Showing posts with label Trans-Siberian Orchestra. Show all posts
Showing posts with label Trans-Siberian Orchestra. Show all posts

2/02/2016

Former Trans-Siberian Orchestra / Mickey Hart Vocalist Tim Hockenberry to Release Self-titled Debut Album of Original Music March 4th 2016


San Francisco, CA - Tim Hockenberry is a versatile multi-instrumentalist singer and songwriter whose voice is reminiscent of Ray Charles, Joe Cocker, and Tom Waits. He is releasing Tim Hockenberry, his self-titled debut album of all original music, worldwide on March 4th, 2016. He is also a gifted interpreter of well-known cover songs, and you only need to hear a few bars of Hockenberry singing I Left My Heart In San Francisco to understand that this is an artist who has a refreshingly authentic approach to great songs.

Tim gained international fame when he performed and made it to the semi-finals (last singer standing) on America’s Got Talent in 2012, where he was a favorite of judge Howard Stern. Stern declared Tim’s semi-final performance of John Lennon’s Imagine, with Tim on the piano accompanied by a cellist, “the most moving we’ve had from a singer in a long time.” The sparse arrangement won Stern over, who gave him a standing ovation and said the singer deserves “a place in the finals.” Sharon Osbourne described his performance as “very true” and “refreshing,” adding, “I thoroughly enjoyed it.” Howie Mandel said he could listen to Tim Hockenberry sing “all night long.”

Tim Hockenberry is best known for his engaging and intimate cover versions of a variety of well known hits, and for some 20 years he’s made his living singing them in concert halls, living rooms, private events, and clubs. It never really mattered what Tim sang; he was beloved by his fans. He hadn't performed his own songs much, except for once-in-awhile occurrences. But that all changed when he met up with vocalist and producer, Natasha Miller.

In 2014 Tim didn’t have a manager, so he and Natasha entered into a formal agreement and began a complete reshaping of his musical direction—moving from covers to more of Tim’s own compositions. “I had heard a couple of Tim’s originals and thought they were ‘hit’ material,” says Natasha. “I asked him if he had more. Not only did he have more, they poured out of him, almost on demand.” Tim began writing more new songs, and they went back and looked at others he’d already done but put aside. With a couple more written by his sons, there were enough for a full-length recording.

The first track, “Me and You,” was written by Tim with his 19-year-old son Maxx on Christmas Day in 2012. “If the Sky Was to Fall” was written with his youngest son Jack, who was 17 at the time. Meanwhile, about the same time Tim and Natasha began working together, she enlisted her brother Justin Miller to play with Tim in his live band and help shape a new and different sound for his shows. That was the turning point—it was Justin himself who did the production, arrangements and played most of the instruments on the entire project... “We all got excited and motivated and started on what would become a year-long project,” says Natasha. “It’s been so much fun!”

Tim’s songs became Justin’s canvas for painting nuances–sounds both bold and subtle that spoke to the personality and content of each song itself. Stories Tim was telling through his songs became more vivid and alive in Justin’s interpretation and imagination. The common threads throughout are Tim’s vocals and writing. Each song charts its own unique journey from the first moment to the end. From pizzicato violin, yodeling, and the klezmer-sounds of the accordion to the speech-like tones of the Hammond B3 and the Deep-South wailing of the slide guitar—the songs travel through many layers of what is categorized these days as Americana. Mostly acoustic, always authentic.

Born on June 13, 1962 in upstate New York, Tim’s family moved a few times during his childhood. He graduated in 1980 from Owatonna High School in rural Minnesota in a small town south of Minneapolis. Tim's musical odyssey began when he sang in the choir, and then taught himself to play the piano while fervently playing the trombone as well. He eventually moved to Northern California and he has been a mainstay in the entertainment industry ever since, having become known for his covers of Sitting on the Dock of The Bay or Christmas by the Bay. Tim Hockenberry splits his time between Charleston, South Carolina and San Francisco, California, where he has become a beloved part of the Bay Area’s rich arts culture.

