Progressive Rock Review: Exovex-Radio Silence

Release Date: 14^th March 2015

Label: Digital Release (CD available from website)

Website

Exovex is a new progressive band formed by singer, songwriter and multi-instrumentalist, Dale Simmons. The debut album, Radio Silence, has recently landed on The Ancient Ones’ desk for review, and Dale’s credentials are very interesting. As a singer, songwriter, guitarist and front man for several bands since the early 90’s, he has traversed a wide spectrum of musical areas from prog/art rock through to jazz and funk.

The album, Radio Silence, has taken around 2.5 years to complete and release and as with many solo projects, there are a few guests to help the project along. The band assembled for Radio Silence includes, Dale (vocals, guitars, bass), Richard Barbieri (keyboards, synths), Josh Freese (drums), Keith Carlock (drums) and Gavin Harrison (drums). The three drummers are very experienced musicians, Josh with NIN, A Perfect Circle and Devo, Keith with Stings’ band, John Meyer and Steely Dan and Gavin with Porcupine Tree and King Crimson. The other guest, Richard on keyboards also plays with Porcupine Tree. 

There is a concept running through the album and it focuses on the downward spiral and final demise of a man due to the physiological and physical effects of a long-term, self-imposed isolation.

Radio Silence is a 6 track album with a playing time of around 44 minutes, with the longest track, “Seekers’ Prayer” running on for 9:35 minutes and track 2, “Metamorph” is the shortest with a track time of 5:06 minutes.

As I have often pointed out, the opening track to an album has a key role to play, in that it has to set the scene for the rest of the album. How does the opening track, “Stolen Wings” (9:18) fill that role? The start of this track has some very subtle atmospheric setting sounds which slowly evolve into an excellent guitar passage. The rest of the band fills in neatly behind this as the vocals put in an appearance. The music paints an amazing aural soundscape and there are hints of old and new influences. The older influence would seem to be Pink Floyd/Dave Gilmour and the newer influence, that of Porcupine Tree (Richard and Gavin possibly?). “Stolen Wings” is not much under 10 minutes in length, but seems over far too quickly and has certainly grabbed the listener’s full attention. The track exits in a similar fashion to the start with those atmospheric sounds.

“Metamorph” (5:06) has an excellent acoustic guitar into electric guitar start, with the vocals appearing early in the proceedings. The lyrics are very clear and interesting, but the overall highlight of this track is the sublime guitar breaks.

A sound of morse code signals introduces “Seekers’ Prayer” (9:35), and another section of soundscape painting with bits of garbled radio voices in the background. Around the 2 minute mark, we are treated to some excellent guitar (a la Dave Gilmour) over a building background. The vocals appear as we move past the 3 minute point and fit the scenario perfectly. There are a few sections which up the volume and the power of the voice to continue the storyline, but like a security blanket, that guitar sound returns reassuringly.

“The Last Orbit” (5:51) has a piano/synth introduction that heralds in the acoustic guitar, as yet again a small smile of satisfaction crosses the listeners’ face. The vocals are treated to have a distorted/echo tone to them before reverting to “normal.” “Dead Reckoning” (5:21) has a very percussive start with more of the acoustic/electric guitar phrases. Double tracking the voices make this track different to those that have gone before, but surprisingly, I found that this track seemed to miss out on the “grab factor.” I’m not sure exactly why, but I found this the weakest track on the album.

Final track, “Daylight (Silent Key)” (8:30) restores the album to its winning ways. Superb guitar, excellent vocals and a terrifically atmospheric sound makes the disappointment of the previous track fade quickly. After a long midsection with more stunning guitar, the sound drops away around 6:15 minutes, leading into one of those excellent atmospheric sections which evolves slowly into an orchestral soundscape to take the album to its conclusion.

Overall, Radio Silence, is a stunning debut album by Exovex which is certainly worth adding to your collection. Check it out, hand over the money and on subsequent, and frequent, listens, allow yourself to contemplate where Dale might go with album No. 2.

Thought I would throw in a little explanation of the band title just before I go. The guest musicians were allowed to “do what they thought would best serve the song” and Dale comments that this “unknown creative variable” made Radio Silence what it is. A quick delve into mathematics for a moment, to explain that a “known function” in math can be written as f(x) and pronounced f of x, but if it is x(x) or x of x (Exovex) then the outcome is unknown. Here endeth the math lesson.

