Multi-Instrumentalist/Songwriter Marlon Cherry To Release New Album “Fever Dreaming In Lo-Fi” Featuring Terre Roche of The Roches

“Fever Dreaming In Lo-Fi” is the fifth solo release by NYC based multi-instrumentalist/songwriter, Marlon Cherry. This collection of music is an eclectic mix of styles, ranging from Rock, Dream Pop, Jazz, Experimental, World Beat, and even a splash of A Cappella R & B. Marlon handles all of the instruments and vocals on the bulk of the pieces, with some wonderful guest contributions from Terre Roche (The Roches), Susan Hwang, Paul Brantley, Christina Schneider, and poet/actress, Sophie Malleret. The project was co-produced by Marlon and Zach Phillips (Fievel Is Glauque), who also engineered the recording.

Marlon has worked and continues to work with a wide range of artists including Stew & The Negro Problem (Tony Award winners for Passing Strange), Stew’s current side project, Baba Bibi, Syd Straw, actress/songwriter, Eszter Balint, Chris Cochrane (Marc Ribot, Zeena Parkins), and Terre Roche (solo and as part of the trio, Afro-Jersey with Sidiki Conde), among others.

Previous solo releases by Marlon are “Life After Théâtre” (1986), “Pete” (1990), “Elsewhere” (2001), and “Ancient Sound, Modern Dance” (2006).

“Fever Dreaming In Lo-Fi” is available for streaming/download at Spotify, Amazon, iTunes, Bandcamp, Hear Now, and other sites and is available in cd format via CD Baby.

Contact: marlon.cherry@yahoo.com

For more information:
facebook.com/marloncherry
marlon.cherry@instagram.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Experimental Musician Billy Yfantis Presents a Sonic Odyssey: “Cosmic Sleep” Album Alongside Two Electrifying Side Projects

Athens, Greece - Experimental music artist Billy Yfantis is set to release his latest album, “Cosmic Sleep,” an innovative and immersive exploration of the intersection between sleep and the vast expanse of outer space. The album promises to transport listeners on a mesmerizing sonic odyssey unlike anything they've ever experienced. “Cosmic Sleep” is a groundbreaking musical project that delves deep into the mysteries of the human mind's connection with the cosmos. Composed with an intricate blend of electronic elements, the album combines ethereal soundscapes, dreamlike melodies, and pulsating rhythms to create an otherworldly listening experience.

Drawing inspiration from the celestial realm and the enigmatic depths of sleep, Billy Yfantis invites listeners to embark on a unique voyage of the mind. Each track on the album is meticulously crafted to mirror the phases of sleep, from the initial moments of relaxation to the vivid dreams that occur during REM sleep, and ultimately to the awakening and return to reality.

“Cosmic Sleep” Track list
1. Rest in Space
2. Sleeping
3. The Sleeping Beauty
4. Eternal rest
5. Rapid Eye Movement
6. Sleepwalking in Space
7. The sleep cycle of Space
8. Bedtime Space stories
9. Cosmic sleep and other digital stories
10. Goodbye Earth
11. Phos
12. Symbols of Life in Space

Listen to the new album here:
Napster:  https://web.napster.com/album/Alb.5581690934272960
Spotify:  https://open.spotify.com/album/3c59KSfqxUPtrkKYOQMkax?si=OiO4PFP0StKvn36jYfM7Xg
YouTube Music: https://music.youtube.com/playlist?list=OLAK5uy_kZP4nG_QC_atanhHUE0w1Bi7NrnstDrz4
Apple Music: https://music.apple.com/us/album/cosmic-sleep/1700596182
Bandcamp:  https://billyyfantis.bandcamp.com/album/cosmic-sleep

Billy Yfantis Expands His Musical Universe with Two Exciting Side Projects Albums

Vasileios Yfantis – “Cinematic Works, Vol. III”
Genre: Atmospheric Instrumental Piano Music
In “Cinematic Works, Vol. III,” Billy Yfantis, under his alter ego Vasileios Yfantis, delves into the world of atmospheric instrumental piano music. This album is a devotion to his profound love for Classical Music, as he creates romantic compositions that are rich in emotion and imagery. Each composition tells a unique story, painting vivid cinematic landscapes in the minds of listeners. The album is a continuation of his successful “Cinematic Works” series, known for its ability to transport audiences to ethereal realms through the power of music.

Listen to the new album here:
YouTubeMusic: https://music.youtube.com/playlist?list=OLAK5uy_lw15Y0Pvwg9lapmuMFUNfVfOSbXASH1Xg
Apple Music: https://music.apple.com/us/album/cinematic-works-vol-iii/1701935166
Spotify: https://open.spotify.com/album/00PQNC58TKwVTQLrW38Y2w?si=4Zv01zbNShey6ma4h3fWBg

“Tricks For Freaks - Metal and Indie Rock Anthems Vol. I”
Genre: Industrial Metal and Indie Rock
For those craving a more intense and adrenaline-fueled musical experience, Billy Yfantis presents “Metal and Indie Rock Anthems Vol. I” under the alias “Tricks For Freaks.” Inspired by the dynamic world of video games, this album combines the raw energy of industrial metal with the melodic sensibilities of indie rock. The result is an explosive fusion of genres that pushes the boundaries of sonic experimentation. Prepare to be immersed in a sonic universe that resonates with the edginess and innovation of modern gaming culture.

Listen to the new album here:
YouTubeMusic:  https://music.youtube.com/playlist?list=OLAK5uy_m3NizmJYB_54yM9auAfkMld6LbAXj8Ilg
Apple Music: https://music.apple.com/us/album/metal-and-indie-rock-anthems-vol-i/1704246497
Spotify: https://open.spotify.com/album/2gwamzLaclJNAQWca4N0CE?si=bTVd0XWRRtW_-4ICSoXr0A

About Billy Yfantis
Vasileios (Billy) Yfantis holds 2 Master Degrees in Information Technology and is a Ph.D. candidate in the University of West Attica by conducting research on e-government. Billy has been working on music since the late 1990s by experimenting with tape mixing and sound design. Billy is playing digital keyboards, but prefers to express his artistic dream through the electronic sounds that come from unusual machines. He has experimented with the recording of vacuum cleaners, electric blenders and other strange sounds that have resulted in musical releases. Moreover, Billy has authored books on music, business and science while from time to time he speaks about the electronic governance at scientific conferences all over Europe.

Find other music by Billy Yfantis here: https://billyyfantis.bandcamp.com
Find Books by Billy Yfantis here: https://www.amazon.com/Vasileios-Yfantis/e/B00JNNL306

Contact details:
E-mail: Byfantis@yahoo.com
Facebook: https://www.facebook.com/billy.yfantis
Twitter: https://twitter.com/billyyfantis
Instagram: https://www.instagram.com/billyyfantis

Press Inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Electric Forgiveness, A Lysergic Mood Journey of Epic Proportions, To Release Debut Album “Original Score” Featuring Contributions by Rabbit (The Who), Steve Kilbey (The Church) and Doug MacMillan (The Connells)

An auditory movie that cleanses the third eye while blinding the other two!

A Lysergic Mood Journey of Epic Proportions

“Original Score” is a 43-minute piece of music consisting of 11 uninterrupted tracks. The intent is for it to be listened to all at once, in the dark, accompanied by someone you trust, and a Lava Lamp.

“Electric Forgiveness was initially a side project that I developed with John Bundrick,” said Third of Never founder Jon Dawson. “We (Third of Never) were recording at the House of Vibes in New Jersey at the same time as The Smithereens. At one point we couldn't book sessions due to their mixing deadline, so I put the guitar down and dove into the world of electronica.”

The new Electric Forgiveness album “Original Score” was also conceived during a break in Third of Never's recording schedule.

“I obtained a Korg Kasoscillator synthesizer and did not come up for air for days,” Dawson said. “Within a week I had the basis for another Electric Forgiveness record. This led to quite a bit of cross-pollination between the Third of Never and Electric Forgiveness projects.”

While dabs of electronica floated into the Third of Never album (slated for an April 2024 release), Electric Forgiveness inhaled some guitar and vocal tracks from the Third of Never camp.

