5/22/2017

Metal Review: Crazy Lixx-Ruff Justice

Release Date: April 21, 2017
Label: Frontiers Music

For the past decade, Swedish hard rock band Crazy Lixx have released a steady stream of quality music. Attempting to bring life to a genre that’s seen better days, Crazy Lixx has not only succeeded in those goals, but currently sits on top the throne as one of the most recognizable modern hair metal bands. After a tumultuous year in 2015, Crazy Lixx has reinvented themselves with a new lineup and has taken a fresh stab at their trademark 80’s style rock n’ roll. And for any of those worried that a lineup change compromises their knack for writing big choruses, catchy guitar riffs, and blazing guitar solos, you can rest assured – this album is good, real good.

Ruff Justice kicks off with the dark n’ dirty “Wild Child,” which after the first listen had me reaching for my guitar in an attempt to transcribe the song. I’ve always felt that the difference between “good” music and “great” music is that great music makes you want to get involved. Whether it makes you dance or makes you air drum, it lights a fire that not only gets you involved aurally, but involves you physically. The album continues firing on all cylinders with “XIII,” the lead single. Despite being a fantastically catchy track in its own right, a fun bit of trivia is knowing that this and 2 other songs on the album were written for inclusion in Friday the 13th: The Game. And although Ruff Justice has several soundtrack songs, they don’t break the flow of the album at any point – in fact, the tracks could easily blend into any of the Crazy Lixx catalog. To prove this point, stuck smack dab in the middle of the track list is yet another soundtrack song, “Killer.” Opening with a slow, brooding acoustic guitar, you can almost picture yourself wandering through the foggy, dense woods, trying to make your way to safety. Before you know it, the song launches into a full-on headbanger. Arguably the standout track on the record, “Killer” is one of many examples of Crazy Lixx straying from their feel-good, party boy roots, to something a bit more substantial in theme.

Ruff Justice is proof that even when Crazy Lixx was down, they were far from out. In every song, I hear the influences of their forefathers. There’s a little bit of Ratt in “Walk the Wire,” a touch of Bon Jovi in “Live Before I Die,” long-time vocalist Danny Rexon seems to channel the great Kip Winger at times (especially in “Hunter of the Heart”), and guitarists Chrisse Olsson and Jens Lundgren have the chops to take on any of their guitar heroes. However, at the end of the day, Crazy Lixx has a sound that is uniquely theirs, and it shines on Ruff Justice. This is their best album since their major label debut New Religion, and I would proudly recommend it to anyone that enjoys a little rock n’ roll.

Austin Hannaleck

4.5/5 Stars

May 22, 2017

Review Provided By Write A Music Review

Band Members:
Danny Rexon – vocals
Joél Cirera – drums
Jens Sjöholm – bass
Chrisse Olsson – guitar
Jens Lundgren – guitar



5/19/2017

Instrumental New Age Review: Gina Lenee-Red Diamonds

Release Date: April 7, 2017
Label: Independent

Red Diamonds is Gina Lenee’s 7th studio album. 

Here is some essential information from the artist website to get an idea of how effort went into the recording and who contributed…

Red Diamonds was produced by Will Ackerman and Tom Eaton and engineered, mixed and mastered by Tom Eaton. Featured guest artists appearing on the album are Charlie Bisharat (violin), Eugene Friesen (cello), Jill Haley (English horn), Jeff Haynes (percussion), Jeff Oster (flugelhorn), Marc Shulman (electric guitar), Premik Russell Tubbs (EWI and sax), Tom Eaton (fretless bass, guitar, vocals) Will Ackerman (acoustic guitar and vocals) and Noah Wilding (vocals).

The status quo for Imaginary Road Studio is to bring in the best group of musicians to help each artist create their own musical masterpiece. This was no exception to the rule as superb musicians gathered to create Red Diamonds. The collaborative effort brings out the best in everyone. The goal and result is always the same, to create music with a purpose and vision.  I think this was accomplished successfully and the passion and storytelling in the ivory keys comes flowing through Gina’s soul. The entire album sounds like an invitation to a romantic getaway. And whatever you consider romantic becomes real while listening to these tracks.

The English horn, violin, cello, sax and flugelhorn lay down a bed of textures and colors that Gina takes full advantage of. Some of the subtle vocals added were a real nice touch on tracks like “The Moment” and “River.”  The angelic and trance like female vocal persuasions are just right, like the proverbial icing on the cake as it were.

Listening to Red Diamonds was like free form artistic expressionism in motion. The canvas in this instance is you, the listener. As Gina paints the music with broad strokes, it eases you into your own comfy chair that lives inside your mind and soul. This is not a physical object; this is something that is esoteric. I have always felt the need to express the spiritual power that music possesses and ultimately that energy translates to a healing for this listener. If you have not found that place yet I would advise listening to this music and use it as a guide to get there.

