RICHARD BARBIERI Shares New Single and Video For “SERPENTINE”

Preview of the Pioneering Artists’ New Solo Album Accompanied by Nightmarish 360 Degree Visual

(photo credit: Carl Glover)

WATCH THE VIDEO FOR “SERPENTINE” HERE

Richard Barbieri has shared a new single “Serpentine” – the first single from his upcoming solo album Under A Spell released on 26th February through Kscope.

Boasting a ground-breaking career that began in the late 70’s with synth-pop visionaries Japan and more recently as a member of influential art-rock band Porcupine Tree, Under A Spell is the first full length solo record from Richard Barbieri since 2017’s Planets + Persona.

The first song to be heard from Under A Spell, “Serpentine” is a winding and expansive six-minute soundscape that weaves through multiple genres and ideas. Complex, calming, engrossing and experimental, “Serpentine” is the perfect primer for Under a Spell – the work of a visionary musician working at his creative height.

The song is accompanied by a new 360 video created by Miles Skarin, allowing the viewer to travel along the floor of a foreboding forest, inspired by a nightmare Richard experienced and explained to the filmmaker.

Barbieri didn’t plan to make an album like Under A Spell, originally intending his fourth solo album to be a direct follow from its predecessor. That record, made in different studios across Europe and heavily incorporating live performances from a range of musicians, was adventurous and bold, showcasing Barbieri’s endlessly inventive song writing and mastery of electronic music. The follow-up would pick up where it left off, journeying further into the expansive terrain he mapped out on the previous record. And then the COVID-19 pandemic hit, and everything changed. “I wrote and recorded it in my studio at home, with all this strangeness going on outside,” says Barbieri of Under A Spell. “It became something completely different: this weird, self-contained dream-state album.”

Barbieri's willingness to constantly redefine his own musical boundaries are never more evident than on the brilliant, hypnotic Under A Spell – the latest milestone on this utterly unique journey.

Richard Barbieri:
“Miles Skarin has created an amazing 360 degree video for the track ‘Serpentine’ from my new album ‘Under A Spell.’ It’s based on a vivid nightmare I experienced from the perspective of a snake. He has created this dense forest where past spells and rituals are glimpsed, strange voices are heard and where danger lies ahead. Don’t keep to the path! The track features a masterful bass arrangement from Percy Jones and the ‘hidden’ voices of Lisen Rylander Love and Steve Hogarth.”

You can see the video here.

NOTE: Viewing is recommended in Chrome or Safari and Firefox users may experience difficulties with the 360 elements. A VR headset will greatly improve the experience and we would recommend viewers with VR headsets to use them.

Under A Spell was released on Kscope on 26th February, on CD, gatefold double black vinyl LP, limited edition gatefold double red vinyl LP (exclusive to the Kscope store) and digitally with pre-orders available HERE (https://RichardBarbieri.lnk.to/UnderASpell)

Follow Richard Barbieri:
https://www.facebook.com/RichardBarbieriOfficial/
https://www.instagram.com/richardbarbieri_music  
http://kscopemusic.com/artists/richard-barbieri

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

RICHARD BARBIERI Shares New Single and Video For “SERPENTINE”

Preview of the Pioneering Artists’ New Solo Album Accompanied by Nightmarish 360 Degree Visual

(photo credit: Carl Glover)

WATCH THE VIDEO FOR “SERPENTINE” HERE

Richard Barbieri has shared a new single “Serpentine” – the first single from his upcoming solo album Under A Spell released on 26th February through Kscope.

Boasting a ground-breaking career that began in the late 70’s with synth-pop visionaries Japan and more recently as a member of influential art-rock band Porcupine Tree, Under A Spell is the first full length solo record from Richard Barbieri since 2017’s Planets + Persona.

The first song to be heard from Under A Spell, “Serpentine” is a winding and expansive six-minute soundscape that weaves through multiple genres and ideas. Complex, calming, engrossing and experimental, “Serpentine” is the perfect primer for Under a Spell – the work of a visionary musician working at his creative height.

The song is accompanied by a new 360 video created by Miles Skarin, allowing the viewer to travel along the floor of a foreboding forest, inspired by a nightmare Richard experienced and explained to the filmmaker.

Barbieri didn’t plan to make an album like Under A Spell, originally intending his fourth solo album to be a direct follow from its predecessor. That record, made in different studios across Europe and heavily incorporating live performances from a range of musicians, was adventurous and bold, showcasing Barbieri’s endlessly inventive song writing and mastery of electronic music. The follow-up would pick up where it left off, journeying further into the expansive terrain he mapped out on the previous record. And then the COVID-19 pandemic hit, and everything changed. “I wrote and recorded it in my studio at home, with all this strangeness going on outside,” says Barbieri of Under A Spell. “It became something completely different: this weird, self-contained dream-state album.”

Barbieri's willingness to constantly redefine his own musical boundaries are never more evident than on the brilliant, hypnotic Under A Spell – the latest milestone on this utterly unique journey.

Richard Barbieri:
“Miles Skarin has created an amazing 360 degree video for the track ‘Serpentine’ from my new album ‘Under A Spell.’ It’s based on a vivid nightmare I experienced from the perspective of a snake. He has created this dense forest where past spells and rituals are glimpsed, strange voices are heard and where danger lies ahead. Don’t keep to the path! The track features a masterful bass arrangement from Percy Jones and the ‘hidden’ voices of Lisen Rylander Love and Steve Hogarth.”

You can see the video here.

NOTE: Viewing is recommended in Chrome or Safari and Firefox users may experience difficulties with the 360 elements. A VR headset will greatly improve the experience and we would recommend viewers with VR headsets to use them.

Under A Spell was released on Kscope on 26th February, on CD, gatefold double black vinyl LP, limited edition gatefold double red vinyl LP (exclusive to the Kscope store) and digitally with pre-orders available HERE (https://RichardBarbieri.lnk.to/UnderASpell)

Follow Richard Barbieri:
https://www.facebook.com/RichardBarbieriOfficial/
https://www.instagram.com/richardbarbieri_music  
http://kscopemusic.com/artists/richard-barbieri

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

RICHARD BARBIERI Shares Video For “Flare 2” Taken From His New Solo Album UNDER A SPELL

Richard Barbieri has shared a new visual for “Flare 2” to mark the release of his new solo album UNDER A SPELL through Kscope. Boasting a groundbreaking career that began in the late 70s with synth-pop visionaries Japan and more recently as a member of influential art-rock band Porcupine Tree, UNDER A SPELL is the first full length solo record from Richard Barbieri since 2017’s Planets + Persona.