4.5/5 Stars

Key Tracks: Stolen Wings, Metamorph, Daylight (Silent Key)

Tracks:
Stolen Wings
Metamorph
Seekers’ Prayer
The Last Orbit
Dead Reckoning
Daylight (Silent Key

Jim “The Ancient One” Lawson-Sr. Reviewer Prog Rock Music Talk

June 8, 2015

Review Provided By Prog Rock Music Talk

Progressive Rock Review: Exovex-Radio Silence

Release Date: 14^thMarch 2015

Label: Digital Release (CD available from website)

Website

Exovex is a new progressive band formed by singer, songwriter and multi-instrumentalist, Dale Simmons. The debut album, Radio Silence, has recently landed on The Ancient Ones’ desk for review, and Dale’s credentials are very interesting. As a singer, songwriter, guitarist and front man for several bands since the early 90’s, he has traversed a wide spectrum of musical areas from prog/art rock through to jazz and funk.

The album, Radio Silence, has taken around 2.5 years to complete and release and as with many solo projects, there are a few guests to help the project along. The band assembled for Radio Silence includes, Dale (vocals, guitars, bass), Richard Barbieri (keyboards, synths), Josh Freese (drums), Keith Carlock (drums) and Gavin Harrison (drums). The three drummers are very experienced musicians, Josh with NIN, A Perfect Circle and Devo, Keith with Stings’ band, John Meyer and Steely Dan and Gavin with Porcupine Tree and King Crimson. The other guest, Richard on keyboards also plays with Porcupine Tree. 

There is a concept running through the album and it focuses on the downward spiral and final demise of a man due to the physiological and physical effects of a long-term, self-imposed isolation.

Radio Silence is a 6 track album with a playing time of around 44 minutes, with the longest track, “Seekers’ Prayer” running on for 9:35 minutes and track 2, “Metamorph” is the shortest with a track time of 5:06 minutes.

As I have often pointed out, the opening track to an album has a key role to play, in that it has to set the scene for the rest of the album. How does the opening track, “Stolen Wings” (9:18) fill that role? The start of this track has some very subtle atmospheric setting sounds which slowly evolve into an excellent guitar passage. The rest of the band fills in neatly behind this as the vocals put in an appearance. The music paints an amazing aural soundscape and there are hints of old and new influences. The older influence would seem to be Pink Floyd/Dave Gilmour and the newer influence, that of Porcupine Tree (Richard and Gavin possibly?). “Stolen Wings” is not much under 10 minutes in length, but seems over far too quickly and has certainly grabbed the listener’s full attention. The track exits in a similar fashion to the start with those atmospheric sounds.

“Metamorph” (5:06) has an excellent acoustic guitar into electric guitar start, with the vocals appearing early in the proceedings. The lyrics are very clear and interesting, but the overall highlight of this track is the sublime guitar breaks.

A sound of morse code signals introduces “Seekers’ Prayer” (9:35), and another section of soundscape painting with bits of garbled radio voices in the background. Around the 2 minute mark, we are treated to some excellent guitar (a la Dave Gilmour) over a building background. The vocals appear as we move past the 3 minute point and fit the scenario perfectly. There are a few sections which up the volume and the power of the voice to continue the storyline, but like a security blanket, that guitar sound returns reassuringly.

“The Last Orbit” (5:51) has a piano/synth introduction that heralds in the acoustic guitar, as yet again a small smile of satisfaction crosses the listeners’ face. The vocals are treated to have a distorted/echo tone to them before reverting to “normal.” “Dead Reckoning” (5:21) has a very percussive start with more of the acoustic/electric guitar phrases. Double tracking the voices make this track different to those that have gone before, but surprisingly, I found that this track seemed to miss out on the “grab factor.” I’m not sure exactly why, but I found this the weakest track on the album.

Final track, “Daylight (Silent Key)” (8:30) restores the album to its winning ways. Superb guitar, excellent vocals and a terrifically atmospheric sound makes the disappointment of the previous track fade quickly. After a long midsection with more stunning guitar, the sound drops away around 6:15 minutes, leading into one of those excellent atmospheric sections which evolves slowly into an orchestral soundscape to take the album to its conclusion.