4/5 Stars

Keith “MuzikMan” Hannaleck
May 17, 2017May 19, 2017
Founder of:

Review Provided By New Age Music Reviews


Tracks:
01. A Thousand Days Without You
02. Soulmates
03. Carry Me Away
04. The Moment
05. River
06. Red Diamond
07. The Beautiful, the Broken
08. Art of Life
09. What No One Knows
10. Forever
 

"Phaedrus" Digital Magazine & Subscription Service Issues Rare & Unreleased PROG Music!


Carlos Plaza, leader and main composer of Kotebel, is now Chief Editor of a new quarterly digital magazine and subscription service called “Phaedrus.” The new magazine/service provides awareness among the progressive community and specializes in this genre and, among other content, provides a couple of features that are truly unique! Exclusive PROG music at an affordable price!

Phaedrus Music

“Phaedrus” offers original music that is not available for sale anywhere. In every issue, previously unreleased music is published and subscribers can download it in MP3 of WAV lossless. Says music artist and editor Carlos Plaza Vegas, “In this initial 'Phaedrus' phase, I'm the composer of all these pieces but as soon as 'Phaedrus' gains enough critical mass, I will be purchasing rights for original music from artists that I like. Thus, belonging to the Phaedrus Community will give you access to music that, at least for several years, will not be (legally) accessible by any other means. When the published pieces reach more than 45 minutes, a 'Phaedrus' album is manufactured and released. This album is sent to subscribers at no additional cost (not even shipping).” The digital magazine & subscription service is about to release its first album, “Triptych.”

Classics Choice

In this section, selected progressive rock master works are subject to analysis. It is important to highlight that we are not talking about reviews. The objective of these analyses is to submerge the listener into the details of the work. To allow the listener to discover hidden details, to better understand how the piece has been built, the relationship with the lyrics, the integration with the conceptual framework, etc. For the past 20 years or so, Progressive Rock has found a place among scholars. More and more musicologists are choosing progressive rock pieces as basis for research, doctoral and master's thesis. Many universities now include progressive rock as a course that forms part of music graduate and undergraduate programs. These research papers are aimed at musicians and musicologists and include a lot of technical information that requires a solid music training. These works, as interesting as they are, cannot be fully understood by the average progressive music fan. Carlos explains, “So, what I do as part of these analyses, is to strip from those documents the parts that require profound music knowledge. I select fragments, 'decaffeinate' others, create a lot of new material, and build a detailed analysis that can be followed by any progressive music fan.”

Phaedrus has already published analyses of: “Close to the Edge” (2 articles), “Tarkus,” “Starless,” “Supper’s Ready” (2 articles) and “A Passion Play” (part 1). Next publications are: “A Passion Play” (part 2), “The Lamb Lies Down on Broadway,” “Relayer,”and “Karn Evil 9.”

These analyses renew the listening enjoyment of beloved progressive rock classics but the most important benefit is this: These analyses help to develop listening skills that will enhance your enjoyment of music for the rest of your life!

Other “Phaedrus” sections include:

Kotebel Corner: with exclusive material for Kotebel fans including rare recordings, videos and music analyses.
Articles on a wide range of subjects related to art in general and music in particular.
Album recommendations.

The first album available “Triptych”:



Watch the promotional video: https://vimeo.com/216530750

“Triptych,” Phaedrus Music's first album, offers a wide variety of styles, from symphonic progressive rock to chamber music. It features Carlos Plaza's facet as a multi-instrumentalist, accompanied by a host of very special guests, including some very known to Kotebel fans.

The album is named after a three-piece suite whose first movement, “Dawn”, is the original piece from which the Adagio from Kotebel's “Concerto for Piano and Electric Ensemble” was based. The album also marks the beginning of a long-term project: to put music to all 22 major Tarot arcana. “Triptych” includes “The Fool”, “The Magician” and “The High Priestess”. The rest will gradually be presented in future Phaedrus Music albums.

Carlos Plaza explains, “ 'Triptych' is an album that will appeal to a wide audience of progressive fans. From hard symphonic pieces like 'Ignition' to classical chamber music like 'The High Priestess', or even Zeuhl ('Magmatron' – my tribute to Magma), it covers a wide palette of textures and styles.

“Although the only way to get this album is by subscribing, subscription is so low that there is really very little difference compared to a standard purchase. The most economic subscription is the Semester Option, that costs 16.98 euros per semester (2.83 euros/month). Since you can cancel the subscription at anytime, you can subscribe, request the album, and for only 5 euros more (assuming the average cost of an album is 12 euros shipping included) you will have 6 months to enjoy all of Phaedrus' private contents and cancel the subscription if you are not interested. The album of course, is yours to keep. So, almost for the price of an ordinary album, you will have a collector's item.”

You can get the album, and listen to excerpts of all the pieces, visiting: www.phaedrus.es/triptych

For more information visit: https://www.phaedrus.es/welcome-to-the-world-of-phaedrus/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

"Phaedrus" Digital Magazine & Subscription Service Issues Rare & Unreleased PROG Music!


Carlos Plaza, leader and main composer of Kotebel, is now Chief Editor of a new quarterly digital magazine and subscription service called “Phaedrus.” The new magazine/service provides awareness among the progressive community and specializes in this genre and, among other content, provides a couple of features that are truly unique! Exclusive PROG music at an affordable price!