Taking place over a period of nine minutes, “Flare 2” is a sprawling and evolving soundscape of synths, trumpets and intriguing classical instrumentation. Indicative of the bold and progressive composition and production of Richard’s work on UNDER A SPELL, “Flare 2” now has an equally enthralling visualiser courtesy of animator Matthew Entecott.

WATCH THE ANIMATED VIDEO FOR “FLARE 2” HERE

(Photo credit: Carl Glover)

Released today, UNDER A SPELL was originally intended as Barbieri’s fourth solo album and a direct follow up to its predecessor, 2016’s Planets + Persona. That record, made in different studios across Europe and heavily incorporating live performances from a range of musicians, was adventurous and bold, showcasing Barbieri’s endlessly inventive song writing and mastery of electronic music. The follow-up would pick up where it left off, journeying further into the expansive terrain he mapped out on the previous record. And then the COVID-19 pandemic hit, and everything changed. “I wrote and recorded it in my studio at home, with all this strangeness going on outside,” says Barbieri of UNDER A SPELL. “It became something completely different: this weird, self-contained dream-state album.”

Barbieri's willingness to constantly redefine his own musical boundaries are never more evident than on the brilliant, hypnotic UNDER A SPELL – the latest milestone on this utterly unique journey.

Videos available from UNDER A SPELL:
“Flare 2” - 

“Serpentine” - 

UNDER A SPELL is out now on CD, gatefold double black vinyl LP, limited edition gatefold double red vinyl LP (exclusive to the Kscope store) and digitally available HERE (https://RichardBarbieri.lnk.to/UnderASpell)
(Please note in North America the retail release is 5th March and in Germany 12th March)

Praise for UNDER A SPELL:
“Its in Richard Barbieri’s solo work that a gift for painting with sound finds full fruition” – Uncut
“Atmospheric, jazz-inflected art-prog” - Classic Pop
“a crossover combination between Tangerine Dream’s Zeit and David Bowie’s Low.” – Echoes & Dust

Follow Richard Barbieri:
https://www.facebook.com/RichardBarbieriOfficial/
https://www.instagram.com/richardbarbieri_music  
http://kscopemusic.com/artists/richard-barbieri

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

RICHARD BARBIERI Shares Video For “Flare 2” Taken From His New Solo Album UNDER A SPELL

Richard Barbieri has shared a new visual for “Flare 2” to mark the release of his new solo album UNDER A SPELL through Kscope. Boasting a groundbreaking career that began in the late 70s with synth-pop visionaries Japan and more recently as a member of influential art-rock band Porcupine Tree, UNDER A SPELL is the first full length solo record from Richard Barbieri since 2017’s Planets + Persona.

Taking place over a period of nine minutes, “Flare 2” is a sprawling and evolving soundscape of synths, trumpets and intriguing classical instrumentation. Indicative of the bold and progressive composition and production of Richard’s work on UNDER A SPELL, “Flare 2” now has an equally enthralling visualiser courtesy of animator Matthew Entecott.

WATCH THE ANIMATED VIDEO FOR “FLARE 2” HERE

(Photo credit: Carl Glover)

Released today, UNDER A SPELL was originally intended as Barbieri’s fourth solo album and a direct follow up to its predecessor, 2016’s Planets + Persona. That record, made in different studios across Europe and heavily incorporating live performances from a range of musicians, was adventurous and bold, showcasing Barbieri’s endlessly inventive song writing and mastery of electronic music. The follow-up would pick up where it left off, journeying further into the expansive terrain he mapped out on the previous record. And then the COVID-19 pandemic hit, and everything changed. “I wrote and recorded it in my studio at home, with all this strangeness going on outside,” says Barbieri of UNDER A SPELL. “It became something completely different: this weird, self-contained dream-state album.”

Barbieri's willingness to constantly redefine his own musical boundaries are never more evident than on the brilliant, hypnotic UNDER A SPELL – the latest milestone on this utterly unique journey.

Videos available from UNDER A SPELL:
“Flare 2” - 

“Serpentine” - 

UNDER A SPELL is out now on CD, gatefold double black vinyl LP, limited edition gatefold double red vinyl LP (exclusive to the Kscope store) and digitally available HERE (https://RichardBarbieri.lnk.to/UnderASpell)
(Please note in North America the retail release is 5th March and in Germany 12th March)

Praise for UNDER A SPELL:
“Its in Richard Barbieri’s solo work that a gift for painting with sound finds full fruition” – Uncut
“Atmospheric, jazz-inflected art-prog” - Classic Pop
“a crossover combination between Tangerine Dream’s Zeit and David Bowie’s Low.” – Echoes & Dust

Follow Richard Barbieri:
https://www.facebook.com/RichardBarbieriOfficial/
https://www.instagram.com/richardbarbieri_music  
http://kscopemusic.com/artists/richard-barbieri

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Richard Barbieri (Japan, Rain Tree Crow, Porcupine Tree) Returns With His New Album 'Under A Spell'

Released on Kscope on 26th February

(photo credit – Carl Glover)

The man whose illustrious career began in the late 70s with synth-pop visionaries Japan and more recently as a member of influential art-rock band Porcupine Tree follows up 2017's Planets + Persona with new album Under A Spell.  

CHECK OUT THE TRAILER HERE:

Richard Barbieri didn’t plan to make an album like Under A Spell, originally intended his fourth solo album to be a direct follow from its predecessor, 2017’s Planets + Persona.

That record, made in different studios across Europe and heavily incorporating live performances from a range of musicians, was adventurous and bold, showcasing Barbieri’s endlessly inventive song writing and mastery of electronic music. The follow-up would pick up where it left off, journeying further into the expansive terrain he mapped out on the previous record. And then the COVID-19 pandemic hit, and everything changed. “I wrote and recorded it in my studio at home, with all this strangeness going on outside,” says Barbieri of Under A Spell. “It became something completely different: this weird, self-contained dream-state album.”

