Showing posts with label Electronic. Show all posts
Showing posts with label Electronic. Show all posts

8/24/2023

Electric Forgiveness, A Lysergic Mood Journey of Epic Proportions, To Release Debut Album “Original Score” Featuring Contributions by Rabbit (The Who), Steve Kilbey (The Church) and Doug MacMillan (The Connells)

An auditory movie that cleanses the third eye while blinding the other two!

A Lysergic Mood Journey of Epic Proportions

“Original Score” is a 43-minute piece of music consisting of 11 uninterrupted tracks. The intent is for it to be listened to all at once, in the dark, accompanied by someone you trust, and a Lava Lamp.

“Electric Forgiveness was initially a side project that I developed with John Bundrick,” said Third of Never founder Jon Dawson. “We (Third of Never) were recording at the House of Vibes in New Jersey at the same time as The Smithereens. At one point we couldn't book sessions due to their mixing deadline, so I put the guitar down and dove into the world of electronica.”

The new Electric Forgiveness album “Original Score” was also conceived during a break in Third of Never's recording schedule.

“I obtained a Korg Kasoscillator synthesizer and did not come up for air for days,” Dawson said. “Within a week I had the basis for another Electric Forgiveness record. This led to quite a bit of cross-pollination between the Third of Never and Electric Forgiveness projects.”

While dabs of electronica floated into the Third of Never album (slated for an April 2024 release), Electric Forgiveness inhaled some guitar and vocal tracks from the Third of Never camp.

“We’re lucky to have Doug MacMillan of The Connells as our vocalist in Third of Never,” Dawson said. “We sampled his voice along with a Steve Kilbey cameo and bits of my guitar for the Electric Forgiveness record. You’d think it would be terrifying trying to juggle two albums at once, but they actually informed each other rather nicely.”

“Steve Potak (The Connells) did 90% of the keyboards on this album in one take,” Dawson said. “What makes this even more remarkable is that he didn’t really hear any of the tracks until he sat down to record his parts.”

Vocalist/multi-instrumentalist Sara Bell was enlisted for Electric Forgiveness after participating in a Third of Never session.

“Her voice is as pure as you’ll ever hear, so I asked her to come in and improvise over sections of the Electric Forgiveness music,” Dawson said. “Her performance elevated everything. There's a beautiful eeriness in her voice that pulls the listener in instantly.”

Kurt Reil of the Grip Weeds contributed drums to the album.

“This is the most amazing recording of Kurt’s drumming I’ve ever heard,” Dawson said. “He usually has to be concerned with ‘playing for the song’ and finding the proper spots to explode, but with this music, there aren’t any songs in the traditional sense, so he’s allowed to just blow for 40 minutes, and his performance is staggering.”

Bassist Michael Kelly (Femmes of Rock, Grip Weeds, Gene Simmons) came to mind after Dawson remembered a conversation they’d had about music over a decade earlier.

“The Grip Weeds and Third of Never played at a music festival in Philadelphia around a decade ago,” Dawson said. “Michael and his wife had a cookout for both bands afterward. While we were there I played Michael bits of the first Electric Forgiveness album. One piece reminded him of Tomita - which he was a fan of, so when it came time to find a bassist for this new project he seemed like a natural fit. He did a great job adding melody to this sprawling ball of sound.”

The album will be released on October 15, 2023 by Broken Sound Tapes in conjunction with 343 Records and Jam Recordings. The initial formats will be CD, cassette and digital.

Electric Forgiveness: Jon Dawson, John Bundrick, Sara Bell, Michael Kelly, Steve Potak, Kurt Reil

Guests: Doug MacMillan and Steve Kilbey

Track List:
1. Two-Week Notice (Bundrick, Dawson, Potak, Kelly)
2. Initials In The Wood (Bell, Dawson, Kelly)
3. Rose Is On The Air (Bell, Dawson)
4. Frank and Paul Meet Rod (Dawson, Potak, Kelly)
5. Expired Dreams (Dawson, Kelly, Bell, Potak)
6. Meaning To Send (Dawson, Potak, Bell, Kelly)
7. Bucklesberry Nocturne (Dawson, Bell, Kelly, Potak)
8. Prozac's Theory of Attraction (Dawson, Potak, Bell)
9. A Name Without Pier (Dawson, Bell, Potak)
10. Dude, Rose Isn't Here (Kelly, Bell, Potak, Dawson)
11. What Kind of Battery Was He Wearing? (Bell, Dawson, Kelly)

All tracks arranged by Electric Forgiveness:

Produced by Jon Dawson, Benjy Johnson, and Tim Harper

Recording Studios: Little Vegas (La Grange), Earthtones (Greensboro), House of Vibes (Highland Park), Starpoint (Carrboro), Mrs. Kelly's Son Studios (Philadelphia), Rabbit Studios (Somerset)

Doug MacMillan: vocal samples from “Rolling Down A Hill,” “We Grabbed The Ground” and “Wild Piece” by Third of Never

Steve Kilbey: vocal sample from “Rolling Down A Hill” by Third of Never.

To purchase: BrokenSoundTapes.Bandcamp.com

For more information:
www.ElectricForgiveness.com
www.facebook.com/electricforgiveness
www.instagram.com/thirdofnever

For review copies contact: jon@thirdofnever.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

6/14/2023

Rock Group “Midnight Daydream” Release Tribute To Late Guitarist Bruce Cameron

The writer, producer, engineer and main performer on the album is Riley Cameron, the son of the late guitarist Bruce Cameron, who tragically passed away in 1999 shortly after releasing his debut LP titled “Midnight Daydream”. An album that featured a plethora of rock legends. Inspired by his father’s work, the only viable option was to carry the musical legacy that his father left behind.

The self-titled album features a blend of hard rock, electronic, hip-hop and various other musical styles that create a modern sound that captures a spectrum of influences.

Says Riley, “Midnight Daydream - Fusing multiple genres, bringing awareness to mental health while maintaining a consistent sound”

The “Midnight Daydream” LP is set to release on July 5th, 2023 and will be available on all mainstream platforms, including Itunes, Spotify and Youtube. Physical Copies and merchandise will also be available through their merchandise store via BandCamp.

To purchase:
AMAZON: https://music.amazon.com/artists/B086WL967P/midnight-daydream
APPLE MUSIC: https://music.apple.com/cd/artist/midnight-daydream/1507519492
PHYSICAL COPIES:
https://midnightdaydream.company.site/
https://midnightdaydreamus.bandcamp.com/

For more information:
Midnight Daydream BandCamp : midnightdaydreamus.bandcamp.com
Midnight Daydream Youtube : https://www.youtube.com/channel/UCr-GPnIG_beRdyIGPl9Byrw
Midnight Daydream Facebook Page : https://www.facebook.com/MidnightDaydreamOfficial

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

5/22/2023

Automatic Man Legend Todd Cochran Releases “From The Vault: Notes For The Future”

A Narrative Exploration and Foray Into Cochran’s Jazz, Classical, and Electronic Music Palettes Available June 23 via Blue Buddha Productions

Notes for the future are the “imagined sometime in the past” tropes of a storyteller. Freed from every day “isms” of convention and released from the symbolic containment of the vault, the music is an allegorical exploration in futurism. The stream running throughout the musical narrative is a speculative commentary about our human search for meaning, and we’re reminded that as a version of our ancestors’ vision, this quest never ends.

“From The Vault” is structured around a sequence of recurring themes and develops as an unfolding tour of references, hints, and clues. Moving from one perspective to another, we connect with how our planet is perpetually in a state of seeking solutions. Within the soundscape, without words, an underlying language is speaking. Nature evolves for the sum of us, not the few. We are in a continual state of becoming. We are connected. Love is passed along, as is happiness. Nevertheless, expressly for the listener, an implied sense of reasoning encourages us to feel free and let go of all things familiar. And then, “over there” in the distance, we get a passing glimpse of the sacred structure.

Todd Cochran is an American pianist, composer, keyboardist, electronic musician, and conceptual artist. Early in his career he was also professionally known as Bayeté. Cochran started his career as a teenager with saxophonist John Handy. Two years later he joined vibraphonist Bobby Hutcherson’s Quartet, and made his jazz recording debut composing and performing on a benchmark album for Hutcherson, “Head On” (Blue Note Records). Cochran’s first solo project “Worlds Around the Sun” became a #1 jazz album. From the mid-1970s forward Todd has experimented with and incorporated synthesizers, electronic and mixed-media concepts in his creative projects while collaborating with a wide range of artists in the genres of jazz, art rock, pop, R&B, and twenty-first-century classical.