Overall, Radio Silence, is a stunning debut album by Exovex which is certainly worth adding to your collection. Check it out, hand over the money and on subsequent, and frequent, listens, allow yourself to contemplate where Dale might go with album No. 2.

Thought I would throw in a little explanation of the band title just before I go. The guest musicians were allowed to “do what they thought would best serve the song” and Dale comments that this “unknown creative variable” made Radio Silencewhat it is. A quick delve into mathematics for a moment, to explain that a “known function” in math can be written as f(x) and pronounced f of x, but if it is x(x) or x of x (Exovex) then the outcome is unknown. Here endeth the math lesson.

4.5/5 Stars

Key Tracks: Stolen Wings, Metamorph, Daylight (Silent Key)

Tracks:
Stolen Wings
Metamorph
Seekers’ Prayer
The Last Orbit
Dead Reckoning
Daylight (Silent Key

Jim “The Ancient One” Lawson-Sr. Reviewer Prog Rock Music Talk

June 8, 2015

Review Provided By Prog Rock Music Talk

Prog Rock Stream: Exovex-Daylight (Radio Silence Part IV)

Exovex Releases Debut Album ‘Radio Silence’

Greenville, SC – The Prog Rock community is buzzing about the new release by progressive rock ensemble Exovex featuring members of Porcupine Tree, NIN, Devo, Sting & Steely Dan!  Radio Silence is the project’s debut album and features Josh Freese (NIN, A Perfect Circle, Devo) and Keith Carlock (Sting, John Meyer, Steely Dan) on drums. The album also showcases two members of Porcupine Tree, Gavin Harrison on drums and Richard Barbieri on keyboards and synthesizers. All songs on the album were written, performed and produced by songwriter and multi-instrumentalist Dale Simmons.

Prog Ensemble Exovex Releases Debut Album Radio Silence Featuring Members of Porcupine Tree, NIN, Devo, Sting & Steely Dan

Greenville, SC – The Prog community is buzzing with excitement about the new release by progressive rock ensemble Exovex featuring members of Porcupine Tree, NIN, Devo, Sting & Steely Dan!  Radio Silence is the project's debut album and features Josh Freese (NIN, A Perfect Circle, Devo) and Keith Carlock (Sting, John Meyer, Steely Dan) on drums. The album also showcases two members of Porcupine Tree, Gavin Harrison on drums and Richard Barbieri on keyboards and synthesizers. All songs on the album were written, performed and produced by songwriter and multi-instrumentalist Dale Simmons.

Two and half years in the making Radio Silence was completed in February of this year. The album's musical style reflects progressive rock icons of the past while staying firmly rooted in the modern art rock genre. There is a broad range of influences in the music, but echoes of Pink Floyd and David Gilmour can be heard in several of the album's tracks. The cover of the album features stunning works of art by Babak Tafreshi, an award winning photographer working with National Geographic, Sky&Telescope Magazine, and the European Southern Observatory.

Says Simmons about the concept behind the album, “The central theme of the album focuses on the downward spiral and ultimate demise of a man due to the psychological and physical effects of a long term, self-imposed isolation. The songs on the album are a sequence of events, which document his thought processes and eventual deterioration. They are snapshots in time that speak to personal circumstances that drive us to make life-changing decisions...both good and bad. The central figure in the story chooses a solitary life in a remote location only to find that he is unable to come back when he realizes his needs are still unfulfilled by his seclusion. Although the storyline of Radio Silence is set in the near future, it is roughly based on the life events of Sibond Alleman, a recluse, who lived in residence at Chateau d’Uriage in 14th century France. A great deal of the emotional content and lyrics for the album comes from my time spent as an expatriate in Europe and living in Chateau d’Uriage.”

In regards to the guest artists, Simmons explains, “In each case, I asked the guys to do whatever they thought would best serve the song, I gave them complete creative control over their contributions to the recording. These musicians are amazing artists, and I don't think they would have delivered the great performances that they did had I tried to control the process more. That unknown creative variable was critical for me because it made the effort a true collaboration. Chance, chaos and the unknown can produce beautiful results if you can just let it happen. That's more difficult than it sounds”.

Radio Silence has an approximate running time of 44 minutes and was mixed by multi-platinum award winning mixing engineer Steve Hardy. The album was mastered by Andy VanDette, at Engine Room Audio, in New York. Andy's mastering credits are too numerous to list here, but they include David Bowie, Deep Purple, Rush, Beastie Boys, Porcupine Tree (In Absentia and Deadwing) as well as Steven Wilson's first solo project Insurgentes.

