Eclectic Pop Music Artist Anthony W Rogers Releases 5th Solo Album “High Five” On Limited 180 Gram Vinyl

Wildflow records and Independent Appalachian singer songwriter Anthony W Rogers announces the release of Rogers’ fifth solo album, “High Five.” Recorded again independently in the West Virginia hills, “High Five” features Rogers on a multitude of instruments and vocals on ten new original tracks with longtime collaborator multi-instrumentalist/vocalist Bart Lay, saxophonist Rich Norwood, percussionist Steve Heare as well as regular contributions from his two children Blake and Joe Rogers and family friend and Indian royalty, violinist Sajaad Bodine. Recorded over the past two years following up on the last 2021 release under the alternate name “babyflow – oblivious.”

“I just keep moving. This one is less of a group thing, more singular or personal, I guess.” says Rogers “I’ll probably get back to that a little more the next time out. Actually, I know so, we’ve already started”

In keeping with past Wildflow tradition, “High Five” is again very stylistically diverse and highlighted by the side one ending epic tale “Kensington” propelled by heartbeat like tom tom about a Western PA truck driver who escaped the addiction of life on the Philly streets only to be tragically lured back down again decades post recovery by thoughts of “that first time.” The middle of Side B contains the epic and tragic “Slava Ukraini” addressing the war waged upon its citizens and their once normal way of life-all for seemingly no purpose at all. An English translation of their national anthem - it is a shocking reminder as to how close we all are. “The springtime melts away the snow. So shall melt away the foe”

The other eight tracks run the gamut from the mission statement guitar-oriented pop opener “Whether You Get Me” to the reverb ghost laden dance with the spirits on “The Sky King of Georgetown.” Rogers says “I’ve tried to tone down the ratio of backgrounds to the leads and maybe bring them upfront a tad on this one. That will likely change on the next one. All of the songs on this one are equally important to me.”

“I limited the political to a Krautrock/Dinger/MES-The Fall like rant about the idiocy of this new right wing buzzword “woke.” Rogers says “They’re basically training you to be conquered. All time dumb dumb.” “Missed It” is a bird-like flighty jazzy almost scat-like vamp. Lyrically, it’s “at least partially about a ‘high school killer on a YouTube program,” says Rogers. Side A of “High Five” adds a slow spooky vibe with an icy ride through the cold seas on “Slow Boat Ride” chronicling a lifetime of mental struggles against the hopeless sea to the point is reached where right and wrong are not easily discerned. “Frog Eyes” is a “little quirky three part vignette about a French custom steel kitchen appliance maker’s waking dream about the futility and foolishness of him trying to manipulate the real world as he watches the tide turn away,” says Rogers. “Better to spend your time handling it as Michael Singer would say.”

“High Five” stops to celebrate the great state of “West Virginia” - particularly the eastern panhandle residents-the access (duck in duck out) and special relationship they have with the DMV. The album closer is the part delicate but part rocking “Not Waiting” - an almost Marvin Gaye “After The Dance”-ish styled album closer feel-wise. Lyrically, a small lament against the disrespect of waiting for anything, the track reiterates and projects the DIY themes expressed on “All Saints”.

“I really feel like we’ve made progress this time out. We seek to keep moving in that direction,” promises Rogers. “This is album number 5 and we’re obviously high on it”

In keeping with all Wildflow releases, “High Five” is available in limited edition vinyl of 250 and on all digital and streaming services.

To purchase:

Apple music: https://music.apple.com/us/artist/anthony-w-rogers/1438451369
Amazon: https://www.amazon.com/dp/B0BYQ6C49M/
Spotify: https://open.spotify.com/album/79HUjCbr17LcjkQMGoxXSZ
Vinyl: Solar Mountain Records: https://www.facebook.com/photo?fbid=706212141298399&set=pcb.706212184631728

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158(US) glassonyonpr@gmail.com

Anthony W Rogers’ babyflow Releases Debut Album “Oblivious”

A nod to “The Who Sell Out”

Independent label Wildflow Records and Anthony Rogers announces the release of the wild debut album from babyflow. entitled “Oblivious.” The album is available on the full range of digital and stream services and is available again on limited edition vinyl, in keeping with all releases thus far on Wildflow. “Oblivious” marks the first time Rogers has released an album under another name, evidently, like everything else these days, a side effect of the Covid experience.

Rogers remarks “This is a wild one. We intended an even more collaborative album which got shut down 2 songs in March. After that, it wasn’t until August that we had the Lillers come back in separately to finish the vocals. Since there were a number of tracks with vocals other than mine, it was entirely appropriate to put this under another name. Blake significantly stepped up writing wise and the others-especially the Liller brothers left a big imprint on the final product. Then of course the craziness of the commercials and format. Made sense to me.”