Todd released two albums on Prestige Records in 1972 and 1973. He was keyboardist, principal composer and lead singer of Automatic Man from 1976–1978 which also featured drummer Michael Shrieve and guitarist Pat Thrall. He was also a member of Fuse One, a coalition of jazz musicians who released two albums on CTI Records in 1980 and 1981. The shortlist of his collaborations include Peter Gabriel, Joan Armatrading, Maya Angelou and Stewart Copeland.

Track list:

1. PAINTED BY THE SUN
Mountain peaks, sea cliffs, oceans, opaque forests, desert savannas – and human faces colorized by the paintbrush of nature. The entirety of our planet is inhabited by intuitive human beings – all sun worshippers – collectively marking time in communal practices of decoding the mysteries of our existence.

2. IN YOU I SEE ENDLESS MEMORIES
An imagined conversation between the sky and the wind.

3. ISMS PRISMS
Not one thing, but all things… spontaneous change shuttles us through the cycles of life.

4. TRANSPARENCIES
Being transparent is naturally imperfect and intensely human.

5. WE MAKE TWO, TWO MAKE WE
Music is a language of interacting tones and colors through which one is able to experience the other; the abstract and the personal. The notion of two streams of thought merging into a unified idea makes for a wellspring of originality. At once distinctly different, yet in combination, resonating wildly.

6. EYE DREAMING
“Within you, my love, I see endless mystery.”

7. MOON GLOW
This duet of a middle-sized plucked string instrument and Balinese gong expresses energies I’ve experienced in Indonesia, where the nighttime sky sometimes seems so vast there appears to be an aura around the moon.

8. HYMN FOR THE HIDDEN PEOPLE
This is a tonal essay – an homage to the poor, the rebuked, scorned, unseen, and unheard. The music challenges our lack of compassion and moves us to feel the many who toil and struggle in silence, yet stay in the light, with hope and determination.

9. THE SPINNING CIRCLE
There are no simple explanations or a single equation that defines a circle. A circle has no beginning or end, there’s no start, finishing point, or conclusion. Only infinite revolutions rhythmically intertwined.

10. INSEPARABLE
Balance in our lives and the spaces we occupy is a dance of opposites. “Om” and “Amen” are the same thing.

Blue Buddha Productions | Release Date: June 23, 2023

To pre-order: Bandcamp: https://bluebuddha.bandcamp.com/

For more information on Todd Cochran, please visit:
toddcochran.com | Instagram

For more information on Blue Buddha Productions, please email: bluebuddhaproductions@gmail.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

4/04/2023

Experimental Electronic Music Artist Billy Yfantis Releases The Otherworldly Music Album “Birds in Space” Featuring Real Bird Sounds!

An album consisting of 27 Experimental compositions inspired by Astronomy and artists like Tangerine Dream, Vangelis, and Cluster.

Athens, Greece – Experimental musician and author Billy Yfantis releases his new digital album “Birds in Space.” The album consists of 27 experimental tracks that explore space from a musical and conceptual perspective. The concept refers to a flock of birds that travel in space among various space objects (clusters and galaxies). The album's song titles refer to real space objects that exist in the science of astronomy. Trivia: The “Birds in Space” track is a 30 minute psychedelic composition that includes real bird sounds, recorded somewhere in Athens, Greece!

Billy Yfantis commented on the release: “In a world full of music stars, if you really want to find the next real star, then just switch off the TV, pick up the telescope, and look up to the sky, where the real space objects exist and surround our planet. Astronomy and music, according to Plato, are “twinned” disciplines of sensuous perception: astronomy is for the eyes, and music is for the ears. The goal of this album is to feed your eyes and ears with sensuous food for thought.”

Billy is currently working on his next album, with a scheduled release in late 2023. Stay tuned for more information!

Track List:
1. Aerial View of the Messier 78
2. Floating in Abell 3389
3. The Airborne Objects of the Spindle Galaxy
4. Riding the Pleiades
5. On the Wings of the Theta Car Cluster
6. Flying Above the Omicron Velorum Cluster
7. Departure from the Sculptor Galaxy
8. Arrival at the Blinking Planetary
9. Trip to the Hyades
10. Transportation to the Hercules Globular Cluster
11. Journey Through the Kappa Crucis Cluster
12. Jumping from the Starfish Galaxy
13. Voyage to the Caldwell 66
14. The Virgo a Take-Off
15. From Earth to the S Normae Cluster
16. Inside the Southern Pinwheel Galaxy
17. Through the Caroline's Cluster
18. Approaching the Wild Duck Cluster
19. Above the Caldwell 35
20. Waving Goodbye to the Butterfly Cluster
21. The Messier 5 Express
22. Close to the Centaurus A
23. Looking at the Tau Canis Majoris Cluster
24. Touching the Bear's Paw Galaxy
25. Ahead of the Supernova Factory
26. Leaving Behind the Antennae Galaxies
27. Birds in Space

Listen to the new album here:
Napster: https://us.napster.com/artist/billy-yfantis/album/birds-in-space
Spotify: https://open.spotify.com/album/1PcpdA1UusR8CkMh3RtEgU?si=kDB-JzMlT2q03Xv9RDbsQg
YouTube Music: https://music.youtube.com/playlist?list=OLAK5uy_mvEgZu8jdVUkVaAMbDCKB-jeHu6fp9Z2U
Apple Music: https://music.apple.com/us/album/birds-in-space/1674978449
Bandcamp: https://billyyfantis.bandcamp.com/album/birds-in-space (Includes 3 bonus tracks!)

About Billy Yfantis
Vasileios (Billy) Yfantis holds 2 Master Degrees in Information Technology and is a Ph.D. candidate in the University of West Attica by conducting research on e-government. Billy has been working on music since the late 1990s by experimenting with tape mixing and sound design. Billy is playing digital keyboards, but prefers to express his artistic dream through the electronic sounds that come from unusual machines. He has experimented with the recording of vacuum cleaners, electric blenders and other strange sounds that have resulted in musical releases. Moreover, Billy has authored books on music, business and science while from times to times he speaks about the electronic governance at scientific conferences all over Europe.

Famous Quotes (What Others Have Said)

Krautrock legend Harald Grosskopf (Ash Ra Tempel, Klaus Schulze, Cosmic Jokers): “I always like electronic music made by younger musicians who consequently follow their personal instinct, rather than trying to copy what’s already been made in the past, in the spirit of: Whenever you meet Buddha kill him. Keep on tracking Billy!”

Tom McLoughlin (Director of the movie “Friday the 13th Part VI: Jason Lives”): “I really dug his music!! VERY cool stuff!!”

Phil Lanzon (Uriah Heep): “I like the track ‘Waiting for the battle.’ Great riff. I can see this as soundtracks to Psycho – punk movies and the like.”

Bobby Borg, (Music Business Author, Consultant, Professor): “This is fkn bad ass music that everyone needs to hear… imagine the coolest meditation music out there and the coolest sci-fi movie soundtrack rolled into one! Stream it and trip out today.”

Steve Whitfield (Producer and engineer of The Cure, The Mission UK): “This music is crying out to be used in films but at the same time it’s great to just sit back, listen and immerse yourself in them without any moving images and let your imagination run wild!”

Snowy Shaw (ex-King Diamond, Therion, Mercyful Fate): “I didn’t know what to expect when I had this album sent to me by the composer Billy Yfantis. To be perfectly honest, 9 times out of 10 when people send me their new album it makes me feel a bit uneasy and awkward. Firstly because I don’t listen an awful lot to contemporary music and secondly, even less to other metal & hard rock artists due to lack of interest and I don’t wanna hurt their feelings. I don’t mean that in any rude, disrespectful or arrogant way, but I’m into creating my own music, not so much into consuming music of my peers. However, this was something entirely different. I’m not even sure it’s considered music, but it’s the kind of atmospheric and meditative type of sounds that I’ve been listening a helluva lot over the past few years to try to relax and cope with my stressful, turbulent life, constantly on the verge of being burnt out. That being said, I liked it and it made me calm, mindful and sleepy. Presumably the worst kind of reaction my metalhead peers would wanna hear about their new album but in this case it’s probably the best sort of compliment one could get.”

