British ‘60s Psychedelic Legends Nirvana's ‘Songlife’ The Vinyl Box Set 1967-1972 To Be Released by Madfish Music on February 26, 2021

First time appearance of all 6 Nirvana albums together in one deluxe vinyl box set including the never before released 1972 LP ‘Secrets’

On February 26th 2021, Madfish Music will release Nirvana ‘Songlife’ 1967-72, a 6 LP vinyl Deluxe Box Set housing all 5 of the band’s pioneering studio albums – ‘The Story Of Simon Simopath’, ‘All Of Us’, ‘Dedicated To Markos III aka Black Flower’, ‘Local Anaesthetic’, ‘Songs Of Love And Praise’ - alongside the never before released 1972 LP ‘Secrets’. Nirvana were essentially the duo of Irishman Patrick Campbell-Lyons and Greek Alex Spyropoulos – who, following a chance meeting in London during the summer of 1966, took a long, strange trip together.

It’s the first time the band’s recorded output has ever been collated together on one release and is an engrossing body of work to explore. These albums sit comfortably with some of the other great works of the time – the Zombies, The Kinks and the Pretty Things included. And whilst Nirvana are most famous for their British psychedelic classic ‘Rainbow Chaser’, as the music contained here displays, there was so much more to them than just that celebrated single, for they reached far and wide into the musical strato-sphere with a technicolour vision.

Four of the original albums have been remastered from their original ¼ inch tapes and the box itself comes with a 52-page booklet featuring liner notes from renowned author Peter Doggett, interviews with Patrick & Alex from Nirvana, full discography, rare newspaper clippings, previously unseen pho-tos, posters and sleeves, and an exclusive Gered Mankowitz print signed in-dividually by the band. Of key interest to fans will be the ‘Secrets’ album which was only recently unearthed in its entirety, its origins began as a musical score that Nirvana had planned on bringing to London’s Theatres and stages in the early Seventies.  

Nirvana’s story remains a wonderful tale of artistic ambition and entwined within it lies a roll call of supporting cast heroes that includes The Jimi Hendrix Experience, Traffic, Chris Blackwell, Salvador Dali, Francoise Hardy, Tony Visconti, and many more.

The enduring beauty of Nirvana is that over 5 decades since their paths crossed, Patrick and Alex remain good friends to this day with both of them residing in Greece. Says Patrick Campbell-Lyons, “Now, as young elderly men, I can say with pride and joy that our friendship is as strong as it was fifty years ago. We see each other often, here in Athens, and respect each other’s creative space. And once in a while we write and record a new song together. Those moments are special, like our friendship.” 

Full product information & tracklisting: https://www.madfishmusic.com/artists/nirvana/

Released by Madfish Music on February 26th 2021

Album Pre-Order: https://nirvanaband.lnk.to/Songlife

For more information:
https://www.facebook.com/nirvanasonglife
https://www.facebook.com/madfishlabel

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Banging Colours “Hallucinogenic Treasures from the Convolution of an Imaginative Brain” Compilation To Be Released December 4, 2020

The year 2017 marks the 50th anniversary of the Summer of Love. On this occasion, many rare finds from the London Underground music scene found their way into the public ear again. Now, with a little delay, perhaps the most important rediscovery from the time of Swingin’ London is available: Iapetus presents this compilation for the first time, “Hallucinogenic Treasures from the Convolution of an Imaginative Brain” is a comprehensive review of the work of the legendary British band Banging Colours.

“Pet Sounds” by the Beach Boys or “Freak Out” by the Mothers of Invention had already been announced the year before, but 1967 was the Year of Great Change in rock and pop. From “Sgt. Pepper” to “The Piper at the Gates of Dawn,” from “Are You Experienced” to “Surrealistic Pillow,” unprecedented sounds broke into pop music and redefined what popular music is and can be. In place of hit production came the work on the album. The setlist of performances no longer consisted of a string of singles; instead, the musicians experimented live with their material and sounded out the possibilities of rock music in long improvisations. The studio itself became an instrument for expanding musical boundaries, and drug-induced changes in consciousness manifested themselves in psychedelic sound.

During the short period of their existence in London from 1967 to 1969, Banging Colours featuring keyboarder and singer Manny Wolfe was considered one of the most important and influential bands of their time. Performances at the U.F.O. Club and in Middle Earth established their reputation as a cult band by British psychedelia fans. Joint performances with the main acts of the scene consolidated this status as well as their innovative light show, which gave the band its name.

Matthias Derer has meticulously searched and rummaged through the archives of record companies, radio stations and film studios, bringing to light some amazing things. More treasures than ever hoped for could be recovered, in almost all cases in the form of original tapes of the individual tracks and in far better quality than feared. Markus Reuter has remixed them with great devotion and has given these pearls of the psychedelic era, which were considered lost, new radiance. The result is a fascinating testimony of probably the most creative period of rock music.

Album 1 of the compilation brings together studio recordings from almost two and a half years, from the first and only single that not only sings about London’s underground scene but also became its secret anthem, to songs from various album projects from 1967 to 1969. The material was written entirely by the band’s head Manny Wolfe and bears his compositional signature.

Album 2 includes jams and studio live sessions and shows the band from a slightly different side: it impressively documents their impartiality and freedom to improvise freely, leaving the three-minute format suitable for radio light years behind.

Both showcase the extraordinary lineup of Banging Colours: Bas Ricken, whose powerful and soulful playing was acknowledged by the major drummers of his time, is the pulse in which the colours are banging. Pekka Jokinen on bass is an exceptional phenomenon: Seldom in this era has a bassist shaped the overall sound of a band as much as he did. On these recordings he not only proves that he lives up to his idol Paul McCartney and is on the cutting edge of his time, but he also shows himself to be a harbinger of a new type of bass player, as he was later embodied by Chris Squire or John Wetton in the 70’s. You don’t have to be a music expert to imagine what a brilliant career Young Patel could have had on the guitar if fate hadn’t objected. He effortlessly freed himself from his roots, the R‘n’B, without ever having to deny his musical origins. Especially his interaction with Keith Friedell is one of the most exciting elements of Banging Colours. While Young lets the blues flow in, Friedell makes the wide field of swing and gypsy jazz fertile for psychedelic proliferation. His virtuosic playing leaves its mark on the band and contributes significantly to the incomparable sound of Banging Colours. The creative centre around which this ensemble of exceptional musicians is grouped is Manny Wolfe, who not only wrote all the songs but also lends them the psychedelic sound carpets on organ, piano and mellotron as well as his unusual voice. At the moment he is writing an autobiographical story of Banging Colours, and it will be interesting to see if more treasures of the band will be salvaged in the course of this.