“We’re lucky to have Doug MacMillan of The Connells as our vocalist in Third of Never,” Dawson said. “We sampled his voice along with a Steve Kilbey cameo and bits of my guitar for the Electric Forgiveness record. You’d think it would be terrifying trying to juggle two albums at once, but they actually informed each other rather nicely.”

“Steve Potak (The Connells) did 90% of the keyboards on this album in one take,” Dawson said. “What makes this even more remarkable is that he didn’t really hear any of the tracks until he sat down to record his parts.”

Vocalist/multi-instrumentalist Sara Bell was enlisted for Electric Forgiveness after participating in a Third of Never session.

“Her voice is as pure as you’ll ever hear, so I asked her to come in and improvise over sections of the Electric Forgiveness music,” Dawson said. “Her performance elevated everything. There's a beautiful eeriness in her voice that pulls the listener in instantly.”

Kurt Reil of the Grip Weeds contributed drums to the album.

“This is the most amazing recording of Kurt’s drumming I’ve ever heard,” Dawson said. “He usually has to be concerned with ‘playing for the song’ and finding the proper spots to explode, but with this music, there aren’t any songs in the traditional sense, so he’s allowed to just blow for 40 minutes, and his performance is staggering.”

Bassist Michael Kelly (Femmes of Rock, Grip Weeds, Gene Simmons) came to mind after Dawson remembered a conversation they’d had about music over a decade earlier.

“The Grip Weeds and Third of Never played at a music festival in Philadelphia around a decade ago,” Dawson said. “Michael and his wife had a cookout for both bands afterward. While we were there I played Michael bits of the first Electric Forgiveness album. One piece reminded him of Tomita - which he was a fan of, so when it came time to find a bassist for this new project he seemed like a natural fit. He did a great job adding melody to this sprawling ball of sound.”

The album will be released on October 15, 2023 by Broken Sound Tapes in conjunction with 343 Records and Jam Recordings. The initial formats will be CD, cassette and digital.

Electric Forgiveness: Jon Dawson, John Bundrick, Sara Bell, Michael Kelly, Steve Potak, Kurt Reil

Guests: Doug MacMillan and Steve Kilbey

Track List:
1. Two-Week Notice (Bundrick, Dawson, Potak, Kelly)
2. Initials In The Wood (Bell, Dawson, Kelly)
3. Rose Is On The Air (Bell, Dawson)
4. Frank and Paul Meet Rod (Dawson, Potak, Kelly)
5. Expired Dreams (Dawson, Kelly, Bell, Potak)
6. Meaning To Send (Dawson, Potak, Bell, Kelly)
7. Bucklesberry Nocturne (Dawson, Bell, Kelly, Potak)
8. Prozac's Theory of Attraction (Dawson, Potak, Bell)
9. A Name Without Pier (Dawson, Bell, Potak)
10. Dude, Rose Isn't Here (Kelly, Bell, Potak, Dawson)
11. What Kind of Battery Was He Wearing? (Bell, Dawson, Kelly)

All tracks arranged by Electric Forgiveness:

Produced by Jon Dawson, Benjy Johnson, and Tim Harper

Recording Studios: Little Vegas (La Grange), Earthtones (Greensboro), House of Vibes (Highland Park), Starpoint (Carrboro), Mrs. Kelly's Son Studios (Philadelphia), Rabbit Studios (Somerset)

Doug MacMillan: vocal samples from “Rolling Down A Hill,” “We Grabbed The Ground” and “Wild Piece” by Third of Never

Steve Kilbey: vocal sample from “Rolling Down A Hill” by Third of Never.

To purchase: BrokenSoundTapes.Bandcamp.com

For more information:
www.ElectricForgiveness.com
www.facebook.com/electricforgiveness
www.instagram.com/thirdofnever

For review copies contact: jon@thirdofnever.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Experimental Electronic Music Artist Billy Yfantis Releases The Otherworldly Music Album “Birds in Space” Featuring Real Bird Sounds!

An album consisting of 27 Experimental compositions inspired by Astronomy and artists like Tangerine Dream, Vangelis, and Cluster.

Athens, Greece – Experimental musician and author Billy Yfantis releases his new digital album “Birds in Space.” The album consists of 27 experimental tracks that explore space from a musical and conceptual perspective. The concept refers to a flock of birds that travel in space among various space objects (clusters and galaxies). The album's song titles refer to real space objects that exist in the science of astronomy. Trivia: The “Birds in Space” track is a 30 minute psychedelic composition that includes real bird sounds, recorded somewhere in Athens, Greece!

Billy Yfantis commented on the release: “In a world full of music stars, if you really want to find the next real star, then just switch off the TV, pick up the telescope, and look up to the sky, where the real space objects exist and surround our planet. Astronomy and music, according to Plato, are “twinned” disciplines of sensuous perception: astronomy is for the eyes, and music is for the ears. The goal of this album is to feed your eyes and ears with sensuous food for thought.”

Billy is currently working on his next album, with a scheduled release in late 2023. Stay tuned for more information!

Track List:
1. Aerial View of the Messier 78
2. Floating in Abell 3389
3. The Airborne Objects of the Spindle Galaxy
4. Riding the Pleiades
5. On the Wings of the Theta Car Cluster
6. Flying Above the Omicron Velorum Cluster
7. Departure from the Sculptor Galaxy
8. Arrival at the Blinking Planetary
9. Trip to the Hyades
10. Transportation to the Hercules Globular Cluster
11. Journey Through the Kappa Crucis Cluster
12. Jumping from the Starfish Galaxy
13. Voyage to the Caldwell 66
14. The Virgo a Take-Off
15. From Earth to the S Normae Cluster
16. Inside the Southern Pinwheel Galaxy
17. Through the Caroline's Cluster
18. Approaching the Wild Duck Cluster
19. Above the Caldwell 35
20. Waving Goodbye to the Butterfly Cluster
21. The Messier 5 Express
22. Close to the Centaurus A
23. Looking at the Tau Canis Majoris Cluster
24. Touching the Bear's Paw Galaxy
25. Ahead of the Supernova Factory
26. Leaving Behind the Antennae Galaxies
27. Birds in Space

Listen to the new album here:
Napster: https://us.napster.com/artist/billy-yfantis/album/birds-in-space
Spotify: https://open.spotify.com/album/1PcpdA1UusR8CkMh3RtEgU?si=kDB-JzMlT2q03Xv9RDbsQg
YouTube Music: https://music.youtube.com/playlist?list=OLAK5uy_mvEgZu8jdVUkVaAMbDCKB-jeHu6fp9Z2U
Apple Music: https://music.apple.com/us/album/birds-in-space/1674978449
Bandcamp: https://billyyfantis.bandcamp.com/album/birds-in-space (Includes 3 bonus tracks!)

About Billy Yfantis
Vasileios (Billy) Yfantis holds 2 Master Degrees in Information Technology and is a Ph.D. candidate in the University of West Attica by conducting research on e-government. Billy has been working on music since the late 1990s by experimenting with tape mixing and sound design. Billy is playing digital keyboards, but prefers to express his artistic dream through the electronic sounds that come from unusual machines. He has experimented with the recording of vacuum cleaners, electric blenders and other strange sounds that have resulted in musical releases. Moreover, Billy has authored books on music, business and science while from times to times he speaks about the electronic governance at scientific conferences all over Europe.

Famous Quotes (What Others Have Said)

Krautrock legend Harald Grosskopf (Ash Ra Tempel, Klaus Schulze, Cosmic Jokers): “I always like electronic music made by younger musicians who consequently follow their personal instinct, rather than trying to copy what’s already been made in the past, in the spirit of: Whenever you meet Buddha kill him. Keep on tracking Billy!”

Tom McLoughlin (Director of the movie “Friday the 13th Part VI: Jason Lives”): “I really dug his music!! VERY cool stuff!!”

Phil Lanzon (Uriah Heep): “I like the track ‘Waiting for the battle.’ Great riff. I can see this as soundtracks to Psycho – punk movies and the like.”

