and Terry Day are identified as key mischief-making talents that represent the serious fun that the music provided, and get their own dedicated sections in the book.

It is intended that the book is written in a non-technical way, inviting newcomers to free improvisation to read about what can initially appear a very opaque scene, as well as wanting to appeal to those older fans who like a good story. It is written to attract, not to repel. It would appear that free improv is in a reasonably healthy state at present, and attracts a younger audience, as well as greybeards – the book is very much written with this audience in mind, who would like a readable, straightforward account of those years. It deserves to have its story old alongside the other creative environments that flourished in that decade. The author also has a website and a regularly-updated blog. One encouraging sign is the interest developed abroad, where the music is more generously funded and has a reasonably secure fan base.

For more information: www.improvmusic.co.uk

Contact details:
Tel: 0208 340 8751 07803 518648 (mob)
e-mail: trevorbarre@aol.com
Twitter: Trevor Barre
Post: 11 Bedford Road, Crouch End, London N8 8HL

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

7/10/2017

Frontman From Progressive Rock Band Mars Hollow Announces New Album, New Line-up, and New Name - Life After Mars


Progressive rock band Mars Hollow has announced that they will be recording a new album after a nearly 5-year hiatus. The announcement was made during a semi-reunion show and subsequent radio interview in June, and came on the heels of a show billed as “John Baker and Steve Mauk Perform the Music of Mars Hollow” in Chicago. The show was the first time Mars Hollow has performed live since May, 2012. The most recent studio effort from the group was the track “So Far Away,” which also had a video release and was included on the Mars Hollow Live album. The album, also available on DVD, documented the band's 'Church of Prog' spot at RosFest, 2011 and was released in Fall of 2012.

However, guitarist and lead vocalist John Baker says that the new band will update both its name and line-up to fit the spirit and music of the new incarnation, and will be called “Life After Mars.” The band's debut album release is tentatively scheduled for Summer, 2018.

Says John, “As Life After Mars is the newly reformed incarnation of Mars Hollow, the best way to explain it is 'Mars Hollow…the Next Generation.”

Mars Hollow landed on the progressive rock scene in 2010 with their self-titled debut album, produced by Ronan Chris Murphy, and followed up in 2011 with “World In Front of Me,” co-produced by Mars Hollow's John Baker and Billy Sherwood, now of Yes. Playing festivals and numerous gigs in the USA, Mexico and Canada, the band also played and toured with Billy Sherwood's Circa, and received accolades and positive reviews for several years.  In the spirit of progressive rock, “Life After Mars” seems a natural progression.

Says John, “I think of this as good timing. A perfect time to rethink your mindset, and have a new jumping off point. At one time, walking on the moon, or landing on Mars was the future. Everyone wondered if there was life on mars, and now they are talking about colonization of Mars. Truly, the FUTURE is life AFTER mars.”



Life After Mars features:
John Baker – lead vocals and guitars
Don Schiff – NS stick, various basses and string instruments
Lisa LaRue – keyboards
Emily Dolan Davies – drums

Bios:
JOHN BAKER
Throughout the years, John Baker has held stints as guitarist and backing vocalist for various original bands and musicians, including Christian Love of “The Beach Boys” and bassist for The Little Girls. Since 1995, John has been operating a successful studio business, comprised of music projects, audio drama, and dialogue work. In the music field, John has worked with many musicians and producers, including Mick Taylor (Rolling Stones) and Richie Zito (Elton John, Tina Turner, Heart). In the dialogue field, John has directed, engineered, and edited hundreds of audio books including works by authors such as Robert Ludlum, Danielle Steele and Deepak Chopra. John Baker, an original member of Mars Hollow, is also the lead vocalist for the LA-based progressive rock band, Forever Twelve, who has just completed their 4th studio album, Home, on Melodic Revolution Records.

DON SCHIFF
Don Schiff has worked with some of the best - including Elvis Presley, Tina Turner, Pat Benatar, Sheryl Crow, Sammy Davis, Arjen Lucassen among many others. Don is also a member of Rocket Scientists. Having scored soundtracks as well as acted in TV shows and films such as “Live From Death Row” and “84 Charlie Mopic,” he has also received gold records for co-writing for Pat Benatar's “Wide Awake in Dreamland” and Winfield/Schiff's “Cerebral Man.” Don is internationally known for his expertise with the NS/Chapman stick. He was also a member of Lisa LaRue's former band 2KX.

LISA LaRUE
Keyboardist Lisa LaRue has worked with many musicians including: John Payne (Asia), Don Schiff (Rocket Scientists, Tina Turner, Elvis, and more), Ryo Okumoto (Spock's Beard), Michael Sadler (Saga), Oliver Wakeman (Yes). Esquire (Nikki Squire) and others. Lisa has been awarded Oklahoma Native American Artist of the Year and nominated for other awards including the Hollywood Music Awards, Los Angeles Music Awards, and the Native American Music Awards. She collaborated with Gilli Smyth of Gong on a self-released album titled “Dreamscapes,” and has released 5 solo albums, 1 album with Lisa LaRue Project 2K9, 2 albums with Lisa LaRue 2KX, and 1 album with Federico Fantacone (Fantacone/LaRue – Sonic Landscapes).