But not only the acoustic side of this rediscovery is interesting. In the course of extensive research, Matthias Derer has also succeeded in making the work of one of the most important graphic artists of his time partially accessible again. Wes H. Bernatt was not only a friend of the band and designer of their record covers, posters and the band logo, but also one of the most creative draftsmen and illustrators in London in the late 60’s. His contribution to psychedelic art and graphic design was unjustly forgotten. Bernhard Wöstheinrich’s revision of the album covers for this compilation brings Bernatt’s merits back into focus.

This compilation is a major act and an important contribution to the history of music, which gives an idea of the importance of Banging Colours. A must for all fans of the 60’s and lovers of psychedelic music.

Release Date: December 4, 2020

To purchase: www.bangingcolours.bandcamp.com

For more information: Iapetus Media, info@iapetus-media.com, www.iapetus-media.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

UK Music Legends The Pretty Things Announce New Album “Bare As Bone, Bright As Blood” - The Final Recordings Of Phil May and Dick Taylor

photo credit: Judy Totton

Cult British band The Pretty Things have announced their new album “Bare As Bone, Bright As Blood” will be released on 25th September via Madfish Music. Please see below for a comment from the band’s management and the full album press release.

Mark St John, Manager of The Pretty Things: 

On May the 15th 2020, Phil May, the lead singer with “The Pretty Things” died…. Despite his well-documented ill-health, his death was unexpected and resulted from a tragic accident and not his embedded health condition. His is a catastrophic loss and has been felt and acknowledged across the world of music and the arts.

At the time of his death, he was hugely excited and enthused about the impending release of the first-ever, all-acoustic “Pretty Things” album, which had been completed before his death.

I wrote the press release below, on the 5th May, just nine days before he died. We have left it unchanged – it remains as relevant to the record - and particularly to Phil and his connection to it, as it was while he was still alive and looking forward to performing these dark songs live and walking a new tightrope of performance…..

They will now never be heard live with Phil’s voice, and maybe never at all, but that does not diminish this remarkable record which will stand as a final tribute to one of the most significant artists of his generation, and beyond.

photo credit Mark St John

THE PRETTY THINGS – “BARE AS BONE, BRIGHT AS BLOOD” – THE NEW ALBUM.

On December 13th, 2018, following a sold-out show at London’s O2 Indigo, The Pretty Things retired from live, electric performances, after 55 years of touring and recording, due to the ill-health of lead singer, Phil May.

This was not something that the band, or their fans, wanted, but it was unavoidable, given the circumstances. At the time, there was already a new, electric album well underway, but this was shelved as it was clear that the band would never be able to perform any of these recordings. At the time of the retirement, some sort of return, possibly in a stripped-down, acoustic format was not entirely discounted, but it was not expected, due to the health issues, surrounding Phil May and also to the general lack of appetite that the bands’ two principals - Phil May and Dick Taylor - had always shown for acoustic performance as a mainstay for their work.

However, during 2019 there was a significant sea change in attitude within the band and, early in the year, the band, together with manager and producer, Mark St. John, returned to the studio and took the first, tentative steps toward the making of a new album, this time in an entirely acoustic format. The album - now completed and entitled “Bare As Bone, Bright As Blood” – is a genuine first for a band that has been knocking down the walls with their aggressive and memorable, electric live performances for more than 55 years.

This record has little in common with their past work, save that, like so many “Pretty Things” records and projects, it is wholly unique and an absolute first. Arguably, this record is as ground-breaking as the band’s seminal Rock Opera and psychedelic masterpiece – “S. F. Sorrow” – which is acknowledged as rock music’s first Rock Opera. The levels of inspiration, imagination, originality and musicality displayed are at an equivalent high; in many ways, perhaps, because the whole record is a totally exposed, stripped down, acoustic project, principally featuring only the two band members. For them, this was an arduous and unfamiliar task, relying solely on their fundamental talents and undertaken without the support, comfort and benefit of the thundering band that had underpinned their work for so many years.

This is work stripped bare and reflects the frailties and insecurities of gathering age, ill health, painful failure and memorable success. It is a reflection on two long, long lives in art and music that have always been at the cutting edge, and that have always worked as they did at the very start, in their teenage years. “Bare As Bone, Bright As Blood” does not allow for that luxury. This is not a pair of old rockers, still the oldest swingers in town. This is the work of two, old men, who are acting their age, maybe for the first time ever. If their health and energy is depleted, their skill, insight and experience is not, with the result that they have made a remarkable, exciting, unexpected and thought-provoking record, that is, against all the odds, another singular “first” for The Pretty Things.

It was a very sad day when we said an enforced goodbye to the astounding electric band that was The Pretty Things in December 2018. It is a very happy day to see them back, finally as the old men they truly are, and finally comfortable to release the young men that, for such a long, long time, they were. “Bare as Bone, Bright as Blood” – the remarkable and unexpected new album by The Pretty Things, still the tainted, dark royalty, banished from the rock establishment.