Marketed as “an indie solution for the Covid/Trump hangover,” “Oblivious” is the fourth full length release (#3 on Wildflow) by Appalachian indie artist Anthony W Rogers. In addition to Rogers, babyflow features the usual contributions from Rogers’ children Blake (Audrey) and Joe Rogers as well as heavy contributions from brothers Aaron and Sean Liller, and musical contributions from local musicians/friends Pierce Miller and Bryson Bush. To complete the family circle, the iconic full on unforgettable sun cover art was painted by artist Lisa Rayden-Rogers, wife of Anthony/mother of Blake and Joe.

Most mischievous of all is that “Oblivious” features seven songs/six commercials weaving in and out of the album imitating the construct of the great classic late 60’s record, “The Who Sell Out.” But babyflow’s commercials all reference modern 2020 fictious products /places (Covid Beach, Invisible Mask, No Test Health Insurance). “The idea came from a discussion with my son, Joe about what funny products you could come up with.” Anthony says, “We landed on Invisible Mask and we were off to the races. I put the other planned tracks away and we finished it up like this. Fun to weave these in.”

The album itself is a journey from the dark caustic opener “Daddy Got Played” (a finger wagging at the collapse moral and ethical standards of the Southern Christian contingent) to the light-the hopeful optimistic promise of closer “Rain Cloud”, a ballad written for and first performed at the inaugural Mineral County (WV) Music Festival in summer 2019. The record also features the first recorded solo composition from Blake Rogers, a high school junior, in the form of the instrumental second side opener “William Burns” - a mature and subtly placid reminder honoring the victim of the last known lynching in the local Western Maryland region in 1907. The album liner notes remark of this track, “it is our duty to never forget.” “Blake also was the principal/genesis writer on ‘Substitute For Science,’ ‘3 for $12.99’ and ‘Karen for Hire.’” says Anthony.

Anthony recorded solo two of the album tracks, “Wrong” and “Wish Away.” “Wrong” is a poppy playlist ready remake/update of a track originally intended to be included on the 2015 solo album of the same name. He says, “Originally the first version of wrong referred to the existence of time. Now with the new version, I’ve come to agree with Chris Dedrick/Free Design… the wrong is outside us.”  “Wish Away” concerns the personal desperation felt across the country from the early days of the pandemic. “Ok, so we know we can’t go back to how it was before” says Rogers, “so let’s dream and find the better way.” Other standout tracks include “Greaser” (a Brown Sugar-ish/Black Crowes style tribute to individualism) and “Listen (concerning BLM and the breakdown of civil discourse from an unrecognizable uninformed segment of society).

To many, the unique and most exciting part of the project will be the commercials-a humorous yet serious commentary of the state of America circa 2021. “Covid Beach” - a Dick Dale/Jan and Dean panache to a mask less paradise; “Substitute for Science” and “3 for $12.99” - with the “bleach tab “phenomena”; “Invisible Mask” - the dangers of being smart in dumdum culture; “NTHI” - a no test health insurance and “Karen for Hire,” a Sparks (Mael brothers) influenced tribute to the homemakers from hell club, who like to “fix things.” “I have no doubt that if these are heard they would be extremely useful and attractive form of comic relief for college stations across the country. The originals on sell out were used as bumpers everywhere. I think ours are just as funny.”

Anthony W Rogers is a veteran of both the local and DC music scenes, and has (many lifetimes ago in a different world) played to thousands over the years in his DC area bands Ten Below and The Now. Rogers has released three solo albums prior to “Oblivious”: 1993’s “Indentifiction”; “Wrong” in 2015; and “One Day (a Journal)” in 2018. “I’m always happy and satisfied to fly a bit below the radar. I know what we’re doing is good. Every record is just me dropping my pebble into the lake. I think my younger cohorts this time out are decidedly less apathetic as me so I hope for their sake more people hear this one.” “Oblivious” was recorded, produced and mixed at Anthony’s own Lakes Edge studio. The latest project was also the first to be mastered by DC area legend and multi-Grammy winner Greg Lukens at his Virginia facility.

Babyflow’s “Oblivion” album, following in the vein of the last two Wildflow releases - will be available on limited edition vinyl and is available currently for digital download worldwide and streaming services on the Wildflow imprint. Previous releases “Wrong” and “One Day” have previously garnered much critical praise from reviewers in the US and across Europe and are also available digitally and vinyl. Rogers first CD release in 1994, “Identifiction” remains currently out of print.

Tracks:
1. Daddy Got Played
2. Substitute for Science
3. Wrong
4. Covid Beach
5. Greaser
6. 3 for $12.99
7. William Blake
8. Invisible Mask
9. Wish Away
10. NTHI
11. Listen
12. Karen for Hire
13. Rain Cloud

2021 Wildflow Records

Website: www.wildflowrecords.com

To purchase digitally: https://www.amazon.com/dp/B08THH9QCD/ref=pe_385040_118058080_TE_M1DP
Stream on YouTube: https://www.youtube.com/playlist?list=OLAK5uy_nO0i3kEEnv1VKoFEqngj6g0jqPCvyzgys
Soundcloud page: https://soundcloud.com/anthony-w-rogers

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Eclectic Pop Music Artist Anthony W. Rogers Releases 'Smile-Era' Influenced Sophomore Album On Limited 180 Gram Vinyl

Cumberland, MD - Musician/multi-instrumentalist Anthony W. Rogers announces the release of his second solo album entitled WRONG. The new ten song collection of originals was performed and recorded entirely solo and is now available on limited 180 gram vinyl and download formats.

