Classical/Heavy Metal Review: McCormick Percussion Group-Between Rock and A Hard Place

Release Date: January 13, 2015

Label: Ravello Records

Website

The McCormick Percussion Group is headed up by Robert McCormick, who is the Director of the group and Corey Harvin plays guitar while Ciro Scotto, John Cage and Dan Senn are the composers. It is an interesting collaboration and the music they create on Between Rock and A Hard Place (Plugged & Unplugged) is fascinating.

The idea of classical music meeting heavy metal is nothing new however I felt listening to this purely instrumental take on that expression to be quite attention getting. The focus is more on the percussive side of the equation however, the use of the guitar and other instruments make for some thought provoking soundscapes, it’s like listening to a movie rather than watching it yet different things jump in and out of your mind while it’s playing.

The only track under 5 minutes is “Composition for Three Voices” then at the opposite end of the spectrum is “Unplugged” clocking in at a beefy 16:24. They never bite off more they can chew regardless of the time invested into any one track.

This is very progressive music, not progressive like legendary groundbreaking bands like Yes or ELP but with the same idea and goals of intermingling two genres to come out the other side with a digestible end product for the ears. The lead off track is titled  “ I. Hard Light-Hybrid Night” It is a good warm up for what is to come. It serves as a strong introduction for a suite of compositions that have you listening over and over at first out of curiosity then that turns into awe and pure enjoyment. This will not be for everyone but what progressive music is? It depends on your taste, mood and personal preferences, just like purchasing any other product, the choice is yours. I choose to explore and expand my listening experiences and this was the perfect album to engage my senses and push me forward, to be more progressive with my ears.

“II. On Death Ground” is a bit more moody and intense, kind of like the soundtrack you would hear during a suspenseful segment of a movie. It jumps back and forth and flows like an effortless stream down a mountain. Nothing sounds forced or difficult although it may sound like cacophony at times it does all come together and make sense but it may take a few listens to get to that point of understanding. This is why I feel the first three tracks are the most important. This is the foundation to the fortress of sound being built before the story coalesces then comes to an end.

“III. Onryõ” takes you down a different road and combines some lighter parts with the hard edged guitar sounds in a much different way in that the pace is like a musical stutter step. The percussive back end holds it all together and keeps a steady rhythm so everything else seems to fall into place somehow. Trying to explain what you hear is not always the easiest thing to do but in the end it’s all dependent on the listeners view and personal aural filter if you will.

If you like progressive, fusion, experimental and or metal this is something you need to hear then decide for yourself if it is something you want more of or if the journey should be over after one trip. I took more than one trip and expect to take some more. There is a lot to process here and that is the beauty of it. 

4/5 Stars

Key Tracks: I. Hard Light-Hybrid Night, II. On Death Ground, III. Onryõ

Tracks: 
1. Between Rock and a Hard Place: “I. Hard Light-Hybrid Night”  (Ciro Scotto)
2. Between Rock and a Hard Place: “II. On Death Ground”  (Scotto)
3. Between Rock and a Hard Place: “III. Onryõ  (Scotto)
4. Between Rock and a Hard Place: “IV: Mjölnir (Crusher)”  (Scotto)
5. Five  (John Cage)
6. Rivus  (Dan Senn)
7. Between Rock and a Hard Place-Unplugged  (Ciro Scotto)
8.Compositions for 3 Voices  (John Cage)

Keith “MuzikMan” Hannaleck-Write A Music Review Founder

January 15, 2015
Review Provided By Write A Music 
 

Classical/Heavy Metal Review: McCormick Percussion Group-Between Rock and A Hard Place

Release Date: January 13, 2015

Label: Ravello Records

Website

The McCormick Percussion Group is headed up by Robert McCormick, who is the Director of the group and Corey Harvin plays guitar while Ciro Scotto, John Cage and Dan Senn are the composers. It is an interesting collaboration and the music they create on Between Rock and A Hard Place (Plugged & Unplugged) is fascinating.