“Bare As Bone, Bright As Blood” will be released on CD, gatefold 2xLP on red vinyl and digitally and is available to pre-order now. (https://theprettythings.lnk.to/BareAsBoldBrightAsBlood)

The first singles to be taken from the new album are the double A-side of “The Devil Had A Hold On Me” & “To Build A Wall” and are available to stream now. (https://open.spotify.com/album/57gCumw0Pj2ih9ALzfa8Sc?si=2hoAw1IeTsShEG0BpMoIAw)



Track listing:
1. Can`t Be Satisfied [03:04]
2. Come Into My Kitchen [04:17]
3. Ain`t No Grave [03:58]
4. Faultline [04:22]
5. Redemption Day [05:22]
6. The Devil Had A Hold Of Me [04:16]
7. Bright As Blood [04:44]
8. Love In Vain[04:17]
9. Black Girl [02:37]
10. To Build A Wall[04:25]
11. Another World [03:56]
Bonus Track:
I`m Ready [03:43]

Press Quotes:

“Mr. May’s snarling vocals and rebellious persona helped make his band, the Pretty Things, an influential part of the 1960s British scene.” - The New York Times

“The man David Bowie listed as God in his address book stuck two fingers up at rules about music, sex and life itself – and made the most glorious noise doing it” - The Guardian

“May’s yowling vocals were as ferociously potent as anything recorded during the 1960s British beat boom.” - The Times

“Although the Pretty Things did not achieve the fame of many of their peers in the UK rock scene, they were beloved by musicians, including Aerosmith and, most famously, David Bowie” - Pitchfork


Links:
Facebook: https://www.facebook.com/The-Pretty-Things-115515605226
Website: http://www.theprettythings.com/
Label: https://www.madfishmusic.com/
For more hi-res images : www.madfishmusic.com/media/theprettythings

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

UK Music Legends The Pretty Things Announce New Album “Bare As Bone, Bright As Blood” - The Final Recordings Of Phil May and Dick Taylor

photo credit: Judy Totton

Cult British band The Pretty Things have announced their new album “Bare As Bone, Bright As Blood” will be released on 25th September via Madfish Music. Please see below for a comment from the band’s management and the full album press release.

Mark St John, Manager of The Pretty Things: 

On May the 15th 2020, Phil May, the lead singer with “The Pretty Things” died…. Despite his well-documented ill-health, his death was unexpected and resulted from a tragic accident and not his embedded health condition. His is a catastrophic loss and has been felt and acknowledged across the world of music and the arts.

At the time of his death, he was hugely excited and enthused about the impending release of the first-ever, all-acoustic “Pretty Things” album, which had been completed before his death.

I wrote the press release below, on the 5th May, just nine days before he died. We have left it unchanged – it remains as relevant to the record - and particularly to Phil and his connection to it, as it was while he was still alive and looking forward to performing these dark songs live and walking a new tightrope of performance…..

They will now never be heard live with Phil’s voice, and maybe never at all, but that does not diminish this remarkable record which will stand as a final tribute to one of the most significant artists of his generation, and beyond.

photo credit Mark St John

THE PRETTY THINGS – “BARE AS BONE, BRIGHT AS BLOOD” – THE NEW ALBUM.

On December 13th, 2018, following a sold-out show at London’s O2 Indigo, The Pretty Things retired from live, electric performances, after 55 years of touring and recording, due to the ill-health of lead singer, Phil May.

This was not something that the band, or their fans, wanted, but it was unavoidable, given the circumstances. At the time, there was already a new, electric album well underway, but this was shelved as it was clear that the band would never be able to perform any of these recordings. At the time of the retirement, some sort of return, possibly in a stripped-down, acoustic format was not entirely discounted, but it was not expected, due to the health issues, surrounding Phil May and also to the general lack of appetite that the bands’ two principals - Phil May and Dick Taylor - had always shown for acoustic performance as a mainstay for their work.

However, during 2019 there was a significant sea change in attitude within the band and, early in the year, the band, together with manager and producer, Mark St. John, returned to the studio and took the first, tentative steps toward the making of a new album, this time in an entirely acoustic format. The album - now completed and entitled “Bare As Bone, Bright As Blood” – is a genuine first for a band that has been knocking down the walls with their aggressive and memorable, electric live performances for more than 55 years.

This record has little in common with their past work, save that, like so many “Pretty Things” records and projects, it is wholly unique and an absolute first. Arguably, this record is as ground-breaking as the band’s seminal Rock Opera and psychedelic masterpiece – “S. F. Sorrow” – which is acknowledged as rock music’s first Rock Opera. The levels of inspiration, imagination, originality and musicality displayed are at an equivalent high; in many ways, perhaps, because the whole record is a totally exposed, stripped down, acoustic project, principally featuring only the two band members. For them, this was an arduous and unfamiliar task, relying solely on their fundamental talents and undertaken without the support, comfort and benefit of the thundering band that had underpinned their work for so many years.

This is work stripped bare and reflects the frailties and insecurities of gathering age, ill health, painful failure and memorable success. It is a reflection on two long, long lives in art and music that have always been at the cutting edge, and that have always worked as they did at the very start, in their teenage years. “Bare As Bone, Bright As Blood” does not allow for that luxury. This is not a pair of old rockers, still the oldest swingers in town. This is the work of two, old men, who are acting their age, maybe for the first time ever. If their health and energy is depleted, their skill, insight and experience is not, with the result that they have made a remarkable, exciting, unexpected and thought-provoking record, that is, against all the odds, another singular “first” for The Pretty Things.

It was a very sad day when we said an enforced goodbye to the astounding electric band that was The Pretty Things in December 2018. It is a very happy day to see them back, finally as the old men they truly are, and finally comfortable to release the young men that, for such a long, long time, they were. “Bare as Bone, Bright as Blood” – the remarkable and unexpected new album by The Pretty Things, still the tainted, dark royalty, banished from the rock establishment.

“Bare As Bone, Bright As Blood” will be released on CD, gatefold 2xLP on red vinyl and digitally and is available to pre-order now. (https://theprettythings.lnk.to/BareAsBoldBrightAsBlood)

The first singles to be taken from the new album are the double A-side of “The Devil Had A Hold On Me” & “To Build A Wall” and are available to stream now. (https://open.spotify.com/album/57gCumw0Pj2ih9ALzfa8Sc?si=2hoAw1IeTsShEG0BpMoIAw)



Track listing:
1. Can`t Be Satisfied [03:04]
2. Come Into My Kitchen [04:17]
3. Ain`t No Grave [03:58]
4. Faultline [04:22]
5. Redemption Day [05:22]
6. The Devil Had A Hold Of Me [04:16]
7. Bright As Blood [04:44]
8. Love In Vain[04:17]
9. Black Girl [02:37]
10. To Build A Wall[04:25]
11. Another World [03:56]
Bonus Track:
I`m Ready [03:43]

Press Quotes:

