The Furys are one of Southern California’s first New Wave/Punk/Powerpop bands! The group’s first single was released in 1977 (“Hey Ma” b/w “Jim Stark Dark”), and 1978’s “Say Goodbye to the Black Sheep” was an international success, garnering extensive airplay, press, and live performances. According to founding member and lead vocalist Jeff Wolfe, “The Furys formed in 1977 as a reaction to the dreadful noise that was on the radio at that time.” 1979 saw the release of the “Moving Target” / “We Talk We Dance” single which elicited substantial critical response.
The Furys released a five-song mini album entitled “Indoor/Outdoor” in 1987. Recorded at EMI/America studio in Hollywood, “Indoor/Outdoor” had an excellent sales run, huge radio response and heavy press coverage.
The band’s new singles (“New Wave Girl” and “Action Reaction”) were released the second week of September 2021. These songs are the first new material issued by the band since 2015’s “The Sound of the Furys” CD.
Now the band is back with a new singles collection titled “New Wave Hit Parade” which encompasses all three of the group’s vinyl singles from 1977-1979 as well as The Furys 1987 mini-album “Indoor/Outdoor”. Also included is The Furys 2016 digital single “The Sun Ain’t Gonna Shine Anymore”. This is the first ever digital release of the vinyl records.
Says Jeff Wolfe, “After numerous multi-generational requests, The Furys have been reformed to continue their campaign for world domination.” The musical direction of The Furys was, is, and always will be melodic poetry blended with powerful music.
In conjunction with “New Wave Hit Parade” and upcoming releases of new material, The Furys will be performing live in Autumn 2023. Long standing members, Jeff Wolfe and Dave Lewty will be joined by guitarists Cliff Roman (The Weirdos), Jeff Jourard (The Motels) and Ray Herron (The Sloths) on drums.
While with Uriah Heep John featured on the Albums Firefly, Innocent Victim & Fallen Angel. But with Lucifer’s Friend he recorded more than 14 Albums between 1969 & 2019. John passed away suddenly on the 29th June 2021.
During his many decades on the stage John has sung variations of Blues, Rock, Prog. and Classic. From sentimental Ballads to heavy Rock, his extraordinary vocal diversity made him outstanding, his distinctive voice always recognizable!
This 2 CD Anthology features a variety of 33 songs with different music styles, reflecting John’s diversity and musical career, following his journey through the times! Starting with the 70s up to 2015, highlighting his remarkable vocals, but also to emphasize the astonishing talents of his fellow musicians involved in this tribute!
This lavish digipack which has been compiled by John’s wife Iris, includes some rarities only recently discovered, also a previously unreleased live duet between John and Bernie Shaw and some trivial out–takes to add a lighthearted element….
All artist’s royalties will be donated to “The British Heart Foundation” for the research into “Abdominal Aortic Aneurysm”.
Los Angeles, CA – Fans of classic, hard-chargin’ blues rock take note! A superb collection of mid’70s rare recordings from blues rock institution Humble Pie is being released this month. I Need A Star In My Life features studio recordings from 1974-1976 with unmistakable HP vocalist Steve Marriott along with bassist Greg Ridley and guitarist Clem Clempson. Together this trio experimented with a variety of styles and sounds as they composed several new songs as well as rearranging songs by soul legend Sam Cooke, blues giant Bo Diddley, and others. King Crimson saxophonist Mel Collins even pops in for a special guest appearance!
These recordings have been completely digitally remastered and packaged with full liner notes from music journalist Dave Thompson. I Need A Star In My Life is available now on all formats including CD, digital and multiple vinyl configurations!
Also be sure to check out the companion 7” featuring the band’s take on Sam Cooke’s “Shake” as well as an ultra rare track “Bluestalk” featuring the original guitarist of The Rolling Stones, Brian Jones!