Over the past few years Tim Hockenberry has shared the stage with many legendary performers including Bonnie RaittSteve Miller, and Robert Cray, to name a few. Tim has established himself as a very compelling and important artist in the Bay Area music scene. In addition to touring with the Trans-Siberian Orchestra and with Mickey Hart of the Grateful Dead, Tim has performed at high-profile venues all over northern California, including The Fillmore, Great American Music Hall, Bimbo's 365 Club, The Napa Valley Opera House, The Luther Burbank Center for the Performing Arts, Feinstein's at the Hotel Nikko, and 142 Throckmorton Theater. He has also headlined at a multitude of festivals including the Robert Mondavi Summer Concert Series, the Clearwater Jazz Festival, and the Mill Valley Arts Festival.

For More Information and Tour Dates please visit Tim’s website: www.timhockenberry.com

Press Inquiries & Interview Requests please contact Billy James/Glass Onyon PR: glassonyonpr@gmail.com or 828-350-8158

For Bookings and Management please contact Natasha Miller/Entire Productions: natasha@entireproductions.com or 415-291-9191 x701

Former Trans-Siberian Orchestra / Mickey Hart Vocalist Tim Hockenberry to Release Self-titled Debut Album of Original Music March 4th 2016


San Francisco, CA - Tim Hockenberry is a versatile multi-instrumentalist singer and songwriter whose voice is reminiscent of Ray Charles, Joe Cocker, and Tom Waits. He is releasing Tim Hockenberry, his self-titled debut album of all original music, worldwide on March 4th, 2016. He is also a gifted interpreter of well-known cover songs, and you only need to hear a few bars of Hockenberry singing I Left My Heart In San Francisco to understand that this is an artist who has a refreshingly authentic approach to great songs.

Tim gained international fame when he performed and made it to the semi-finals (last singer standing) on America’s Got Talent in 2012, where he was a favorite of judge Howard Stern. Stern declared Tim’s semi-final performance of John Lennon’s Imagine, with Tim on the piano accompanied by a cellist, “the most moving we’ve had from a singer in a long time.” The sparse arrangement won Stern over, who gave him a standing ovation and said the singer deserves “a place in the finals.” Sharon Osbourne described his performance as “very true” and “refreshing,” adding, “I thoroughly enjoyed it.” Howie Mandel said he could listen to Tim Hockenberry sing “all night long.”

Tim Hockenberry is best known for his engaging and intimate cover versions of a variety of well known hits, and for some 20 years he’s made his living singing them in concert halls, living rooms, private events, and clubs. It never really mattered what Tim sang; he was beloved by his fans. He hadn't performed his own songs much, except for once-in-awhile occurrences. But that all changed when he met up with vocalist and producer, Natasha Miller.

In 2014 Tim didn’t have a manager, so he and Natasha entered into a formal agreement and began a complete reshaping of his musical direction—moving from covers to more of Tim’s own compositions. “I had heard a couple of Tim’s originals and thought they were ‘hit’ material,” says Natasha. “I asked him if he had more. Not only did he have more, they poured out of him, almost on demand.” Tim began writing more new songs, and they went back and looked at others he’d already done but put aside. With a couple more written by his sons, there were enough for a full-length recording.

The first track, “Me and You,” was written by Tim with his 19-year-old son Maxx on Christmas Day in 2012. “If the Sky Was to Fall” was written with his youngest son Jack, who was 17 at the time. Meanwhile, about the same time Tim and Natasha began working together, she enlisted her brother Justin Miller to play with Tim in his live band and help shape a new and different sound for his shows. That was the turning point—it was Justin himself who did the production, arrangements and played most of the instruments on the entire project... “We all got excited and motivated and started on what would become a year-long project,” says Natasha. “It’s been so much fun!”

Tim’s songs became Justin’s canvas for painting nuances–sounds both bold and subtle that spoke to the personality and content of each song itself. Stories Tim was telling through his songs became more vivid and alive in Justin’s interpretation and imagination. The common threads throughout are Tim’s vocals and writing. Each song charts its own unique journey from the first moment to the end. From pizzicato violin, yodeling, and the klezmer-sounds of the accordion to the speech-like tones of the Hammond B3 and the Deep-South wailing of the slide guitar—the songs travel through many layers of what is categorized these days as Americana. Mostly acoustic, always authentic.