“Mr. May’s snarling vocals and rebellious persona helped make his band, the Pretty Things, an influential part of the 1960s British scene.” - The New York Times

“The man David Bowie listed as God in his address book stuck two fingers up at rules about music, sex and life itself – and made the most glorious noise doing it” - The Guardian

“May’s yowling vocals were as ferociously potent as anything recorded during the 1960s British beat boom.” - The Times

“Although the Pretty Things did not achieve the fame of many of their peers in the UK rock scene, they were beloved by musicians, including Aerosmith and, most famously, David Bowie” - Pitchfork


Links:
Facebook: https://www.facebook.com/The-Pretty-Things-115515605226
Website: http://www.theprettythings.com/
Label: https://www.madfishmusic.com/
For more hi-res images : www.madfishmusic.com/media/theprettythings

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Legendary 1960's Psychedelic Garage-Band The Chocolate Watchband Release New Video HOPE

The Chocolate Watchband, the 60's legendary psychedelic garage-band from the San Francisco Bay Area, has released a new video today free to the world. As all of us face new challenges that may force us to reckon with future waves of the Covid-19 virus, to survive this experience we need HOPE so that we will prevail.

Watch the video:

To all you fans of the Watchband out there quarantined from friends and loved ones, for all of you out there still working and supporting our country, for all you doctors, nurses, health care providers, governors and mayors working together to protect their people, National Guard, Army Corps of Engineers, firefighters, law enforcement officers, emergency medical aid providers and volunteers, mental health providers, teachers teaching from home and leaders of faith, all you delivery truck drivers and store workers keeping food and necessities on the shelves, for all you Fed-X, UPS and postal workers delivering necessities to those confined to their homes and journalists who tell us the TRUTH, this song is dedicated to YOU!

And thank all of you for your continuing support of our latest release “This is My Voice” available now in vinyl, CD and down load at www.thechocolatewatchband.com

David-Timmy-Derek-Alec-Gary

For more information: www.thechocolatewatchband.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Legendary 1960's Psychedelic Garage-Band The Chocolate Watchband Release New Video HOPE

The Chocolate Watchband, the 60's legendary psychedelic garage-band from the San Francisco Bay Area, has released a new video today free to the world. As all of us face new challenges that may force us to reckon with future waves of the Covid-19 virus, to survive this experience we need HOPE so that we will prevail.

Watch the video:

To all you fans of the Watchband out there quarantined from friends and loved ones, for all of you out there still working and supporting our country, for all you doctors, nurses, health care providers, governors and mayors working together to protect their people, National Guard, Army Corps of Engineers, firefighters, law enforcement officers, emergency medical aid providers and volunteers, mental health providers, teachers teaching from home and leaders of faith, all you delivery truck drivers and store workers keeping food and necessities on the shelves, for all you Fed-X, UPS and postal workers delivering necessities to those confined to their homes and journalists who tell us the TRUTH, this song is dedicated to YOU!

And thank all of you for your continuing support of our latest release “This is My Voice” available now in vinyl, CD and down load at www.thechocolatewatchband.com

David-Timmy-Derek-Alec-Gary

For more information: www.thechocolatewatchband.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Welsh Rock Heroes MAN Continue Their EVOLUTION With A New 6CD Box Set!

Los Angeles, CA - The unsung heroes of UK psychedelic rock, Man, have been quietly evolving over the course of their incredible 4+ decade career, transforming from the 5-piece upstart outfit who released their debut album in 1969 to a massively celebrated musical institution they've become in their home country and around the world. The key to that success, and their survival as a musical unit, has been the group's unflagging efforts to push musical boundaries further as they explore creative mutations to become ever more adaptable to the current climate. For proof, just check out the latest collection from the band, Evolution, a spectacular 6CD box set featuring 4 superb studio albums in their entirety from Man's turn-of-the-century period (1992-2006) PLUS a thrilling double concert album recorded in Berkeley CA 1976 with Quicksilver Messenger Service guitarist John Cipollina!

Each CD is packaged in its own jacket, recreating the artwork from the original release, along with liner notes by music historian Dave Thompson. The CD box will be available starting November 2 from Purple Pyramid Records, a division of Cleopatra Records, Inc.

Track List:
DISC 1: ENDANGERED SPECIES (2000)
1. Conflict Of Interest
2. Stuck Behind The Popemobile
3. Saints & Sinners
4. Face To Face
5. Hangin' On
6. Tie Up The Wind
7. Victim Of Love
8. Love Isn't Love

DISC 2: THE TWANG DYNASTY (1992)
1. A Feather On The Scales Of Justice
2. Mad On Her
3. Jumpin' Like A Kangaroo
4. The Chimes At Midnight
5. The Price
6. Circumstances
7. Women
8. The Chinese Cut
9. Out Of The Darkness
10. Fast And Dangerous
11. The Wings Of Mercury

DISC 3: UNDRUGGED (2002)
1. Scotch Corner
2. Babe, I'm Gonna Leave You
3. I Always Thought The Walrus Was Protected
4. Dream Away
5. Manillo
6. Asylum
7. Trying To Get To You
8. Listen To Me, Sister
9. Georgia On My Mind
10. Sail On Sailor
11. Day And Night

DISC 4: DIAMONDS AND COAL (2006)
1. Diamonds And Coal
2. All Alone
3. Freedom Fries
4. Twistin' The Knife
5. Man Of Misery
6. Welsh Girl
7. Thank God It's Not Miss Cathy
8. Teddy Boys Picnic
9. When You've Got Someone To Hold

DISC 5: LIVE AT THE KEYSTONE
1. Let The Good Time Roll
2. 7171 551
3. Hard Way To Die
4. The Welsh Connection
5. Something Is Happening
6. The Ride And The View
7. Out Of Your Head
8. Born With A Future

DISC 6: LIVE AT THE KEYSTONE
1. C'mon
2. Many Are Called, But Few Get Up
3. Babe, I'm Gonna Leave You
4. A Hard Way To Live
5. Romain
6. Bananas

Buy the CD: https://cleorecs.com/store/shop/man-evolution-6-cd/

Press inquiries: 
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com


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Welsh Rock Heroes MAN Continue Their EVOLUTION With A New 6CD Box Set!