EMILY DOLAN DAVIES
Emily Dolan Davies is a British drummer who has been playing since age 11, with full time gigging beginning at age 18. She has extensive experience in many genres as a session and live drummer, in addition to playing with artists such as Bryan Ferry, The Thompson Twins, The Darkness, and many more. She is currently touring with Howard Jones.

Here's what the press have said about Mars Hollow:

“It's quite clear that Mars Hollow is a band to be reckoned with. This is no garage band, but a very serious group of players with some serious chops.” - Rok Podgrajšek - The Rocktologist 

“If you take a little bit of Yes - mostly in John Baker's vocals - and a little bit of Rush (also there in the vocals), that's a bit what Mars Hollow sound like.” - Stephanie Sollow - ProgressiveWorld.net 

“Each member of the quartet is a star player in his own right. Their sound is a rocking and melodic mix of the best of Yes & Genesis with a bit of latter-day King Crimson.” - Mike Flavin - USA Prog Music 

“I would consider Mars Hollow to be a band that will withstand the test of time for the advancement of the progressive genre.” - Grant Hill - Music Street Journal 

For further details and to watch the project progress, please follow the Life After Mars Fan Page on Facebook at https://www.facebook.com/lifeaftermarsmusic or www.lifeaftermarsmusic.com ;

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Frontman From Progressive Rock Band Mars Hollow Announces New Album, New Line-up, and New Name - Life After Mars


Progressive rock band Mars Hollow has announced that they will be recording a new album after a nearly 5-year hiatus. The announcement was made during a semi-reunion show and subsequent radio interview in June, and came on the heels of a show billed as “John Baker and Steve Mauk Perform the Music of Mars Hollow” in Chicago. The show was the first time Mars Hollow has performed live since May, 2012. The most recent studio effort from the group was the track “So Far Away,” which also had a video release and was included on the Mars Hollow Live album. The album, also available on DVD, documented the band's 'Church of Prog' spot at RosFest, 2011 and was released in Fall of 2012.

However, guitarist and lead vocalist John Baker says that the new band will update both its name and line-up to fit the spirit and music of the new incarnation, and will be called “Life After Mars.” The band's debut album release is tentatively scheduled for Summer, 2018.

Says John, “As Life After Mars is the newly reformed incarnation of Mars Hollow, the best way to explain it is 'Mars Hollow…the Next Generation.”

Mars Hollow landed on the progressive rock scene in 2010 with their self-titled debut album, produced by Ronan Chris Murphy, and followed up in 2011 with “World In Front of Me,” co-produced by Mars Hollow's John Baker and Billy Sherwood, now of Yes. Playing festivals and numerous gigs in the USA, Mexico and Canada, the band also played and toured with Billy Sherwood's Circa, and received accolades and positive reviews for several years.  In the spirit of progressive rock, “Life After Mars” seems a natural progression.

Says John, “I think of this as good timing. A perfect time to rethink your mindset, and have a new jumping off point. At one time, walking on the moon, or landing on Mars was the future. Everyone wondered if there was life on mars, and now they are talking about colonization of Mars. Truly, the FUTURE is life AFTER mars.”



Life After Mars features:
John Baker – lead vocals and guitars
Don Schiff – NS stick, various basses and string instruments
Lisa LaRue – keyboards
Emily Dolan Davies – drums

Bios:
JOHN BAKER
Throughout the years, John Baker has held stints as guitarist and backing vocalist for various original bands and musicians, including Christian Love of “The Beach Boys” and bassist for The Little Girls. Since 1995, John has been operating a successful studio business, comprised of music projects, audio drama, and dialogue work. In the music field, John has worked with many musicians and producers, including Mick Taylor (Rolling Stones) and Richie Zito (Elton John, Tina Turner, Heart). In the dialogue field, John has directed, engineered, and edited hundreds of audio books including works by authors such as Robert Ludlum, Danielle Steele and Deepak Chopra. John Baker, an original member of Mars Hollow, is also the lead vocalist for the LA-based progressive rock band, Forever Twelve, who has just completed their 4th studio album, Home, on Melodic Revolution Records.

DON SCHIFF
Don Schiff has worked with some of the best - including Elvis Presley, Tina Turner, Pat Benatar, Sheryl Crow, Sammy Davis, Arjen Lucassen among many others. Don is also a member of Rocket Scientists. Having scored soundtracks as well as acted in TV shows and films such as “Live From Death Row” and “84 Charlie Mopic,” he has also received gold records for co-writing for Pat Benatar's “Wide Awake in Dreamland” and Winfield/Schiff's “Cerebral Man.” Don is internationally known for his expertise with the NS/Chapman stick. He was also a member of Lisa LaRue's former band 2KX.