Find other music by Billy Yfantis here: https://billyyfantis.bandcamp.com
Find Books by Billy Yfantis here: https://www.amazon.com/Vasileios-Yfantis/e/B00JNNL306

Contact details:
E-mail:  Byfantis@yahoo.com
Facebook: https://www.facebook.com/billy.yfantis
Twitter: https://twitter.com/billyyfantis
Instagram: https://www.instagram.com/billyyfantis

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

3/27/2023

Rock Group “Midnight Daydream” Feat. Son Of Late Guitarist Bruce Cameron To Release Self-Titled Debut Album

The writer, producer, engineer and main performer on the album is Riley Cameron, the son of the late guitarist Bruce Cameron, who tragically passed away in 1999 shortly after releasing his debut LP titled “Midnight Daydream”. An album that featured a plethora of rock legends. Inspired by his father’s work, the only viable option was to carry the musical legacy that his father left behind.

The self-titled album features a blend of hard rock, electronic, hip-hop and various other musical styles that create a modern sound that captures a spectrum of influences.

The “Midnight Daydream” LP is set to release on July 5th, 2023 and will be available on all mainstream platforms, including Itunes, Spotify and Youtube. Physical Copies and merchandise will also be available through their merchandise store via BandCamp.

For more information:
Midnight Daydream BandCamp : midnightdaydreamus.bandcamp.com
Midnight Daydream Youtube : https://www.youtube.com/channel/UCr-GPnIG_beRdyIGPl9Byrw
Midnight Daydream Facebook Page : https://www.facebook.com/MidnightDaydreamOfficial

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

10/31/2022

VANDERWOLF Continues Genre-Bending Journey With Electro-Infused Single “3/5ths in the Fire”

NEW SINGLE and VIDEO (directed by Alden Volney) RELEASED NOVEMBER 7, 2022 VIA PROPER.

As a follow-up to the widely-lauded LP, “12 Little Killers,” New York musician Max Vanderwolf will release the retro-futuristic single, “3/5ths in the Fire” 2022 via Proper. The song, which was recorded in Camberwell, London with producer Chris Wyles at the helm, has its origins in the raging rock excesses of Vanderwolf’s previous London band, Last Man Standing.

“This song was a staple in our set and was frequently played at festivals like Glastonbury, Lovebox and Bestival as well as clubs like 93 Feet East and Barfly. We recorded it much like we’d performed it but eventually I came around to the idea that I wanted to strip it down to its skeletal essence and re-dress it as something sonically anachronistic. Luckily, Chris immediately understood what I was going for…we listened to Vangelis’ ‘Bladerunner’ and Squarepusher’s ‘Hello Everything’ amongst other space-age references. We essentially reinvented the song.”

Listen to the single here: https://35sitfsingle.lnk.to/shseQJ

The only things remaining on this released version of the song is Vanderwolf call & response vocals which are split between a distressed sound and a vocoded voice.

Wyles explains, “All drums were replaced with samples and programmed - main beats held back until the 2nd verse with a view to making the 7/8 and 4/4 transitions as smooth as possible. So, the quarter-note accents on the hi-hat for instance are always shifting from on to offbeat. Bass was replaced with a combination of Moog and Oberheim. There were multiple patches dependent on the parts and sections and in places were reinforced with synth.”

Wyles programmed the chords and then arpeggio’d them with 2 different arpeggios using a synth combination but mostly an Oberheim SEM synth which brought up interesting things especially in the 7/8 sections. Synth pads were filtered to add movement and momentum.

“It was written in both 7/8 and 4/4 and the end section combines both,” adds Vanderwolf. “The whole thing was designed to ‘float’ along and despite the complexity.”

The lyrics by Vanderwolf point toward the degradation of human experience in which consensual reality becomes increasingly out of reach and thus one’s relationship to oneself in turn, also, disintegrates. “I must’ve written these words in 2016 before our current epoch of internet conspiracies, false narrative and the plague of technology that silos us became so prevalent. It was this kind of alienation I sought to capture in the song.”

As well as being a musician with a long and storied history - most notably as vocalist of the aforementioned cultish band, Last Man Standing, whose 2007 debut album “False Starts & Broken Promises” received plaudits from Mojo and Uncut among others - Max Vanderwolf has a hugely successful career as a music programmer and concert producer, working for some of the worlds’ most celebrated clubs and concert venues. These include New York’s legendary Knitting Factory and London’s internationally renowned Royal Festival Hall, where for 9 years he produced the Meltdown Festival working closely with David Bowie, Patti Smith, Jarvis Cocker, Massive Attack and Ornette Coleman.

In May 2022 Vanderwolf released the single, “When the Fire Grows Cold” which featured the legendary vocalist, Robert Wyatt. The sprawling psychedelic B-side, “Extinction” featured a “glissando” guitar solo from Daevid Allen.

In July 2022 Vanderwolf released the LP, “12 Little Killers” of which Mojo Magazine wrote, “There is a sophisticated musicality at play” and Rolling Stone France wrote, “The musician has concocted a rock record classic in form and devilishly accomplished in content.”

Vanderwolf will release his first album of songs recorded entirely in Los Angeles in March 2023.

Stream at https://on.soundcloud.com/4FpwTJSF989Hosw87 or contact: chris@swellpublicity.com for an audio download

Watch video directed by Alden Volney: https://youtu.be/cqerjKoo1NI

UK PRESS: chris@swellpublicity.com  simonblackmore@blackartspr.com

EUROPEAN PRESS: camille@la-mission.com

NORTH AMERICAN PRESS: glassonyonpr@gmail.com

5/02/2022

Tangerine Dream’s “La Divina Commedia” (AKA The Dante Trilogy) Deluxe 6 Disc Hardback Book On May 27, 2022 on Kscope

Tangerine Dream has been a fundamental influence on electronic music since Edgar Froese founded the band in West Berlin in 1967. Providing the groundwork for multiple electronic music genres including ambient and electronica, inspiring musicians and other art forms, with seven Grammy nominations to their credit. In recent years their music has featured in the popular TV shows such as “Stranger Things” and video games including “Grand Theft Auto V.”

Edgar Froese was an artist with a truly clear vision. His life and work were characterized by holding on to the belief in the evolution of music as an art form. That became a predominantly principle within Tangerine Dream: the group he founded in 1967, following his encounter with painter and sculptor Salvador Dali.

Tangerine Dream went fully independent in 1996, launching their own TDI label and company and at the start of the new millennium, Froese met painter and artist Bianca Froese-Acquaye which subsequently led to the first part of “The Dante Trilogy,” “Inferno,” being recorded. This followed with seven live performances, partly with an orchestra, across Europe.

“La Divina Commedia” aka “The Dante Trilogy” was to be Tangerine Dream’s most ambitious and elaborate project to date, Edgar Froese's life work.

Now, the entire trilogy (“Inferno,” “Purgatorio,” “Paradiso”) is presented in a deluxe 60-page hardback book set via Kscope. All albums have been remastered by close collaborator Harald Pairits with the 2002 live concert DVD filmed at Castle Nideggen, Cologne featured as a bonus disc. The hardback book features extensive liner notes by noted author Wouter Bessels, an essay by Edgar’s close collaborator and wife Bianca Froese-Acquaye and previously unseen photographs from Edgar’s private archive.