Track List: 1. Shake 2. Mona 3. Lend Us A Quid 4. Send Me Some Lovin' 5. She Moves Me Man 6. Street Rat 7. Captain Goatcabin's Balancing Stallions 8. High And Happy 9. Be My Baby 10. It's All Over 11. Bluegrass Interval 12. Don't Take But A Few Minutes 13. Louisiana Blues 14. You're A Heartbreaker 15. I Need A Star In My Life 16. Cocaine 17. I'll Find You 18.Lord Let Me Hold Out 19. Hambone 20. Signed Sealed
Los Angeles, CA – At a time when most female artists were content with crooning sappy love songs for mainstream audiences, vocalist and pianist Linda Gail Lewis was following her own muse, singing rowdy and rousing versions of early rock classics like “C.C. Rider,” “Jim Dandy” and “Baby (You’ve Got What It Takes).” The latter track might hint at what drove Lewis to blaze her own musical path as it is a duet with Lewis’s brother, well-known raconteur and rabble rouser Jerry Lee Lewis. Lewis would go on to record several times with her brother but also branched out to record several solo albums throughout the years as well as a 2000 album with Van Morrison and, more recently, has appeared on albums by Robert Gordon and Ann-Margret!
But it’s Gail’s early tracks that truly showcase her historic importance as a pioneer of rockabilly music, and these tracks have now been collected on a brand-new compilation, entitled Early Sides 1963-1973, giving fans of vintage rock and rockabilly a chance to discover her unique talents. The audio has been completely remastered by guitar icon Danny B. Harvey who had this to say about the collection “It’s a well-known fact that from 1961 until the late ‘70s, Linda Gail Lewis sang and stood beside her big brother Jerry Lee Lewis, both onstage and in the studio. Not as well-known is during that time she also managed to record her own amazing solo singles in Memphis, Nashville and LA with legendary musicians & producers like Scotty Moore, Jerry Reed, Harold Bradley, Reggie Young & of course her brother backing her.”
Check out the collection’s lead-off track, a fantastic version of “C.C. Rider!”
TRACK LIST: 1. C.C. Rider 2. Nothin' Shakin' (But The Leaves) 3. Sittin' And Thinkin' 4. Break Up The Party 5. Small Red Diary 6. Baby (You've Got What It Takes) feat. Jerry Lee Lewis 7. Jim Dandy 8. Who Will Be The Next One 9. My Heart Was The Last One To Know 10. Louisiana 11. Gather 'Round Children 12. What Is Love 13. Before The Snow Flies feat. Jerry Lee Lewis 14. Working Girl 15. Smile, Somebody Loves You 16. Ivory Tower 17. I Wanna Be A Sensuous Woman 18. I Should Have Not Fallen In Love With You
Includes guests Willie Nelson, Stephen Stills & Joan Baez!
Los Angeles, CA - When you’ve been making music for as long as folk music icon Judy Collins, songs become more than just familiar melodies, they’re treasured memories connecting you to people and places of your past. For her newest collection of recent recordings, White Bird - Anthology Of Favorites, Collins has hand-selected a number of songs that remain dear to her heart so much so that she can still remember exactly where she was the first time she heard them. Take for instance, this story Collins shares about one of her best-known, most beloved songs, “It was 1967 when I received a phone call at three in the morning from Al Cooper, the founder of Blood Sweat & Tears. He said he followed this girl home from a bar where she had told him she was a songwriter. She played him some of her songs and after she played him one particular song, he picked up the phone and called me. He put the girl on the phone and Joni Mitchell sang me her great song ‘Both Sides Now.’”
Or this story about another young songwriter, “In 1966 I was getting ready to make my sixth album, In My Life. Someone sent me a song called ‘I Think It’s Going To Rain Today’ by Randy Newman. I never heard of this guy but loved the song. Randy had not started thinking of himself as a singer-songwriter but after I recorded this song, he put out his own version and became the gold standard. He has told me I started his career but I'm sure he would've done it without me.”