About the Exovex sound, Simmons comments, “I have a broad range of influences with great appreciation for the work of artists like Steven Wilson, Peter Gabriel and David Gilmour. There are certainly degrees of influence by those artists in my music…some greater than others”. Simmons is particularly influenced by the progressive rock icon Pink Floyd and reverently reflects Gilmouresque melody and phrasing as a guitarist. As singer, songwriter, guitarist and front man for several bands since the early nineties, Simmons covered a wide spectrum of musical genres ranging from progressive art rock to jazz and funk.

The concept of an “unknown creative variable” led Simmons to conceive the name Exovex. A known function in mathematics can be written as f(x) (pronounced “F of X”). In the f(x) scenario, you know exactly what will happen to the resulting number because that function (f) is defined. On the other hand, if you have x(x) (pronounced “X of X” or “Exovex”) you are dealing with an unknown function (x) so you have no idea what the resulting output will be.

The Exovex debut album Radio Silence was released in March 2015 on iTunes and BitTorrent as a downloadable Bundle. A special limited CD edition is now available exclusively through www.exovex.com.

Buy the Limited Edition CD (begins shipping April 15th)
http://www.dalesimmons.com/store-2/?model_number=XOX0001

For more information:
www.dalesimmons.com
www.exovex.com (redirects to www.dalesimmons.com)

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Prog Ensemble Exovex Releases Debut Album Radio Silence Featuring Members of Porcupine Tree, NIN, Devo, Sting & Steely Dan

Greenville, SC – The Prog community is buzzing with excitement about the new release by progressive rock ensemble Exovex featuring members of Porcupine Tree, NIN, Devo, Sting & Steely Dan!  Radio Silence is the project's debut album and features Josh Freese (NIN, A Perfect Circle, Devo) and Keith Carlock (Sting, John Meyer, Steely Dan) on drums. The album also showcases two members of Porcupine Tree, Gavin Harrison on drums and Richard Barbieri on keyboards and synthesizers. All songs on the album were written, performed and produced by songwriter and multi-instrumentalist Dale Simmons.

Two and half years in the making Radio Silence was completed in February of this year. The album's musical style reflects progressive rock icons of the past while staying firmly rooted in the modern art rock genre. There is a broad range of influences in the music, but echoes of Pink Floyd and David Gilmour can be heard in several of the album's tracks. The cover of the album features stunning works of art by Babak Tafreshi, an award winning photographer working with National Geographic, Sky&Telescope Magazine, and the European Southern Observatory.

Says Simmons about the concept behind the album, “The central theme of the album focuses on the downward spiral and ultimate demise of a man due to the psychological and physical effects of a long term, self-imposed isolation. The songs on the album are a sequence of events, which document his thought processes and eventual deterioration. They are snapshots in time that speak to personal circumstances that drive us to make life-changing decisions...both good and bad. The central figure in the story chooses a solitary life in a remote location only to find that he is unable to come back when he realizes his needs are still unfulfilled by his seclusion. Although the storyline of Radio Silence is set in the near future, it is roughly based on the life events of Sibond Alleman, a recluse, who lived in residence at Chateau d’Uriage in 14th century France. A great deal of the emotional content and lyrics for the album comes from my time spent as an expatriate in Europe and living in Chateau d’Uriage.”

In regards to the guest artists, Simmons explains, “In each case, I asked the guys to do whatever they thought would best serve the song, I gave them complete creative control over their contributions to the recording. These musicians are amazing artists, and I don't think they would have delivered the great performances that they did had I tried to control the process more. That unknown creative variable was critical for me because it made the effort a true collaboration. Chance, chaos and the unknown can produce beautiful results if you can just let it happen. That's more difficult than it sounds”.

Radio Silence has an approximate running time of 44 minutes and was mixed by multi-platinum award winning mixing engineer Steve Hardy. The album was mastered by Andy VanDette, at Engine Room Audio, in New York. Andy's mastering credits are too numerous to list here, but they include David Bowie, Deep Purple, Rush, Beastie Boys, Porcupine Tree (In Absentia and Deadwing) as well as Steven Wilson's first solo project Insurgentes.