Born on June 13, 1962 in upstate New York, Tim’s family moved a few times during his childhood. He graduated in 1980 from Owatonna High School in rural Minnesota in a small town south of Minneapolis. Tim's musical odyssey began when he sang in the choir, and then taught himself to play the piano while fervently playing the trombone as well. He eventually moved to Northern California and he has been a mainstay in the entertainment industry ever since, having become known for his covers of Sitting on the Dock of The Bay or Christmas by the Bay. Tim Hockenberry splits his time between Charleston, South Carolina and San Francisco, California, where he has become a beloved part of the Bay Area’s rich arts culture.

Over the past few years Tim Hockenberry has shared the stage with many legendary performers including Bonnie Raitt, Steve Miller, and Robert Cray, to name a few. Tim has established himself as a very compelling and important artist in the Bay Area music scene. In addition to touring with the Trans-Siberian Orchestra and with Mickey Hart of the Grateful Dead, Tim has performed at high-profile venues all over northern California, including The Fillmore, Great American Music Hall, Bimbo's 365 Club, The Napa Valley Opera House, The Luther Burbank Center for the Performing Arts, Feinstein's at the Hotel Nikko, and 142 Throckmorton Theater. He has also headlined at a multitude of festivals including the Robert Mondavi Summer Concert Series, the Clearwater Jazz Festival, and the Mill Valley Arts Festival.

For More Information and Tour Dates please visit Tim’s website: www.timhockenberry.com

Press Inquiries & Interview Requests please contact Billy James/Glass Onyon PR: glassonyonpr@gmail.com or 828-350-8158

For Bookings and Management please contact Natasha Miller/Entire Productions: natasha@entireproductions.com or 415-291-9191 x701

1/22/2015

Progressive/Holiday Review: Trans-Siberian Orchestra-The Christmas Attic LP

Release Date: October 21, 2014
Label: Audio Fidelity

Trans-Siberian Orchestra or what I like to refer to simply as TSO, have been one of my favorite progressive rock bands over the years for their original and engaging stories and amazing live shows. I have had the privilege of seeing them live twice and realized that was the only way to really appreciate this great band. They have accumulated a nice catalog of releases over the years as well.

Their second album The Christmas Attic originally released in 1998 was made available for the first time on this stunning 2 LP 180 gram vinyl set late last year by Audio Fidelity. Last year was also the first time they brought their recording to their lavish stage sets across the globe. I am sure it was a magnificent thing to witness.

For TSO it’s all about the visuals that go with music, or the visuals that dance to the music if you will. After growing up in the age of vinyl and seeing the digital world take over its meaning has become more important to many people including an entirely new generation ready to embrace the format. It’s is a nice thing to see happening. This is a gorgeous set with 2 sturdy 180 gram vinyl LPs remastered beautifully with a stunning and colorful 12 page booklet with all the lyrics and artwork housed in gatefold sleeves. Rock, progressive, and classical all intersect with a powerful punch throughout this release.

I think this band has reached its goal of providing a rock opera with progressive music many times over. By the time The Christmas Attic (the second of a trilogy) was released they had a successful formula that has grown and developed over the years into something far beyond what they could have imagined or hoped for.
Wherever you may reside on this planet you cannot help but feel the joy and wonderment of the Holiday season when you listen to music like this. If you are a fan of concept albums and interesting rock music you will simply love TSO and what they have to offer.

Packages like this are a treasure to behold in this day and age of multimedia and digitized delivery systems. You can hold it in your hand, admire it, and listen to the clean and warm purity of music set to a vinyl disc. I suppose it does help to be a fan of their music but you cannot deny the essence and meaning when it is presented this way. Audio Fidelity knows how to get it all right and they appreciate the best ways in which to release a classic album. Each and every track is important and they all fit together like a musical storybook should.

The Christmas Attic will hold you spellbound with its ebbing and flowing tides of energy, across the board you get all the atmospheres that could possibly be associated with such a story. Don’t miss out on this special numbered and limited edition release!