Bobby Borg, (Music Business Author, Consultant, Professor): “This is fkn bad ass music that everyone needs to hear… imagine the coolest meditation music out there and the coolest sci-fi movie soundtrack rolled into one! Stream it and trip out today.”

Steve Whitfield (Producer and engineer of The Cure, The Mission UK): “This music is crying out to be used in films but at the same time it’s great to just sit back, listen and immerse yourself in them without any moving images and let your imagination run wild!”

Snowy Shaw (ex-King Diamond, Therion, Mercyful Fate): “I didn’t know what to expect when I had this album sent to me by the composer Billy Yfantis. To be perfectly honest, 9 times out of 10 when people send me their new album it makes me feel a bit uneasy and awkward. Firstly because I don’t listen an awful lot to contemporary music and secondly, even less to other metal & hard rock artists due to lack of interest and I don’t wanna hurt their feelings. I don’t mean that in any rude, disrespectful or arrogant way, but I’m into creating my own music, not so much into consuming music of my peers. However, this was something entirely different. I’m not even sure it’s considered music, but it’s the kind of atmospheric and meditative type of sounds that I’ve been listening a helluva lot over the past few years to try to relax and cope with my stressful, turbulent life, constantly on the verge of being burnt out. That being said, I liked it and it made me calm, mindful and sleepy. Presumably the worst kind of reaction my metalhead peers would wanna hear about their new album but in this case it’s probably the best sort of compliment one could get.”

Find other music by Billy Yfantis here: https://billyyfantis.bandcamp.com
Find Books by Billy Yfantis here: https://www.amazon.com/Vasileios-Yfantis/e/B00JNNL306

Contact details:
E-mail:  Byfantis@yahoo.com
Facebook: https://www.facebook.com/billy.yfantis
Twitter: https://twitter.com/billyyfantis
Instagram: https://www.instagram.com/billyyfantis

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Bryan Ferry Guitarist Quist To Release New Atmospheric Album “Breathing Space” November 18, 2022

Quist is a Danish guitarist & artist based in Los Angeles. He has already toured the world many times as a guitarist, most recently being featured as lead guitarist with UK art rock legend Bryan Ferry (Roxy Music), who was inducted into the Rock & Roll Hall of Fame in 2019. He was featured on Bryan Ferry's album “Avonmore” (2014), alongside Nile Rodgers, Mark Knopfler, Johnny Marr, Flea and Marcus Miller – subsequently touring the world for several years in various incarnations of Ferry’s band.

Quist’s forthcoming solo album “Breathing Space” was recorded in 2022, in his studio in North Hollywood, Los Angeles. It’s a chill, dreamlike sonic universe - with lush keyboards, melodic, bluesy guitar licks and atmospheric field recordings. The album drifts through calming atmospheres of dreamy sounds with layers of meditative drums.

The album’s title and concept was born out of the Pandemic/lockdown life we all lived through and was inspired by this quote from French philosopher Albert Camus: “To understand one's world, one must sometimes turn away from it! To serve better, one must briefly hold it at a distance. Where can the necessary solitude be found, the long breathing space in which mind gathers its strength and takes stock of its courage.”

The music was essentially created both to provide comfort and joy at the time of its making, but also especially to (hopefully) bring a sense of calm and joy to listeners.

Says Quist, “I just hope the music can help folks slow down once in a while, relax, take a deep breath, give themselves a little breathing space and just chill and take a moment to wind down.”

Situated in a chilled, guitar-centric corner of the popular lofi genre, ‘Breathing Space’ features 3 prominent lofi artists – Kanisan (France), softy (South Korea) & Steezy Prime (USA), with a combined listenership of 5 million monthly listeners on Spotify alone.

The first single (title track Breathing Space) was released on September 30 - and the full album is released November 18 on Sonder House.

Quist has performed at The Royal Albert Hall, The Hollywood Bowl, Coachella, Glastonbury and Abbey Road Studios, as well as on many prime time international TV & radio shows. Through years of touring whilst simultaneously posting his trademark ‘jam tracks’ on YouTube, Quist has found an audience of his own – gaining a whopping 150 million views on YouTube, 500k monthly listeners on Spotify and a rising profile as a pioneering solo artist. He is now best known for his popular guitar jams & guitar-fueled lofi beats. Having seen his music added to no less than 6 official Spotify playlists in 2022, his first new single (title track “Breathing Space”) was released on September 30 - and the full album is released November 18, 2022 on Sonder House.

Tracklist:
1. Breathing Space
2. Indigo
3. Pulse
4. Rain Reverie
5. Dark Blue (ft. Kanisan)
6. REM (ft. softy)
7. Dali Naps
8. Dream Weaver (ft. Steezy Prime)
9. Optimism
10. Life Cycles

Pre-save the album here: https://sonderhouse.ffm.to/breathingspace

For more information:
http://www.Quistorama.com
http://www.youtube.com/QuistTV
https://www.instagram.com/quistguitar/
https://www.tiktok.com/@quistguitar
https://linktr.ee/quist

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Greek Electronic Music Artist Billy Yfantis Releases The Soundtrack Of His Performance At North America’s Longest Running Experimental Music Festival!

A 14-minute hypnotic composition inspired by artists like Tangerine Dream, Sunn O)), and Merzbow.

Athens, Greece - Experimental musician and author Billy Yfantis releases his new digital single entitled “The Universe Collapses (Norcal Noisefest 2022 Performance).” The new digital single includes Billy’s performance at Norcal Noisefest 2022. The Norcal Noisefest is the longest running experimental/noise/outsider sound art festival in the USA, founded in 1995 in Sacramento, CA. The 2022 edition of the festival took place from September 30 through October 2, with live performances on Friday September 30 and Saturday October 1 at Cafe Colonial, plus an all-virtual day on Sunday October 2.

Billy appeared virtually on the 3rd day of the festival by presenting a new experimental composition through the use of a unique organismic analogue synthesizer. The term "organismic" refers to the usage by the synthesizer of some fundamental principles underlying living creatures. “Organismic” means that the synthesizer’s modules interact with each other, and the behaviour of the instrument simulates a live conversation between living creatures.

Billy Yfantis commented on the release: “For this festival performance, I used a special-made synthesizer that has mechanical parts that simulate the dialogue between living organisms. My main scope was to establish a dialogue between machines and present it to a human-oriented event: a music festival. This mechanical dialogue between machines sounds like a post-apocalyptic soundtrack to my ears, and I can imagine it as the soundtrack of the universe’s collapse.” Billy Yfantis plans to release his 6th full album soon, a Neoclassical/Cinematic album inspired by European mythology. Stay tuned for more information!

Norcal Noisefest 2022 Performance (Watch from 2:50:03): https://www.youtube.com/watch?v=Fu972c8MN1Y

Listen to the new single here:  
Napster: https://us.napster.com/artist/billy-yfantis/album/the-universe-collapses-norcal-noisefest-2022-performance
Spotify: https://open.spotify.com/track/2Qh1yF26BAAjcDeU0EbZKR?si=dcc22206013b464b
YouTube Music: https://music.youtube.com/watch?v=pCqwzxMGgXk
Apple Music: https://music.apple.com/us/album/the-universe-collapses-norcal-noisefest-2022/1647991476
Tidal: https://store.tidal.com/gr/album/251746500
Bandcamp: https://billyyfantis.bandcamp.com/track/the-universe-collapses-norcal-noisefest-2022-performance

About Billy Yfantis
Vasileios (Billy) Yfantis holds 2 Master Degrees in Information Technology and is a Ph.D. candidate in the University of West Attica by conducting research on e-government. Billy has been working on music since the late 1990s by experimenting with tape mixing and sound design. Billy is playing digital keyboards, but prefers to express his artistic dream through the electronic sounds that come from unusual machines. He has experimented with the recording of vacuum cleaners, electric blenders and other strange sounds that have resulted in musical releases. Moreover, Billy has authored books on music, business and science while from times to times he speaks about the electronic governance at scientific conferences all over Europe.