LISA LaRUE
Keyboardist Lisa LaRue has worked with many musicians including: John Payne (Asia), Don Schiff (Rocket Scientists, Tina Turner, Elvis, and more), Ryo Okumoto (Spock's Beard), Michael Sadler (Saga), Oliver Wakeman (Yes). Esquire (Nikki Squire) and others. Lisa has been awarded Oklahoma Native American Artist of the Year and nominated for other awards including the Hollywood Music Awards, Los Angeles Music Awards, and the Native American Music Awards. She collaborated with Gilli Smyth of Gong on a self-released album titled “Dreamscapes,” and has released 5 solo albums, 1 album with Lisa LaRue Project 2K9, 2 albums with Lisa LaRue 2KX, and 1 album with Federico Fantacone (Fantacone/LaRue – Sonic Landscapes).

EMILY DOLAN DAVIES
Emily Dolan Davies is a British drummer who has been playing since age 11, with full time gigging beginning at age 18. She has extensive experience in many genres as a session and live drummer, in addition to playing with artists such as Bryan Ferry, The Thompson Twins, The Darkness, and many more. She is currently touring with Howard Jones.

Here's what the press have said about Mars Hollow:

“It's quite clear that Mars Hollow is a band to be reckoned with. This is no garage band, but a very serious group of players with some serious chops.” - Rok Podgrajšek - The Rocktologist 

“If you take a little bit of Yes - mostly in John Baker's vocals - and a little bit of Rush (also there in the vocals), that's a bit what Mars Hollow sound like.” - Stephanie Sollow - ProgressiveWorld.net 

“Each member of the quartet is a star player in his own right. Their sound is a rocking and melodic mix of the best of Yes & Genesis with a bit of latter-day King Crimson.” - Mike Flavin - USA Prog Music 

“I would consider Mars Hollow to be a band that will withstand the test of time for the advancement of the progressive genre.” - Grant Hill - Music Street Journal 

For further details and to watch the project progress, please follow the Life After Mars Fan Page on Facebook at https://www.facebook.com/lifeaftermarsmusic or www.lifeaftermarsmusic.com ;

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

7/09/2017

French Music Legends Magma's Critically Acclaimed 1975 "Magma Live" Album Remastered With Bonus Tracks


Remastered 2-CD In DigiPack - contains Booklet with text & lyrics – original recordings & bonus tracks

Paris - Much to the excitement of Magma fans worldwide, the band's critically acclaimed 1975 live album “Magma Live” has been remastered and contains two bonus tracks not on the original release! After the departure in autumn 1974 of Jannick Top and most of the other members of the band, Magma rose phoenix-like from the ashes with a new hot line-up, which saw the musical opportunity lying before it. After long rehearsals Christian Vander realized that he had yet another exceptional group and the decision was taken to records the first Magma live album. The recording, made in June 1975 at the Taverne de l'Olympia, perfectly demonstrates the incredible impact made by Magma. Absolutely dedicated to the music of Christian Vander, who by that time had reached the summit of his art, the band plays as if they were one man and sweeps all before it in its triumphant passage.

Whether it was a new arrangement of any old pieces (KOHNTARK, KOBAH, MEKANIK), or a previously unheard piece (HHAI, LIHNS), the sound of Magma has never been heard more powerfully as on this incredible recording. Although it remains difficult to point any one performance as being outstanding, it would never-the-less be difficult not to react to the mind-blowing performance by Didier Lockwood, whose violin playing contributes so greatly to the profound originality of this magnificent double album!

ZUND 1:
1 - KOHNTARK part 1 (original mix 1975)
2 - KOHNTARK part 2 (original mix 1975)
3 - EMEHNTEHTT-RE  announcement (alternative mix 1989)**

ZUND 2:
1 - HHAI (original mix 1975)
2 - KOBAH (original mix 1975)
3 - LIHNS (original mix 1975)
4 - DA ZEUHL WORTZ MEKANIK (alternative mix 1989)**
5 - MEKANIK ZAIN (original mix 1975)

Christian VANDER - drums, vocal
Klaus BLASQUIZ - vocal
Stella VANDER - vocal
Bernard PAGANOTTI - bass
Gabriel FEDEROW - guitar
Didier LOCKWOOD - violin
Benoit WIDEMANN - keyboards
Jean-Pol ASSELINE - keyboards

Recorded live between June 1st and June 5th 1975 at la TAVERNE DE L'OLYMPIA by Frank OWENS. Mixed by Georges CHKIANZ at studio le Chateau except **Mixé au studio UNIWERIA ZEKT par Francis LINON et Christian VANDER.  Mastering Southeastern lab, Fierce mountain, NC

To purchase: http://www.seventhrecords.com/en/magma-19/magma-live-remastered-new-presentation-64.html

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com