Pre-orders available now: https://TangerineDreamKscope.lnk.to/LDC

WATCH THE TRAILER FOR “LA DIVINA COMMEDIA” HERE (https://youtu.be/S5p4aZzqT8g)

DISC 1 - INFERNO
1. Before The Closing Of The Day [04:51]
2. The Spirit Of Virgil [02:39]
3. Minotaurae Hunt At Dawn [03:24]
4. Those Ones Broke The First Word [03:38]
5. Dante In Despair [03:25]
6. Io Non Mori [05:49]
7. Vidi Tre Facce [04:41]
8. At The Deepest Point In Space [02:38]
9. L`omperador Del Doloroso Regno [04:45]
10. Voices In A Starless Night [04:14]
11. Fear And Longing [03:06]
12. Fallen For Death [04:39]
13. Where All Light Went Silent [03:39]
14. Charon, Il Barchere [03:59]
15. La Grey De Los Almas Perdidas [07:28]
16. Justice Of The Karma Law [03:02]
17. As The Sun Moves Towards Heaven [07:57]
18. Beatrice, L`ame Infinie [05:11]

DISC 2 - PURGETORIO
1. Above The Great Dry Land [06:19]
2. Chasing The Bad Seed [08:48]
3. Slave To The Gods [06:31]
4. Hope And Glory [06:44]
5. Sun Son`s Seal (Part One) [08:21]
6. Beyond All Suns [06:34]
7. Sisiphus [04:37]
8. All The Steps To Heaven [13:12]
9. Mountain Of Destiny [10:52]

DISC 3 - PURGETORIO
1. The Glowing Zodiac Wheel [06:09]
2. Modern Cave Men [05:02]
3. Death Of Medusa [07:23]
4. Blinded By The World`s Desire [06:22]
5. Sun Son`s Seal (Part Two) [08:27]
6. Soulgate [07:59]
7. Till The End Of Silence [05:17]
8. Prison And Paradise [05:39]
9. Spirit Spiral [07:34]

DISC 4 - PARADISO
1. La Grande Spirale [10:09]
2. Beyond Sodom And Gomorrah [10:14]
3. La Ley De La Montana [07:38]
4. A Cielo Della Luna [12:50]
5. Mercury Sphere [06:15]
6. L`Era Della Venere [11:51]
7. Invisible Sun [09:26]

DISC 5 - PARADISO
1. Jupiter Lightning [08:13]
2. La Forza Del Saturno [18:18]
3. Star In Distance Glow [07:43]
4. No More Birth, No More Death [08:37]
5. Transformazione [10:46]
6. Truth Beyond Thoughts [06:08]
7. L`ultima Tromba d`Oro [08:20]
8. Leaving [07:02]

DISC 6 - DVD
1. Before The Closing Of The Day [04:34]
2. The Spirit Of Virgil [02:38]
3. Minotaurae Hunt At Dawn [03:23]
4. Those Once Broke The First Word [03:36]
5. Dante In Despair [03:28]
6. lo Non Mori [05:49]
7. Vidi Tre Facce [04:42]
8. At The Deepest Point In Space [02:37]
9. L`Omperador Del Doloroso Regno [04:47]
10. Voices In A Starless Night [04:12]
11. Fear And Longing [03:09]
12. Fallen For Death [04:38]
13. Where All The Light Went Silent [03:39]
14. Charon, Il Barchere [04:01]
15. La Grey De Los Almas Perdidas [07:29]
16. Justice Of The Karma Law [03:02]
17. As The Sun Moves Towards Heaven [07:58]
18. Beatrice, L`Ame Infinie [04:40]
19. Rehearsal [09:09]
20. Dressing Room [03:32]
21. Waldtanz [03:39]
22. Interviews [17:51]

The band’s current line up (Thorsten Quaeschning, Hoshiko Yamane and Paul Frick) have released their new studio album “Raum,” which sees the band develop the concept of its precursor EP (“Probe 6—8”) further. Composed and produced with full access to Edgar Froese’s Cubase arrangements (and Otari Tape Archive with recordings from 1977-2013), to deliver late-night real time compositions combined with classic studio productions, sequencer driven haunting soundscapes alternate with anthemic warm synthesizers.

Follow Tangerine Dream:
https://www.facebook.com/TANGERINEDREAM.OFFICIAL/
https://www.instagram.com/TangerineDreamQ/
https://www.youtube.com/c/TangerineDreamMusic
https://twitter.com/qtangerinedream
https://www.tangerinedreammusic.com/
https://linktr.ee/TangerineDream

For more hi-res images please see: https://kscopemusic.com/media/tangerinedream/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

5/03/2021

Robert Fripp and Electronic Duo The Grid (Dave Ball of Soft Cell & Richard Norris) Release New Album “Leviathan” June 25, 2021

• New collaborative album from electronic duo The Grid (aka Richard Norris & Dave Ball of Soft Cell) and Robert Fripp
• Combining Fripp Soundscapes with synth, drums, programming and effects by The Grid
• Available on Double disc CD/DVD-a, 2LP 200 gram super-heavyweight vinyl and Digital album

Robert (Fripp) turned up with a truck load of amps and effects, two great big stacks including delay units with a 76 second delay and played and played and played.”

Though not intended as such, in some respects Leviathan and its creators represent between them one version of the history of British electronic music. In 1973, the curiosity of a significant chunk of the King Crimson and Roxy Music fan bases, along with an attractive price, propelled Fripp & Eno’s “No Pussyfooting” into many thousands of homes where no such recording had previously registered a single sleeve, much less a gatefold. By the early 80s Dave Ball & Marc Almond’s Soft Cell were at the forefront of a wave of synth based bands who dominated the singles and albums charts. In the 1990s, The Grid – Dave Ball (again) & Richard Norris formed a key act in what was sometimes referred to as Electronica, sometimes herded under the (almost meaningless) “Dance music” category, occasionally (equally inaccurately/narrowly) described as “ambient” music, the struggles of music industry name-taggers never quite catching either the breadth of the music involved, nor recognizing – until much later – the scope of its influence.

The Grid’s success - a number of hit singles and albums, including the million selling “Swamp Thing”, world tours, remixes for Eno, Pet Shop Boys, Yello, Sylvian/Fripp – could find a ready audience among those for whom, by now, electronic music was part of the everyday musical fabric and commonality of experience, even as it continued to evolve and develop as a form in itself.

The Grid were managed at the time (1992) by David Enthoven who had also managed King Crimson and Roxy Music from inception for many years and by now with a Sylvian/Fripp remix among their producing credits, it is no surprise that the duo and Fripp were keen to see if mutual recordings would produce interesting results – hence the arrival of the equipment described by Richard Norris above at Eastcote Studios in West London.

As Norris further notes: “Robert’s craft and musicianship was slightly daunting to us at first, being from a more DIY, post punk electronic background, but we soon worked out a language to communicate in. ‘Make it sound like a thunderstorm…’, ‘I’m going to make a sound like a bomb’, that kind of thing. After every track, Robert would say ‘Have you got any more?’ and seemed to be greatly enjoying himself. He was a very generous guest”.

The resulting Fripp recordings provided material for much of The Grid’s second album “456” and their Top 20 follow-up album “Evolver”.  

But there was more, much more….

A few years ago, The Grid rediscovered tapes from these sessions, including unreleased tracks they’d worked up but never completed or mixed. A set of long solo drone pieces from Fripp was discovered along with a lost track that was then remixed to become “A Cabala Sky” by The Grid / Fripp and released as part of Bill Brewster’s acclaimed “Late Night Tales” compilation series in 2014.

Further Fripp Soundscapes from the same period were added to the mix by DGM’s David Singleton, which inspired The Grid to add new synths, drums, programming and effects to create the album “Leviathan” a 2LP and CD/DVD-a set.

Inspired by the mythical whale ‘Leviathan’, the biggest prehistoric whale that ever lived, Norris adds “I like Philip Hoare’s book ‘Leviathan’, which is about his obsession with whales and whale watching and the awe of coming into contact with such massive creatures. They are quite mysterious. Their brains are enormous, and we don’t quite know what all the brain power is doing… A bit like Robert, really”.

Having completed the album’s stereo mixes, DGM suggested the music as ideal for a full 5.1 surround mix by The Vicar. Electronic music lends itself very well to Surround Sound mixing as the listener has no fixed notion as to where any sound should emerge from. This mix features on the CD/DVD-a edition (alongside the stereo mix) and while Surround Sound is sometimes regarded as “niche” in terms of audience, the same would have been said about any form of electronic music when Fripp turned up, guitar in hand, at Eno’s place in 1972.

But then inquisitive musicians, even (perhaps especially) when they approach music from very different perspectives, often arrive at places that are as intriguing to an audience as they were to the participants.