Famous Quotes (What Others Have Said)

Krautrock legend Harald Grosskopf (Ash Ra Tempel, Klaus Schulze, Cosmic Jokers): “I always like electronic music made by younger musicians who consequently follow their personal instinct, rather than trying to copy what’s already been made in the past, in the spirit of: Whenever you meet Buddha kill him. Keep on tracking Billy!”

Tom McLoughlin (Director of the movie “Friday the 13th Part VI: Jason Lives”): “I really dug his music!! VERY cool stuff!!”

Phil Lanzon (Uriah Heep): “I like the track 'Waiting for the battle.' Great riff. I can see this as soundtracks to Psycho - punk movies and the like.”

Bobby Borg, (Music Business Author, Consultant, Professor): “This is fkn bad ass music that everyone needs to hear… imagine the coolest meditation music out there and the coolest sci-fi movie soundtrack rolled into one! Stream it and trip out today.”

Steve Whitfield (Producer and engineer of The Cure, The Mission UK): “This music is crying out to be used in films but at the same time it's great to just sit back listen and immerse yourself in them without any moving images and let your imagination run wild!”

Snowy Shaw (ex-King Diamond, Therion, Mercyful Fate): “I didn't know what to expect when I had this album sent to me by the composer Billy Yfantis. To be perfectly honest, 9 times out of 10 when people send me their new album it makes me feel a bit uneasy and awkward. Firstly because I don't listen an awful lot to contemporary music and secondly, even less to other metal & hard rock artists due to lack of interest and I don't wanna hurt their feelings. I don't mean that in any rude, disrespectful or arrogant way, but I'm into creating my own music, not so much into consuming music of my peers. However, this was something entirely different. I'm not even sure it's considered music, but it's the kind of atmospheric and meditative type of sounds that I've been listening a helluva lot over the past few years to try relax and cope with my stressful, turbulent life, constantly on the verge of being burnt out. That being said, I liked it and it made me calm, mindful and sleepy. Presumably the worst kind of reaction my metalhead peers would wanna hear about their new album but in this case it's probably the best sort of compliment one could get.”

Discography
1. The Universe Collapses (Norcal Noisefest 2022 Performance) (Digital single 2022)
2. The Nebula Voyager (Full Album, 2022)
3. Cinematic Works, Vol. I (Full album, 2021)
4. Noises from the Outer Space (Full album, 2021)
5. Entering the Solar System (Full album, 2020)
6. The Noisy Whispers Compilation (Full album, 2019)
7. The Mysterious Trip (Digital single, 2018)
8. Dust Not Found (Digital single 2017)
9. Crossing The Line (Digital single 2016)
10. The Electric Blender Session (Digital single, 2016)
11. The Missing Link (Digital single, 2015)

Check out music by Billy Yfantis here: https://billyyfantis.bandcamp.com

Bibliography
1. Power Ballads And The Stories Behind (2021)
2. Is Prog Rock Really Progressive? (2020)
3. Hip Hop Goes Science: Volume I – Extended Version (2020)
4. Hip Hop Goes Science: Volume I (2019)
5. Metal Goes Science: The Academic Metal Bibliography (2017)
6. Disadvantaged Populations And Technology In Music (2017)
7. City Streets Of Europe (2017)
8. Punk Goes Science: The Academic Bibliography Of Punk (2015)
9. The Lost Lyrics (2013)
10. The Commercial Exploitation Of Color As A Consumer Stimulus (2013)

Find Books by Billy Yfantis here:
https://www.amazon.com/Vasileios-Yfantis/e/B00JNNL306/

Contact details:
E-mail:  Byfantis@yahoo.com
Facebook: https://www.facebook.com/billy.yfantis
Twitter: https://twitter.com/billyyfantis
Instagram: https://www.instagram.com/billyyfantis

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Brian Woodbury To Release “Rhapsody & Filigree” the 4th and Final Volume of the “Anthems & Antithets” Series

“Not since... the wondrous works of young Brian Wilson... have I heard sound of this romantic design. Indispensable.” – Van Dyke Parks

Brian Woodbury will be releasing Rhapsody & Filigree, the 4th and Final Volume of the Anthems & Antithets series on July 25th. Brian Woodbury is a songwriter who straddles the avant/pop/theater/comedy divide. His eclecticism ranges from writing Disney cartoon themes and children’s TV songs, to experimental jazz big band, to arranging 1960s Bollywood covers, to a country anthem about marriage equality and Tom Lehrer-esque comedy songs. He has released eleven albums, including the current 4-volume Anthems & Antithets. He creates music videos for his songs, most recently “Gimme Some of That Old Time Prog,” a spot-on sendup of prog rock. His songs have been sung by Nathan Lane, Lisa Loeb, Terre Roche & David Yazbek.

Van Dyke Parks has said of Brian’s music, “Not since... the wondrous works of young Brian Wilson... have I heard sound of this romantic design. Indispensable.” Brian Woodbury has been described as “... a multi-talented musician, bordering on genius. ...He should be up there with Zappa and Beefheart,” BBC Radio 3, Mixing It, and as “a consummate writer of instantly memorable pop tunes,” All Music Guide

Says Brian, “Anthems & Antithets is a series of 4 double albums I’ve made during the pandemic, each one in its own musical mood: comic, confessional, political and arty. Rhapsody & Filigree is the 4th Volume in the series, and the culmination of the project.

“Rhapsody & Filigree is expansive, fancy and fanciful - with a wide variety of arty, experimental kinds of pop songwriting, both musically and in subject matter. An emphasis on melody and beauty. The assumption is we’re all educated adults here. I always try to write songs about the things nobody writes songs about. For this album, even more so.

“On this album, I condense large forms into smaller ones. For instance, the rock opera ‘Theseus Rex’ where Theseus is the bastard son of Jerry Garcia from the Grateful Dead. Inspired by early Genesis and prog rock concept albums, this rock opera lasts just over 9 minutes, but it has a sweeping cinematic scope and it tells a tragic story. Another example is the ‘Brief Mass,’ a full setting of the Latin Mass in just over 7 minutes.

“I also love miniatures, like ‘When Byron Swam,’ a song about the elusive nature of artistic achievement. (“Did Lord Byron swim the Dardanelles or was it the Bosphorus?”) Or ‘The Honorable Mention’ where a Hollywood award show nominee rehearses his acceptance speech.”

Here’s what the press has said about the music of Brian Woodbury:

“Now it’s official – Brian Woodbury is a multi-talented musician, bordering on genius. …he should be up there with Zappa and Beefheart.” - BBC Radio 3 Mixing It

“…An extraordinary confection. Surprise your dinner guests; flummox the music anoraks; and enjoy.” - John Bungey, The Times (London)

“A cleverly lyrical, deviously funny kitchen-sink songwriter.” - New York Daily News

“An authentic pop gem that lovers of XTC and the like should absolutely not miss.” - Ondarock (Italy)

“Brian Woodbury is a particularly beautiful example of a maverick in the mainstream and double agent in the pop industry.” - Bad Alchemy (Germany)

“…alluring…. there is no way to classify what Woodbury and his Orchestra do…. There are other artists who blend styles, but none quite so seamlessly and with complete abandon as Woodbury. …Full of captivating melodies and rhythms…. Clever without being coy, this album is remarkable….” - All About Jazz

“It’s one thing to have that exceptional ability to fuse humor and witty lyrics to great music – Zappa, 10cc, Ray Stevens, Weird Al come to mind – but it’s altogether something else to be able to do it while genre hopping all over the musical map with highly original material. Quirky, witty, artful and sometimes poignant, covering the pop and country spectrum.” - Expose

Says Brian, “I had the great opportunity of collaborating with dozens of unique artists on this album. One song ‘How Soon We Forget, How Long We Remember,’ a song about the evolution of culture, was constructed using a game of musical telephone, where a half-remembered musical theme was recreated and passed on to the next musician in the chain.

“Another collaboration came about when I found my music confused with the music of a different Brian Woodbury on all the streaming platforms. A situation apparently beyond the ability of the tech giants to solve. So I reached out to this other Brian Woodbury - a jazz trombonist - and we wrote a song about it. Called ‘The Other Brian Woodbury.’”