Judy Collins has inspired countless artists, including Rock Hall of Famer Stephen Stills. Not only was she the muse that led Stills to write the Crosby, Stills & Nash classic “Suite: Judy Blue Eyes” but the pair’s musical romance was so strong that it was rekindled decades later in 2015 for a recording of Tom Paxton’s “The Last Thing On My Mind.” Collins shares, “I would run into Tom on the street in Greenwich village in the early ‘60s and he would say I just wrote this song would you like to sing it. It became a favorite song of mine and also of Stephen Stills. So, 40 years after our love affair, and a couple of years before our extraordinary reunion of concerts, Stephen and I recorded the song together. So thanks to Tom Paxton and thanks to you, Stephen. It’s been a long and rewarding love affair and friendship.”
And Collins is still finding new loves and friendships along the way, including a little-known gem from 1969 San Francisco. Hippie rock group It’s A Beautiful Day first recorded the song that gives Collins’s collection its name, “White Bird,” but just as it is with all of the songs Collins touches, she makes it sound like she wrote it or maybe even inspired it.
White Bird - Anthology Of Favorites will be released on digital, on CD in a deluxe digipak and on limited edition WHITE vinyl starting May 7 from Wildflower Records, exclusively distributed by Cleopatra Records.
Track List: 1. White Bird 2. Chelsea Morning 3. Turn! Turn! Turn! (To Everything There Is A Season) 4. Pack Up Your Sorrows 5. When I Go feat. Willie Nelson 6. I Think It’s Going To Rain Today 7. Last Thing On My Mind feat. Stephen Stills 8. Blackbird 9. Both Sides Now 10. Diamonds & Rust feat. Joan Baez 11. Send In The Clowns
Los Angeles, CA - This year will mark the 55th anniversary of the passing of Tommy Bolin, the supremely talented guitarist and songwriter, best known for his work with Deep Purple and The James Gang, who captivated the world with his sophisticated and ferocious playing. Bolin’s tragic death, he was a mere 25 years old, has been one of rock music’s great “what ifs” forcing critics and fans to grapple with what Bolin might have been able to accomplish in subsequent years were he still alive, given that he managed to produce such amazing works of mature artistry at such a young age. Many point to Bolin’s most fully realized, and sadly final, album, the magnificent Private Eyes, as proof that for all of Bolin’s success, the man was just getting warmed up!
Now a new collection of never before released outtakes and demos from those recording sessions will be released showing the many sides of Bolin’s talent. The collection is called Shake The Devil - The Lost Sessions and will be released on February 12 courtesy of Cleopatra Records. Licensed directly from Bolin’s estate and with informative liner notes from rock journalist Dave Thompson, these recordings offer both acoustic, instrumental and alternate versions of some of Bolin’s best known tunes including his most popular song, “Bustin’ Out For Rosey.” That track is today offered as a special sneak preview of the album, which will be available on both CD as well as a gorgeous gatefold vinyl with your choice of white, purple or red vinyl!
Glenn Hughes sang lead vocals on 17 tracks for the Phenomena Project and all these tracks have been collected together on one Phenomena compilation named after the Hughes co-penned track “Still The Night”.
Phenomena is an all-star series of albums created by Tom Galley and this compilation also features: Cozy Powell, Mel Galley, Neil Murray, Ric Sanders, Ted McKenna, Michael Sturgis and Richard Bailey.
The tracks are collected together from the million selling debut Phenomena” album, “Dream Runner” and “Psycho Fantasy”.
As Tom Galley recalls of Glenn Hughes’s work with Phenomena “It did him a lot of good. He got a lot of attention for the performance he did for us”.
This compilation also features final mixes of the RARE tracks “Assassins in the Night”, “Running with the Pack” and the 12” remix of “Still the Night”. The CD housed in an attractive 6 panel digipack with artwork by Iain Lowe.