5/5 Stars

Key Tracks: ALL

Tracks:
Disc One

SIDE ONE:
1. The Ghosts Of Christmas Eve           
2. Boughs Of Holly               
3. The World That She Sees           
4. The World That He Sees           
5. Midnight Christmas Eve           

SIDE TWO:
1. The March Of The Kings/Hark The Herald Angel   
2. The Three Kings And I (What Really Happened)   
3. Christmas Canon               
4. Joy/Angels We Have Heard On High       

Disc Two


SIDE ONE:
1. Find Our Way Home           
2. Appalachian Snowfall           
3. The Music Box               
4. The Snow Came Down           

SIDE TWO:
1. Christmas In The Air           
2. Dream Child (A Christmas Dream)       
3. An Angel's Share         


Keith “MuzikMan” Hannaleck-Prog Rock Music Talk Founder
January 22, 2015

Review Provided By Prog Rock Music Talk



Progressive/Holiday Review: Trans-Siberian Orchestra-The Christmas Attic LP

Release Date: October 21, 2014
Label: Audio Fidelity

Trans-Siberian Orchestra or what I like to refer to simply as TSO, have been one of my favorite progressive rock bands over the years for their original and engaging stories and amazing live shows. I have had the privilege of seeing them live twice and realized that was the only way to really appreciate this great band. They have accumulated a nice catalog of releases over the years as well.

Their second album The Christmas Attic originally released in 1998 was made available for the first time on this stunning 2 LP 180 gram vinyl set late last year by Audio Fidelity. Last year was also the first time they brought their recording to their lavish stage sets across the globe. I am sure it was a magnificent thing to witness.

For TSO it’s all about the visuals that go with music, or the visuals that dance to the music if you will. After growing up in the age of vinyl and seeing the digital world take over its meaning has become more important to many people including an entirely new generation ready to embrace the format. It’s is a nice thing to see happening. This is a gorgeous set with 2 sturdy 180 gram vinyl LPs remastered beautifully with a stunning and colorful 12 page booklet with all the lyrics and artwork housed in gatefold sleeves. Rock, progressive, and classical all intersect with a powerful punch throughout this release.

I think this band has reached its goal of providing a rock opera with progressive music many times over. By the time The Christmas Attic (the second of a trilogy) was released they had a successful formula that has grown and developed over the years into something far beyond what they could have imagined or hoped for.
Wherever you may reside on this planet you cannot help but feel the joy and wonderment of the Holiday season when you listen to music like this. If you are a fan of concept albums and interesting rock music you will simply love TSO and what they have to offer.

Packages like this are a treasure to behold in this day and age of multimedia and digitized delivery systems. You can hold it in your hand, admire it, and listen to the clean and warm purity of music set to a vinyl disc. I suppose it does help to be a fan of their music but you cannot deny the essence and meaning when it is presented this way. Audio Fidelity knows how to get it all right and they appreciate the best ways in which to release a classic album. Each and every track is important and they all fit together like a musical storybook should.

The Christmas Attic will hold you spellbound with its ebbing and flowing tides of energy, across the board you get all the atmospheres that could possibly be associated with such a story. Don’t miss out on this special numbered and limited edition release!

5/5 Stars

Key Tracks: ALL

Tracks:
Disc One

SIDE ONE:
1. The Ghosts Of Christmas Eve           
2. Boughs Of Holly               
3. The World That She Sees           
4. The World That He Sees           
5. Midnight Christmas Eve           

SIDE TWO:
1. The March Of The Kings/Hark The Herald Angel   
2. The Three Kings And I (What Really Happened)   
3. Christmas Canon               
4. Joy/Angels We Have Heard On High       

Disc Two


SIDE ONE:
1. Find Our Way Home           
2. Appalachian Snowfall           
3. The Music Box               
4. The Snow Came Down           

SIDE TWO:
1. Christmas In The Air           
2. Dream Child (A Christmas Dream)       
3. An Angel's Share         


Keith “MuzikMan” Hannaleck-Prog Rock Music Talk Founder
January 22, 2015

Review Provided By Prog Rock Music Talk