Brian concludes, “The overriding theme of the new CD is the future. Whereas Volume 2 is a wistful look at the past, and Volume 3 is an indictment of the injustices of the present, on the new album I tried to glimpse the future. To see what positive or at least non-dystopian outcomes we have to look forward to. Dystopia is an easy pose, but it shows an utter lack of imagination. In the face of climate change and authoritarianism, it’s a copout. There are solutions, and hints of better things to come. There will be a future.”

In support of the new releases, Brian is making music videos for the 18 songs on the new album, as well as continuing to make videos for songs from the other volumes of “Anthems & Antithets”. There are 20 music videos so far from the other volumes. And in a unique kind of tour, Brian will be doing a series of attentive listening parties at select music listening rooms in the US, UK & Europe.

Release date July 25th for both the new CD (Rhapsody & Filigree) and box set of all four volumes of the “Anthems & Antithets” project.

To purchase:
US & North America: https://brianwoodbury.bandcamp.com/album/rhapsody-filigree
UK & Europe: http://www.rermegacorp.com/

For more information:
www.BrianWoodbury.com
https://www.facebook.com/BrianWoodburyMusic/
https://brianwoodbury.bandcamp.com/
https://www.youtube.com/c/brianwoodburymusic

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

The Pandemic Dam Breaks for Prolific Bassist & Composer Steve Horowitz Releases Two Albums of New and Exciting Music!

Composer of the original score to the Academy Award Nominated film “Super Size Me” Steve Horowitz releases “Old Monsters Trio” and “Mr. E”

A creator of odd but highly accessible sounds and a diverse and prolific musician, Steve Horowitz is perhaps best known for his original Score to the Academy Award Nominated film “Super Size Me.” The artist behind Twenty Nine albums of mind bending original music, a Grammy, Webby and Kid Screen award winning composer producer, he currently resides in San Francisco.

Steve is now releasing two new albums “Old Monsters Trio” and “Mr. E”

“Old Monsters Trio”

“Old Monsters Trio” is an album featuring Jim Bove on drums, Scott Looney on piano and features the compositions and bass playing of Steve Horowitz. Recorded January of 2022 at studio 43 in SF.

The band New Monsters recorded three albums, the first one featuring the music of Dan Plonsey. The second album recorded live at studio 55 in San Rafael, and the third album “Point Cloud.”  

For this album Steve reached back into his substantial back catalog of twenty-nine albums from different periods in his career and brought them to the band to recompose, rearrange and reimagine. The theme of this recording is transformation, where old becomes new again.

Let me explain…

The opening piece “Happy Eating Theme” is a reimagining of the theme from the academy award nominated indie hit documentary film “Super Size Me.” The second track “Aesthetic Nourishment'” is a trio version of a chamber piece written for the Red Desert Ensemble. “I Am No Ordinary Mortal,” the third cut, is a re-examination of a tune that was written for the television show “I Bet You Will” which ran on MTV. The fourth cut “Quasi-Eternity” is a re-orchestration of a graphic score from the 1990’s called “Party Of Four,” originally released on Steve’s third album San Francisco chronicled. “Bad Taste For High culture” the fourth cut on the album, is taken from a tune that Steve wrote in high school, a simple angular melody that he gave to Scott and he put new chords and new harmony to it. Number five “Strength Through Embarrassment” is another early 90s graphic score. “Wild Man The Throne God” is another tune from I Bet You Will, and the last piece on the album “The Expendable Man” is a trio exploration of concert music written for string quartet and trumpet.

And for the very first time, Steve is experimenting with releasing this album in a brand new way, in three different flavors. The first is the Deluxe Blend (Green) which features all the tracks and switches back and forth between monk-esq jazz and abstract contemporary compositions. The Jazzy Blend (Purple) features only the four jazzy cuts in an EP format. And the Abstract Blend (Orange) features only the contemporary compositions in EP format. Now listeners can experience the music from different angles and different points of view and listen based on taste and preference. Some people will only like the jazz stuff and some people will only like the abstract weird stuff and others will love them mixed together in a strange funky brew.

The album covers feature the artwork of Joseph Guillette also known as JTA, the amazing artist who has worked with Steve on most of his album covers since they met in early 2000s working together with Morgan's Spurlock on “I Bet You Will” and “Super Size Me.”

Watch the promotional video: https://www.youtube.com/watch?v=ZaLsZMV-yfQ&t=1s

“Mr. E”

The album “Mr. E,” recorded at the same time was made in homage to the amazing percussionist drummer madman and visionary Michael Evans who passed away tragically last year. The album features Michael’s voice from a phone machine message and several interviews mixed together into one twenty-two minute composition. The track features Steve Horowitz on bass Jim Bovy on drums Scott Looney on piano and Michael Evans spoken word.

The cover artwork is by Michael Evans. In the latter parts of his life Michael was working in visual art and multimedia and this piece featuring a log cabin, witch hat and other multimedia elements serves as the cover. “Mr. E” the title, refers to Mr. Evans and also to the mystery of life and the tragedy and mystery of his sudden death. The music features heavy use of percussion improvisation and music concrete to create a pastiche of wanton musical madness that is rich and satisfying to listen to.

Watch the promotional video: https://www.youtube.com/watch?v=docdd0-Ms2A

All the album titles are in homage to the amazing percussionist drummer mad man and visionary Michael Evans who passed away tragically and suddenly last year. The names come from a phone machine message that was left by Mr Evans and all the profits from the sale of this album will go to the Michael Evans memorial fund at Roulette in NYC. Next Release is an album of Steve’s chamber music for the Red Desert Ensemble. Titled “Side Scroller,” it will be released worldwide in August 2022

To purchase:
https://www.stevehorowitzmusic.com/albums
Apple
https://music.apple.com/us/artist/steve-horowitz/185446777
Tidal
https://tidal.com/browse/artist/5994562
Spotify
https://open.spotify.com/artist/0zdxLXZzI7d9xpvtaNcdoi
Amazon
https://www.amazon.com/music/player/albums/B09W9GZ847
https://www.amazon.com/music/player/albums/B09W9H6FMP
https://www.amazon.com/music/player/albums/B09W9HD5BK

For more information:
https://www.stevehorowitzmusic.com/
https://www.facebook.com/steve.horowitz.3
https://twitter.com/fluffyschwartz

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Texas Experimental Rock Trio Xanthan To Release Eclectic Debut EP “Succubus Swing”

Xanthan is a three piece experimental rock band from Houston Texas featuring Boz Miller (drums), Max Miller (guitars), and Corin Gatwood (6 string basses). The trio will be releasing their debut six-track EP “Succubus Swing” on May 24th which features half instrumentals and half songs with vocals.

Says Corin, “The album has a lot of moods. There is a lot of humor in it for us. Hence the titles, but also just how we've managed to compose the songs. It's all playful. We always try something different in each song. A lot of the lyrics were inspired by strange and unsettling experiences I have had with certain people. The music was written first; but while working on the instrumentals, it put me in the right mood to write about some dark stuff. Plus, it was during late 2020, early 2021. It was still the pandemic, and hell froze over in Texas. A surreal time can be a good time to be creative, I suppose.

When recording the album, the music came first, but the band would adjust things for vocals as needed. Recording was fast. Every track was the three members recording live in Corin’s living room / practice space with no click track. Corin relates, “The track ‘Ms. Haan’ was made from noisy stuff I made on a tape machine, and me banging on the side of my washing machine. My hope was for it to evoke the anxiety of being a child again; alone, in school, or a building with scary noises and machines humming away. And it made for a good segue.”

This E.P. features two of Xanthan’s early instrumental tracks (“1934” and “Colliskeions 23”). The trio wanted to include them on this release to demonstrate their early sound, but the opening track (“HYBYC”) and the last three are songs the band is most proud of.

In closing Corin has this to say, “Just give it a listen in your car stereo on a sweltering summer night, in a dark, small town alleyway.”

Track List:
HYBYC
1934
Colliskeions: 23
Bump of Excellence
Ms. Haan
In Killeen

Release date May 24, 2022

To purchase: Bandcamp: https://xanthan.bandcamp.com/releases

For more information:
Instagram: https://www.instagram.com/xanthan.wav/
Facebook: https://www.facebook.com/xanthan.band/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Bass Virtuoso Clint Bahr Releases New Solo Album “PUZZLEBOX” Feat. Members of King Crimson, YES, Van Der Graaf Generator, Sun Ra and Others!