The year 2017 marks the 50th anniversary of the Summer of Love. On this occasion, many rare finds from the London Underground music scene found their way into the public ear again. Now, with a little delay, perhaps the most important rediscovery from the time of Swingin’ London is available: Iapetus presents this compilation for the first time, “Hallucinogenic Treasures from the Convolution of an Imaginative Brain” is a comprehensive review of the work of the legendary British band Banging Colours.
“Pet Sounds” by the Beach Boys or “Freak Out” by the Mothers of Invention had already been announced the year before, but 1967 was the Year of Great Change in rock and pop. From “Sgt. Pepper” to “The Piper at the Gates of Dawn,” from “Are You Experienced” to “Surrealistic Pillow,” unprecedented sounds broke into pop music and redefined what popular music is and can be. In place of hit production came the work on the album. The setlist of performances no longer consisted of a string of singles; instead, the musicians experimented live with their material and sounded out the possibilities of rock music in long improvisations. The studio itself became an instrument for expanding musical boundaries, and drug-induced changes in consciousness manifested themselves in psychedelic sound.
During the short period of their existence in London from 1967 to 1969, Banging Colours featuring keyboarder and singer Manny Wolfe was considered one of the most important and influential bands of their time. Performances at the U.F.O. Club and in Middle Earth established their reputation as a cult band by British psychedelia fans. Joint performances with the main acts of the scene consolidated this status as well as their innovative light show, which gave the band its name.
Matthias Derer has meticulously searched and rummaged through the archives of record companies, radio stations and film studios, bringing to light some amazing things. More treasures than ever hoped for could be recovered, in almost all cases in the form of original tapes of the individual tracks and in far better quality than feared. Markus Reuter has remixed them with great devotion and has given these pearls of the psychedelic era, which were considered lost, new radiance. The result is a fascinating testimony of probably the most creative period of rock music.
Album 1 of the compilation brings together studio recordings from almost two and a half years, from the first and only single that not only sings about London’s underground scene but also became its secret anthem, to songs from various album projects from 1967 to 1969. The material was written entirely by the band’s head Manny Wolfe and bears his compositional signature.
Album 2 includes jams and studio live sessions and shows the band from a slightly different side: it impressively documents their impartiality and freedom to improvise freely, leaving the three-minute format suitable for radio light years behind.
Both showcase the extraordinary lineup of Banging Colours: Bas Ricken, whose powerful and soulful playing was acknowledged by the major drummers of his time, is the pulse in which the colours are banging. Pekka Jokinen on bass is an exceptional phenomenon: Seldom in this era has a bassist shaped the overall sound of a band as much as he did. On these recordings he not only proves that he lives up to his idol Paul McCartney and is on the cutting edge of his time, but he also shows himself to be a harbinger of a new type of bass player, as he was later embodied by Chris Squire or John Wetton in the 70’s. You don’t have to be a music expert to imagine what a brilliant career Young Patel could have had on the guitar if fate hadn’t objected. He effortlessly freed himself from his roots, the R‘n’B, without ever having to deny his musical origins. Especially his interaction with Keith Friedell is one of the most exciting elements of Banging Colours. While Young lets the blues flow in, Friedell makes the wide field of swing and gypsy jazz fertile for psychedelic proliferation. His virtuosic playing leaves its mark on the band and contributes significantly to the incomparable sound of Banging Colours. The creative centre around which this ensemble of exceptional musicians is grouped is Manny Wolfe, who not only wrote all the songs but also lends them the psychedelic sound carpets on organ, piano and mellotron as well as his unusual voice. At the moment he is writing an autobiographical story of Banging Colours, and it will be interesting to see if more treasures of the band will be salvaged in the course of this.