On Under A Spell, Barbieri was intent on capturing the atmospheres and moods that his disconnected brain was conjuring rather than slaving over arrangements and melodies. Songs such as ‘Flare’, ‘Serpentine’, ‘Sleep Will Find You’ and its companion piece-of-sorts ‘Darkness Will Find You’ are sharply defined despite their dream-inspired genesis. He points to the evocative opening and closing tracks, ‘Under A Spell’ and ‘Lucid’, as the keys that unlock the album. “Those two tracks have the whole meaning within them,” he says. “The first song, ‘Under A Spell’, is leading you down a path, moving into places where you’re not sure what’s going on. There are whispers in the background, spells being cast in a deserted wood. Then the final track, ‘Lucid’, is the opposite. You’re in this comforting lucid dream, but then you're drifting further away from it, trying to come out of it. There are voices saying: ‘Wake up, wake up, come back alive...’”

Listeners will be able to make out those voices but there are no vocals, these voices, collaborators, include Marillion frontman Steve Hogarth and Swedish singer Lisen Rylander Love (who co-wrote ‘A Star Light’).

The album’s title perfectly encapsulates the haunting, evocative world Barbieri has created. Songs such as the skittering, billowing ‘Clockwork’ and ‘Sketch 6’s dub-inspired soundscape hang suspended in that strange half-world between sleep and waking – a subconscious reflection of the surreal state the planet has found itself in over recent months. “I was having a lot of bizarre, recurring dreams that were hanging around after I woke up,” says Barbieri. “They were based around this woodland pathway, which is really summed up by the album cover – this surreal, deserted, Blair Witch Project type of environment. You’re going through these woods, heading towards this light, almost like you’re leaving life. That’s where the title Under A Spell came from – it was a feeling of not being totally in control. Almost as if your dreams are pointing you in directions that sometimes you can control and sometimes you can’t.”

As ex-founder of Japan, the new-wave pioneers and one of the most ground-breaking bands of their era, Richard Barbieri helped spark the electronic music revolution that followed, his synthesiser sound not only defined the band but influenced the likes of The Human League, Duran Duran, Gary Numan and Talk Talk. Following Japan’s split, Barbieri joined Steven Wilson to form the legendary progressive outfit Porcupine Tree, that saw him play on nine of the band’s albums, including 1999’s Stupid Dream, 2002’s In Absentia and 2007’s acclaimed Fear Of A Blank Planet. Following PT’s hiatus Barbieri has pursued a solo career, releasing albums that include 2005’s Things Buried, 2008’s Stranger Inside and 2017’s Planets + Persona, as well as his recent EP series, Variant.1-5.

Barbieri's willingness to constantly redefine his own musical boundaries are never more evident than on the brilliant, hypnotic Under A Spell – the latest milestone on this utterly unique journey.

Under A Spell tracklisting
1. Under A Spell [07:19]
2. Clockwork [02:33]
3. Flare 2 [08:51]
4. A Star Light [03:50]
5. Serpentine [06:22]
6. Sleep Will Find You [02:51]
7. Sketch 6 [06:30]
8. Darkness Will Find You [04:58]
9. Lucid [06:14]

Under A Spell will be released on Kscope on 26th February, on CD,  gatefold double black vinyl LP, limited edition gatefold double red vinyl LP (exclusive to the Kscope store) and digitally with pre-orders available HERE https://RichardBarbieri.lnk.to/UnderASpell

For Hi-res images please go to www.kscopemusic.com/media/richardbarbieri

Follow Richard Barbieri:
https://www.facebook.com/RichardBarbieriOfficial/
https://www.instagram.com/richardbarbieri_music
http://kscopemusic.com/artists/richard-barbieri

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Richard Barbieri (Japan, Rain Tree Crow, Porcupine Tree) Returns With His New Album 'Under A Spell'

Released on Kscope on 26th February

(photo credit – Carl Glover)

The man whose illustrious career began in the late 70s with synth-pop visionaries Japan and more recently as a member of influential art-rock band Porcupine Tree follows up 2017's Planets + Persona with new album Under A Spell.  

CHECK OUT THE TRAILER HERE:

Richard Barbieri didn’t plan to make an album like Under A Spell, originally intended his fourth solo album to be a direct follow from its predecessor, 2017’s Planets + Persona.

That record, made in different studios across Europe and heavily incorporating live performances from a range of musicians, was adventurous and bold, showcasing Barbieri’s endlessly inventive song writing and mastery of electronic music. The follow-up would pick up where it left off, journeying further into the expansive terrain he mapped out on the previous record. And then the COVID-19 pandemic hit, and everything changed. “I wrote and recorded it in my studio at home, with all this strangeness going on outside,” says Barbieri of Under A Spell. “It became something completely different: this weird, self-contained dream-state album.”

On Under A Spell, Barbieri was intent on capturing the atmospheres and moods that his disconnected brain was conjuring rather than slaving over arrangements and melodies. Songs such as ‘Flare’, ‘Serpentine’, ‘Sleep Will Find You’ and its companion piece-of-sorts ‘Darkness Will Find You’ are sharply defined despite their dream-inspired genesis. He points to the evocative opening and closing tracks, ‘Under A Spell’ and ‘Lucid’, as the keys that unlock the album. “Those two tracks have the whole meaning within them,” he says. “The first song, ‘Under A Spell’, is leading you down a path, moving into places where you’re not sure what’s going on. There are whispers in the background, spells being cast in a deserted wood. Then the final track, ‘Lucid’, is the opposite. You’re in this comforting lucid dream, but then you're drifting further away from it, trying to come out of it. There are voices saying: ‘Wake up, wake up, come back alive...’”

Listeners will be able to make out those voices but there are no vocals, these voices, collaborators, include Marillion frontman Steve Hogarth and Swedish singer Lisen Rylander Love (who co-wrote ‘A Star Light’).

The album’s title perfectly encapsulates the haunting, evocative world Barbieri has created. Songs such as the skittering, billowing ‘Clockwork’ and ‘Sketch 6’s dub-inspired soundscape hang suspended in that strange half-world between sleep and waking – a subconscious reflection of the surreal state the planet has found itself in over recent months. “I was having a lot of bizarre, recurring dreams that were hanging around after I woke up,” says Barbieri. “They were based around this woodland pathway, which is really summed up by the album cover – this surreal, deserted, Blair Witch Project type of environment. You’re going through these woods, heading towards this light, almost like you’re leaving life. That’s where the title Under A Spell came from – it was a feeling of not being totally in control. Almost as if your dreams are pointing you in directions that sometimes you can control and sometimes you can’t.”