Bass virtuoso Clint Bahr just released a new solo album “PUZZLEBOX” on Moonjune Records. The album features members of King Crimson, YES, Van Der Graaf Generator, Sun Ra and others!

Clint Bahr’s new band, also named PUZZLEBOX, is a multidimensional “Tabula Rasa” in both compositional and improvisational formats. PUZZLEBOX is a genre-defying global collaboration of artists, a cross-pollination of diverse instruments and talents.

Delightfully blurring both stylistic and structural approaches, the tight-knit unit Bahr has assembled proves as unpredictable as they are adept, articulate and gifted. “PUZZLEBOX” recalls prog in its heyday when albums as uninhibited and off script as King Crimson’s “Lizard” and Captain Beefheart’s “Trout Mask Replica” were celebrated, and the Canterbury renaissance was in full swing. It harkens back to the same “reaching beyond” mentality which defined his seminal NYC-based power trio, TriPod. Brilliantly arranged and produced, Clint Bahr has delivered a multi-faceted, timeless epic ... at such a time as this.

Says Bahr, “I decided to do a ‘solo’ album with friends from the UK and USA. They include former members of King Crimson, Anthony Braxton, Television, Van der Graaf Generator, Sun Ra, Flash, TriPod, Gloria Gaynor, YES, Andromeda, etc. The album is a 50/50 compilation of composed and improvisational pieces. More so, PUZZLEBOX is a recording & touring band with interchanging players from around the world with a core bass and drums section.”

Clint Bahr - Composer/Lyricist
(Vocals, 12/8/4 String Basses, Chapman Stick, Acoustic Guitar, Mandolin, Piano, Harmonium, Mellotron, Theremin, Percussion, etc.)
Formerly of TriPod, Andromeda, Flash, 40 Familys, Menage a Trois, as well as the bass player for Eartha Kitt. He has toured nationally and internationally. Progressive Edge Magazine listed him in their “TOP BASS PLAYER of 2002” list. He has recorded for Columbia Records, MoonJune Records, and various independent labels, and was a recipient of the 2021 NYC Artists Corps Grant.

“PUZZLEBOX” Track List
1. Tabula Rasa 1
2. New Design
3. Plate (Improv)
4. Shelter
5. As Tympani Melt In The Greek Heat (Improv)
6. Fall From Grace
7. Belt & Braces
8. Triangles, Circles & Squares (Improv)
9. Oslo
10. Kicking The Wasp’s Nest
11. Lifeguard In The Rain
12. Tabula Rasa 2

Featuring:
Clint Bahr - basses & vocals (TriPod)
Peter Banks - guitar (Yes)
Colin Carter - vocals (Flash)
Marilyn Crispell - piano (Anthony Braxton)
David Cross- violins (King Crimson)
Stephanie Feyne - dialogue (The Dotes)
Billy Ficca - drums (Television)
Dick Griffin - trombone (Sun Ra)
Mike Hough - drums (Flash)
David Jackson - woodwinds (Van der Graaf Generator)
Dan Parkington - sitar & violin (Andromeda)
Jeff Schiller - woodwinds (The Roots)

To purchase:
BANDCAMP: https://clint-bahr-moonjune.bandcamp.com/album/puzzlebox?fbclid
AND also from Website: https://www.puzzlebox.band/

For more information:
https://www.puzzlebox.band/
https://www.facebook.com/ClintBahrPuzzlebox

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Experimental Musician Billy Yfantis Releases “The Nebula Voyager” Album Exploring Sounds From The Outer Space!

An album of 19 Spaced-Out compositions inspired by Astronomy and artists such as Tangerine Dream, Hans Zimmer, Steve Hillage and John Carpenter

Athens, Greece - Experimental musician and author, Billy Yfantis, releases his 5th album entitled “The Nebula Voyager.” A nebula is a gathering of interstellar clouds that forms a unique body (which can consist of cosmic dust, hydrogen, helium, molecular clouds; possibly as ionized gases). The great majority of Nebulas are hundreds of light-years in diameter. Billy Yfantis explores musically the “Nebula” concept by composing music inspired from the formation of existing nebulas as they are described in official astronomical catalogues.

The new album features 19 instrumental tracks including “City Lights” which was performed at the online edition of the Mrož festival 2020 and a 2021 remix of the previously released track “The Mysterious Trip.” The dreamy atmosphere of the album was created by using the Sound Design recording technique through the use of both hardware and software synthesizers. If you are familiar with cinematic soundtracks and music styles such as Avant-Garde, Krautrock, Experimental and Ambient, then you are definitely in the spirit of this release!

Billy Yfantis commented on the release: “The main scope of the album was to explore Astronomy beyond the popular science fiction concept. The 16 tracks of the album (except remixes and the festival performance) refer to real Nebulas that have been recorded in official astronomical catalogues by famous scientists. If you look for information about these Nebulas while listening to the album, then your listening experience will be an augmented one.” Billy Yfantis plans to experiment with new instruments and technologies for the recording of his 6th full album, with a release schedule in late 2022. Stay tuned for more information!

Promotional video (Cat’s Eye Nebula): https://youtu.be/xOC-jIWg0sE
Promotional video (Pelican Nebula): https://youtu.be/CKy5s7t9SjQ

The Nebula Voyager Tracklist

1. Crab Nebula
2. Cat’s Eye Nebula
3. Orion Nebula
4. Lagoon Nebula
5. Pelican Nebula
6. Red Square Nebula
7. Boomerang Nebula
8. Rosette Nebula
9. Ring Nebula
10. Tarantula Nebula
11. Eagle Nebula
12. Eskimo Nebula
13. Horsehead Nebula
14. Ant Nebula
15. Carina Nebula
16. Helix Nebula
17. Into the unknown (Cinematic Remix)
18. City Lights (Live at Mrož festival 2020)
19. The Mysterious Trip (2021 Remix)

Listen to the new album here:  
Napster: https://ar.napster.com/artist/billy-yfantis/album/the-nebula-voyager
Spotify: https://open.spotify.com/album/7vZUFLlym9Kiags4eIHB2n?si=GSwL2WxhQBaUOXcOWYjdcQ
YouTube Music: https://music.youtube.com/playlist?list=OLAK5uy_kqqNpsYAH4lKa5MtQKhO75ATgbDfNtNq4
Apple Music: https://music.apple.com/us/album/the-nebula-voyager/1611721948
Tidal: https://store.tidal.com/gr/album/218156464
Bandcamp: https://billyyfantis.bandcamp.com/album/the-nebula-voyager

About Billy Yfantis
Vasileios (Billy) Yfantis holds 2 Master Degrees in Information Technology and is a Ph.D. candidate in the University of West Attica by conducting research on e-government. Billy has been working on music since the late 1990s by experimenting with tape mixing and sound design. Billy is playing digital keyboards, but prefers to express his artistic dream through the electronic sounds that come from unusual machines. He has experimented with the recording of vacuum cleaners, electric blenders and other strange sounds that have resulted in musical releases. Moreover, Billy has authored books on music, business and science while from times to times he speaks about the electronic governance at scientific conferences all over Europe.

Famous Quotes (What Others Have Said)
Krautrock legend Harald Grosskopf (Ash Ra Tempel, Klaus Schulze, Cosmic Jokers): “I always like electronic music made by younger musicians who consequently follow their personal instinct, rather than trying to copy what’s already been made in the past, in the spirit of: Whenever you meet Buddha kill him. Keep on tracking Billy!”

Tom McLoughlin (Director of the movie “Friday the 13th Part VI: Jason Lives”): “I really dug his music!! VERY cool stuff!!”

Phil Lanzon (Uriah Heep): “I like the track 'Waiting for the battle.' Great riff. I can see this as soundtracks to Psycho - punk movies and the like.”

Bobby Borg, (Music Business Author, Consultant, Professor): "This is fkn bad ass music that everyone needs to hear… imagine the coolest meditation music out there and the coolest sci-fi movie soundtrack rolled into one! Stream it and trip out today."