Leviathan” Tracklist:

1. Empire
2. Milkwood
3. Pulse Detected
4. Loom
5. Leviathan
6. After The Rain
7. Fire Tower
8. Zhora
9. Sympatico

The Grid / Fripp “Leviathan” Released 25th June 2021 and Distributed by AMPED Distribution

To pre-order: https://shop.schizoidshop.com/cd---the-gridfripp---leviathan-p1882.aspx

For more information: www.dgmlive.com

The Grid Management - Chris Smith @ Renegade Music chris@renegademusic.co.uk

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Robert Fripp and Electronic Duo The Grid (Dave Ball of Soft Cell & Richard Norris) Release New Album “Leviathan” June 25, 2021

• New collaborative album from electronic duo The Grid (aka Richard Norris & Dave Ball of Soft Cell) and Robert Fripp
• Combining Fripp Soundscapes with synth, drums, programming and effects by The Grid
• Available on Double disc CD/DVD-a, 2LP 200 gram super-heavyweight vinyl and Digital album

Robert (Fripp) turned up with a truck load of amps and effects, two great big stacks including delay units with a 76 second delay and played and played and played.”

Though not intended as such, in some respects Leviathan and its creators represent between them one version of the history of British electronic music. In 1973, the curiosity of a significant chunk of the King Crimson and Roxy Music fan bases, along with an attractive price, propelled Fripp & Eno’s “No Pussyfooting” into many thousands of homes where no such recording had previously registered a single sleeve, much less a gatefold. By the early 80s Dave Ball & Marc Almond’s Soft Cell were at the forefront of a wave of synth based bands who dominated the singles and albums charts. In the 1990s, The Grid – Dave Ball (again) & Richard Norris formed a key act in what was sometimes referred to as Electronica, sometimes herded under the (almost meaningless) “Dance music” category, occasionally (equally inaccurately/narrowly) described as “ambient” music, the struggles of music industry name-taggers never quite catching either the breadth of the music involved, nor recognizing – until much later – the scope of its influence.

The Grid’s success - a number of hit singles and albums, including the million selling “Swamp Thing”, world tours, remixes for Eno, Pet Shop Boys, Yello, Sylvian/Fripp – could find a ready audience among those for whom, by now, electronic music was part of the everyday musical fabric and commonality of experience, even as it continued to evolve and develop as a form in itself.

The Grid were managed at the time (1992) by David Enthoven who had also managed King Crimson and Roxy Music from inception for many years and by now with a Sylvian/Fripp remix among their producing credits, it is no surprise that the duo and Fripp were keen to see if mutual recordings would produce interesting results – hence the arrival of the equipment described by Richard Norris above at Eastcote Studios in West London.

As Norris further notes: “Robert’s craft and musicianship was slightly daunting to us at first, being from a more DIY, post punk electronic background, but we soon worked out a language to communicate in. ‘Make it sound like a thunderstorm…’, ‘I’m going to make a sound like a bomb’, that kind of thing. After every track, Robert would say ‘Have you got any more?’ and seemed to be greatly enjoying himself. He was a very generous guest”.

The resulting Fripp recordings provided material for much of The Grid’s second album “456” and their Top 20 follow-up album “Evolver”.  

But there was more, much more….

A few years ago, The Grid rediscovered tapes from these sessions, including unreleased tracks they’d worked up but never completed or mixed. A set of long solo drone pieces from Fripp was discovered along with a lost track that was then remixed to become “A Cabala Sky” by The Grid / Fripp and released as part of Bill Brewster’s acclaimed “Late Night Tales” compilation series in 2014.

Further Fripp Soundscapes from the same period were added to the mix by DGM’s David Singleton, which inspired The Grid to add new synths, drums, programming and effects to create the album “Leviathan” a 2LP and CD/DVD-a set.

Inspired by the mythical whale ‘Leviathan’, the biggest prehistoric whale that ever lived, Norris adds “I like Philip Hoare’s book ‘Leviathan’, which is about his obsession with whales and whale watching and the awe of coming into contact with such massive creatures. They are quite mysterious. Their brains are enormous, and we don’t quite know what all the brain power is doing… A bit like Robert, really”.

Having completed the album’s stereo mixes, DGM suggested the music as ideal for a full 5.1 surround mix by The Vicar. Electronic music lends itself very well to Surround Sound mixing as the listener has no fixed notion as to where any sound should emerge from. This mix features on the CD/DVD-a edition (alongside the stereo mix) and while Surround Sound is sometimes regarded as “niche” in terms of audience, the same would have been said about any form of electronic music when Fripp turned up, guitar in hand, at Eno’s place in 1972.

But then inquisitive musicians, even (perhaps especially) when they approach music from very different perspectives, often arrive at places that are as intriguing to an audience as they were to the participants.

Leviathan” Tracklist:

1. Empire
2. Milkwood
3. Pulse Detected
4. Loom
5. Leviathan
6. After The Rain
7. Fire Tower
8. Zhora
9. Sympatico

The Grid / Fripp “Leviathan” Released 25th June 2021 and Distributed by AMPED Distribution

To pre-order: https://shop.schizoidshop.com/cd---the-gridfripp---leviathan-p1882.aspx

For more information: www.dgmlive.com

The Grid Management - Chris Smith @ Renegade Music chris@renegademusic.co.uk

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

1/21/2021

Leading Figures Of Modern Electronic & Veteran Artists Rediscover & Revitalize The Music Of British Visionary ROBERT CALVERT!

Los Angeles, CA - Robert Calvert was one of the most charismatic and cutting-edge visionaries to emerge out of London's psych rock scene of the '60s & '70s, first as the frontman for the behemoth that is Hawkwind and later as a solo artist whose avant garde albums made him a highly influential art rock raconteur. And although mainstream recognition alluded Calvert during his career, a diverse and distinguished collection of nextgen artists along with several notable veterans are attempting to change that with a new remix project, called The Last Starfighter. The project features vintage Calvert tracks taken from both his solo albums as well as raw, unfinished demos, completely revamped by the likes of indie noise icons Xiu Xiu, chillwave group Small Black, post-punkers Soft Kill plus darkwave duos Xeno & Oaklander and Sixth June as well as veterans A Flock Of Seagulls and The Damned's Rat Scabies!

Xiu Xiu leader, Jamie Stewart, whose remix of “Marathon Man” is now available as a standalone single, shares this story about discovering Calvert’s music, “Around 2010 our tour manager, a continual fountain of musical exposure, introduced me to kosmische musik. Somehow I had gone my entire life before never having come across this world. During this tutelage, he professed one of his heroes, who is now also one of mine, to be Robert Calvert. We have listened to his forays into the beyond while driving across Europe in a van for years now. It was an incredible honor to be able to explore and touch one of his many masterpieces so thoroughly. I hope it was shown the love it deserves.”

The Last Starfighter will be available on both CD and gorgeous silver or purple vinyl in a gatefold jacket starting February 19 courtesy of Cleopatra Records!

Stream the single: https://orcd.co/robert_calvert_xiu_xiu_marathon_man

Pre-order the album: https://orcd.co/robert_calvert_the_last_starfighter

Track List:

CD

1. Over The Moon (A Flock Of Seagulls Remix)
2. Marathon Man (Xiu Xiu Remix)
3. Lord Of The Hornets (Rat Scabies Remix)
4. Acid Rain (Black Plastic Remix)
5. The Luminous Green Glow of the Dials of the Dashboard (At Night) (Antoni Maiovvi Remix)
6. Hidden Persuasion (Xeno & Oaklander Remix)
7. Thanks To The Scientists (Sixth June Remix)
8. I Hear Voices (Soft Kill Remix)
9. Subterraneans (Small Black Remix)
10. Marathon Man (Ritual Howls Remix)
11. Work Song (The KVB Remix)
12. Ned Ludd (Die Krupps Remix)
13. Over The Moon (Xiu Xiu Remix)
14. Working Down A Diamond Mine (Crying Vessel Remix)
15. All Machines Are Quiet (Andre Obin Remix)
16. Ambitious (Nite Remix)
17. Teen Ballad Of Deano (Inhalt Remix)
18. Telekinesis (S Y Z Y G Y X Remix)
19. Flight 105 (European Ghost Remix)

VINYL

SIDE A

1. Over The Moon (A Flock Of Seagulls Remix)
2. Marathon Man (Xiu Xiu Remix)
3. Lord Of The Hornets (Rat Scabies Remix)
4. Acid Rain (Black Plastic Remix)
5. The Luminous Green Glow of the Dials of the Dashboard (At Night) (Antoni Maiovvi Remix)