A stylistically diverse and decidedly homemade effort, Rogers recorded WRONG alone at his home in rural West Virginia from 2011-2014 through a multi-track recording layering all the instrumental parts and vocals.

Says Rogers, “It's a process I'm used to from the old days and it fits the schedule of my life. On this recording, the cheap equipment I used and the way I used it, is really primitive by 2014 standards. I enjoy it that way. I get a certain perverse kick out of achieving sounds and sonics cheaply.”

Anthony Rogers is a long retired veteran of the local tri-state music scene in many rock and jazz bands in his youth. Rogers continued to blaze his trail through the Washington DC area writing recording and performing original music with local favorites The Now and Ten Below-a band which originated in Frostburg. Besides playing on several recordings while in DC, Tony also performed as drummer on several occasions behind legendary DC vocalist and Grammy winner Eva Cassidy and in several other jazz combos.

WRONG was prepared for release with Chris Biondo (Cassidy's musical collaborator) at his facility in Kensington Md. Rogers also recorded with Biondo as engineer on Rogers' 1994 solo debut 'Identifiction'.

Tony relates that, “I did most all of the mixes at home except for 'Keep Holdin On’'which we re-did at Chris'. On the way in, I walked past his multiple Emmy awards he won for his TV music (Nat Geo, TLC, etc). He has the best ears and intuition of anyone I've been lucky enough to be around. He knows what I'm going for. I trust him and his opinion completely.”

Although there are no plans presently to return to live performance at this time, this album signals a return to recording activity. “I'm better off to use what very little time I have recording creating and writing. I have a full life outside of this.  It takes a lot of sustained focus,” says Tony.

Those lucky enough to hear the dizzying and stylistic effort seem to favor the harmony laden wistful look-back track, “White Beach” (about Rogers' home town); the closer - “Johnny/Janie” a 1950's influenced let's runaway theme sung masterfully by his then nine year old children Audrey and Joe Rogers (“People really seem to like this one. It’s easy to understand”); to the more adult themed guitar feedback drenched tribute to his tragically deceased childhood friend Mitch Sanders, “Crunch” (“It's kind of a twisted blues song for a twisted situation”); and finally, the centerpiece mystical acoustic quasi-prog penultimate track…”Wash” (“the main lyrical gist of the whole record, really”).

As to the influence of Smile, Brian Wilson and the Beach Boys, Tony says that "there is no question that the vocal arrangements that Brian did in his heyday are so firmly imprinted on my mind from my youth, it is an integral part of me and my own sound. I bought all the Beach Boys bootlegs, tape trading, past masters stuff since the 70s-Smile is a pillar of modern musical achievement. Brian would be prominent on MY own personal musical Mount Rushmore."

Says Rogers, “This was designed to be an LP. A two-sided, two-part, two-gals record album. The vinyl package is beautiful. This was made for vinyl people. Top notch 180 gram heavy vinyl, great color artwork, inner sleeve, and lyric insert. The idea is to get out your headphones, play side one, then take a break and then do side two. Like two separate EPs. No CDs this time (like 'Identifiction'). With downloads, Ipods, phones, even CDRs, you can make your own.”

WRONG is certainly one of a kind… and you can get copy in most cool independent stores in the mid Atlantic/Pennsylvania area and the great Solar Mountain Records in Keyser,WV.
WRONG  is also available through the standard download sources (iTunes, CDBaby, Amazon). WRONG is the first release on the Wildflow Unlimited record label which seeks to feature and promote artists on vinyl.

To listen to tracks from WRONG:
https://soundcloud.com/anthony-w-rogers

To purchase:
CD Baby: http://cdbaby.com/cd/anthonywrogers
iTunes: https://itunes.apple.com/us/album/wrong/id961124565
Amazon: http://www.amazon.com/gp/product/B00SQ0MFT0/ref=dm_ws_sp_ps_dp
UK Amazon: http://www.amazon.co.uk/Wrong-Explicit-Anthony-W-Rogers/dp/B00SRF2V5C/ref=sr_1_1?ie=UTF8&qid=1423153891&sr=8-1&keywords=anthony+w+rogers+wrong

Direct contact for 180 gram Solar Mountain Records, Keyser, WV. 304 788-1055,
Facebook: https://www.facebook.com/pages/SOLAR-MOUNTAIN-RECORDS/179968760251

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com