As ex-founder of Japan, the new-wave pioneers and one of the most ground-breaking bands of their era, Richard Barbieri helped spark the electronic music revolution that followed, his synthesiser sound not only defined the band but influenced the likes of The Human League, Duran Duran, Gary Numan and Talk Talk. Following Japan’s split, Barbieri joined Steven Wilson to form the legendary progressive outfit Porcupine Tree, that saw him play on nine of the band’s albums, including 1999’s Stupid Dream, 2002’s In Absentia and 2007’s acclaimed Fear Of A Blank Planet. Following PT’s hiatus Barbieri has pursued a solo career, releasing albums that include 2005’s Things Buried, 2008’s Stranger Inside and 2017’s Planets + Persona, as well as his recent EP series, Variant.1-5.

Barbieri's willingness to constantly redefine his own musical boundaries are never more evident than on the brilliant, hypnotic Under A Spell – the latest milestone on this utterly unique journey.

Under A Spell tracklisting
1. Under A Spell [07:19]
2. Clockwork [02:33]
3. Flare 2 [08:51]
4. A Star Light [03:50]
5. Serpentine [06:22]
6. Sleep Will Find You [02:51]
7. Sketch 6 [06:30]
8. Darkness Will Find You [04:58]
9. Lucid [06:14]

Under A Spell will be released on Kscope on 26th February, on CD,  gatefold double black vinyl LP, limited edition gatefold double red vinyl LP (exclusive to the Kscope store) and digitally with pre-orders available HERE https://RichardBarbieri.lnk.to/UnderASpell

For Hi-res images please go to www.kscopemusic.com/media/richardbarbieri

Follow Richard Barbieri:
https://www.facebook.com/RichardBarbieriOfficial/
https://www.instagram.com/richardbarbieri_music
http://kscopemusic.com/artists/richard-barbieri

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Japan/Porcupine Tree Keyboardist Richard Barbieri Releases 360° Video For “Solar Sea” Taken From His Forthcoming New Studio Album Planets + Persona

“What other planets are out there? Could there be any life 40 light-years away?” - The new 360° video for Richard Barbieri’s track “Solar Sea”, explores these questions, imagines these new worlds - colliding planets, ice crystals inside a hollow comet, volcanic asteroids spewing molten lava into open space and a breathtaking finale.

VIEW HERE: 

360° VIDEO VIEWING INSTRUCTIONS:
To view Richard Barbieri's Solar Sea in 360, you will need to view the video using the latest version of the YouTube app on iOS and Android. By moving your smartphone or tablet, you will be able to look around the 360 degree view. To watch on a desktop or laptop computer, you will need to make sure you are using the latest version of Chrome, Firefox, Internet Explorer or Opera. You will then be able to move the view by clicking and dragging inside the video player or by using the WASD keys. For the most immersive experience, we recommend using a VR headset.

Having seen the “Solar Sea” video for the first time using a VR headset Richard enthusiastically states “THAT WAS INCREDIBLE! It’s amazing that Miles (Skarin) has captured the movement and turbulence of planets, the particles and matter that I was trying to reference in the music. It’s a totally immersive experience and, along with the artwork, another important addition to the album experience” 

360° video producer Miles Skarin (www.crystalspotlight.com) explains the development process and techniques behind this stunning visual journey “Following the concept of Solar Sea and drawing on the album artwork, we created dramatic environments which showcase the variety and possibility of distant planets and star systems. We wanted to create visually intricate scenes - large planets colliding, ice crystals spanning across a hollow comet and even a volcanic asteroid spewing molten lava into space. These scenes were created in Maxon's Cinema 4D by building the individual objects required for each scene and placing them in 3D space. To render the scenes, we used Video Copilot's Element 3D, which allowed us to add materials and lighting. We then animated a path for the camera to follow which would become our 360 degree viewpoint. The scenes were set up for 360 VR using Mettle's Skybox plugin. These tools and plugins were all brought together using Adobe After Effects and Premiere Pro, which create a very solid pipeline for 360 VR video production.”

Planets + Persona, the new album from Japan and Porcupine Tree keyboardist, Richard Barbieri, was recorded in London, Italy and Sweden; and is Barbieri's most ambitious, thoroughly engrossing and immersive album to date.  He skilfully utilises the talents of a pan-European core of musicians to produce an album that marries synthesized sounds with organic instrumentation to conjure up vivid, colourful and allusive soundscapes. It’s a skilful commingling of texture and tone, mood and musicality.

Planets + Persona tracklisting:
Solar Sea (07:30)
New Found Land (07:17)
Night Of The Hunter (10:44)
Interstellar Medium  (05:38)
Unholy (08:58)
Shafts Of Light (06:39)
Solar Storm (06:22)

Album teaser:

Planets+ Persona will be released on 3rd March except USA & Canada – 17th March & France – 26th May, on CD, LP & Digital Download (feat. New Found Land instant download) – all available to pre-order now here: http://found.ee/RB_PLANETS_PERSONA

Richard Barbieri will be performing live in the UK in March:
16th – Exeter, The Phoenix (w/Grice in support)
25th – Birmingham, The Birmingham & Midland Institute (A morning with / masterclass)
26th – Birmingham, The Blue Orange Theatre (w/ Grice in support)
28th – London, Hoxton Hall
For ticket details : https://www.facebook.com/RichardBarbieriOfficial/

As an ex-founder of the new-wave pioneers Japan, Barbieri was a leader in creating the ground-breaking synthesizer sound that defined the band and influenced the likes of The Human League, Duran Duran, Gary Numan, Talk Talk and a whole raft of artists to follow. Together, the band recorded five studio albums culminating in the groundbreaking Tin Drum, which stayed in the UK Albums Chart for a year.

Following Japan, and a decade of collaborations on his own Medium label, Barbieri joined Steven Wilson's Porcupine Tree, playing keyboards on all the band’s albums since 1993 as well as releasing two striking solo albums: Things Buried and Stranger Inside.