About the Exovex sound, Simmons comments, “I have a broad range of influences with great appreciation for the work of artists like Steven Wilson, Peter Gabriel and David Gilmour. There are certainly degrees of influence by those artists in my music…some greater than others”. Simmons is particularly influenced by the progressive rock icon Pink Floyd and reverently reflects Gilmouresque melody and phrasing as a guitarist. As singer, songwriter, guitarist and front man for several bands since the early nineties, Simmons covered a wide spectrum of musical genres ranging from progressive art rock to jazz and funk.

The concept of an “unknown creative variable” led Simmons to conceive the name Exovex. A known function in mathematics can be written as f(x) (pronounced “F of X”). In the f(x) scenario, you know exactly what will happen to the resulting number because that function (f) is defined. On the other hand, if you have x(x) (pronounced “X of X” or “Exovex”) you are dealing with an unknown function (x) so you have no idea what the resulting output will be.

The Exovex debut album Radio Silence was released in March 2015 on iTunes and BitTorrent as a downloadable Bundle. A special limited CD edition is now available exclusively through www.exovex.com.

Buy the Limited Edition CD (begins shipping April 15th)
http://www.dalesimmons.com/store-2/?model_number=XOX0001

For more information:
www.dalesimmons.com
www.exovex.com (redirects to www.dalesimmons.com)

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Rock Ensemble Exovex Featuring Members of King Crimson, Porcupine Tree, NIN and Devo To Release Debut CD Fall 2014

Greenville, South Carolina - Exovex, arguably one of the most talked about prog ensembles of 2014, prepares to release its debut album 'Radio Silence', featuring Gavin Harrison (Porcupine Tree, King Crimson) and Josh Freese (NIN, A Perfect Circle, Devo, The Vandals) on drums. The new project reflects progressive rock icons of the past while staying firmly rooted in the modern art rock genre. To date, two tracks have been released under the Exovex name: “Daylight” and “Seeker's Prayer”. The tracks are pre-released versions of songs that will appear on 'Radio Silence', which is set for an October 2014 release. Both tracks are available for free download on the band's website.

Exovex is the creation of South Carolina singer, songwriter and multi-instrumentalist Dale Simmons. Simmons explains, “The central theme of 'Radio Silence' addresses the psychological effects of long term, self-imposed isolation and detachment. It also speaks to personal circumstances that drive us to make life-changing decisions...both good and bad.”

About the Exovex sound, Simmons comments, “I have great appreciation for the work of artists like Steven Wilson, Peter Gabriel and David Gilmour. There are certainly degrees of influence by those artists in my music…some greater than others”. He is particularly influenced by the progressive rock icon Pink Floyd and reverently reflects Gilmouresque melody and phrasing as a guitarist.

As singer, songwriter, guitarist and front man for several bands since the early nineties, Simmons covered a wide spectrum of musical genres ranging from progressive art rock to jazz and funk. The most notable was the South Carolina-based band, Furious Styles. Several songs from their 1997 self-titled debut went into rotation on East Coast commercial radio stations. Polygram Records (now merged with Universal Music Group) took notice, and was working on a recording deal until creative differences caused the band’s demise in 1998.

In 1999 Simmons moved to Europe and would spend the next seven years, refining his songwriting and music production skills. He built a modest studio in his apartment at Chateau d’Uriage (a 13th century castle in the Rhône-Alpes region of France) and began experimenting with sound design. Although only one CD release ('No Real Direction') resulted from the expatriate effort, the experience would have a lasting impact on his songwriting and artistic vision. Simmons overdubbed all instruments for 'No Real Direction' with the exception of drums, enlisting Chilean drummer Cristian Perez (Patti Labelle) as percussionist. Simmons and Perez co-produced and mixed the project in Perez’s Strasbourg, France studio.

Repatriating to the United States in 2006, Simmons built a new studio and began working on a series of new compositions - some of which would eventually become 'Radio Silence'.

In 2011, he recruited world-class drummers Gavin Harrison and Josh Freese to play on his new solo recording project. “I asked Gavin and Josh to do whatever they thought would best serve the track, I gave them complete creative control over their contribution to the recording,” Simmons comments. “That unknown creative variable was critical for me because it made the effort a true collaboration. Chance, chaos and the unknown can produce beautiful results if you can just let it happen. That’s more difficult than it sounds”.