Steve Whitfield (Producer and engineer of The Cure, The Mission UK): “This music is crying out to be used in films but at the same time it's great to just sit back listen and immerse yourself in them without any moving images and let your imagination run wild!”

Snowy Shaw (ex-King Diamond, Therion, Mercyful Fate): "I didn't know what to expect when I had this album sent to me by the composer Billy Yfantis. To be perfectly honest, 9 times out of 10 when people send me their new album it makes me feel a bit uneasy and awkward. Firstly because I don't listen an awful lot to contemporary music and secondly, even less to other metal & hard rock artists due to lack of interest and I don't wanna hurt their feelings. I don't mean that in any rude, disrespectful or arrogant way, but I'm into creating my own music, not so much into consuming music of my peers. However, this was something entirely different. I'm not even sure it's considered music, but it's the kind of atmospheric and meditative type of sounds that I've been listening a helluva lot over the past few years to try relax and cope with my stressful, turbulent life, constantly on the verge of being burnt out. That being said, I liked it and it made me calm, mindful and sleepy. Presumably the worst kind of reaction my metalhead peers would wanna hear about their new album but in this case it's probably the best sort of compliment one could get."

Discography
1. The Nebula Voyager (Full Album, 2022)
2. Cinematic Works, Vol. I (Full album, 2021)
3. Noises from the Outer Space (Full album, 2021)
4. Entering the Solar System (Full album, 2020)
5. The Noisy Whispers Compilation (Full album, 2019)
6. The Mysterious Trip (Digital single, 2018)
7. Dust Not Found (Digital single 2017)
8. Crossing The Line (Digital single 2016)
9. The Electric Blender Session (Digital single, 2016)
10. The Missing Link (Digital single, 2015)

Check out music by Billy Yfantis here:
https://billyyfantis.bandcamp.com

Bibliography
1. Power Ballads And The Stories Behind (2021)
2. Is Prog Rock Really Progressive? (2020)
3. Hip Hop Goes Science: Volume I – Extended Version (2020)
4. Hip Hop Goes Science: Volume I (2019)
5. Metal Goes Science: The Academic Metal Bibliography (2017)
6. Disadvantaged Populations And Technology In Music (2017)
7. City Streets Of Europe (2017)
8. Punk Goes Science: The Academic Bibliography Of Punk (2015)
9. The Lost Lyrics (2013)
10. The Commercial Exploitation Of Color As A Consumer Stimulus (2013)

Find Books by Billy Yfantis here:
https://www.amazon.com/Vasileios-Yfantis/e/B00JNNL306/

Contact details:
E-mail:  Byfantis@yahoo.com
Facebook: https://www.facebook.com/billy.yfantis
Twitter: https://twitter.com/billyyfantis
Instagram: https://www.instagram.com/billyyfantis

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Announcing the Release of the Second SQUEAKEY STUDIOS EP OUR FRIENDSHIP WAS WAY AHEAD OF ITS TIME

Featuring seven new tracks from the gang upstairs at SQUEAKEY STUDIOS

In the follow-up to their debut EP Eventually, We’re All Golden, the SQUEAKEY STUDIOS crew located up there among the trees continues their steady stream of releases, working not only in the purely digital realm, but also in that tried and true guitar/bass/drums/voice format. They now drop a wide-ranging smorgasbord of engagingly elliptical songs collectively titled OUR FRIENDSHIP WAS WAY AHEAD OF ITS TIME, including REDAKTR’s retro dawn-of-the-air-age hypnosis “Mr. Aeroplane,” the lonesome Nashville whine of Seth Framer on “You Drive Me Into The Middle Of Next Week,” and his whisky-swilling cautionary banger “No No No.”

Additionally, for this EP, REDAKTR is releasing two intricate in-the-box beat-heavy instrumental meditations: “The Invention Of One” and “The Master Key.”

REDAKTR and Seth Framer also expand their collaboration with the dreamy and unexpected “Free For A Minute,” and the gritty first-person stream-of-consciousness rocker “Redeemed In The Sanctity (You Gotta Have It Even).”

SQUEAKEY STUDIOS: In a creaky third-floor flat, surrounded by big old trees, they stuffed in an array of instruments and work when they can between school, jobs and all those other duties that make up an everyday life. They track mostly during the day, and their neighbors kindly put up with them. When SQUEAKEY STUDIOS added the little sub to the monitor layout, they knew they would have to tread lightly, at least sonically.

REDAKTR is an amalgam of unwilling and sometimes unruly musicians who love any good song. You gotta own it: Karen Carpenter had an incredible voice and even The Partridge Family hired the best. Working together or separately, REDAKTR makes it up as it goes along. Few of us have a plan, and even fewer of us know what that plan might be.

Seth Framer took the first train out and, when that didn’t get them all the way, ditched the suitcase, and went it alone. From the Great Western Range to the Gulf Stream, from the Galveston beaches to the Quetico waters and all points in between, Seth Framer has focused on the One, keeping their fingers clean, and washing their mouth out with soap on an all-too-regular regular basis. There aren’t enough pages for the stories Seth Framer tells, and there never will be.

Available now on all music platforms and wherever you consume music.

Visit SQUEAKEY STUDIOS online:
https://squeakeystudios.bandcamp.com/
https://soundcloud.com/squeakey-studios
https://audius.co/squeakeystudios
https://squeakeystudios.com/

To order or stream the OUR FRIENDSHIP WAS WAY AHEAD OF ITS TIME EP on digital services please visit:
https://smarturl.it/REDAKTROFWWAOIT

For Press and Interview inquiries please contact Billy James of Glass Onyon PR at (828) 350-8158 or glassonyonpr@gmail.com

For Digital Marketing please contact Jerome Forney of Independent Distribution Collective at jerome@independentdistro.com

Slovakian duo Dennyiah reveal indie infused contender 'Autumn 2015'

Slovakian indie band Dennyiah will quickly become your new favourite duo in their electrifying new release ‘Autumn 2015’. Produced by Nicolas Hard (Snarky Puppy, Becca Stevens), the new pop ballad will certainly win the heart of a nation. A household name in their hometown, the two-piece have over 190,000 streams on Spotify alone. Following in the successful footsteps of their 2020 full length album ‘Human Aspect’, Dennyiah have become a true asset in the Slovakian music industry, winning over a dedicated legion of fans.

Speaking about the powerful new release, Dennyiah share, “This song is about one of the biggest lessons I ever learnt. I was in a relationship with a man that I madly fell in love with. Very shortly after we got together, I completely changed my life for him, for our love. Gradually, I became convinced that my life’s only worth, because I share it with him and I live for him. I lost myself. 

I completely gave in and let my whole being and essence drown in that idealised absurd idea. I even let him mentally torture me and few times even physically. This song is a testimony to all the things I went through and how I survived. This song helped me to see a different angle and gather the last pieces of strength I had after all of it. It’s not a heartbroken song, it's a healing and surviving song and a proof of a first step towards self- love and self - acceptance. I am not a victim. I am a student of my own mistakes and I took every lesson to make it into something positive. All of the feelings of betrayal, despise, hatred, neglect, fear, self - loath taught me how much I need to be worthy for myself and not to anybody else - ever !”

Composed of lead vocalist Denny and guitarist Lubos, this spine-tingling collective fuse pop, soul, country and blues to create their signature sound best described as ‘human pop’. ‘Autumn 2015’ exceeds all expectations you may already have, and sounds like the offspring of Adele. Bringing a brooding, heartfelt atmosphere to the table, ‘Autumn 2015’ could easily find itself in the same vein as James Bond movie themes. The ultimate breakup track, Dennyiah’s new single is a tear-jerking masterpiece.

Both finding each other in a time of need, the musical soulmates both bring their individual ideas to the forefront in the cinematic new release. Set to take to the stage, Dennyiah are back on the road for a tour of Slovakia and Czech Republic in September, and if the new single is anything to go by, get your tickets now - before they sell out!