Los Angeles, CA - The unsung heroes of UK psychedelic rock, Man, have been quietly evolving over the course of their incredible 4+ decade career, transforming from the 5-piece upstart outfit who released their debut album in 1969 to a massively celebrated musical institution they've become in their home country and around the world. The key to that success, and their survival as a musical unit, has been the group's unflagging efforts to push musical boundaries further as they explore creative mutations to become ever more adaptable to the current climate. For proof, just check out the latest collection from the band, Evolution, a spectacular 6CD box set featuring 4 superb studio albums in their entirety from Man's turn-of-the-century period (1992-2006) PLUS a thrilling double concert album recorded in Berkeley CA 1976 with Quicksilver Messenger Service guitarist John Cipollina!

Each CD is packaged in its own jacket, recreating the artwork from the original release, along with liner notes by music historian Dave Thompson. The CD box will be available starting November 2 from Purple Pyramid Records, a division of Cleopatra Records, Inc.

Track List:
DISC 1: ENDANGERED SPECIES (2000)
1. Conflict Of Interest
2. Stuck Behind The Popemobile
3. Saints & Sinners
4. Face To Face
5. Hangin' On
6. Tie Up The Wind
7. Victim Of Love
8. Love Isn't Love

DISC 2: THE TWANG DYNASTY (1992)
1. A Feather On The Scales Of Justice
2. Mad On Her
3. Jumpin' Like A Kangaroo
4. The Chimes At Midnight
5. The Price
6. Circumstances
7. Women
8. The Chinese Cut
9. Out Of The Darkness
10. Fast And Dangerous
11. The Wings Of Mercury

DISC 3: UNDRUGGED (2002)
1. Scotch Corner
2. Babe, I'm Gonna Leave You
3. I Always Thought The Walrus Was Protected
4. Dream Away
5. Manillo
6. Asylum
7. Trying To Get To You
8. Listen To Me, Sister
9. Georgia On My Mind
10. Sail On Sailor
11. Day And Night

DISC 4: DIAMONDS AND COAL (2006)
1. Diamonds And Coal
2. All Alone
3. Freedom Fries
4. Twistin' The Knife
5. Man Of Misery
6. Welsh Girl
7. Thank God It's Not Miss Cathy
8. Teddy Boys Picnic
9. When You've Got Someone To Hold

DISC 5: LIVE AT THE KEYSTONE
1. Let The Good Time Roll
2. 7171 551
3. Hard Way To Die
4. The Welsh Connection
5. Something Is Happening
6. The Ride And The View
7. Out Of Your Head
8. Born With A Future

DISC 6: LIVE AT THE KEYSTONE
1. C'mon
2. Many Are Called, But Few Get Up
3. Babe, I'm Gonna Leave You
4. A Hard Way To Live
5. Romain
6. Bananas

Buy the CD: https://cleorecs.com/store/shop/man-evolution-6-cd/

Press inquiries: 
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com


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UK Psychedelic Rock Legends Pink Fairies Return With New Album 'Resident Reptiles'

Los Angeles - The legendary UK psychedelic anarchists return with a fantastic new album led by founding Fairy Paul Rudolph! Rudolph is joined by former Hawkwind bassist Alan Davey and original Motörhead drummer Lucas Fox, who not only created a killer rhythm section for the album but added a bit of sizzling biker-rock to the mix!

Another Pink Fairies/Motörhead member, Larry Wallis, was with the band in spirit as they churned out an excellent version of his tune “Old Enuff To Know Better!”

“I'd say this journey started with Nik Turner introducing me to Cleopatra Records. I was asked about the possibility of recording a LP under the Pink Fairies banner and thought - this would be a lot of fun. Get a few people together, turn the amps up to 10 and let 'er rip.

Larry Wallis wanted to be involved and Matt at Cleopatra suggested Alan Davey on bass and Lucas Fox on drums . It seemed like a good match considering the Hawkwind and Motorhead connections. Both Alan and I had been in Hawkwind and Larry and Lucas in the original Motorhead. We were all mates with Lemmy as well and the creative energy flowed as soon as we got to the studio in Austin.
All of this helped by Jurgen Engler of Die Kruups behind the desk with Eric the engineer.

So here it is - a spontaneous collaboration of ideas recorded mostly live. Thank you for listening.
Peace and Love” - Paul Rudolph

Pink Fairies Resident Reptiles will be released on Purple Pyramid Records on August 24th and will be available on both CD and gorgeous pink vinyl in a printed inner sleeve!

Track List:
1. Resident Reptile
2. Old Enuff To Know Better
3. Your Cover Is Blown
4. Mirage
5. Lone Wolf
6. Whipping Boy
7. Monkey Chatter
8. Apologize

To purchase:
Pre-order the CD: https://cleorecs.com/store/shop/pink-fairies-resident-reptiles-cd/
Pre-order the vinyl: https://cleorecs.com/store/shop/pink-fairies-resident-reptiles-limited-edition-pink-lp/
Pre-order the digital: https://itunes.apple.com/us/album/resident-reptiles/1417466168

Press inquiries: 
Glass Onyon PR
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com
Facebook @Cleopatrarecords
https://www.facebook.com/CleopatraRecords/
Instagram @cleopatrarecords
https://www.instagram.com/cleopatrarecords/
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Sixties Psychedelic-Rock Legends The Chocolate Watchband Release Two New "Far Out" Singles

San Jose, CA - When discussing legendary psychedelic garage bands of the 1960s, the Chocolate Watchband is at the top of the list. The Chocolate Watchband formed in San Jose in 1965. The band's music was described as “a blend of 1960s-style garage and psychedelic rock with a distinguishable 'Rolling Stones'  San Francisco sound. Produced by Ed Cobb, the group's early music combined the influences of blues with a psychedelic edge that featured terse lyrics and  instrumental experimentation. The Chocolate Watchband appeared in the 1967 film “Riot On Sunset Strip” and the 1968 film “The Love Ins.” The band released three highly acclaimed LPs from 1967 to 1969 before disbanding in 1970. In 1999, they reunited at the San Diego event 66/99 in San Diego, CA,  organized by musician/journalist Mike Stax. They continue to play today at garage rock festivals in Europe as well as the States with Little Steven, The Yardbirds, Love, The Zombies, Bo Diddly, Iggy Pop, the Strawberry Alarm Clock and the Electric Prunes.