This concept of an “unknown creative variable” led Simmons to conceive the name Exovex. He explains, “The name of the project is a simple mathematical function, “x(x)” (pronounced “X of X” or “Exovex”). It's impossible to know the resulting outcome of the function because the function is undefined. It could be anything.”

The Exovex debut album 'Radio Silence' is scheduled for October 2014 release. A special limited CD edition (1000 signed copies) will be made available exclusively through the band's website.
Subscribe for Exovex email updates at www.exovex.com, and stay tuned for the debut album 'Radio Silence'.

Music Downloads:
www.exovex.com (redirects to www.dalesimmons.com)
www.dalesimmons.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Rock Ensemble Exovex Featuring Members of King Crimson, Porcupine Tree, NIN and Devo To Release Debut CD Fall 2014

Greenville, South Carolina - Exovex, arguably one of the most talked about prog ensembles of 2014, prepares to release its debut album 'Radio Silence', featuring Gavin Harrison (Porcupine Tree, King Crimson) and Josh Freese (NIN, A Perfect Circle, Devo, The Vandals) on drums. The new project reflects progressive rock icons of the past while staying firmly rooted in the modern art rock genre. To date, two tracks have been released under the Exovex name: “Daylight” and “Seeker's Prayer”. The tracks are pre-released versions of songs that will appear on 'Radio Silence', which is set for an October 2014 release. Both tracks are available for free download on the band's website.

Exovex is the creation of South Carolina singer, songwriter and multi-instrumentalist Dale Simmons. Simmons explains, “The central theme of 'Radio Silence' addresses the psychological effects of long term, self-imposed isolation and detachment. It also speaks to personal circumstances that drive us to make life-changing decisions...both good and bad.”

About the Exovex sound, Simmons comments, “I have great appreciation for the work of artists like Steven Wilson, Peter Gabriel and David Gilmour. There are certainly degrees of influence by those artists in my music…some greater than others”. He is particularly influenced by the progressive rock icon Pink Floyd and reverently reflects Gilmouresque melody and phrasing as a guitarist.

As singer, songwriter, guitarist and front man for several bands since the early nineties, Simmons covered a wide spectrum of musical genres ranging from progressive art rock to jazz and funk. The most notable was the South Carolina-based band, Furious Styles. Several songs from their 1997 self-titled debut went into rotation on East Coast commercial radio stations. Polygram Records (now merged with Universal Music Group) took notice, and was working on a recording deal until creative differences caused the band’s demise in 1998.

In 1999 Simmons moved to Europe and would spend the next seven years, refining his songwriting and music production skills. He built a modest studio in his apartment at Chateau d’Uriage (a 13th century castle in the Rhône-Alpes region of France) and began experimenting with sound design. Although only one CD release ('No Real Direction') resulted from the expatriate effort, the experience would have a lasting impact on his songwriting and artistic vision. Simmons overdubbed all instruments for 'No Real Direction' with the exception of drums, enlisting Chilean drummer Cristian Perez (Patti Labelle) as percussionist. Simmons and Perez co-produced and mixed the project in Perez’s Strasbourg, France studio.

Repatriating to the United States in 2006, Simmons built a new studio and began working on a series of new compositions - some of which would eventually become 'Radio Silence'.

In 2011, he recruited world-class drummers Gavin Harrison and Josh Freese to play on his new solo recording project. “I asked Gavin and Josh to do whatever they thought would best serve the track, I gave them complete creative control over their contribution to the recording,” Simmons comments. “That unknown creative variable was critical for me because it made the effort a true collaboration. Chance, chaos and the unknown can produce beautiful results if you can just let it happen. That’s more difficult than it sounds”.

This concept of an “unknown creative variable” led Simmons to conceive the name Exovex. He explains, “The name of the project is a simple mathematical function, “x(x)” (pronounced “X of X” or “Exovex”). It's impossible to know the resulting outcome of the function because the function is undefined. It could be anything.”

The Exovex debut album 'Radio Silence' is scheduled for October 2014 release. A special limited CD edition (1000 signed copies) will be made available exclusively through the band's website.
Subscribe for Exovex email updates at www.exovex.com, and stay tuned for the debut album 'Radio Silence'.

Music Downloads:
www.exovex.com (redirects to www.dalesimmons.com)
www.dalesimmons.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com