SIDE B

1. Hidden Persuasion (Xeno & Oaklander Remix)
2. Thanks To The Scientists (Sixth June Remix)
3. I Hear Voices (Soft Kill Remix)
4. Subterraneans (Small Black Remix)
5. Marathon Man (Ritual Howls Remix)

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com


CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com
Facebook @Cleopatrarecords
https://www.facebook.com/CleopatraRecords/
Instagram @cleopatrarecords
https://www.instagram.com/cleopatrarecords/
Twitter @cleopatrarecord
https://twitter.com/cleopatrarecord
Youtube @Cleopatrarecords
https://www.youtube.com/channel/UCopQ0616Fpfrq8Gt0N-0zOQ
Soundcloud @cleopatra-recs
https://soundcloud.com/cleopatra-recs
Dailymotion @Cleopatrarecords
https://www.dailymotion.com/CleopatraRecords
Vimeo @cleopatrarecords
https://vimeo.com/cleopatrarecords
Spotify @cleopatra_recs
https://open.spotify.com/user/cleopatra_recs
Linkedin @cleopatra-records
https://www.linkedin.com/company/cleopatra-records

Leading Figures Of Modern Electronic & Veteran Artists Rediscover & Revitalize The Music Of British Visionary ROBERT CALVERT!

Los Angeles, CA - Robert Calvert was one of the most charismatic and cutting-edge visionaries to emerge out of London's psych rock scene of the '60s & '70s, first as the frontman for the behemoth that is Hawkwind and later as a solo artist whose avant garde albums made him a highly influential art rock raconteur. And although mainstream recognition alluded Calvert during his career, a diverse and distinguished collection of nextgen artists along with several notable veterans are attempting to change that with a new remix project, called The Last Starfighter. The project features vintage Calvert tracks taken from both his solo albums as well as raw, unfinished demos, completely revamped by the likes of indie noise icons Xiu Xiu, chillwave group Small Black, post-punkers Soft Kill plus darkwave duos Xeno & Oaklander and Sixth June as well as veterans A Flock Of Seagulls and The Damned's Rat Scabies!

Xiu Xiu leader, Jamie Stewart, whose remix of “Marathon Man” is now available as a standalone single, shares this story about discovering Calvert’s music, “Around 2010 our tour manager, a continual fountain of musical exposure, introduced me to kosmische musik. Somehow I had gone my entire life before never having come across this world. During this tutelage, he professed one of his heroes, who is now also one of mine, to be Robert Calvert. We have listened to his forays into the beyond while driving across Europe in a van for years now. It was an incredible honor to be able to explore and touch one of his many masterpieces so thoroughly. I hope it was shown the love it deserves.”

The Last Starfighter will be available on both CD and gorgeous silver or purple vinyl in a gatefold jacket starting February 19 courtesy of Cleopatra Records!

Stream the single: https://orcd.co/robert_calvert_xiu_xiu_marathon_man

Pre-order the album: https://orcd.co/robert_calvert_the_last_starfighter

Track List:

CD

1. Over The Moon (A Flock Of Seagulls Remix)
2. Marathon Man (Xiu Xiu Remix)
3. Lord Of The Hornets (Rat Scabies Remix)
4. Acid Rain (Black Plastic Remix)
5. The Luminous Green Glow of the Dials of the Dashboard (At Night) (Antoni Maiovvi Remix)
6. Hidden Persuasion (Xeno & Oaklander Remix)
7. Thanks To The Scientists (Sixth June Remix)
8. I Hear Voices (Soft Kill Remix)
9. Subterraneans (Small Black Remix)
10. Marathon Man (Ritual Howls Remix)
11. Work Song (The KVB Remix)
12. Ned Ludd (Die Krupps Remix)
13. Over The Moon (Xiu Xiu Remix)
14. Working Down A Diamond Mine (Crying Vessel Remix)
15. All Machines Are Quiet (Andre Obin Remix)
16. Ambitious (Nite Remix)
17. Teen Ballad Of Deano (Inhalt Remix)
18. Telekinesis (S Y Z Y G Y X Remix)
19. Flight 105 (European Ghost Remix)

VINYL

SIDE A

1. Over The Moon (A Flock Of Seagulls Remix)
2. Marathon Man (Xiu Xiu Remix)
3. Lord Of The Hornets (Rat Scabies Remix)
4. Acid Rain (Black Plastic Remix)
5. The Luminous Green Glow of the Dials of the Dashboard (At Night) (Antoni Maiovvi Remix)

SIDE B

1. Hidden Persuasion (Xeno & Oaklander Remix)
2. Thanks To The Scientists (Sixth June Remix)
3. I Hear Voices (Soft Kill Remix)
4. Subterraneans (Small Black Remix)
5. Marathon Man (Ritual Howls Remix)

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com


CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com
Facebook @Cleopatrarecords
https://www.facebook.com/CleopatraRecords/
Instagram @cleopatrarecords
https://www.instagram.com/cleopatrarecords/
Twitter @cleopatrarecord
https://twitter.com/cleopatrarecord
Youtube @Cleopatrarecords
https://www.youtube.com/channel/UCopQ0616Fpfrq8Gt0N-0zOQ
Soundcloud @cleopatra-recs
https://soundcloud.com/cleopatra-recs
Dailymotion @Cleopatrarecords
https://www.dailymotion.com/CleopatraRecords
Vimeo @cleopatrarecords
https://vimeo.com/cleopatrarecords
Spotify @cleopatra_recs
https://open.spotify.com/user/cleopatra_recs
Linkedin @cleopatra-records
https://www.linkedin.com/company/cleopatra-records

9/21/2020

Legendary Producer JOHN FRYER Returns With New Single From His Project BLACK NEEDLE NOISE, Readies Full Length Album!

Los Angeles, CA - As the producer behind some of the most groundbreaking electronic and alternative music of the ‘80s, ‘90s & beyond, including such iconic acts as Depeche Mode, Nine Inch Nails, Cocteau Twins, Swans, Fad Gadget, and many others, John Fryer has been an instrumental force in pushing the boundaries of musical creativity. His work with the venerated 4AD label led to the creation of This Mortal Coil, the all-star musical supergroup co-helmed by 4AD founder Ivo Watts-Russel, which showed that Fryer had a talent for bringing his own artistic visions to life as well. And now Fryer has returned to one of his most potent and ambitious musical projects to date, the dark electronic Black Needle Noise. Since launching in 2016, BNN has been all about the spirit of collaboration having already featured contributions from Swans vocalist Jarboe, Front Line Assembly’s Bill Leeb, Mimi Page and others. The latest effort is a unique and unforgettable version of Louis Armstrong’s classic “What A Wonderful World” featuring vocalist Tom Berger.

Fryer explains the concept behind his reinvention, saying “I have always loved the Louis Armstrong version of ‘Wonderful World’ from when I heard it as a child and it has stayed with me ever since. So I wanted to make a very different cinematic version, a very depressingly apocalyptic version with an uplifting feel. I thought of Tom Berger, my friend for many a year to sing it and I think he has done an amazing job to convey those haunting sentiments.”

Meanwhile, Berger declares “For me it was a real challenge to sing the vocals of a classical piece of music. After John sent me the instrumental version I thought it wasn’t possible - How can I transform such a fragile and innocent melody into such a massive wall of sound? And that was the thing: I sang it like I’d never heard the 1967 original. The result is not just a cover - it’s something new - and I’m very proud of the final result.”

Stream the single: https://orcd.co/black_needle_noise_what_a_wonderful_world

BNN’s version of “What A Wonderful World” has been brought to life in a stunning video directed by Christoph Vitt & Alex Makarov.

Watch the video here: 

And this is just the beginning - Fryer has been readying a new Black Needle Noise album for 2021 called These Mortal Covers that will feature all-new versions of well-known songs including the recently released Black Crowes’ cover “She Talks To Angels.”