Now much to the excitement of the band's fans around the globe, the Chocolate Watchband are releasing two new singles destined to be classics! - “Judgment Day” and  “Secret Rendezvous”! The tracks were recorded in 2017 at Kingdom Voice Productions, Santa Clara, CA.



Says lead vocalist and founding member David Aguilar, “I wrote 'Judgment Day' as the country was still in recovery after every dollar you might have had invested suddenly tanked thanks to Wall Street. People were getting laid off, they were moving backwards in income, homes were being foreclosed on. Families were living in their cars. It was a terrible time for the American dream. But this was pure opportunity for those who enjoyed stratospheric wealth. Wall Street gangsters, bailed out by American taxpayers, were rewarded for their massive greed and stupidity. They immediately started buying up everything they could, hotels, new corporate jets, restaurants chains, radio stations, small businesses, big businesses, casinos, 300+ acre ranches with 16,000 square foot homes in compounds near Aspen, on Long Island, or in Florida. Their trophy wives were pampered like pet poodles….

“It resulted in the anger that put the current president into the White House. And it's ironic, Judgment Day didn't come for the political party that remains the mouthpiece for the fat cats. And now the White House is filled with more Wall Streeters! The Who were wrong, Americans can get fooled again!



“'Secret Rendezvous' changed names a few times, lyrics were quick and fast, the whole song came from the opening riff…I recorded it in about 40 minutes. I like songs like this-they write themselves as you track it. I recorded drums and guitar together, added bass, horns, cowbell, (yeah say it-“more cowbell”) and vocals. When the band got a hold of it, they ripped it! I can't wait to sing this song on stage!”

Watch the band's new live video “I'm Not Like Everybody Else” (the Acid Test 5/7/16): 

The Chocolate Watchband:
David Aguilar - Lead Vocals, harmonica, percussion, keyboards, acoustic and electric guitars
Gary Andrijasivich- Drums, backing vocals, percussion
Tim Abbott- Lead guitar, sitar, backing vocals
Derek See- Guitars, backing vocals
Alec Palao- Bass

Tim Abbott- Engineer/ co-producer,
Ross Peterson- Mix Engineer/ co-producer
Joey White- Mastering Engineer.

To purchase “Judgement Day” single: 
https://itunes.apple.com/us/album/judgement-day-single/1384988843
https://www.amazon.com/gp/product/B07D3GJN8Y

To purchase “Secret Rendezvous” single: 
https://itunes.apple.com/us/album/secret-rendezvous-single/1385018605
https://www.amazon.com/gp/product/B07D3GDT1F

Spotify:
“Judgement Day”: https://open.spotify.com/album/5eMrgSJN4Eapy8DZsmbd40
“Secret Rendezvous”: https://open.spotify.com/album/3v7ZALFFucwVrzEp6g3UOC

For more information:
The Chocolate Watchband official band website: http://www.thechocolatewatchband.com/
Facebook: https://www.facebook.com/chocolatewatchband/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Sixties Psychedelic-Rock Legends The Chocolate Watchband Release Two New "Far Out" Singles

San Jose, CA - When discussing legendary psychedelic garage bands of the 1960s, the Chocolate Watchband is at the top of the list. The Chocolate Watchband formed in San Jose in 1965. The band's music was described as “a blend of 1960s-style garage and psychedelic rock with a distinguishable 'Rolling Stones'  San Francisco sound. Produced by Ed Cobb, the group's early music combined the influences of blues with a psychedelic edge that featured terse lyrics and  instrumental experimentation. The Chocolate Watchband appeared in the 1967 film “Riot On Sunset Strip” and the 1968 film “The Love Ins.” The band released three highly acclaimed LPs from 1967 to 1969 before disbanding in 1970. In 1999, they reunited at the San Diego event 66/99 in San Diego, CA,  organized by musician/journalist Mike Stax. They continue to play today at garage rock festivals in Europe as well as the States with Little Steven, The Yardbirds, Love, The Zombies, Bo Diddly, Iggy Pop, the Strawberry Alarm Clock and the Electric Prunes.

Now much to the excitement of the band's fans around the globe, the Chocolate Watchband are releasing two new singles destined to be classics! - “Judgment Day” and  “Secret Rendezvous”! The tracks were recorded in 2017 at Kingdom Voice Productions, Santa Clara, CA.



Says lead vocalist and founding member David Aguilar, “I wrote 'Judgment Day' as the country was still in recovery after every dollar you might have had invested suddenly tanked thanks to Wall Street. People were getting laid off, they were moving backwards in income, homes were being foreclosed on. Families were living in their cars. It was a terrible time for the American dream. But this was pure opportunity for those who enjoyed stratospheric wealth. Wall Street gangsters, bailed out by American taxpayers, were rewarded for their massive greed and stupidity. They immediately started buying up everything they could, hotels, new corporate jets, restaurants chains, radio stations, small businesses, big businesses, casinos, 300+ acre ranches with 16,000 square foot homes in compounds near Aspen, on Long Island, or in Florida. Their trophy wives were pampered like pet poodles….

“It resulted in the anger that put the current president into the White House. And it's ironic, Judgment Day didn't come for the political party that remains the mouthpiece for the fat cats. And now the White House is filled with more Wall Streeters! The Who were wrong, Americans can get fooled again!



“'Secret Rendezvous' changed names a few times, lyrics were quick and fast, the whole song came from the opening riff…I recorded it in about 40 minutes. I like songs like this-they write themselves as you track it. I recorded drums and guitar together, added bass, horns, cowbell, (yeah say it-“more cowbell”) and vocals. When the band got a hold of it, they ripped it! I can't wait to sing this song on stage!”

Watch the band's new live video “I'm Not Like Everybody Else” (the Acid Test 5/7/16): 

The Chocolate Watchband:
David Aguilar - Lead Vocals, harmonica, percussion, keyboards, acoustic and electric guitars
Gary Andrijasivich- Drums, backing vocals, percussion
Tim Abbott- Lead guitar, sitar, backing vocals
Derek See- Guitars, backing vocals
Alec Palao- Bass

Tim Abbott- Engineer/ co-producer,
Ross Peterson- Mix Engineer/ co-producer
Joey White- Mastering Engineer.