The idea of classical music meeting heavy metal is nothing new however I felt listening to this purely instrumental take on that expression to be quite attention getting. The focus is more on the percussive side of the equation however, the use of the guitar and other instruments make for some thought provoking soundscapes, it’s like listening to a movie rather than watching it yet different things jump in and out of your mind while it’s playing.

The only track under 5 minutes is “Composition for Three Voices” then at the opposite end of the spectrum is “Unplugged” clocking in at a beefy 16:24. They never bite off more they can chew regardless of the time invested into any one track.

This is very progressive music, not progressive like legendary groundbreaking bands like Yes or ELP but with the same idea and goals of intermingling two genres to come out the other side with a digestible end product for the ears. The lead off track is titled  “ I. Hard Light-Hybrid Night” It is a good warm up for what is to come. It serves as a strong introduction for a suite of compositions that have you listening over and over at first out of curiosity then that turns into awe and pure enjoyment. This will not be for everyone but what progressive music is? It depends on your taste, mood and personal preferences, just like purchasing any other product, the choice is yours. I choose to explore and expand my listening experiences and this was the perfect album to engage my senses and push me forward, to be more progressive with my ears.

“II. On Death Ground” is a bit more moody and intense, kind of like the soundtrack you would hear during a suspenseful segment of a movie. It jumps back and forth and flows like an effortless stream down a mountain. Nothing sounds forced or difficult although it may sound like cacophony at times it does all come together and make sense but it may take a few listens to get to that point of understanding. This is why I feel the first three tracks are the most important. This is the foundation to the fortress of sound being built before the story coalesces then comes to an end.

“III. Onryõ” takes you down a different road and combines some lighter parts with the hard edged guitar sounds in a much different way in that the pace is like a musical stutter step. The percussive back end holds it all together and keeps a steady rhythm so everything else seems to fall into place somehow. Trying to explain what you hear is not always the easiest thing to do but in the end it’s all dependent on the listeners view and personal aural filter if you will.

If you like progressive, fusion, experimental and or metal this is something you need to hear then decide for yourself if it is something you want more of or if the journey should be over after one trip. I took more than one trip and expect to take some more. There is a lot to process here and that is the beauty of it. 

4/5 Stars

Key Tracks: I. Hard Light-Hybrid Night, II. On Death Ground, III. Onryõ

Tracks: 
1. Between Rock and a Hard Place: “I. Hard Light-Hybrid Night”  (Ciro Scotto)
2. Between Rock and a Hard Place: “II. On Death Ground”  (Scotto)
3. Between Rock and a Hard Place: “III. Onryõ  (Scotto)
4. Between Rock and a Hard Place: “IV: Mjölnir (Crusher)”  (Scotto)
5. Five  (John Cage)
6. Rivus  (Dan Senn)
7. Between Rock and a Hard Place-Unplugged  (Ciro Scotto)
8.Compositions for 3 Voices  (John Cage)

Keith “MuzikMan” Hannaleck-Write A Music Review Founder

January 15, 2015

Review Provided By Write A Music 
 

Progressive/Celtic Review: Iona-Edge Of The World

Release Date: 24th December 2013
Label: Open Sky UK
Website

It comes as a refreshing change to review a band that I am very aware of, and that band is the progressive Celtic rock band from the UK, Iona. Beginning back in the 1989, the band has not flooded the market with their releases, with only 7 studio albums across their 25+ year existence. The self-titled debut album was issued in 1990 and the latest studio release was the double CD, Another Realm, from 2011, although they have also released 4 live albums, the latest being the one under review, Edge Of The World. (2013) 

Currently Iona is a 5 piece band comprising Joanne Hogg (vocals, keyboards and acoustic guitar), Dave Bainbridge (guitar, keyboards), Frank van Essen (drums, percussion and violin), Phil Barker (bass) and Martin Nolan (pipes, whistles and flutes). Two of the current band, Joanne and Dave, have been present from the birth of the band.