His ear for composing unique soundscapes and synth textures has led to collaboration albums with other talented composers, such as Steve Hogarth (Marillion) Steve Jansen & Mick Karn (Japan) and Tim Bowness (No-Man)

Richard Barbieri online:
http://www.richardbarbieri.net ;
https://www.facebook.com/RichardBarbieriOfficial/
https://open.spotify.com/artist/74aT58mmwQWq4qUxTE0SDr  ;
https://www.youtube.com/channel/UC2PGdtnsImzX4HHafVwxgAQ
https://itun.es/gb/N7psi

For hi-res image downloads (media use only): http://www.kscopemusic.com/media/richard-barbieri ;

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Japan/Porcupine Tree Keyboardist Richard Barbieri Releases 360° Video For “Solar Sea” Taken From His Forthcoming New Studio Album Planets + Persona

“What other planets are out there? Could there be any life 40 light-years away?” - The new 360° video for Richard Barbieri’s track “Solar Sea”, explores these questions, imagines these new worlds - colliding planets, ice crystals inside a hollow comet, volcanic asteroids spewing molten lava into open space and a breathtaking finale.

VIEW HERE: 

360° VIDEO VIEWING INSTRUCTIONS:
To view Richard Barbieri's Solar Sea in 360, you will need to view the video using the latest version of the YouTube app on iOS and Android. By moving your smartphone or tablet, you will be able to look around the 360 degree view. To watch on a desktop or laptop computer, you will need to make sure you are using the latest version of Chrome, Firefox, Internet Explorer or Opera. You will then be able to move the view by clicking and dragging inside the video player or by using the WASD keys. For the most immersive experience, we recommend using a VR headset.

Having seen the “Solar Sea” video for the first time using a VR headset Richard enthusiastically states “THAT WAS INCREDIBLE! It’s amazing that Miles (Skarin) has captured the movement and turbulence of planets, the particles and matter that I was trying to reference in the music. It’s a totally immersive experience and, along with the artwork, another important addition to the album experience” 

360° video producer Miles Skarin (www.crystalspotlight.com) explains the development process and techniques behind this stunning visual journey “Following the concept of Solar Sea and drawing on the album artwork, we created dramatic environments which showcase the variety and possibility of distant planets and star systems. We wanted to create visually intricate scenes - large planets colliding, ice crystals spanning across a hollow comet and even a volcanic asteroid spewing molten lava into space. These scenes were created in Maxon's Cinema 4D by building the individual objects required for each scene and placing them in 3D space. To render the scenes, we used Video Copilot's Element 3D, which allowed us to add materials and lighting. We then animated a path for the camera to follow which would become our 360 degree viewpoint. The scenes were set up for 360 VR using Mettle's Skybox plugin. These tools and plugins were all brought together using Adobe After Effects and Premiere Pro, which create a very solid pipeline for 360 VR video production.”

Planets + Persona, the new album from Japan and Porcupine Tree keyboardist, Richard Barbieri, was recorded in London, Italy and Sweden; and is Barbieri's most ambitious, thoroughly engrossing and immersive album to date.  He skilfully utilises the talents of a pan-European core of musicians to produce an album that marries synthesized sounds with organic instrumentation to conjure up vivid, colourful and allusive soundscapes. It’s a skilful commingling of texture and tone, mood and musicality.

Planets + Persona tracklisting:
Solar Sea (07:30)
New Found Land (07:17)
Night Of The Hunter (10:44)
Interstellar Medium  (05:38)
Unholy (08:58)
Shafts Of Light (06:39)
Solar Storm (06:22)

Album teaser:

Planets+ Persona will be released on 3rd March except USA & Canada – 17th March & France – 26th May, on CD, LP & Digital Download (feat. New Found Land instant download) – all available to pre-order now here: http://found.ee/RB_PLANETS_PERSONA

Richard Barbieri will be performing live in the UK in March:
16th – Exeter, The Phoenix (w/Grice in support)
25th – Birmingham, The Birmingham & Midland Institute (A morning with / masterclass)
26th – Birmingham, The Blue Orange Theatre (w/ Grice in support)
28th – London, Hoxton Hall
For ticket details : https://www.facebook.com/RichardBarbieriOfficial/

As an ex-founder of the new-wave pioneers Japan, Barbieri was a leader in creating the ground-breaking synthesizer sound that defined the band and influenced the likes of The Human League, Duran Duran, Gary Numan, Talk Talk and a whole raft of artists to follow. Together, the band recorded five studio albums culminating in the groundbreaking Tin Drum, which stayed in the UK Albums Chart for a year.

Following Japan, and a decade of collaborations on his own Medium label, Barbieri joined Steven Wilson's Porcupine Tree, playing keyboards on all the band’s albums since 1993 as well as releasing two striking solo albums: Things Buried and Stranger Inside.

His ear for composing unique soundscapes and synth textures has led to collaboration albums with other talented composers, such as Steve Hogarth (Marillion) Steve Jansen & Mick Karn (Japan) and Tim Bowness (No-Man)

Richard Barbieri online:
http://www.richardbarbieri.net ;
https://www.facebook.com/RichardBarbieriOfficial/
https://open.spotify.com/artist/74aT58mmwQWq4qUxTE0SDr  ;
https://www.youtube.com/channel/UC2PGdtnsImzX4HHafVwxgAQ
https://itun.es/gb/N7psi

For hi-res image downloads (media use only): http://www.kscopemusic.com/media/richard-barbieri ;

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Japan/Porcupine Tree Keyboardist Richard Barbieri Releases 360° Video For “Solar Sea” Taken From His Forthcoming New Studio Album Planets + Persona

“What other planets are out there? Could there be any life 40 light-years away?” - The new 360° video for Richard Barbieri’s track “Solar Sea”, explores these questions, imagines these new worlds - colliding planets, ice crystals inside a hollow comet, volcanic asteroids spewing molten lava into open space and a breathtaking finale.

VIEW HERE: 

360° VIDEO VIEWING INSTRUCTIONS:
To view Richard Barbieri's Solar Sea in 360, you will need to view the video using the latest version of the YouTube app on iOS and Android. By moving your smartphone or tablet, you will be able to look around the 360 degree view. To watch on a desktop or laptop computer, you will need to make sure you are using the latest version of Chrome, Firefox, Internet Explorer or Opera. You will then be able to move the view by clicking and dragging inside the video player or by using the WASD keys. For the most immersive experience, we recommend using a VR headset.