To purchase “Judgement Day” single: 
https://itunes.apple.com/us/album/judgement-day-single/1384988843
https://www.amazon.com/gp/product/B07D3GJN8Y

To purchase “Secret Rendezvous” single: 
https://itunes.apple.com/us/album/secret-rendezvous-single/1385018605
https://www.amazon.com/gp/product/B07D3GDT1F

Spotify:
“Judgement Day”: https://open.spotify.com/album/5eMrgSJN4Eapy8DZsmbd40
“Secret Rendezvous”: https://open.spotify.com/album/3v7ZALFFucwVrzEp6g3UOC

For more information:
The Chocolate Watchband official band website: http://www.thechocolatewatchband.com/
Facebook: https://www.facebook.com/chocolatewatchband/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Sixties Psychedelic-Rock Legends The Chocolate Watchband Release Two New "Far Out" Singles

San Jose, CA - When discussing legendary psychedelic garage bands of the 1960s, the Chocolate Watchband is at the top of the list. The Chocolate Watchband formed in San Jose in 1965. The band's music was described as “a blend of 1960s-style garage and psychedelic rock with a distinguishable 'Rolling Stones'  San Francisco sound. Produced by Ed Cobb, the group's early music combined the influences of blues with a psychedelic edge that featured terse lyrics and  instrumental experimentation. The Chocolate Watchband appeared in the 1967 film “Riot On Sunset Strip” and the 1968 film “The Love Ins.” The band released three highly acclaimed LPs from 1967 to 1969 before disbanding in 1970. In 1999, they reunited at the San Diego event 66/99 in San Diego, CA,  organized by musician/journalist Mike Stax. They continue to play today at garage rock festivals in Europe as well as the States with Little Steven, The Yardbirds, Love, The Zombies, Bo Diddly, Iggy Pop, the Strawberry Alarm Clock and the Electric Prunes.

Now much to the excitement of the band's fans around the globe, the Chocolate Watchband are releasing two new singles destined to be classics! - “Judgment Day” and  “Secret Rendezvous”! The tracks were recorded in 2017 at Kingdom Voice Productions, Santa Clara, CA.



Says lead vocalist and founding member David Aguilar, “I wrote 'Judgment Day' as the country was still in recovery after every dollar you might have had invested suddenly tanked thanks to Wall Street. People were getting laid off, they were moving backwards in income, homes were being foreclosed on. Families were living in their cars. It was a terrible time for the American dream. But this was pure opportunity for those who enjoyed stratospheric wealth. Wall Street gangsters, bailed out by American taxpayers, were rewarded for their massive greed and stupidity. They immediately started buying up everything they could, hotels, new corporate jets, restaurants chains, radio stations, small businesses, big businesses, casinos, 300+ acre ranches with 16,000 square foot homes in compounds near Aspen, on Long Island, or in Florida. Their trophy wives were pampered like pet poodles….

“It resulted in the anger that put the current president into the White House. And it's ironic, Judgment Day didn't come for the political party that remains the mouthpiece for the fat cats. And now the White House is filled with more Wall Streeters! The Who were wrong, Americans can get fooled again!



“'Secret Rendezvous' changed names a few times, lyrics were quick and fast, the whole song came from the opening riff…I recorded it in about 40 minutes. I like songs like this-they write themselves as you track it. I recorded drums and guitar together, added bass, horns, cowbell, (yeah say it-“more cowbell”) and vocals. When the band got a hold of it, they ripped it! I can't wait to sing this song on stage!”

Watch the band's new live video “I'm Not Like Everybody Else” (the Acid Test 5/7/16): 

The Chocolate Watchband:
David Aguilar - Lead Vocals, harmonica, percussion, keyboards, acoustic and electric guitars
Gary Andrijasivich- Drums, backing vocals, percussion
Tim Abbott- Lead guitar, sitar, backing vocals
Derek See- Guitars, backing vocals
Alec Palao- Bass

Tim Abbott- Engineer/ co-producer,
Ross Peterson- Mix Engineer/ co-producer
Joey White- Mastering Engineer.

To purchase “Judgement Day” single: 
https://itunes.apple.com/us/album/judgement-day-single/1384988843
https://www.amazon.com/gp/product/B07D3GJN8Y

To purchase “Secret Rendezvous” single: 
https://itunes.apple.com/us/album/secret-rendezvous-single/1385018605
https://www.amazon.com/gp/product/B07D3GDT1F

Spotify:
“Judgement Day”: https://open.spotify.com/album/5eMrgSJN4Eapy8DZsmbd40
“Secret Rendezvous”: https://open.spotify.com/album/3v7ZALFFucwVrzEp6g3UOC

For more information:
The Chocolate Watchband official band website: http://www.thechocolatewatchband.com/
Facebook: https://www.facebook.com/chocolatewatchband/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Psychedelic Rock Review: Psych Box-Various Artists

Release Date: 19^th February 2016

Label: Cleopatra

Track Listing/Website

Psych Box is a 5 CD box set of treasures, and within the 77 tracks included, you can settle back to hear the old and the new and visit such areas as ambient, mellow kraut rock, indie and space rock.

Initially I was concerned as to how to approach such a review with the sprawling nature of the contents and the sheer number of bands/tracks, but as I have always been told, the best place to start is with the beginning, so off we go with Disc 1.

The opening disc of the Psych Box has 15 tracks and a running time of around 66 minutes. Highlights that I discovered as I relaxed and listened to the disc were, “Going To Hell” (2:58) by The Brian Jonestown Massacre, The Black Angels doing a version of The Doors song, “Soul Kitchen” (3:31) and “Damien” (6:19) by The Legendary Pink Dots. These three tracks are indeed the opening tracks to Disc 1 and with such luminaries as Hawkwind and Brainticket included in the remaining tracks, the question is, “What’s not to like?” As with all the discs in the set, brace yourself for the varied, the interesting and the very quirky.