Phaedrus Music

“Phaedrus” offers original music that is not available for sale anywhere. In every issue, previously unreleased music is published and subscribers can download it in MP3 of WAV lossless. Says music artist and editor Carlos Plaza Vegas, “In this initial 'Phaedrus' phase, I'm the composer of all these pieces but as soon as 'Phaedrus' gains enough critical mass, I will be purchasing rights for original music from artists that I like. Thus, belonging to the Phaedrus Community will give you access to music that, at least for several years, will not be (legally) accessible by any other means. When the published pieces reach more than 45 minutes, a 'Phaedrus' album is manufactured and released. This album is sent to subscribers at no additional cost (not even shipping).” The digital magazine & subscription service is about to release its first album, “Triptych.”

Classics Choice

In this section, selected progressive rock master works are subject to analysis. It is important to highlight that we are not talking about reviews. The objective of these analyses is to submerge the listener into the details of the work. To allow the listener to discover hidden details, to better understand how the piece has been built, the relationship with the lyrics, the integration with the conceptual framework, etc. For the past 20 years or so, Progressive Rock has found a place among scholars. More and more musicologists are choosing progressive rock pieces as basis for research, doctoral and master's thesis. Many universities now include progressive rock as a course that forms part of music graduate and undergraduate programs. These research papers are aimed at musicians and musicologists and include a lot of technical information that requires a solid music training. These works, as interesting as they are, cannot be fully understood by the average progressive music fan. Carlos explains, “So, what I do as part of these analyses, is to strip from those documents the parts that require profound music knowledge. I select fragments, 'decaffeinate' others, create a lot of new material, and build a detailed analysis that can be followed by any progressive music fan.”

Phaedrus has already published analyses of: “Close to the Edge” (2 articles), “Tarkus,” “Starless,” “Supper’s Ready” (2 articles) and “A Passion Play” (part 1). Next publications are: “A Passion Play” (part 2), “The Lamb Lies Down on Broadway,” “Relayer,”and “Karn Evil 9.”

These analyses renew the listening enjoyment of beloved progressive rock classics but the most important benefit is this: These analyses help to develop listening skills that will enhance your enjoyment of music for the rest of your life!

Other “Phaedrus” sections include:

Kotebel Corner: with exclusive material for Kotebel fans including rare recordings, videos and music analyses.
Articles on a wide range of subjects related to art in general and music in particular.
Album recommendations.

The first album available “Triptych”:



Watch the promotional video: https://vimeo.com/216530750

“Triptych,” Phaedrus Music's first album, offers a wide variety of styles, from symphonic progressive rock to chamber music. It features Carlos Plaza's facet as a multi-instrumentalist, accompanied by a host of very special guests, including some very known to Kotebel fans.

The album is named after a three-piece suite whose first movement, “Dawn”, is the original piece from which the Adagio from Kotebel's “Concerto for Piano and Electric Ensemble” was based. The album also marks the beginning of a long-term project: to put music to all 22 major Tarot arcana. “Triptych” includes “The Fool”, “The Magician” and “The High Priestess”. The rest will gradually be presented in future Phaedrus Music albums.

Carlos Plaza explains, “ 'Triptych' is an album that will appeal to a wide audience of progressive fans. From hard symphonic pieces like 'Ignition' to classical chamber music like 'The High Priestess', or even Zeuhl ('Magmatron' – my tribute to Magma), it covers a wide palette of textures and styles.

“Although the only way to get this album is by subscribing, subscription is so low that there is really very little difference compared to a standard purchase. The most economic subscription is the Semester Option, that costs 16.98 euros per semester (2.83 euros/month). Since you can cancel the subscription at anytime, you can subscribe, request the album, and for only 5 euros more (assuming the average cost of an album is 12 euros shipping included) you will have 6 months to enjoy all of Phaedrus' private contents and cancel the subscription if you are not interested. The album of course, is yours to keep. So, almost for the price of an ordinary album, you will have a collector's item.”

You can get the album, and listen to excerpts of all the pieces, visiting: www.phaedrus.es/triptych

For more information visit: https://www.phaedrus.es/welcome-to-the-world-of-phaedrus/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

5/17/2017

Featured Rock Stream: Roadcase Royale-Not Giving Up


Roadcase Royale is back with another red hot release titled "Not Giving Up." Nancy Wilson and friends team up for a real rocker full power and soul.

Nancy's larger the life six-string is given full compliment by Liv Warfield (vocals), Dan Rothchild (bass), Chris Joyner (keyboards), Ben Smith (drums) and Ryan Waters (guitar). 

I have to say that I love this music! It sounds so alive, fresh and original. For these ears, it does not get any better than that.

I hope to hear the entire album very soon from Roadcase Royale. Rock on Nancy! You keep the music alive every time you play.

Keith "MuzikMan" Hannaleck




Led by former Prince collaborator Liv Warfield, and Nancy Wilson co-founder of Heart, ROADCASE ROYALE has a rich background in rock and R&B. 
...READ MORE...