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com
Facebook @Cleopatrarecords
https://www.facebook.com/CleopatraRecords/
Instagram @cleopatrarecords
https://www.instagram.com/cleopatrarecords/
Twitter @cleopatrarecord
https://twitter.com/cleopatrarecord
Youtube @Cleopatrarecords
https://www.youtube.com/channel/UCopQ0616Fpfrq8Gt0N-0zOQ
Soundcloud @cleopatra-recs
https://soundcloud.com/cleopatra-recs
Dailymotion @Cleopatrarecords
https://www.dailymotion.com/CleopatraRecords
Vimeo @cleopatrarecords
https://vimeo.com/cleopatrarecords
Spotify @cleopatra_recs
https://open.spotify.com/user/cleopatra_recs
Linkedin @cleopatra-records
https://www.linkedin.com/company/cleopatra-records

Legendary Producer JOHN FRYER Returns With New Single From His Project BLACK NEEDLE NOISE, Readies Full Length Album!

Los Angeles, CA - As the producer behind some of the most groundbreaking electronic and alternative music of the ‘80s, ‘90s & beyond, including such iconic acts as Depeche Mode, Nine Inch Nails, Cocteau Twins, Swans, Fad Gadget, and many others, John Fryer has been an instrumental force in pushing the boundaries of musical creativity. His work with the venerated 4AD label led to the creation of This Mortal Coil, the all-star musical supergroup co-helmed by 4AD founder Ivo Watts-Russel, which showed that Fryer had a talent for bringing his own artistic visions to life as well. And now Fryer has returned to one of his most potent and ambitious musical projects to date, the dark electronic Black Needle Noise. Since launching in 2016, BNN has been all about the spirit of collaboration having already featured contributions from Swans vocalist Jarboe, Front Line Assembly’s Bill Leeb, Mimi Page and others. The latest effort is a unique and unforgettable version of Louis Armstrong’s classic “What A Wonderful World” featuring vocalist Tom Berger.

Fryer explains the concept behind his reinvention, saying “I have always loved the Louis Armstrong version of ‘Wonderful World’ from when I heard it as a child and it has stayed with me ever since. So I wanted to make a very different cinematic version, a very depressingly apocalyptic version with an uplifting feel. I thought of Tom Berger, my friend for many a year to sing it and I think he has done an amazing job to convey those haunting sentiments.”

Meanwhile, Berger declares “For me it was a real challenge to sing the vocals of a classical piece of music. After John sent me the instrumental version I thought it wasn’t possible - How can I transform such a fragile and innocent melody into such a massive wall of sound? And that was the thing: I sang it like I’d never heard the 1967 original. The result is not just a cover - it’s something new - and I’m very proud of the final result.”

Stream the single: https://orcd.co/black_needle_noise_what_a_wonderful_world

BNN’s version of “What A Wonderful World” has been brought to life in a stunning video directed by Christoph Vitt & Alex Makarov.

Watch the video here: 

And this is just the beginning - Fryer has been readying a new Black Needle Noise album for 2021 called These Mortal Covers that will feature all-new versions of well-known songs including the recently released Black Crowes’ cover “She Talks To Angels.”

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com
Facebook @Cleopatrarecords
https://www.facebook.com/CleopatraRecords/
Instagram @cleopatrarecords
https://www.instagram.com/cleopatrarecords/
Twitter @cleopatrarecord
https://twitter.com/cleopatrarecord
Youtube @Cleopatrarecords
https://www.youtube.com/channel/UCopQ0616Fpfrq8Gt0N-0zOQ
Soundcloud @cleopatra-recs
https://soundcloud.com/cleopatra-recs
Dailymotion @Cleopatrarecords
https://www.dailymotion.com/CleopatraRecords
Vimeo @cleopatrarecords
https://vimeo.com/cleopatrarecords
Spotify @cleopatra_recs
https://open.spotify.com/user/cleopatra_recs
Linkedin @cleopatra-records
https://www.linkedin.com/company/cleopatra-records

6/14/2019

Music Legend Eddie Jobson's "The Green Album/Theme of Secrets" Remastered 3-Disc CD & High-Fidelity Blu-ray Audio - Now Available!


The Green Album/Theme of Secrets is a double release of two solo albums from keyboard/violin master, electronic music pioneer and 2019 Rock & Roll Hall of Fame inductee (with Roxy Music) Eddie Jobson. The critically acclaimed Green Album, with studio band Zinc, was originally released in 1983 on Capitol Records along with the first CGI MTV video “Turn it Over.”

Theme of Secrets is a groundbreaking electronic music album performed entirely on the Synclavier Music Computer. The 1985 release was featured in TIME magazine.

All tracks have been remastered for this special 3-disc CD and high-fidelity Blu-ray Audio re-release.

Available June 14th in the U.S. (June 21st as an import on Burning Shed and elsewhere in Europe/Japan)

To purchase Eddie Jobson's The Green Album/Theme of Secrets Remastered 3-Disc CD & High-Fidelity Blu-ray Audio:
US: https://www.amazon.com/gp/offer-listing/B07S3QLGFB/
UK: https://burningshed.com/store/eddiejobson?page=1



EDDIE JOBSON

Classical prodigy and teen star — Award-winning film composer — “A musical genius” (Editor-in-chief of Emmy magazine) — Inductee in the Rock & Roll Hall of Fame — World music and jazz record producer — Lecturer on The Art & Science of Music — Electronic music innovator — Electric-violin virtuoso — Award-winning pianist

With an international reputation as the definitive musicians' musician, British musician Eddie Jobson has been recognized as a musical genius since childhood. As a piano and violin prodigy, he was awarded a Diploma of Distinction by London's Royal Academy of Music at the age of 8, performing with his first professional orchestra at age 10. In 1971, at age 16, he was appointed as the Young Persons' Representative to the British Government's Arts Council and, the same year, performed his debut concert at the University of Newcastle—one of the first live concerts to feature the electronic music synthesizer. By age 17 he had acquired a worldwide record deal with Warner Bros. to record his first full album, playing violin, synthesizer and piano.

Transitioning away from classical music and still only 17, he became orchestrator for British singer Bryan Ferry, leading to Jobson becoming a full member of the influential art-rock group Roxy Music, contributing to their first number-one album as synthesist and groundbreaking electric-violinist. Eddie's proficiency in re-sculpting and professionalizing the Roxy sound played a major role in the band's success and their considerable influence on the likes of U2, The Talking Heads and many of the '80s new wave rock/pop groups. Jobson's early pioneering work as a teen, along with the other Roxy members, has resulted in his 2019 induction into the Rock and Roll Hall of Fame, making Jobson the first rock violinist to be so honored.

Remaining in the rock and jazz world after Roxy, Eddie—still only 21—was “discovered” by American  music icon Frank Zappa and flown to Los Angeles to replace both jazz greats George Duke on keyboards and Jean-Luc Ponty on violin, in Zappa's only four-piece lineup. Returning to England in 1978 after several albums and world concert tours with Zappa, Jobson then formed the internationally acclaimed progressive-fusion band UK with jazz-guitar legend Allan Holdsworth, King Crimson vocalist John Wetton, and original Yes drummer Bill Bruford. The UK albums, along with his other  work with King Crimson, Yes, Jethro Tull and with members of Deep Purple and The Who, established Jobson not only as, arguably, the top rock violinist in the world, but also as one of the top keyboardists.

In the 1980s, Eddie put rock music and concert touring aside and focused on electronic music and the innovative world of computer music. He created the first music video to feature CGI, as well as the world's first album performed entirely on the Synclavier Music Computer. Featured in TIME magazine, this critically acclaimed album was one of the very first all-digital CD releases. The 1990s saw Jobson move into the world of television and film scoring—an award-winning side career that culminated in him becoming choral director for Disney on two major movies and the soundtrack composer on numerous films, TV shows and 3D theme-park experiences. Fascinated with all musical forms, he left the world of Hollywood in 2000 and formed a musicians' label called Globe Music as a vehicle for producing a diverse array of jazz and world-music artists. This period also saw Eddie working with the Tuvan throat singers, and composing for and conducting both the City of Prague Philharmonic and The Bulgarian Women's Choir, while also functioning as the choir's spokesperson at Harvard University and on multiple classical radio broadcasts.

An unexpected return to the concert stage in 2008, saw Jobson perform to a festival audience of more than 150,000 people in Kazan, Russia, leading to ten more years of world tours until his permanent retirement from live concerts in 2018. In 2017, Jobson received the Lifetime Achievement Award at the Progressive Music Awards in London.