The second disc in the Psych Box has 16 tracks and a total running time of around 71 minutes. Disc 2   has stunning tracks by The Deviants, “Jamie’s Song” (3:32), the amazing Cambrian Explosion with “The Sun” (6:36) and “Big Bad Storm” (3:38) by The See See.

Psych Box Disc 3 has a total of 15 tracks and a total playing time of around 66 minutes, and within those 66 minutes I found a few beauties. The opening track is “All Tomorrow’s Parties” (4:36) by Nico, The Fresh and Onlys do a superb rendition of “In The Light” (4:44) which is a probably better known from Led Zeppelin and an epic track from a band called Electric Moon, “Spaceman” (13:12), as well as a track I didn’t recognize from The MC5, “Gold.”

The fourth disc in the Psych Box set has again 16 tracks with a playing time just over 65 minutes. I really enjoyed the sitar-drenched “Dark Peace” (3:20) by The Striped Bananas, another Led Zeppelin cover by Indian Jewelry called “Kashmir” (4:54) and “No Way Out” (2:33) by The Chocolate Watchband. Also lurking within the 65 minutes you will find a track from Nektar and The Crazy World Of Arthur Brown, who are probably better remembered for the classic, “Fire.”

The final disc, Disc 5 in the Psych Box set has 15 tracks and is the shortest disc on offer, with a running time of just under 63 minutes. The amazing Iron Butterfly kicks off this disc with “Possession” (2:49) which is the original 7 inch version and a little bit shorter than the epic “In-a-gadda-da-vida.” Both Onyou with “National Strings Attached” (8:00) and The Lucid Experiment with “She’s My Melody” (3:37) are highlights I discovered among the other tracks. Throw in tracks by The Fuzztones, Nik Turner and the Raveonettes with their version of The Doors “The End” which does finish the disc and you have another collection of winning tracks.

At the outset I thought that it would be very difficult to properly review the Psych Box without writing pages and pages, but in the end it was surprisingly easy. A box set with 77 tracks, and very few examples that I did not enjoy (I only came across a couple) as well as a special price, says it all really. Over 5.5 hours of eclectic, interesting and, as I said earlier, quirky music justifies clearing a space on the CD shelving to house The Psych Box.

Editors Note: The box set include a vinyl 45 with Jimmy Page B/W Timothy Leary

5/5 Stars

Key Tracks: Black Angels/Soul Kitchen The Fresh and Onlys/In The Light, The Raveonettes/The End

Jim “The Ancient One” Lawson-Sr. Reviewer Prog Rock Music Talk

April 7, 2016

Review Provided By Prog Rock Music Talk

Psychedelic Rock Review: Psych Box-Various Artists

Release Date: 19^thFebruary 2016

Label: Cleopatra

Track Listing/Website

Psych Box is a 5 CD box set of treasures, and within the 77 tracks included, you can settle back to hear the old and the new and visit such areas as ambient, mellow kraut rock, indie and space rock.

Initially I was concerned as to how to approach such a review with the sprawling nature of the contents and the sheer number of bands/tracks, but as I have always been told, the best place to start is with the beginning, so off we go with Disc 1.

The opening disc of the Psych Box has 15 tracks and a running time of around 66 minutes. Highlights that I discovered as I relaxed and listened to the disc were, “Going To Hell” (2:58) by The Brian Jonestown Massacre, The Black Angels doing a version of The Doors song, “Soul Kitchen” (3:31) and “Damien” (6:19) by The Legendary Pink Dots. These three tracks are indeed the opening tracks to Disc 1 and with such luminaries as Hawkwind and Brainticket included in the remaining tracks, the question is, “What’s not to like?” As with all the discs in the set, brace yourself for the varied, the interesting and the very quirky.

The second disc in the Psych Box has 16 tracks and a total running time of around 71 minutes. Disc 2   has stunning tracks by The Deviants, “Jamie’s Song” (3:32), the amazing Cambrian Explosion with “The Sun” (6:36) and “Big Bad Storm” (3:38) by The See See.

Psych BoxDisc 3 has a total of 15 tracks and a total playing time of around 66 minutes, and within those 66 minutes I found a few beauties. The opening track is “All Tomorrow’s Parties” (4:36) by Nico, The Fresh and Onlys do a superb rendition of “In The Light” (4:44) which is a probably better known from Led Zeppelin and an epic track from a band called Electric Moon, “Spaceman” (13:12), as well as a track I didn’t recognize from The MC5, “Gold.”

The fourth disc in the Psych Box set has again 16 tracks with a playing time just over 65 minutes. I really enjoyed the sitar-drenched “Dark Peace” (3:20) by The Striped Bananas, another Led Zeppelin cover by Indian Jewelry called “Kashmir” (4:54) and “No Way Out” (2:33) by The Chocolate Watchband. Also lurking within the 65 minutes you will find a track from Nektar and The Crazy World Of Arthur Brown, who are probably better remembered for the classic, “Fire.”

The final disc, Disc 5 in the Psych Box set has 15 tracks and is the shortest disc on offer, with a running time of just under 63 minutes. The amazing Iron Butterfly kicks off this disc with “Possession” (2:49) which is the original 7 inch version and a little bit shorter than the epic “In-a-gadda-da-vida.” Both Onyou with “National Strings Attached” (8:00) and The Lucid Experiment with “She’s My Melody” (3:37) are highlights I discovered among the other tracks. Throw in tracks by The Fuzztones, Nik Turner and the Raveonettes with their version of The Doors “The End” which does finish the disc and you have another collection of winning tracks.

At the outset I thought that it would be very difficult to properly review the Psych Box without writing pages and pages, but in the end it was surprisingly easy. A box set with 77 tracks, and very few examples that I did not enjoy (I only came across a couple) as well as a special price, says it all really. Over 5.5 hours of eclectic, interesting and, as I said earlier, quirky music justifies clearing a space on the CD shelving to house The Psych Box.

Editors Note: The box set include a vinyl 45 with Jimmy Page B/W Timothy Leary

5/5 Stars

Key Tracks: Black Angels/Soul Kitchen The Fresh and Onlys/In The Light, The Raveonettes/The End

Jim “The Ancient One” Lawson-Sr. Reviewer Prog Rock Music Talk

April 7, 2016

Review Provided By Prog Rock Music Talk