Having seen the “Solar Sea” video for the first time using a VR headset Richard enthusiastically states “THAT WAS INCREDIBLE! It’s amazing that Miles (Skarin) has captured the movement and turbulence of planets, the particles and matter that I was trying to reference in the music. It’s a totally immersive experience and, along with the artwork, another important addition to the album experience” 

360° video producer Miles Skarin (www.crystalspotlight.com) explains the development process and techniques behind this stunning visual journey “Following the concept of Solar Sea and drawing on the album artwork, we created dramatic environments which showcase the variety and possibility of distant planets and star systems. We wanted to create visually intricate scenes - large planets colliding, ice crystals spanning across a hollow comet and even a volcanic asteroid spewing molten lava into space. These scenes were created in Maxon's Cinema 4D by building the individual objects required for each scene and placing them in 3D space. To render the scenes, we used Video Copilot's Element 3D, which allowed us to add materials and lighting. We then animated a path for the camera to follow which would become our 360 degree viewpoint. The scenes were set up for 360 VR using Mettle's Skybox plugin. These tools and plugins were all brought together using Adobe After Effects and Premiere Pro, which create a very solid pipeline for 360 VR video production.”

Planets + Persona, the new album from Japan and Porcupine Tree keyboardist, Richard Barbieri, was recorded in London, Italy and Sweden; and is Barbieri's most ambitious, thoroughly engrossing and immersive album to date.  He skilfully utilises the talents of a pan-European core of musicians to produce an album that marries synthesized sounds with organic instrumentation to conjure up vivid, colourful and allusive soundscapes. It’s a skilful commingling of texture and tone, mood and musicality.

Planets + Persona tracklisting:
Solar Sea (07:30)
New Found Land (07:17)
Night Of The Hunter (10:44)
Interstellar Medium  (05:38)
Unholy (08:58)
Shafts Of Light (06:39)
Solar Storm (06:22)

Album teaser:

Planets+ Persona will be released on 3rd March except USA & Canada – 17th March & France – 26th May, on CD, LP & Digital Download (feat. New Found Land instant download) – all available to pre-order now here: http://found.ee/RB_PLANETS_PERSONA

Richard Barbieri will be performing live in the UK in March:
16th – Exeter, The Phoenix (w/Grice in support)
25th – Birmingham, The Birmingham & Midland Institute (A morning with / masterclass)
26th – Birmingham, The Blue Orange Theatre (w/ Grice in support)
28th – London, Hoxton Hall
For ticket details : https://www.facebook.com/RichardBarbieriOfficial/

As an ex-founder of the new-wave pioneers Japan, Barbieri was a leader in creating the ground-breaking synthesizer sound that defined the band and influenced the likes of The Human League, Duran Duran, Gary Numan, Talk Talk and a whole raft of artists to follow. Together, the band recorded five studio albums culminating in the groundbreaking Tin Drum, which stayed in the UK Albums Chart for a year.

Following Japan, and a decade of collaborations on his own Medium label, Barbieri joined Steven Wilson's Porcupine Tree, playing keyboards on all the band’s albums since 1993 as well as releasing two striking solo albums: Things Buried and Stranger Inside.

His ear for composing unique soundscapes and synth textures has led to collaboration albums with other talented composers, such as Steve Hogarth (Marillion) Steve Jansen & Mick Karn (Japan) and Tim Bowness (No-Man)

Richard Barbieri online:
http://www.richardbarbieri.net ;
https://www.facebook.com/RichardBarbieriOfficial/
https://open.spotify.com/artist/74aT58mmwQWq4qUxTE0SDr  ;
https://www.youtube.com/channel/UC2PGdtnsImzX4HHafVwxgAQ
https://itun.es/gb/N7psi

For hi-res image downloads (media use only): http://www.kscopemusic.com/media/richard-barbieri ;

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Japan and Porcupine Tree Keyboardist Richard Barbieri Set To Release New Studio Album Planets + Persona via Kscope on March 3, 2017

Album teaser clip launched!

London - Legendary Japan and Porcupine Tree keyboardist Richard Barbieri releases his most sonically expansive work to date, with a brand new album entitled Planets + Persona. It is the third Barbieri solo album, but the first to feature such a wide pallet of instrumentation. Vintage analogue synthesizers combine with acoustic performances and jazz elements. Twisted voices are always present, though not in a language we can recognize. Barbieri skilfully utilizes the talents of a pan-European core of musicians to produce an album that marries synthesized sounds with organic instrumentation to conjure up vivid, colourful and allusive soundscapes. It's a skillful commingling of texture and tone, mood and musicality.

Fans can have a taste of Planets + Persona here with a teaser of all 7 album tracks:

Recorded in London, Italy and Sweden, this is Barbieri's most ambitious solo work to date with a central theme of duality that runs through the album. The title alone – “Planets and Persona” alludes to this, and the dialectic theme is a constant throughout the contrasting and shape-shifting sounds of the album. Take, for example, Night of the Hunter – inspired by Charles Laughton's only directorial movie, the piece moves through subtle shifts of atmosphere and emphasis, through melodic, dream-like sequences through to harsher tones; it's a piece that builds to a profound cumulative effect. Elsewhere, Solar Storm shifts gears artfully, with Percy Jones' sometimes percussive bass work contrasting to the smoother synthesizer textures incisively. Barbieri's purely solo Interstellar Medium shows that his ability to develop and realize a theme under his own auspices that underscores his innate creativity. It's but one aspect of a thoroughly engrossing and immersive album.

Planets + Persona tracklisting:
Solar Sea (07:30)
New Found Land (07:17)
Night Of The Hunter (10:44)
Interstellar Medium (05:38)
Unholy (08:58)
Shafts Of Light (06:39)
Solar Storm (06:22])

As an ex-founder of the new-wave pioneers Japan, Barbieri was a leader in creating the ground-breaking synthesizer sound that defined the band and influenced the likes of The Human League, Duran Duran, Gary Numan, Talk Talk and a whole raft of artists to follow. Together, the band recorded five studio albums culminating in the groundbreaking Tin Drum, which stayed in the UK Albums Chart for a year.