But not only the acoustic side of this rediscovery is interesting. In the course of extensive research, Matthias Derer has also succeeded in making the work of one of the most important graphic artists of his time partially accessible again. Wes H. Bernatt was not only a friend of the band and designer of their record covers, posters and the band logo, but also one of the most creative draftsmen and illustrators in London in the late 60’s. His contribution to psychedelic art and graphic design was unjustly forgotten. Bernhard Wöstheinrich’s revision of the album covers for this compilation brings Bernatt’s merits back into focus.
This compilation is a major act and an important contribution to the history of music, which gives an idea of the importance of Banging Colours. A must for all fans of the 60’s and lovers of psychedelic music.
“The Archaeology Project” is a compilation of prog music artist Tim Morse’s music from 2005-2020. There’s no real concept for this release, given that it is a compilation album, however the title and the artwork ties the music of different eras together.
Says Tim, “It seemed like a good time to reflect on the last fifteen years of being a recording artist. It was fun revisiting these songs and choosing what I consider to be the best examples of my songwriting to feature on this collection. I’ve remastered the older songs with Craig Long and I have to say the music has never sounded better. I was so pleased with the work that I ended up remastering more music than could fit on one CD and so I’m offering five extra songs as a download for no additional charge. There is also a new solo guitar instrumental, a remix/new vocal for the Mangoes song ‘200 Yards’ and my cover version of the classic Pink Floyd song ‘Dogs’ on ‘The Archaeology Project.’ I especially like the imagery that Jay Leek came up with for the project - it has a nice ‘Hipgnosis’ feel to it.”
It was an interesting experience for Tim compiling the album and noting his growth as a singer/songwriter. He felt it was nice to be able to offer a cross section of his music and include a real rarity as a bonus download (the first demo he did with Mark Dean - an early version of “Present Moment”). Says Tim, “The Guitar Etude that opens the album includes a bit of a melody that I wrote in my first song. I was never really happy with my vocals on the original version of ‘200 Yards’ and so it was nice to redo the vocal and remix the song. Lastly, the cover version of ‘Dogs’ is something I’ve wanted to do for years. I’ve always loved that song and it was a fantastic experience to put my stamp on it with a fantastic group of musicians: Bret Bingham, Andrew Glasmacher, Charley Langer and Hope Rogers.”
Tim Morse “Dogs” cover version:
Tim Morse began his instrument instruction at a young age and started composing immediately upon picking up the guitar. He later moved onto the piano and studied as a music composition major, writing extended pieces such as a string quartet and two piano sonatas. During this time Tim performed with various rock and fusion bands and played on many recording sessions. Tim’s first album of original music was entitled “Transformation” and was released in 2005. The album was well received by the Progressive Rock community and recognized as an original voice, in the tradition of Yes and Genesis, yet recorded and performed with a modern edge.
His second album “Faithscience” was released in 2012 and musically it picked up where “Transformation” left off, continuing to explore the best of Progressive Rock. In addition to this release Tim became a member of the Jerry Jennings band and formed The Mangoes with Bret Bingham. The Mangoes released their debut album in 2014 and it was appreciated for its pop sensibility and quirky humor. His latest solo release “III” was also warmly embraced in 2018 by critics and fans alike.
Tim’s recent cover version of the classic Yes song “Awaken” has received the ultimate compliments from members of Yes - Rick Wakeman enthused, “Best YES cover I've heard ...well done to everybody” and Jon Anderson said, “Great job with ‘Awaken’...the fact you sat around and decided to perform it is a treat....not an easy work!” Composer/musician Adam Holzman was so impressed by this performance of it that he offered to do his own remix of the song (both versions can be found on Tim’s Youtube channel and website).