Edge of the World (Live in Europe) was recorded at various venues in the UK and The Netherlands during their 2012 Another Realm tour. The double album contains 20 tracks split equally over the two discs with a total playing time of around 130 minutes, again split almost equally across the discs with about 65 minutes each disc. The longest and shortest tracks across the release are “White Horse” and “Another Realm,” both on disc 1 and 11:10 minutes and 4:17 minutes respectively.

The tracks are taken from almost all of the studio albums, although for some reason, the album released in 2006, The Circling Hour doesn’t feature at all, and there are 7 tracks from the last studio album, Another Realm, which isn’t surprising considering the name of the tour.

Edge of the World starts with loud audience appreciation before the crystal clear voice of Joanne emerges over a subdued background. The whistles appear around 1:40 minutes and the track builds with the return of Joanne and the rest of the band seamlessly upping the ante, slowly generating a stunningly atmospheric opening track, “Irish Day” (7:39). Apart from the applause prior to the band starting, there is little to suggest that this is a live album such is the clarity and quality of the music. All too quickly, the 7:30+ minutes of “Irish Day” have gone and it serves as a superb opener to an album highlighting the supreme musicianship within Iona.

“Jigs” (7:03), track 4, “does exactly what it says on the tin,” to quote a UK advert. Jigs it states and unsurprisingly, jigs abound for the length of this track. Bass runs, piano, superb whistle and uillean pipes combine to form an amazing track.

The title track, “Edge of the World” (8:04) allows Dave Bainbridge to show his majestic skill on the guitar with a simply amazing first 2:30 minutes when the guitar atmospherics are replaced by terrific drumming and superb piano. Add into that scenario the beautiful voice possessed by Joanne and the band have hit the bulls-eye again.

The closing track of disc 1, “The Ancient Wells” (8:30) starts with those amazing pipes while the drums and bass play gently in the background. The sound builds with the keyboards becoming more prominent prior to more superb percussion and Joanne’s voice appearing. This track is certainly one that carries people along in an almost anthemic way. The pipes are always there, just behind the rich tones of Joanne and edge to the forefront again around the 4 minute mark. Just after the 5 minute mark, the violin changes the sound again and the feet start to unconsciously move to the rhythm. “The Ancient Wells” is a real tour-de-force of a track to finish off disc 1.

The third track on disc 2, “And The Angels Dance” (9:02) is another superb example of progressive folk rock or Celtic rock, call it what you will. A pacey atmospheric track with great guitar, drumming, vocals and whistles as the track builds to about the 3:50 minute mark, when pipes and fiddle combine perfectly to carry the track along and drops back into an almost military style drumming with superb whistle playing over the top. The band slowly fills in the background and the majestic pipes come in to take the song out at around 8:15 minutes with the rest of the track being taken up by Joanne explaining that the following 3 tracks will be played uninterrupted.

Track 7, “An Atmosphere of Miracles Part 3” (10:25) is another stunningly atmospheric soundscape. The pipes commence the song, which gently evolves into vocals, drums and an exquisite piano motif behind the vocals. The powerful voice of Joanne carries the track along before passing it onto a violin led passage and further on into another of those sublime guitar statements by Dave. The music drops away to leave an almost a cappella section, which is stunning in its simplicity. The song continues to change with driving drums and whistles with acoustic guitar before the return of the vocal, which leads on and into a pipe/piano passage. This is a track that builds and builds and then, it has gone.

The following track, “Castlerigg/Reels” (9:51) is again a bit of a giveaway and is another in the plethora of tracks that simply refuse to let your feet stay still. The finale to disc 2, “Columcille” (4:29) is an amazing soundscape with pipes and whistle which slowly builds in intensity and then it is over. Disc 1 ended with a tour-de-force, disc 2 ended with an emotional tinged slow air and both, in very different ways, epitomize what the band, Iona, is all about.

Edge of the World easily deserves, and gets, both stickers, “One to Buy” and “The Experience will last Forever” on the cover, and my advice is to get out and buy a copy of this album, as you will certainly not regret it.