Five new double-CD releases are being planned to commemorate Jobson's almost fifty years as one of the world's most respected musicians. Eddie is also currently producing six video lectures on The Art and Science of Music.

Eddie Jobson FB page: https://www.facebook.com/EJ.UK.fanpage/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Music Legend Eddie Jobson's "The Green Album/Theme of Secrets" Remastered 3-Disc CD & High-Fidelity Blu-ray Audio - Now Available!


The Green Album/Theme of Secrets is a double release of two solo albums from keyboard/violin master, electronic music pioneer and 2019 Rock & Roll Hall of Fame inductee (with Roxy Music) Eddie Jobson. The critically acclaimed Green Album, with studio band Zinc, was originally released in 1983 on Capitol Records along with the first CGI MTV video “Turn it Over.”

Theme of Secrets is a groundbreaking electronic music album performed entirely on the Synclavier Music Computer. The 1985 release was featured in TIME magazine.

All tracks have been remastered for this special 3-disc CD and high-fidelity Blu-ray Audio re-release.

Available June 14th in the U.S. (June 21st as an import on Burning Shed and elsewhere in Europe/Japan)

To purchase Eddie Jobson's The Green Album/Theme of Secrets Remastered 3-Disc CD & High-Fidelity Blu-ray Audio:
US: https://www.amazon.com/gp/offer-listing/B07S3QLGFB/
UK: https://burningshed.com/store/eddiejobson?page=1



EDDIE JOBSON

Classical prodigy and teen star — Award-winning film composer — “A musical genius” (Editor-in-chief of Emmy magazine) — Inductee in the Rock & Roll Hall of Fame — World music and jazz record producer — Lecturer on The Art & Science of Music — Electronic music innovator — Electric-violin virtuoso — Award-winning pianist

With an international reputation as the definitive musicians' musician, British musician Eddie Jobson has been recognized as a musical genius since childhood. As a piano and violin prodigy, he was awarded a Diploma of Distinction by London's Royal Academy of Music at the age of 8, performing with his first professional orchestra at age 10. In 1971, at age 16, he was appointed as the Young Persons' Representative to the British Government's Arts Council and, the same year, performed his debut concert at the University of Newcastle—one of the first live concerts to feature the electronic music synthesizer. By age 17 he had acquired a worldwide record deal with Warner Bros. to record his first full album, playing violin, synthesizer and piano.

Transitioning away from classical music and still only 17, he became orchestrator for British singer Bryan Ferry, leading to Jobson becoming a full member of the influential art-rock group Roxy Music, contributing to their first number-one album as synthesist and groundbreaking electric-violinist. Eddie's proficiency in re-sculpting and professionalizing the Roxy sound played a major role in the band's success and their considerable influence on the likes of U2, The Talking Heads and many of the '80s new wave rock/pop groups. Jobson's early pioneering work as a teen, along with the other Roxy members, has resulted in his 2019 induction into the Rock and Roll Hall of Fame, making Jobson the first rock violinist to be so honored.

Remaining in the rock and jazz world after Roxy, Eddie—still only 21—was “discovered” by American  music icon Frank Zappa and flown to Los Angeles to replace both jazz greats George Duke on keyboards and Jean-Luc Ponty on violin, in Zappa's only four-piece lineup. Returning to England in 1978 after several albums and world concert tours with Zappa, Jobson then formed the internationally acclaimed progressive-fusion band UK with jazz-guitar legend Allan Holdsworth, King Crimson vocalist John Wetton, and original Yes drummer Bill Bruford. The UK albums, along with his other  work with King Crimson, Yes, Jethro Tull and with members of Deep Purple and The Who, established Jobson not only as, arguably, the top rock violinist in the world, but also as one of the top keyboardists.

In the 1980s, Eddie put rock music and concert touring aside and focused on electronic music and the innovative world of computer music. He created the first music video to feature CGI, as well as the world's first album performed entirely on the Synclavier Music Computer. Featured in TIME magazine, this critically acclaimed album was one of the very first all-digital CD releases. The 1990s saw Jobson move into the world of television and film scoring—an award-winning side career that culminated in him becoming choral director for Disney on two major movies and the soundtrack composer on numerous films, TV shows and 3D theme-park experiences. Fascinated with all musical forms, he left the world of Hollywood in 2000 and formed a musicians' label called Globe Music as a vehicle for producing a diverse array of jazz and world-music artists. This period also saw Eddie working with the Tuvan throat singers, and composing for and conducting both the City of Prague Philharmonic and The Bulgarian Women's Choir, while also functioning as the choir's spokesperson at Harvard University and on multiple classical radio broadcasts.

An unexpected return to the concert stage in 2008, saw Jobson perform to a festival audience of more than 150,000 people in Kazan, Russia, leading to ten more years of world tours until his permanent retirement from live concerts in 2018. In 2017, Jobson received the Lifetime Achievement Award at the Progressive Music Awards in London.

Five new double-CD releases are being planned to commemorate Jobson's almost fifty years as one of the world's most respected musicians. Eddie is also currently producing six video lectures on The Art and Science of Music.

Eddie Jobson FB page: https://www.facebook.com/EJ.UK.fanpage/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

11/23/2018

New Age-World-Electronic-Meditation Review: Rigzin-PROTECTION ~ A Ceremony of Protector Prayers

Release Date: November 9, 2018
Label: Rigzin Music
I had strong feelings that I was about to embark on a music spiritual that I would never forget before listening to the recent Rigzin release PROTECTION ~ A Ceremony of Protector Prayers.

I received a gift last Christmas, a book titled 365 Dali Lama Daily Advice From The Heart. I have faithfully read these passages every day and it most certainly has piqued my interest and changed my outlook on life. This is the path I have been on seeking spiritual enlightenment through New Age music. I have had some amazing music to listen to over the last three years and it just got more interesting when I received the third release in a sacred trilogy from Rigzin. If anything, it has increased my knowledge and curiosity about the practice of Buddhism.

Rigzin has dedicated her life to the practices of Tibetan Buddhism. She had trained intensively to sing the prayers of elaborate ceremonies, during her traditional 3-year retreat, which now stands at more than 30 years ago.

So where do I begin with such a unique artist and the messages she is imparting upon the human race? This is not a simple task but then again what good is a listen if it does not present a challenge and time to reflect?

This work of musical art can be described as new age, world, meditation and electronic. Each track delivers all of those elements in a most prolific and thought-provoking way. One of the lines I heard loud and clear was “Love will defeat hate.” I like that line and I believe it holds true and will be the world’s saving grace if we only take heed. 

There is so much going on with this recording, at times you just cannot put it into words. There is chanting and worldly sounds and electronic textures and above all, a rhythm flowing through this music that is inherently spiritual and pure. That is something I find very appealing and can find some guidance from within. This music will speak to your soul. If you are a spiritual individual you will find great value in this music. I really enjoyed the complexity and all of the tools used to make something ancient and trusted into a more relatable, listenable, and then freshly interpreted, for a person of today. You could call it a spiritual morphing.

The tracks that had the most impact on my mind, body, and soul (through the ears) were “Bodhicitta,” “Prophecy” and “Wrathful Guru.” These tracks are epic translations of spirituality driven by the tenets of Tibetan Buddhism. The messages are clear and concise and they will make you rethink everything, I can promise you that. You may already agree and be aligned with these thoughts and beliefs and came to a realization long ago about where you stand spiritually. Even so, this will still call out to you to reaffirm and possibly bring to light more of what you need. 

The music of PROTECTION ~ A Ceremony of Protector Prayers drives and steers the words and feelings straight to your heart, even if you do not understand the language of chants, somehow it all it works and very well at that.

Keith “MuzikMan” Hannaleck
November 21, 2018

Founder of:

Review Provided By New Age Music Reviews

Tracks: 
01. Call to Awaken 01:16  
02. Buddha 00:53  
03. Red Lotus Dakini 03:46
04. Prophecy 03:12
05. Wrathful Guru 03:30
06. Protection 06:11  
07. Vajrasattva 08:15  
08. Kilaya 06:42
09. Protectors of the Land 10:40
10. Heart of the Lotus 07:28  
11. Bodhicitta 04:58