Tim Morse “Awaken” cover version:
Here's what the press has said about Tim Morse’s previous albums:
(Tim Morse III)
“Tim Morse III is an engaging, appealing album that seamlessly bridges melodic rock and progressive influences.” - Anil Prasad, Innerviews
“There’s no doubt fans of symphonic prog will find much to enjoy. Recommended.” - Jerry Lucky, The Progressive Rock Files
“Musically, III is enjoyable - occupying the lighter end of the Yes style spectrum." - PROG Magazine
“Recommended for fans of melodic rock with some progressive touches.” - Jon Davis, Expose
(Faithscience)
“Tim Morse deserves to make it into the mainstream, as he surely one of the greats of the genre.” - John Bollenberg, iO Pages
“A smartly arranged, melodic-symphonic opus.” - John Collinge, Progression Magazine
“Probably the biggest surprise of the year...and highly recommended to fans of classic prog.” - Kinesis
(Transformation)
“Transformation is a work truly realized, an impressive work of creativity that grows on one even more after repeated listening.” - Andres Valle (Mellotron)
“An interesting and expansive collection of symphonic prog songs...it not only rewards repeated listening, it demands it.” - DPRP
Tim is also a published author and his book “Yesstories” has sold over 20,000 copies worldwide. His book “Classic Rock Stories” was published by the St. Martin’s Press and was featured on the Howard Stern show. He has also written for music magazines over the years including Mix, Guitar World, Keyboard and Bass Player.
Tim will be doing videos and PR to support the release of “The Archaeology Project.” He’s also working on a Mangoes EP with Bret Bingham that should be released in the New Year. As for live performance, that is completely up to what happens with the pandemic and the interest/demand for shows.
In closing Tim has this to impart, “I hope that everyone is safe and healthy in these uncertain times. Also, I'm always grateful when anyone takes the time to listen to my music, even if they didn’t like it or were critical of it. In this modern age of endless distractions it is a lovely thing when someone will truly listen to music.”
Release date: September 30, 2020
Purchasing links:
The Archaeology Project is available for preorder on Bandcamp:
“The Archaeology Project” is a compilation of prog music artist Tim Morse’s music from 2005-2020. There’s no real concept for this release, given that it is a compilation album, however the title and the artwork ties the music of different eras together.
Says Tim, “It seemed like a good time to reflect on the last fifteen years of being a recording artist. It was fun revisiting these songs and choosing what I consider to be the best examples of my songwriting to feature on this collection. I’ve remastered the older songs with Craig Long and I have to say the music has never sounded better. I was so pleased with the work that I ended up remastering more music than could fit on one CD and so I’m offering five extra songs as a download for no additional charge. There is also a new solo guitar instrumental, a remix/new vocal for the Mangoes song ‘200 Yards’ and my cover version of the classic Pink Floyd song ‘Dogs’ on ‘The Archaeology Project.’ I especially like the imagery that Jay Leek came up with for the project - it has a nice ‘Hipgnosis’ feel to it.”
It was an interesting experience for Tim compiling the album and noting his growth as a singer/songwriter. He felt it was nice to be able to offer a cross section of his music and include a real rarity as a bonus download (the first demo he did with Mark Dean - an early version of “Present Moment”). Says Tim, “The Guitar Etude that opens the album includes a bit of a melody that I wrote in my first song. I was never really happy with my vocals on the original version of ‘200 Yards’ and so it was nice to redo the vocal and remix the song. Lastly, the cover version of ‘Dogs’ is something I’ve wanted to do for years. I’ve always loved that song and it was a fantastic experience to put my stamp on it with a fantastic group of musicians: Bret Bingham, Andrew Glasmacher, Charley Langer and Hope Rogers.”
Tim Morse “Dogs” cover version:
Tim Morse began his instrument instruction at a young age and started composing immediately upon picking up the guitar. He later moved onto the piano and studied as a music composition major, writing extended pieces such as a string quartet and two piano sonatas. During this time Tim performed with various rock and fusion bands and played on many recording sessions. Tim’s first album of original music was entitled “Transformation” and was released in 2005. The album was well received by the Progressive Rock community and recognized as an original voice, in the tradition of Yes and Genesis, yet recorded and performed with a modern edge.