5/5 Stars

Key Tracks: Irish Day, Edge Of The World, And The Angels Dance

Tracks:

Disc 1
 Irish Day
Today
Another Realm
Jigs
End Of The World
White Horse
Luke..the calf
Wave After Wave
Let The Waters Flow
The Ancient Wells

Disc 2
Chi Rho
Flight Of The Wild Goose
And The Angels Dance
Ruach
Divine Presence
Let Your Glory Flow
Atmosphere of Miracles Part 3
Castlerigg/Reels
Bi-Se I Mo Shuil Part 2
Columcille
 

Jim “The Ancient One” Lawson-Sr. Reviewer Prog Rock Music Talk

December 9, 2014

Review Provided By Prog Rock Music Talk

Progressive/Celtic Review: Iona-Edge Of The World

Release Date: 24th December 2013
Label: Open Sky UK
Website

It comes as a refreshing change to review a band that I am very aware of, and that band is the progressive Celtic rock band from the UK, Iona. Beginning back in 1989, the band has not flooded the market with their releases, with only 7 studio albums across their 25+ year existence. The self-titled debut album was issued in 1990 and the latest studio release was the double CD, Another Realm, from 2011, although they have also released 4 live albums, the latest being the one under review, Edge Of The World. (2013)

 

Currently Iona is a 5 piece band comprising Joanne Hogg (vocals, keyboards and acoustic guitar), Dave Bainbridge (guitar, keyboards), Frank van Essen (drums, percussion and violin), Phil Barker (bass) and Martin Nolan (pipes, whistles and flutes). Two of the current band, Joanne and Dave, have been present from the birth of the band.

Edge of the World (Live in Europe) was recorded at various venues in the UK and The Netherlands during their 2012 Another Realm tour. The double album contains 20 tracks split equally over the two discs with a total playing time of around 130 minutes, again split almost equally across the discs with about 65 minutes each disc. The longest and shortest tracks across the release are “White Horse” and “Another Realm,” both on disc 1 and 11:10 minutes and 4:17 minutes respectively.

The tracks are taken from almost all of the studio albums, although for some reason, the album released in 2006, The Circling Hour doesn’t feature at all, and there are 7 tracks from the last studio album, Another Realm, which isn’t surprising considering the name of the tour.

Edge of the World starts with loud audience appreciation before the crystal clear voice of Joanne emerges over a subdued background. The whistles appear around 1:40 minutes and the track builds with the return of Joanne and the rest of the band seamlessly upping the ante, slowly generating a stunningly atmospheric opening track, “Irish Day” (7:39). Apart from the applause prior to the band starting, there is little to suggest that this is a live album such is the clarity and quality of the music. All too quickly, the 7:30+ minutes of “Irish Day” have gone and it serves as a superb opener to an album highlighting the supreme musicianship within Iona.

“Jigs” (7:03), track 4, “does exactly what it says on the tin,” to quote a UK advert. Jigs it states and unsurprisingly, jigs abound for the length of this track. Bass runs, piano, superb whistle and uillean pipes combine to form an amazing track.

The title track, “Edge of the World” (8:04) allows Dave Bainbridge to show his majestic skill on the guitar with a simply amazing first 2:30 minutes when the guitar atmospherics are replaced by terrific drumming and superb piano. Add into that scenario the beautiful voice possessed by Joanne and the band have hit the bulls-eye again.

The closing track of disc 1, “The Ancient Wells” (8:30) starts with those amazing pipes while the drums and bass play gently in the background. The sound builds with the keyboards becoming more prominent prior to more superb percussion and Joanne’s voice appearing. This track is certainly one that carries people along in an almost anthemic way. The pipes are always there, just behind the rich tones of Joanne and edge to the forefront again around the 4 minute mark. Just after the 5 minute mark, the violin changes the sound again and the feet start to unconsciously move to the rhythm. “The Ancient Wells” is a real tour-de-force of a track to finish off disc 1.