Following Japan, and a decade of collaborations on his own Medium label, Barbieri joined Steven Wilson's Porcupine Tree, playing keyboards on all the band's albums since 1993 as well as releasing two striking solo albums: Things Buried and Stranger Inside.

His ear for composing unique soundscapes and synth textures has led to collaboration albums with other talented composers, such as Steve Hogarth (Marillion) Steve Jansen & Mick Karn (Japan) and Tim Bowness (No-Man)

Planets+ Persona will be released on the following formats – all available to pre-order now here: http://found.ee/RB_PLANETS_PERSONA

CD - The album is complimented with photographic scenes of dramatic Icelandic landscapes combined with studio shots in the 16-page booklet.
2LP - The gatefold sleeve features the stunning Icelandic ice cave scene on the cover and has been mastered by “Tubular Bells” producer Simon Heyworth. The double LP runs at 45 rpm for stunning quality and is pressed on 180g heavyweight vinyl
Digital (pre-orders include an instant download of the track New Found Land)

Richard Barbieri online:
http://www.richardbarbieri.net
https://www.facebook.com/RichardBarbieriOfficial/
https://open.spotify.com/artist/74aT58mmwQWq4qUxTE0SDr
https://www.youtube.com/channel/UC2PGdtnsImzX4HHafVwxgAQ
https://itun.es/gb/N7psi

For hi-res image downloads (media use only): http://www.kscopemusic.com/media/richard-barbieri

Press inquiries (North America): Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Photo credit: Ben Meadows

Japan and Porcupine Tree Keyboardist Richard Barbieri Set To Release New Studio Album Planets + Persona via Kscope on March 3, 2017

Album teaser clip launched!

London - Legendary Japan and Porcupine Tree keyboardist Richard Barbieri releases his most sonically expansive work to date, with a brand new album entitled Planets + Persona. It is the third Barbieri solo album, but the first to feature such a wide pallet of instrumentation. Vintage analogue synthesizers combine with acoustic performances and jazz elements. Twisted voices are always present, though not in a language we can recognize. Barbieri skilfully utilizes the talents of a pan-European core of musicians to produce an album that marries synthesized sounds with organic instrumentation to conjure up vivid, colourful and allusive soundscapes. It's a skillful commingling of texture and tone, mood and musicality.

Fans can have a taste of Planets + Persona here with a teaser of all 7 album tracks:

Recorded in London, Italy and Sweden, this is Barbieri's most ambitious solo work to date with a central theme of duality that runs through the album. The title alone – “Planets and Persona” alludes to this, and the dialectic theme is a constant throughout the contrasting and shape-shifting sounds of the album. Take, for example, Night of the Hunter – inspired by Charles Laughton's only directorial movie, the piece moves through subtle shifts of atmosphere and emphasis, through melodic, dream-like sequences through to harsher tones; it's a piece that builds to a profound cumulative effect. Elsewhere, Solar Storm shifts gears artfully, with Percy Jones' sometimes percussive bass work contrasting to the smoother synthesizer textures incisively. Barbieri's purely solo Interstellar Medium shows that his ability to develop and realize a theme under his own auspices that underscores his innate creativity. It's but one aspect of a thoroughly engrossing and immersive album.

Planets + Persona tracklisting:
Solar Sea (07:30)
New Found Land (07:17)
Night Of The Hunter (10:44)
Interstellar Medium (05:38)
Unholy (08:58)
Shafts Of Light (06:39)
Solar Storm (06:22])

As an ex-founder of the new-wave pioneers Japan, Barbieri was a leader in creating the ground-breaking synthesizer sound that defined the band and influenced the likes of The Human League, Duran Duran, Gary Numan, Talk Talk and a whole raft of artists to follow. Together, the band recorded five studio albums culminating in the groundbreaking Tin Drum, which stayed in the UK Albums Chart for a year.

Following Japan, and a decade of collaborations on his own Medium label, Barbieri joined Steven Wilson's Porcupine Tree, playing keyboards on all the band's albums since 1993 as well as releasing two striking solo albums: Things Buried and Stranger Inside.

His ear for composing unique soundscapes and synth textures has led to collaboration albums with other talented composers, such as Steve Hogarth (Marillion) Steve Jansen & Mick Karn (Japan) and Tim Bowness (No-Man)

Planets+ Persona will be released on the following formats – all available to pre-order now here: http://found.ee/RB_PLANETS_PERSONA

CD - The album is complimented with photographic scenes of dramatic Icelandic landscapes combined with studio shots in the 16-page booklet.
2LP - The gatefold sleeve features the stunning Icelandic ice cave scene on the cover and has been mastered by “Tubular Bells” producer Simon Heyworth. The double LP runs at 45 rpm for stunning quality and is pressed on 180g heavyweight vinyl
Digital (pre-orders include an instant download of the track New Found Land)

Richard Barbieri online:
http://www.richardbarbieri.net
https://www.facebook.com/RichardBarbieriOfficial/
https://open.spotify.com/artist/74aT58mmwQWq4qUxTE0SDr
https://www.youtube.com/channel/UC2PGdtnsImzX4HHafVwxgAQ
https://itun.es/gb/N7psi

For hi-res image downloads (media use only): http://www.kscopemusic.com/media/richard-barbieri

Press inquiries (North America): Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Photo credit: Ben Meadows

Electronic Music Ensemble Genre Peak To Release New Album Feat. Collaborations with Steve Jansen, Mick Karn, & Richard Barbieri of Japan, Matt Malley of Counting Crows and Jon Hassell

“Well done team Genre Peak!” - Jon Hassell

London, UK - Genre Peak is Martin Birke (songwriter, electronic-percussionist,vocalist and co-producer) with variety of collaborations from players and singers from all over the world. The new album “Your Sleekest Engine” features collaborations with Steve Jansen (Japan/David Sylvian), Jon Hassell (Brian Eno/Peter Gabriel), Richard Barbieri (Japan/Porcupine Tree), Matt Malley (Counting Crows) with vocals by Martin, Lesley Braden (Fast Arrow) and Charlie Woodward (Falco/Strinx) Manal Deeb (Palestinian artist) additional bass tracks from the late great Mick Karn (Japan/Dalis Car/David Torn). Co-produced by Christopher Scott Cooper and Martin Birke for In Code Music (Publishing). The album will be released on Gonzo Multimedia UK on March 4, 2016.