His second album “Faithscience” was released in 2012 and musically it picked up where “Transformation” left off, continuing to explore the best of Progressive Rock. In addition to this release Tim became a member of the Jerry Jennings band and formed The Mangoes with Bret Bingham. The Mangoes released their debut album in 2014 and it was appreciated for its pop sensibility and quirky humor. His latest solo release “III” was also warmly embraced in 2018 by critics and fans alike.
Tim’s recent cover version of the classic Yes song “Awaken” has received the ultimate compliments from members of Yes - Rick Wakeman enthused, “Best YES cover I've heard ...well done to everybody” and Jon Anderson said, “Great job with ‘Awaken’...the fact you sat around and decided to perform it is a treat....not an easy work!” Composer/musician Adam Holzman was so impressed by this performance of it that he offered to do his own remix of the song (both versions can be found on Tim’s Youtube channel and website).
Tim Morse “Awaken” cover version:
Here's what the press has said about Tim Morse’s previous albums:
(Tim Morse III)
“Tim Morse III is an engaging, appealing album that seamlessly bridges melodic rock and progressive influences.” - Anil Prasad, Innerviews
“There’s no doubt fans of symphonic prog will find much to enjoy. Recommended.” - Jerry Lucky, The Progressive Rock Files
“Musically, III is enjoyable - occupying the lighter end of the Yes style spectrum." - PROG Magazine
“Recommended for fans of melodic rock with some progressive touches.” - Jon Davis, Expose
(Faithscience)
“Tim Morse deserves to make it into the mainstream, as he surely one of the greats of the genre.” - John Bollenberg, iO Pages
“A smartly arranged, melodic-symphonic opus.” - John Collinge, Progression Magazine
“Probably the biggest surprise of the year...and highly recommended to fans of classic prog.” - Kinesis
(Transformation)
“Transformation is a work truly realized, an impressive work of creativity that grows on one even more after repeated listening.” - Andres Valle (Mellotron)
“An interesting and expansive collection of symphonic prog songs...it not only rewards repeated listening, it demands it.” - DPRP
Tim is also a published author and his book “Yesstories” has sold over 20,000 copies worldwide. His book “Classic Rock Stories” was published by the St. Martin’s Press and was featured on the Howard Stern show. He has also written for music magazines over the years including Mix, Guitar World, Keyboard and Bass Player.
Tim will be doing videos and PR to support the release of “The Archaeology Project.” He’s also working on a Mangoes EP with Bret Bingham that should be released in the New Year. As for live performance, that is completely up to what happens with the pandemic and the interest/demand for shows.
In closing Tim has this to impart, “I hope that everyone is safe and healthy in these uncertain times. Also, I'm always grateful when anyone takes the time to listen to my music, even if they didn’t like it or were critical of it. In this modern age of endless distractions it is a lovely thing when someone will truly listen to music.”
Release date: September 30, 2020
Purchasing links:
The Archaeology Project is available for preorder on Bandcamp:
African Storybook of Songs is the work of celebrated London producer Barney Rattle, compiling two decades of genre-spanning music into one iconic music collection covered in these six albums. The compilation includes collaborations with a diverse range of artists including the likes of South African singer-songwriter and guitarist Lennox Tom, jazz pianist and composer Don Laka and marimba and brass afrojazz ensemble Abavuki.
Stream the album on Soundcloud here:
Covering material from the nineties to the current day, the album takes the listener on a sonic adventure sporting elements of electronica, jazz, reggae and funk, all infused with Barney Rattle’s distinct afropop stylings. Barney Rattle’s career has been one of many exciting twists and turns. At the turn of the millennium, his music could be found being blasted in nightclubs around Ibiza. More recently he has been working with Don Laka who infused afropop (aka KwaaiJazz) with the classical works of Chopin, his album Afro Chopin receiving acclaim from critics. The producer has recently been working on a number of film and TV projects about the great music and history of South Africa. African Storybook of Songs is out November 4th