The third track on disc 2, “And The Angels Dance” (9:02) is another superb example of progressive folk rock or Celtic rock, call it what you will. A pacey atmospheric track with great guitar, drumming, vocals and whistles as the track builds to about the 3:50 minute mark, when pipes and fiddle combine perfectly to carry the track along and drops back into an almost military style drumming with superb whistle playing over the top. The band slowly fills in the background and the majestic pipes come in to take the song out at around 8:15 minutes with the rest of the track being taken up by Joanne explaining that the following 3 tracks will be played uninterrupted.

Track 7, “An Atmosphere of Miracles Part 3” (10:25) is another stunningly atmospheric soundscape. The pipes commence the song, which gently evolves into vocals, drums and an exquisite piano motif behind the vocals. The powerful voice of Joanne carries the track along before passing it onto a violin led passage and further on into another of those sublime guitar statements by Dave. The music drops away to leave an almost a cappella section, which is stunning in its simplicity. The song continues to change with driving drums and whistles with acoustic guitar before the return of the vocal, which leads on and into a pipe/piano passage. This is a track that builds and builds and then, it has gone.

The following track, “Castlerigg/Reels” (9:51) is again a bit of a giveaway and is another in the plethora of tracks that simply refuse to let your feet stay still. The finale to disc 2, “Columcille” (4:29) is an amazing soundscape with pipes and whistle which slowly builds in intensity and then it is over. Disc 1 ended with a tour-de-force, disc 2 ended with an emotional tinged slow air and both, in very different ways, epitomize what the band, Iona, is all about.

Edge of the World easily deserves, and gets, both stickers, “One to Buy” and “The Experience will last Forever” on the cover, and my advice is to get out and buy a copy of this album, as you will certainly not regret it.

5/5 Stars

Key Tracks: Irish Day, Edge Of The World, And The Angels Dance

Tracks:

Disc 1
 Irish Day
Today
Another Realm
Jigs
End Of The World
White Horse
Luke..the calf
Wave After Wave
Let The Waters Flow
The Ancient Wells

Disc 2
Chi Rho
Flight Of The Wild Goose
And The Angels Dance
Ruach
Divine Presence
Let Your Glory Flow
Atmosphere of Miracles Part 3
Castlerigg/Reels
Bi-Se I Mo Shuil Part 2
Columcille
 

Jim “The Ancient One” Lawson-Sr. Reviewer Prog Rock Music Talk

December 9, 2014

Review Provided By Prog Rock Music Talk

Progressive/Alternative Rock Review-The Pineapple Thief-Magnolia

Release Date: September 16, 2014
Label: Kscope
Website

The music of The Pineapple Thief’s Magnolia is as refreshing as a cool breeze on a hot and humid day.  There is a good chance that it not quite anything that you have heard so far this year.  The music has an emotional and enduring power in a way that only great music can.  Magnolia is one of the few instances where, when the last song finishes, you will think that this could be one of those rare perfect albums that stay with you for life.

Hailing from Yeovil, Somerset, England, The Pineapple Thief formed in 1999. Consisting of Bruce Soord (guitar, vocals), Dan Osborne (drums), Jon Sykes (bassist), and Steve Kitch (keyboards), Magnolia is there tenth album and it is one for the ages, “representing the best of everything that The Pineapple Thief have achieved to date.”  Front man Bruce Soord said that “All I ever wanted was to write catchy songs that stay with people” and he does that and more on Magnolia.

Catchy, melodic, harmonious, emotional, and lasting are some of the words that I would use to describe the music on Magnolia, and this is no more evident than on the opening track, “Simple as That.”  It is simply beautiful sounding music with the right touches of light and heavy to make for some amazing progressive/alternative rock that will be running through your head all day and night.  “Alone at Sea” is another vibrant song that encompasses The Pineapple Thief’s breathtaking sound.  It is a relaxing song that really hits its stride with the chorus and instrumental parts.  Also, the vocals are just absolutely pleasant and soothing.  “Don’t Tell Me” slows things down a tad and brings the album to a different emotional height.  The music has the type of power that will just sweep you away, much like the song that follows it, “Magnolia.”  The title track is catchy as a pop song and as awe-inspiring as a great painting.