Says Martin, “The idea of 'Your Sleekest Engine' is what I consider things, ideas, concepts that provide the straightest line between point A to B. A syringe, a gun, a synapse, lightning, morphine, a car, plane, I consider these things 'sleek engines'. I want the music to be designed for elegance but still retain a 'pop' sensibility. 'Your Sleekest Engine' is 3 years of hard work, networking and intense collaboration with some of my idols in music, it's a strong and very dynamic album. I'm quite proud of this cause collaboration is best way to work for me.

“After the ambient album '9 Microspheres' I wanted to get back to where I could collaborate with singers and players. I approached Steve Jansen to remix a track off 'Preternatural' I did with the late Mick Karn, Steve agreed but did much more than a remix, he composed a whole new original song which blew me away. I had Lesley Braden of the Seattle band Fast Arrow write sing over it and I think it's dark and glorious much like most the songs I write. I contacted Jon Hassell who has been a huge influence and is the reason I'm an electronic-percussionist, and we came up with the beautiful instrumental 'Metanoia', I then started writing more songs with singer Charlie Woodward who sounds a bit like Jon Anderson of Yes to me (another favorite band) and we just clicked - thanks to Edo Castro (Pat Metheny Band) for introducing us.”

Last summer Martin recorded a track with Palestinian-American multi media artist Manal Deeb for the Arabesque song “Fix Me Deeper”; a track based on his sympathy for the suffering of the Palestinian people who he finds quite beautiful, brave and artistic. Manal did the spoken Arabic words and Martin sang the lead. He also sang the lead on “Denizen Darklight” which is about crime in America.

Rob Ayling of Gonzo Multimedia introduced Martin to Matt Malley of the Counting Crows and he delivered some great bass on “God Fearing Men” and “American Civil Rage”. Award winning poet Michael Spring spoke his poem “First Born of the New Millennium” Martin wrote the music for that one, and Richard Barbieri did an amazing remix of “Fix Me Deeper” both versions were released as a single last Fall and received great reviews.

Says Martin, “I modeled Genre Peak after Alan Wilder's Recoil and Massive Attack as we as well collaborate with many different artists, do instrumentals and Filmscore, I find this the most exciting way to work, it's always different and working with artists you grew up listening to is quite rewarding for me. I like to call Genre Peak's music 'electronica-organica' as I use electronics with a warm live cinematic sound.”

Martin Birke's original compositions began getting nationally published in 1990. His history as a drummer, keyboardist, programmer, songwriter and vocalist is in a current variety of US & European releases. Starting as a drummer in the late 70s, Martin now specializes as an electronic percussionist, composer and performer. While with the Frank Mark Arts label in Germany during the mid-to-late-90s, Martin was recording and touring in the bands Casualty Park, Sandbox Trio and studio project Birke/Leykam/Panasenko.

Martin Birke is well known for scoring original music for The Alvin Ailey American Dance Theatre, recording and touring internationally with Sandbox Trio, Casualty Park, Genre Peak and with Percy Howard (Meridiem,Bill Laswell) in the duo Hardboiled Wonderland. Genre Peak has released 2 full-length albums “Ends of the Earth” (2006 in-code Music) and “Preternatural” (2008 in-code Music). Starting in 2006 as a trio with Martin Birke on vocals and electronics, Daniel Panasenko on Chapman Stick and Stephen Sullivan on guitar-synths and vocals. The trio performed as an electronic rock band around Northern California cities until the departure of Panasenko in late 2006.

In 2008 Birke returned to the studio with co-producer/engineer/guitarist Christopher Scott Cooper and decided in recruiting a unique cast of vocalists and musicians consisting of Canadian singer Tara C. Taylor, Japan/Dalis Car bassist Mick Karn, bassist Gustaf Fjelstrom, French rock & electronic composer/remixer Tristan X (Kiss & Fly) and Spanish electronic composer/remixer Alex Brujas. The end result was Genre Peak's most vital album to date “Preternatural”. The songs featured heavier electronics, darker moods, and percussion effects offset with Karn and Fjelstrom's fretless bass lines, Taylor's lilting vocals and Cooper's high quality production making an album that was very well received by music media and fans around the world. And now “Your Sleekest Engine” once again showcases Martin's extraordinary compositional and performing skills!

Here's what the press have said about Genre Peak!

“Genre Peak realized a quite diversified piece of music, mixing different vocal, ambient and rhythm elements. There also is a real will and attention to distill great sound treatments. This is modern music covering a wide range of influences.” - SIDE-LINE Magazine

“People with eclectic tastes might really like this album. The synthesizers are great and so is the percussion and singers. This is something to listen to if you want to hear something very different than what is on MTV or the radio.” - The Celebrity

“Genre Peak and its cinematic imagery impeccably reflects the post-postmodern sound of now - detached, cool, and wired.” - West Coast Performer

Martin recently scored music for the upcoming film “Isabela” by Dell Cullum out this summer/fall as well some music for the TV special “Imagination Nature: Galápagos”. Genre Peak will play live around the west cost over the summer and is headlining at SHINE in Sacramento on March 26th. The new live ensemble features singers Charlie Woodward and Tara C. Taylor, Stephen Sullivan on guitar-synths, Paul Relvas on basses, and Martin on electronic-percussion. The band is performing songs from “Preternatural” and “Your Sleekest Engine” and sound great! It's really hard to do Genre Peak live due to the complexities of the original recordings but this time the band is nailing it!

Lastly, Martin has this to impart to his listeners, “Explore new music, commercial radio plays only 2% of all the music released in any year, I spent my youth studying all kinds of known and unknown bands, authors and artists constantly expanding my range of interest. Learning all I could about different styles of art, music and poetry and film. There's so much new music out there and with the internet it's much easier to find. Also I encourage my listeners to be open minded and know sometimes things that don't immediately appeal just might once you understand it and take time to appreciate it.”

To purchase Gere Peak's “Your Sleekest Engine” CD:
http://www.gonzomultimedia.co.uk/product_details/15904/Genre_Peak-Your_Sleekest_Engine.html

For more information:
www.genrepeak.net
www.hardboiledwonderland.net

Press inquiries: Glass Onyon PR, PH: 828-350-8258, glassonyonpr@gmail.com