Experimental Musician Billy Yfantis Releases The Symphonic Music Album “Cinematic Works, Vol. I”

A double album of 50 epic compositions inspired by cinematic artists such as Hans Zimmer, Howard Shore, Rick Wakeman and Vangelis

Athens, Greece - Experimental musician and author Billy Yfantis, releases his 4th solo album entitled “Cinematic Works, Vol. I”. The double album consists of 2 disks featuring 50 instrumental cinematic tracks inspired by the soundtracks of Epic movies such as “The Lord Of The Rings” and “Stars Wars”. The album is the first part of a series of cinematic music albums that Billy intends to release in the next years.

Disc 1 includes compositions that capture the sound design of dramatic, epic scenes of Fantasy Adventure and Sci-Fi movies. Symphonic Classical Music is used as a medium to create a heroic and atmospheric soundtrack for sophisticated listeners. Disc 2 continues the trip of Epic sounds and operatic influences however, there are additional tracks with Jazz and Ambient music elements to complete the puzzle of the atmospheric music soundtrack.

Promotional video (The Empire): 

Promotional video (New Planet): 

Cinematic Works, Vol. I Track list

Disc 1
1. Hail to the King of Wrath
2. Entering the City of Gold
3. The Dragon
4. New Planet
5. Beauty of the New Land
6. Knights of the New Revolution
7. Coming by the Sea
8. The Barbarians
9. Dreaming of the King
10. Hero's Quest
11. Exploring the Field
12. Above the Tower
13. Among the Trees
14. Flag of the New Empire
15. Preparing the Spaceship
16. Neoclassical Runes
17. Reaching the Promised Land
18. Riding the Horses of Heaven
19. Ship
20. The Battle of Sparta
21. The City of Gold
22. Royal Wedding
23. The Dynasty
24. The Kingdom of the Elfs
25. The Empire

Disc 2
26. Age of Innocence
27. At the Church
28. At the Luna Park
29. At the Movies
30. At the Opera with Friends
31. Atmospheric Sunrise
32. Beyond the Clouds
33. Beyond the Mountain
34. Chinese Beauty
35. Drama
36. Fairytale Stories
37. Family Memories
38. Happiness of Yesterday
39. In the Streets of London
40. Jazzy and Nostalgic
41. The Land of Hope
42. The Magic Ring
43. The March of the Elfs
44. The Royal Temptation
45. The Ship of the Pirates
46. The Soldiers
47. The Village
48. The Warrior's Path
49. Trip to the Stars
50. Dreaming the Sky

Listen to the new album here:  
Napster: https://us.napster.com/artist/billy-yfantis/album/cinematic-works-vol-i  
Spotify: https://open.spotify.com/album/6DhBVOWts2dmpeLTbF6xX9?si=_QZ3s0urRo6h81NTlM51OQ  
YouTube Music: https://music.youtube.com/playlist?list=OLAK5uy_ny7cUMEuMyPKjiz86Dox1-KQ8tcdU3dcw
Apple Music: https://music.apple.com/us/album/cinematic-works-vol-i/1594345429
Deezer: https://www.deezer.com/us/album/271619562
Tidal: https://store.tidal.com/gr/album/204337997
Bandcamp: https://billyyfantis.bandcamp.com/album/cinematic-works-vol-i

Billy Yfantis, except his solo recording career, has a very busy schedule with other related activities. On Jan. 27, 2021 he participated as a guest presenter at the   Hollywood Music in Media Awards (HMMA) by presenting the nominees/winners of the “Best World Music” and “Best Lyrics/Lyricist” awards. You can watch the whole event here:  https://vimeo.com/505567704 Moreover, later in 2021 he remixed a track from the Desert rockers Sons of Alpha Centauri which was included as a bonus 3-inch CD on the vinyl format of the recent album “Sky Island” by the Yawning Sons (project by members of the Yawning Man and Sons of Alpha Centauri). Billy Yfantis plans to experiment with new instruments and technologies for the recording of his 5th full album with a release schedule in mid-2022. Stay tuned for more information!

About Billy Yfantis
Vasileios (Billy) Yfantis holds 2 Master Degrees in Information Technology and is a Ph.D. candidate in the University of West Attica by conducting research on e-government. Billy has been working on music since the late 1990s by experimenting with tape mixing and sound design. Billy is playing digital keyboards, but prefers to express his artistic dream through the electronic sounds that come from unusual machines. He has experimented with the recording of vacuum cleaners, electric blenders and other strange sounds that have resulted in musical releases. Moreover, Billy has authored books on music, business and science while from times to times he speaks about the electronic governance at scientific conferences all over Europe.

Famous Quotes (What Others Have Said)
Krautrock legend Harald Grosskopf (Ash Ra Tempel, Klaus Schulze, Cosmic Jokers): “I always like electronic music made by younger musicians who consequently follow their personal instinct, rather than trying to copy what’s already been made in the past, in the spirit of: Whenever you meet Buddha kill him. Keep on tracking Billy!”

Tom McLoughlin (Director of the movie “Friday the 13th Part VI: Jason Lives”): “I really dug his music!! VERY cool stuff!!”

Phil Lanzon (Uriah Heep): “I like the track 'Waiting for the battle.' Great riff. I can see this as soundtracks to Psycho - punk movies and the like.”

Bobby Borg, (Music Business Author, Consultant, Professor): “This is fkn bad ass music that everyone needs to hear… imagine the coolest meditation music out there and the coolest sci-fi movie soundtrack rolled into one! Stream it and trip out today.”

Steve Whitfield (Producer and engineer of The Cure, The Mission UK): “This music is crying out to be used in films but at the same time it's great to just sit back listen and immerse yourself in them without any moving images and let your imagination run wild!”

Snowy Shaw (ex-King Diamond, Therion, Mercyful Fate): “I didn't know what to expect when I had this album sent to me by the composer Billy Yfantis. To be perfectly honest, 9 times out of 10 when people send me their new album it makes me feel a bit uneasy and awkward. Firstly because I don't listen an awful lot to contemporary music and secondly, even less to other metal & hard rock artists due to lack of interest and I don't wanna hurt their feelings. I don't mean that in any rude, disrespectful or arrogant way, but I'm into creating my own music, not so much into consuming music of my peers. However, this was something entirely different. I'm not even sure it's considered music, but it's the kind of atmospheric and meditative type of sounds that I've been listening a helluva lot over the past few years to try relax and cope with my stressful, turbulent life, constantly on the verge of being burnt out. That being said, I liked it and it made me calm, mindful and sleepy. Presumably the worst kind of reaction my metalhead peers would wanna hear about their new album but in this case it's probably the best sort of compliment one could get.”

Discography
1. Cinematic Works, Vol. I (Full album, 2021)
2. Noises from the Outer Space (Full album, 2021)
3. Entering the Solar System (Full album, 2020)
4. The Noisy Whispers Compilation (Full album, 2019)
5. The Mysterious Trip (Digital single, 2018)
6. Dust Not Found (Digital single 2017)
7. Crossing The Line (Digital single 2016)
8. The Electric Blender Session (Digital single, 2016)
9. The Missing Link (Digital single, 2015)

Check out music by Billy Yfantis here:
https://billyyfantis.bandcamp.com

Bibliography
1. Power Ballads And The Stories Behind (2021)
2. Is Prog Rock Really Progressive? (2020)
3. Hip Hop Goes Science: Volume I – Extended Version (2020)
4. Hip Hop Goes Science: Volume I (2019)
5. Metal Goes Science: The Academic Metal Bibliography (2017)
6. Disadvantaged Populations And Technology In Music (2017)
7. City Streets Of Europe (2017)
8. Punk Goes Science: The Academic Bibliography Of Punk (2015)
9. The Lost Lyrics (2013)
10. The Commercial Exploitation Of Color As A Consumer Stimulus (2013)

Find Books by Billy Yfantis here:
https://www.amazon.com/Vasileios-Yfantis/e/B00JNNL306/

Contact details:
E-mail:  Byfantis@yahoo.com
Facebook: https://www.facebook.com/billy.yfantis
Twitter: https://twitter.com/billyyfantis
Instagram: https://www.instagram.com/billyyfantis

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com