Heavy on the emotional side of things, “Season’s Past” is as serene as a day dream.  The lyrics paint a pretty picture, but there is a hint of melancholy behind it all.  Starting off slow and brooding, “Coming Home” has a cool rock vibe and a great atmosphere.  “The One You Left to Die” kills it with its sick riffs and moving vocals.  It has that hypnotic quality that will have you rushing to hit the repeat button.  It is one powerful and enchanting song.  “Breathe” is a decidedly stellar rock song with short, intense moments between long, calmer sections.   

“From Me” weighs heavy on the heart with its depressing lyrics and is like a sad lullaby.  “Sense of Fear” brings things back up to a livelier pace with roaring drums and wailing guitars.  It is another example of The Pineapple Thief’s catchy and memorable rock sound.  The penultimate song, “A Loneliness,” is a light, emotional song that has an uplifting atmosphere.  “Bond” brings the album to a close on an emotional and harmonious note.

If The Pineapple Thief’s Magnolia was a painting, then it would be hanging in the Louvre, because it is a masterpiece.  There has not been an album all year with music that makes an impression like this. It is the type of music that gets better with each listen. There are about two months left in 2014 and Magnolia is my top album of the year. 

5/5 Stars
 
Key Tracks: Simple as That, The One You Left to Die, Sense of Fear

Brian McKinnon

October 23, 2014

Review Provided By Prog Rock Music Talk

Tracks:
01.Simple As That
02.Alone at Sea
03.Don’t Tell Me
04.Magnolia
05.Season’s Past
06.Coming Home
07.The One You Left to Die
08.Breathe
09.From Me
10.Sense of Fear
11.A Loneliness
12.Bond

Progressive/Alternative Rock Review-The Pineapple Thief-Magnolia

Release Date: September 16, 2014
Label: Kscope
Website

The music of The Pineapple Thief’s Magnolia is as refreshing as a cool breeze on a hot and humid day.  There is a good chance that it not quite anything that you have heard so far this year.  The music has an emotional and enduring power in a way that only great music can.  Magnolia is one of the few instances where, when the last song finishes, you will think that this could be one of those rare perfect albums that stay with you for life.

Hailing from Yeovil, Somerset, England, The Pineapple Thief formed in 1999. Consisting of Bruce Soord (guitar, vocals), Dan Osborne (drums), Jon Sykes (bassist), and Steve Kitch (keyboards), Magnolia is there tenth album and it is one for the ages, “representing the best of everything that The Pineapple Thief have achieved to date.”  Front man Bruce Soord said that “All I ever wanted was to write catchy songs that stay with people” and he does that and more on Magnolia.

Catchy, melodic, harmonious, emotional, and lasting are some of the words that I would use to describe the music on Magnolia, and this is no more evident than on the opening track, “Simple as That.”  It is simply beautiful sounding music with the right touches of light and heavy to make for some amazing progressive/alternative rock that will be running through your head all day and night.  “Alone at Sea” is another vibrant song that encompasses The Pineapple Thief’s breathtaking sound.  It is a relaxing song that really hits its stride with the chorus and instrumental parts.  Also, the vocals are just absolutely pleasant and soothing.  “Don’t Tell Me” slows things down a tad and brings the album to a different emotional height.  The music has the type of power that will just sweep you away, much like the song that follows it, “Magnolia.”  The title track is catchy as a pop song and as awe-inspiring as a great painting.

Heavy on the emotional side of things, “Season’s Past” is as serene as a day dream.  The lyrics paint a pretty picture, but there is a hint of melancholy behind it all.  Starting off slow and brooding, “Coming Home” has a cool rock vibe and a great atmosphere.  “The One You Left to Die” kills it with its sick riffs and moving vocals.  It has that hypnotic quality that will have you rushing to hit the repeat button.  It is one powerful and enchanting song.  “Breathe” is a decidedly stellar rock song with short, intense moments between long, calmer sections.   

“From Me” weighs heavy on the heart with its depressing lyrics and is like a sad lullaby.  “Sense of Fear” brings things back up to a livelier pace with roaring drums and wailing guitars.  It is another example of The Pineapple Thief’s catchy and memorable rock sound.  The penultimate song, “A Loneliness,” is a light, emotional song that has an uplifting atmosphere.  “Bond” brings the album to a close on an emotional and harmonious note.

If The Pineapple Thief’s Magnolia was a painting, then it would be hanging in the Louvre, because it is a masterpiece.  There has not been an album all year with music that makes an impression like this. It is the type of music that gets better with each listen. There are about two months left in 2014 and Magnolia is my top album of the year. 

5/5 Stars
 
Key Tracks: Simple as That, The One You Left to Die, Sense of Fear

Brian McKinnon

October 23, 2014

Review Provided By Prog Rock Music Talk

Tracks:
01.Simple As That
02.Alone at Sea
03.Don’t Tell Me
04.Magnolia
05.Season’s Past
06.Coming Home
07.The One You Left to Die
08.Breathe
09.From Me
10.Sense of Fear
11.A Loneliness
12.Bond

Free Download: Lunatic Soul - Cold (from Walking on a Flashlight Beam)

Ahead of the release of the brand new album, Lunatic Soul are giving fans a glimpse into what to expect from ‘Walking on a Flashlight Beam’ with an opportunity to stream and download new track ‘Cold’ http://bit.ly/1rKEfF9
Pre-order the album: http://bit.ly/1js34Qc

Commenting on the new album Lunatic Soul’s creative force Mariusz Duda comments: “The new album is about self-imposed solitude and is a prequel to the black and white history. Musically – it will be slightly different, less oriental, more… alternative. I think it’s one of the best things I’ve ever created – the most elaborate, diverse and coherent Lunatic Soul release.”

‘Walking on a Flashlight Beam’ is due for release on 13th October (UK, France & RoW) / 17th October Germany / 28th October USA & Canada, through Kscope and Mystic Production in Poland.
 

Free Download: Lunatic Soul - Cold (from Walking on a Flashlight Beam)

Ahead of the release of the brand new album, Lunatic Soul are giving fans a glimpse into what to expect from ‘Walking on a Flashlight Beam’ with an opportunity to stream and download new track ‘Cold’ http://bit.ly/1rKEfF9
Pre-order the album: http://bit.ly/1js34Qc

Commenting on the new album Lunatic Soul’s creative force Mariusz Duda comments: “The new album is about self-imposed solitude and is a prequel to the black and white history. Musically – it will be slightly different, less oriental, more… alternative. I think it’s one of the best things I’ve ever created – the most elaborate, diverse and coherent Lunatic Soul release.”

‘Walking on a Flashlight Beam’ is due for release on 13th October (UK, France & RoW) / 17th October Germany / 28th October USA & Canada, through Kscope and Mystic Production in Poland.
 

Free Download: Lunatic Soul - Cold (from Walking on a Flashlight Beam)

Ahead of the release of the brand new album, Lunatic Soul are giving fans a glimpse into what to expect from ‘Walking on a Flashlight Beam’ with an opportunity to stream and download new track ‘Cold’ http://bit.ly/1rKEfF9
Pre-order the album: http://bit.ly/1js34Qc

Commenting on the new album Lunatic Soul’s creative force Mariusz Duda comments: “The new album is about self-imposed solitude and is a prequel to the black and white history. Musically – it will be slightly different, less oriental, more… alternative. I think it’s one of the best things I’ve ever created – the most elaborate, diverse and coherent Lunatic Soul release.”

‘Walking on a Flashlight Beam’ is due for release on 13th October (UK, France & RoW) / 17th October Germany / 28th October USA & Canada, through Kscope and Mystic Production in Poland.